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Metal Idol

Video: [link]

Summary: Ancient Greek mystery religion—especially in Orphic and Euripidean texts—presents music (particularly lyre-playing) and ritual performance as the medium through which priests, prophets, and inspired figures access divine forces, produce oracles, and mediate hidden cosmic realities

Sources:

  • Euripides, Iphigenia in Tauris (480–406 BCE)
  • Orphic Argonautica (3-4th century CE, author unknown)
    • The poem claims to be narrated by Orpheus, but scholars agree that this is a pseudonymous attribution (a literary device common in Orphic literature.)

It comes straight from the queen of the underworld

Euripides, Iphigenia in Tauris (Ἰφιγένεια ἐν Ταύροις),

κλέπτοντες ἐκ γῆς ξόανα καὶ θυηπόλους;

Some Person is Stealing from the Earth ksoana and the she who carries out the sacrifices?
  • ksoana (ξόανα) - wooden cult images, carved idols (archaic statues)
  • thuepolous (θυηπόλους) - the she who carries out the sacrifices

The name for this earliest Idol used to bring the music of the kosmos to the greek speaking world, that thing is called ksoana (ξόανα).

The person who appears to be stealing her, that person appears to be her brother.
He's rescuing her from her job, which is
to kill by holy sacrifice any strangers that come to shore.
That's her job.

  • it was given to her by her father
she was dedicated by Artemis
her father was the king consort of the great dragoness

the people who lived in this time they built cities with these giant stones.

but somebody (Arestes) is stealing the ksoana (ξόανα) and the thuepolous (θυηπόλους)
the ksoana (ξόανα) is the device she uses in the rite.
she has to have it with her or she can't operate the rite.
what does she actually do?

Euripides, Iphigenia in Tauris (Ἰφιγένεια ἐν Ταύροις),

χρόνῳ δ ̓, ἵν ̓ ἡμῖν δρᾶν τι δὴ δοκοῖ πλέον, ἀνωλόλυξε καὶ κατῇδε βάρβαρα
μέλη μαγεύουσ ̓, ὡς φόνον νίζουσα δή.

And after a time, so that it might seem to us she was doing something more, she raised the ritual cry and sang barbarian chants, practicing magic, as though indeed washing away a murder.

  • anoulolukse (ἀνωλόλυξε) — she uttered a ritual cry (ololygē, sacred shriek)

Look at the second line. This Iphigenia, this girl who was sacrificed to Artemis, given to the temple in order to serve the Black Seas, goddess of the poison pouring hunt.
Wait, what? Oh god, what is what does this text say:

  • ἀνωλόλυξε καὶ κατῇδε βάρβαρα μέλη μαγεύουσ?

The text says that she anoulolukse (ἀνωλόλυξε).
That word you're going to recognize, that's what the phony Hebrew turns into hallelujah.
She is, and,
If you look this up in a Greek lexicon or you've seen it a thousand times, you'll know that It's talking about the bacchic cry.
You are raising the bacchic cry.
It is not the hallelujah.
That is what the lying rabbis, priests, and mullas have been feeding you for two millennia.

Focus on the priestess who slaughters and drinks the blood and plays the guitar and purifies with her drugs. She's screaming the bacchic shout.
Are you watching the bacchic satanic chorus (here)? Yes. Yes you are...

What is this priestess doing?
This text is explaining what that priestess is doing.

  • she is entering the bacchic shout
  • she chants barbarian songs
  • μαγεύουσ - you think the magi are in that? Absolutely. They are making songs. That's what magi do. They can only make songs with that ksoana (ξόανα)

What is the instrument for capturing and releasing divinity? It is the guitar/lyre, the strings. This song brought by strings is the source code of reality. You can write existance with those strings? There'sa music that only that musician who is in tune with that song that you can't hear, and brings it into this dimension, there's a power that underlies it that they're talking about.

Notice the magic. Look at the definition of song:

μέλος , εος, τό,
A.limb, in early writers always in pl., Il.7.131, Pi.N. 1.47, etc. (κατὰ μέλος is corrupt for κατὰ μέρος in h.Merc.419); μελέων ἔντοσθε within my bodily frame, A.Pers.991 (lyr.), cf. Eu.265 (lyr.); κατὰ μέλη (-εα) limb by limb, like μελεϊστί, Pi.O.1.49, Hdt.1.119; “τὰ τοῦ σώματος μέλη καὶ μέρηPl.Lg.795e; μέλη ποιεῖν dismember, LXX 2 Ma.1.16: later in sg., AP9.141, Gal.UP12.3,al.; “ κατὰ μέλος τομήStr.2.1.30.
2. metaph., “ἐσμὲν . . ἀλλήλων μέληEp.Rom.12.5, cf. 1 Ep.Cor.6.15.
3. features, form, “οὐκέτ᾽ ἐγὼ . . γονέων μ. ὄψομαιBMus.Inscr.1077 (Sudan).
B. esp. musical member, phrase: hence, song, strain, first in h.Hom.19.16 (pl.), of the nightingale (the Hom. word being μολπή), cf. Thgn.761, etc.; “μέλη βοῶν ἄναυλαS.Fr.699; esp. of lyric poetry, “τὸ Ἀρχιλόχου μ.” Pi.O.9.1; ἐν μέλεϊ ποιέειν to write in lyric strain, Hdt.5.95, cf. 2.135; “ἐν μέλει τινι ἄλλῳ μέτρῳPl.R.607d, cf. D.H. Comp.11; “Ἀδμήτου μ.” Cratin.236; μέλη, τά, lyric poetry, choral songs, opp. Epic or Dramatic verse, Pl.R.379a, 607a, al.; [μ.] ἐκ τριῶν συγκείμενον, λόγου τε καὶ ἁρμονίας καὶ ῥυθμοῦ ib.398d.
b. lyric portion of the Comic παράβασις, Heph.Poëm.8.2.
2. music to which a song is set, tune, Arist.Po.1450a14; opp. ῥυθμός, μέτρον, Pl.Grg. 502c; opp. ῥυθμός, ῥῆμα, Id.Lg.656c; Κρητικόν, Καρικόν, Ἰωνικὸν μ., Cratin.222, Pl.Com.69.12,14: metaph., ἐν μέλει properly, correctly, “ἐν μ. φθέγγεσθαιPl.Sph.227d; παρὰ μέλος incorrectly, inopportunely, “πὰρ μ. ἔρχομαιPi.N.7.69; “παρὰ μ. φθέγξασθαιPl.Phlb.28b, Lg.696d; “παρὰ μέλος λαμπρύνεσθαιArist.EN1123a22, cf. EE1233a39.
3. melody of an instrument, “φόρμιγξ δ᾽ αὖ φθέγγοιθ᾽ ἱερὸν μ. ἠδὲ καὶ αὐλόςThgn.761; “αὐλῶν πάμφωνον μ.” Pi.P.12.19; “πηκτίδων μέληS.Fr.241: generally, tone, “μ. βοῆςE.El.756. [In h.Merc.502 θεὸς δ᾽ ὑπὸ καλὸν ἄεισεν must be read for θεὸς δ᾽ ὑπὸ μέλος ἄεισεν, and Ἕλλησιν δ᾽ ᾁδων μέλεα καὶ ἐλέγους is corrupt in Epigr. ap. Paus.10.7.6.]

It's a limb. Think about that for a minute.
Especially a musical member.
Mele - Song or strain that is lyric (for a lyre). The song is used with lyric poetry, poetry that is for the music creating the medium that can carry that song. Music to which a song is set.

Orpheus’ Argonautica

Ωναξ Πυθώνος μεδέων, έκατηβόλε, μάντι,

O lord ruling Pytho, far-shooter, seer/prophet,

  • ounax (Ωναξ) - lord
  • pytho (Πυθώνος) - dragon spirit (the dragoness is the chief of the echidnaic priesthood)

λυροεργὲ
  • luro-ergon (λυροεργὲ) - lyre worker, the worker of the lyre

Invisible dorian digamma there between luro and ergon

ἔργον , Dor. ϝέργον IG4.800 (vi B. C.),

ksoanon (ξόανον)

ξόα^ν-ον , τό, (ξέω
A.image carved of wood, E.Ion1403, X.An.5.3.12 : then, generally, image, statue, esp. of a god, Acus.28 J., E.IT 1359, Tr.525 (lyr.), 1074 (lyr.), BMus.Inscr.1012 (Chalcedon, i B. C./ i A. D.), Paus.8.17.2, al., Porph.Abst.2.56 ; also of a representation on a scarab, PMag.Leid.V.9.22.
II. musical instrument,ξόαν᾽ ἡδυμελῆS.Fr.238 (anap.).

  • an image carved of wood
  • musical instrument

ksoanon (ξόανον)

  • the idol carried by the priestess of artemis
  • what you've been picturing as a little wooden statue, is a technical device to bring the god.
  • These devices can be engineered.
  • You can take the ksoanon and import the goddess of war through it, and set it up as an agaouma as a glorious image of that deity and it can be full of Athena's hell. It can bring her weapons of destruction upon you.
  • They did this in order to destroy the city of Troy.

It's because, You're not going to see odysseus in your Hollywood movies, get *aped, and have his son killed by the daughter of the woman he *aped, did you?

---- cookie break ----

Orpheus’ Argonautica (ΟΡΦΕΩΣ ΑΡΓΟΝΑΥΤΙΚΑ)

ἔφρασ' ὅταν Βακχοῖο καὶ Ἀπόλλωνος ἄνακτος κέντρῳ ἐλαυνόμενος, φρικώδεα κῆλ' ἐπίφαυσκον

She proclaimed, whenever, driven by the sting of Bacchos and lord Apollo, she revealed/uttered awe-inducing incantations
I want to sting each of you with the stinger of Bacchus and Lord Apollo.

  • anaktos (ἄνακτος / άναξ) - lord, master
  • elaunomenos (ἐλαυνόμενος) - compelled; drive, set in motion
  • κέντρῳ ἐλαυνόμενος - “driven by the sting” (κέντρον = sharp point; metaphorically divine impulse);
    • put into a certain state of being, a certain psyche, a certain sense, you're shifted
    • you're not going to act as you always have, you'll act the way you always wanted to act.
  • ἔφρασ’ - “she proclaimed” / “declared”
  • ὅταν - “whenever”
  • Βακχοῖο καὶ Ἀπόλλωνος ἄνακτος - “of Bacchos and lord Apollo”
  • φρικώδεα - awe-inducing, shudder-causing
  • κῆλα - spells, incantations, baneful charms
  • ἐπίφαυσκον - bringing to light / revealing / uttering

In anaktos (ἄνακτος / άναξ)
Look at the word "Ϝάναξ", for the hidden digamma:

ἄναξ [α^], ἄνακτος (cf. Ἄνακες), , rarely fem. ἄνα for ἄνασσα, Pi.P.12.4, cf. A.Fr.342: (
A.ϝάναξIG4.236 (Corinth), etc., cf. “ϝάνακες4.564 (Argos)):—lord, master,

Who's making this language up?
Would you be surprised if I told you it was Medea?

Wanox (Ϝάναξ)
Where is this coming from?

  • Time when we have next
  • All the poisons
  • All the mystery
  • This is the time
  • Where's my kitty cats? Have we poisoned the cats with the proper drugs to turn them from leopards and lions and cheetahs into our house pets? You know, if you drug them, it works on people or on lions.

Wanassa (ἄνασσα)

  • Where is that female queen that scares me in a sexy way?
    • That's the Wannasa
    • That's the title that is given to that female of ultimate authority.
    • She's the one. If you go away for 10 years and come back, she's going to kill you. She's going to kill you. She's already moved on. Do you understand? Probably your children, too. Probably your children, too.
    • This is the exact family dispute that we are talking about when we say the first idol was the guitar that was being played to purify the one who murdered. Oh god. The one who murdered who? The one who murdered the Drakaina.
    • This stuff is real, all you have to do is read about it from these texts.
    • That drakaina's blood has to be purified.
    • These are katharma. This is the purification of your soul. This is the mystery.

What happens when you get Stung?
Anyone here been stung by a god?

κεντ-έω , Pi.P.1.28, etc.: fut. -ήσω S.Aj.1245: aor.
A.ἐκέντησαHp. Epid.5.45, Dor. “κέντα_σαTheoc.19.1; Ep.inf.κένσαι (as if from Κέντω) Il.23.337:—Pass., fut. -ηθήσομαισυγ-) Hdt.6.29: aor. “ἐκεντήθηνArist.Spir.483b16, Thphr.HP9.15.3: pf. “κεκέντημαιHp.Anat. 1:—prick, goad, spur on, Il.l.c., Ar.Nu.1300, etc.: prov., κ. τὸν πῶλον περὶ τὴν νύσσαν, of impetuous haste, Suid.
2. of bees and wasps, sting, Ar.V.226, al.; Ἔρωτα κακὰ κέντασε μέλισσα Theoc.l.c.; “τὠφθαλμὼ κεντούμενος ὥσπερ ὑπ᾽ ἀνθρηνῶνAr.Nu.947; of the porcupine, Ael.NA12.26: then,
3. generally, prick, stab, Pi.l.c., Theoc.15.130, etc.; “μηδ᾽ ὀλωλότα κέντειS.Ant.1030; “τὴν γλῶσσαν καὶ τὴν ψυχὴν αὐτῶν κέντησονTab.Defix.97.26; “ἐκέντει . . <αἰθέρ᾽>, ὡς σφάζων ἐμέE.Ba.631 (troch.), etc.; κ. τὸν ἀέρα Theo Sm. p. 61 H., cf. 72 H.; “τύπτειν οὐδὲ κ.” Pl.Grg.456d:—Pass., κεντηθείσης τῆς φλεβός Thphr.l.c.; “παιομένους καὶ κεντουμένουςTh.4.47; “μαστιγούμενος καὶ κεντούμενοςX.HG3.3.11, cf. An.3.1.29: metaph., σὺν δόλῳ κ. stab in the dark, S.Aj.1245; “λιμῷ κεντούμενοςAlciphr.3.4.
4. = βινέω, Mnesim.4.55.

To be pricked or stabbed, goaded.
To be brought to a place. To a place of impatuity.

  • bineou (βινέω) - to bang; of illicit intercourse

βι_νέω ,
A.inire, coïre, of illicit intercourse, opp. ὀπυίω, Sol. ap. Hsch., Ar.Ra.740: c. acc. pers., Id.Av.560, etc.:—Med., Ion. impf. “βινεσκόμηνId.Eq.1242:—Pass., of the woman, Eup.351.2, Philetaer. 9.4.

This is the sting that is brought to you through the guitar that carries on it the signal of the god's desire.
This is Apollo we've been talking about.
This is all coming through the music.
She cannot reach divinity without the music.

Would you be surprised if I told you
there is a concert that you can't hear
being played around you?

(Ammon didn't think this up, this is what these texts are saying, these brainiacs who write)
We're just reading it thinking they're crazy.

Let's talk about some more gods:

Orphic Argonautica (Ὀρφέως Ἀργοναυτικά), in the Orphic-theogonic invocation material

Νυκτὸς ἀειγνήτης πατέρα κλυτόν· ὃν ῥα Φάνητα ὁπλότεροι καλέουσι βροτοί· πρῶτος γὰρ ἐφάνθη

The renowned father, ever-born of Night; whom younger mortals indeed call Phanes; for he first appeared.

Who are the gods that we as the priesthood that is Echidnaic that is bringing the purification, that is drinking the blood of the martyrs/holy/monists, who are we revealing?

Phaneta (Φάνητα) - bringer of light himself, Phanes; The one with the golden wings, did you think he was far away? Did you want to make the invisible visible? It's the mystery of the name itself in the greek. Phanes. He's the invisible one who appears. He gives Aionic Life.

What is a christ?

We're talking about the savior himself

Heracles (Ἡρακλῆος)
Who am I making visible to you right now? Phanes. Priapus.
What do you get when you bring Phanes into this world? You get Priapus.

When you think of the places that began the mysteries, you think of:

  • Lemnos
  • Samothrace

phersephonen (Φερσεφόνην)
To pronounce this name is a crime.
So instead you say Kore (Korwa in Mycenean)
  • Κόρη — “the Maiden”

Analyze phersephonen (Φερσεφόνην):

  • φόνην/φόνος = murder, slaughter
  • and add the prefix:
    • φέρ- = to carry, to bring
    • σε
    • φέρ-σε-φόνη → “she who brings death”
  • or
    • πέρθω = to sack, destroy (as in cities)
    • Περσε-φόνη = “destroyer slaughterer”

She who brings death
Queen of the underworld
Persephone

Korubanton (Κορυβάντων)
Korubas is a god.
Do you know where you are? Did we start with religion coming through music? And now we are inseparable from magic? Definitely.
This is a Korubantic dance.
The greeks had a verb "to be korubantic".
  • κορυβαντιάζω (korybantiázō) - to behave like a Corybant; to rave in ecstatic frenzy; to be seized in ritual-mad excitement; to dance in Corybantic fashion; It implies: Possession, Rhythmic frenzy, Religious mania, Percussive, shield-clashing ecstasy.

To be Bacchic and to be Korubantic. Those are two different things.

Κορύβαντες — the Corybantes

These are:

  • Armed, ecstatic dancers
  • Associated with drums, cymbals, clashing bronze
  • Linked especially to Meter (Cybele) and Anatolian cults
  • Sometimes associated with protecting the infant Zeus

Core features:

  • Percussive frenzy
  • Rhythmic trance induction
  • Armor, shields, metallic noise
  • Circular / stamping dance
  • Possession through sound

The Korubantic state is:

  • Rhythmic
  • Martial
  • Percussive
  • Body-forward
  • Induced through sonic assault

It is trance via overstimulation.

Βάκχος — Dionysos

Features:

  • Wine
  • Ivy
  • Thyrsos
  • Maenadic ecstasy
  • Dissolution of boundaries
  • Mountain / wild settings

The Bacchic state is:

  • Organic
  • Liquid
  • Emotional
  • Dissolving
  • Erotic / vegetal

It is trance via intoxication and release.

Orphic Argonautica

Δήμητρός τε πλάνην, καὶ Φερσεφόνης μέγα πένθος, θεσμοφόρος θ' ὡς ἦν· ἠδ' ἀγλαὰ δῶρα Καβείρων,

And the wandering of Demeter, and the great grief of Persephone, and how she was law-bringing; and the shining/splendid gifts of the Cabeiroi.
What kind of activity are all of these oracles doing?
You're bringing your people the laws
  • thesmophoros (θεσμοφόρος) - law-bringer, ordinance-bearing

θεσμο-φόρος , ον,
A.law-giving, epith. of Demeter, Hdt.6.91, 134, IPE2.13 (Panticapaeum, iv B.C.), Call.Aet.Oxy. 2079.10, D.S.1.14, etc.; σεμνὴ Θ. AP5.149 (Asclep.), cf. Luc.Tim.17; τὼ Θεσμοφόρω Demeter and Persephone, Ar.Th.83, al.; “αἱ ΘεσμοφόροιApp.BC2.70, Plu.Dio56, etc.; πότνια Θ., of Persephone, Pi.Fr.37; also, as a title of Dionysus, Orph.H.42.1.

Moso, the author of the Septuagint, herself "the Moses", was involved in bringing the law as a Thesmophor.
Hebrew? No. It's Greek.

I'm about to reveal that which is most beautiful
What's at stake here is an invisible reality that can be communicated
You can have ears to hear
You can fulfill that
Remember Jesus is always walking around being the Magus that he is, involved in the sex-magic with the kids (a real Epstein, despicable), he's always drawing on that same fount that the magus is using.

Jesus
When Jesus gets high, this is what it looks like.
This man is seeing the invisible.
He has eyes to see. Why?
He has been christed
He is the soter (savior), because he has already partaken of aionic life.
This guy that you're looking at, is full of aionic life.
This is Jesus Christ - Jesus "the christed".

Now, find the thread of the music.
What is the invisible sound that that guy is hearing?

image
What is the invisible music that this guy hears in a public park at 4am with the n4k3d kid, and some kind of goo on his face, and the kid has a bandage on his hoohaw. (see Mark 14:51-52 Translation from Source)

What kind of music is being played that Jesus is able to comprehend?
This is the mystery.

If there was ever to be a movie that has anything to do with the use of drugs in antiquity, or the use of magic, they will have to show this scene with Jesus. You really miss out when you dont go through the Greek.

Now let's go to the secret.
What's the real treasure that I'm teasing you with?'
Something very dark
It is the invisible music that Jesus is perceiving.

Here's Lemnos

Orphic Argonautica

Λῆμνόν τε ζαθέην ἠδ' εἰναλίην Σαμοθράκην,

And sacred Lemnos, and Samothrace encircled by the sea.
Did you know where those priestesses of Artemis work?
They're working on Lemnian Earth.
That stuff is a huge medical commodity.
Galen loves it, but he doesn't know how to find it or prepare it.
But the priestesses do, and she puts her seal on it, so they can take it to Rome and use (Kollourion).
Lemnos and Samothrace - Orphic.

Getting to the treasure.
Buried in the invisible music.
This can be discovered, to all of you with aspirations.

Orphic Argonautica

χρησμούς τ' ἀρρήτους Νυκτὸς περὶ Βάκχου ἄνακτος,

And ineffable/unutterable prophetic utterances, belonging to Night, concerning lord Bacchos.
  • arretous (ἀρρήτους) - ineffable/unutterable; unspeakable/forbidden

Words containing secret ritual content...
There are invisible oracles, songs, that are in the air right now.
They are the bacchic songs that can be harvasted.
Who brings them?

  • The same orphic text we're looking at, Argonatica that's about Medea.
  • They were giants who produced the music

Orphic Argonautica

χρησμούς τ' ἀρρήτους Νυκτὸς περὶ Βάκχου ἄνακτος,

And ineffable/unutterable prophetic utterances, belonging to Night, concerning lord Bacchos.

There are oracles of night floating in the air around you
Those are Bacchic oracles
If you are a musician you can access those.
But, you have to be so good, your daddy's the devil
Somebody with the mark.

You've never made it to this level of guitar perfection, dont be jealous of the god.
Can you pull out the bacchic oracle right out of the air?

Orphic Argonautica

αἰπεινήν τε Κύπρον, καὶ Ἀδωναίην Αφροδίτην

And steep/rugged Cyprus, and Aphrodite of Adonis.

This is one person.
This is georgeous Aphrodite that is the end of the mystery.
She is that Aphrodite of the Adonis.
You realize that the Adonis (the lover of the queen of sexyness) without whom you wouldn't be here (your parents came under her power).
That generative power is the power of the mystery.

These are the rites of Praksidikes

ὄργια Πραξιδίκης
  • Praksidikes (Πραξιδίκης) - she is the operation / activity (manifestation) of justice.

You can't have her without Echidna.
If you dont bring out the furious virgin who is half viper, you'll never have the city on the hill, or true democracy. You'll have the curse of being ruled by pedos.

It's in the Echidnaic priesthood. You thought oracles were just nice songs. NO.
For the guitarists, for those who have the slightest itch to find those oracles of night through the strings...

  • Look at the middle word here:

Orphic Argonautica

ἡμετέρη πίσυνος κιθάρῃ δι' ἔρωτ' ἀλόχοιο·

Trusting in our kithara (lyre) because of love for his wife
This poet is bringing you the magic of the drug use of Medea.
What does this poet continually focus on?
  • Every form of stringed instrument
  • The very god that is invoked in the opening, is the god of the stringed instrument.

Orpheus, Argonautica

  • Πρῶτα δὲ εἶδα βίην Ἡρακλῆος θείοιο
ὃν τέκεν Ἀλκμήνη Ζηνὶ Κρονίωνι μιγεῖσα

“First I saw the strength of divine Heracles,
whom Alcmene bore after lying with Kronian Zeus (Zeus, the son of Kronos).”
  • Ζεὺς Κρονίων — Zeus the son of Kronos

Dont ever forget this is about that savior.
We saw that force of Heracles, he's divine.
Heracles is son of god (Zeus).
Do you want to be a Giant?
Know yourself, son of god, and pull the oracles of night, from your strings.

Apollo with the horns, and the muse behind him.
Do you think she'll be able to come through those strings?
It's like a mystery, will it happen?
Is she going to be brought into the world?
It's only going to be Eros that brings it.
That musician that brings it, it will only be brought by Eros.

Orphic Argonautica

Αὐτὰρ ἐγὼ φόρμιγγα τιτηνάμενος μετὰ χερσί,

But I, stretching the phorminx (strings of the lyre) with my hands
The guitars were all there.

What have we learned tonight that is different?
You were under the impression that an image was a picture / statue, some kind of icon.
You didn't realize that that cult idol is the instrument of it's ritual, that you have to have that in order for her to break into song, she has to play. That playing is what is accessing the invisible. Without it you dont go anywhere. You must have the ksoanon in order to break through. You have to have the instrument.

Those instruments have soul.
You are so good with the instrument, because you are in love. That is how the universe works.
Now you have to bring it out
And that's the job of the Giant to bring it out.
Where is Heracles, the son of god?

Please understand that what you've seen tonight, is the declaration of independence within religious history.
Your religion originates in music.
Never forget that all of the beauty that you've experienced of the reasoned world around you is the concrete result of music.

Let's stand together with the hope that the musicians of this kosmos can pull those oracles and bring her.

Thank you for coming tonight.
Satan is Eros
Satan is Phanes

One more thing:

I have one piece of music.
I'm just going to tell you this.
I think that in my life I have heard from somebody who knows instruments and music and all the gorgeousness that is the worship of Apollo. Gave me some music to ground myself in. And that's the music that I think is most important. And the Ramones, I just want to take that brat and beat him with the baseball bat. Do you understand? That son of a bitch did. I love it. And because of that, because the music has that much fucking power, I understand why this musician said, "You've got to listen to this."

They were raising me from the dead with the music.

Yes. So, all the brats out there with the punkest punk that we can possibly get, everybody listen to them.
The people, thank you for coming tonight.