‎/Transcript - Mark of the Beast Wednesday Night Bible Studies Season 2 - Episode IV
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Transcript: Mark of the Beast: Wednesday Night Bible Studies Season 2 - Episode IV

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Show concatenated view
62 timestamped sections using the same paragraph analysis.
Section 1: 00:00:02,300 – 00:00:30,170
00:00:02,300 → 00:00:09,129 take me to that happy hour I never had
00:00:09,139 → 00:00:14,030 show me the girl I never met I want it
00:00:14,040 → 00:00:16,750 so bad
00:00:16,760 → 00:00:21,590 where is that Golden Palace where is
00:00:21,600 → 00:00:25,790 that [\h__\h] called Destiny I think she
00:00:25,800 → 00:00:30,170 ran on without me
Section 2: 00:00:30,180 – 00:00:59,520
00:00:30,180 → 00:00:32,950 now
00:00:32,960 → 00:00:36,709 today it is my distinct underworld
00:00:36,719 → 00:00:40,090 privilege to bring to you
00:00:40,100 → 00:00:41,810 lamia
00:00:41,820 → 00:00:46,150 to bring to you Jesus the cross-dressing
00:00:46,160 → 00:00:59,520 vampire who sucks the blood of boys
Section 3: 00:00:59,530 – 00:01:07,730
00:00:59,530 → 00:01:07,730 [Music]
Section 4: 00:01:07,740 – 00:01:11,710
00:01:07,740 → 00:01:11,710 foreign
Section 5: 00:01:11,720 – 00:01:51,469
00:01:11,720 → 00:01:14,630 so here we go with the imagery I won't
00:01:14,640 → 00:01:16,490 waste your time we're going to turn
00:01:16,500 → 00:01:18,350 tonight right to the beginning of the
00:01:18,360 → 00:01:19,670 Apocalypse
00:01:19,680 → 00:01:20,990 and we're going to look at a little bit
00:01:21,000 → 00:01:22,670 of Greek we're going to translate a
00:01:22,680 → 00:01:24,350 little bit just run along fluidly
00:01:24,360 → 00:01:27,170 because I need to run you too
00:01:27,180 → 00:01:31,130 the image here we are being faithful to
00:01:31,140 → 00:01:32,810 the image
00:01:32,820 → 00:01:35,210 of the son of man
00:01:35,220 → 00:01:38,270 we must maintain the Integrity of that
00:01:38,280 → 00:01:43,069 image let me show you that image
00:01:43,079 → 00:01:51,469 foreign
Section 6: 00:01:51,479 – 00:02:02,450
00:01:51,479 → 00:01:52,850 in the middle
00:01:52,860 → 00:01:55,450 of these lamp stands
00:01:55,460 → 00:01:59,210 is the image of someone like the son of
00:01:59,220 → 00:02:02,450 man
Section 7: 00:02:02,460 – 00:02:27,290
00:02:02,460 → 00:02:06,530 dressed all the way to his feet
00:02:06,540 → 00:02:08,029 and
00:02:08,039 → 00:02:11,270 and zoned on up
00:02:11,280 → 00:02:14,750 king shirt on up joined on up
00:02:14,760 → 00:02:19,010 on his master on his breath
00:02:19,020 → 00:02:21,229 around his breasts
00:02:21,239 → 00:02:24,710 he is girding the King James will
00:02:24,720 → 00:02:27,290 translate GERD
Section 8: 00:02:27,300 – 00:02:51,350
00:02:27,300 → 00:02:32,449 yeah gird up your breasts ladies
00:02:32,459 → 00:02:35,449 um we're using support material
00:02:35,459 → 00:02:38,030 remember I'm transporting you to a place
00:02:38,040 → 00:02:41,150 where the goddess
00:02:41,160 → 00:02:46,009 is is the model is the original
00:02:46,019 → 00:02:48,650 so don't let it surprise you that Jesus
00:02:48,660 → 00:02:51,350 is cross-dressing
Section 9: 00:02:51,360 – 00:03:18,949
00:02:51,360 → 00:02:54,530 In this passage he's wearing a bra
00:02:54,540 → 00:02:57,050 and it says it's twice my stories we
00:02:57,060 → 00:02:59,390 talked about that previously so I won't
00:02:59,400 → 00:03:02,869 be to beat the point into the ground but
00:03:02,879 → 00:03:06,290 when you check the victorians you get in
00:03:06,300 → 00:03:07,850 your ship and you fly back to the
00:03:07,860 → 00:03:12,350 victorians at Oxford and you say hey
00:03:12,360 → 00:03:13,790 um gentlemen
00:03:13,800 → 00:03:18,949 right what are these mastoise here well
Section 10: 00:03:18,959 – 00:03:58,850
00:03:18,959 → 00:03:21,470 the grammarians from Antiquities say the
00:03:21,480 → 00:03:26,690 victorians they tell us that these are
00:03:26,700 → 00:03:30,050 feminine breasts
00:03:30,060 → 00:03:34,850 that this will have to be mods
00:03:34,860 → 00:03:38,690 have to have the data in there in order
00:03:38,700 → 00:03:40,430 for it to be men
00:03:40,440 → 00:03:43,009 now are there examples where that flip
00:03:43,019 → 00:03:44,809 back and forth sure
00:03:44,819 → 00:03:46,910 and here's the problem this is the big
00:03:46,920 → 00:03:49,610 one that they hold up because the
00:03:49,620 → 00:03:52,390 victorians could not imagine a world
00:03:52,400 → 00:03:55,750 where Jesus would be walking around
00:03:55,760 → 00:03:58,850 with feminine breasts
Section 11: 00:03:58,860 – 00:04:29,629
00:03:58,860 → 00:04:01,130 yes they couldn't imagine the world
00:04:01,140 → 00:04:03,470 where Jesus had breasts
00:04:03,480 → 00:04:06,830 does not say a lot
00:04:06,840 → 00:04:09,470 why can none of us imagine a world where
00:04:09,480 → 00:04:12,050 Jesus has breasts
00:04:12,060 → 00:04:15,649 and is wearing a very nice
00:04:15,659 → 00:04:17,990 a very nice bra
00:04:18,000 → 00:04:20,509 that the text is very specific is
00:04:20,519 → 00:04:22,370 holding up is
00:04:22,380 → 00:04:24,650 it's it's Perry
00:04:24,660 → 00:04:26,689 it's around them it's structure it's
00:04:26,699 → 00:04:29,629 support it's underwire
Section 12: 00:04:29,639 – 00:05:07,450
00:04:29,639 → 00:04:33,110 from antiquity
00:04:33,720 → 00:04:39,650 and it's a golden bra it's a golden bra
00:04:39,660 → 00:04:41,570 that's important
00:04:41,580 → 00:04:43,909 fashion is a big thing
00:04:43,919 → 00:04:45,770 right and we know that there are
00:04:45,780 → 00:04:47,330 different colors and materials
00:04:47,340 → 00:04:50,270 associated with these priesthoods
00:04:50,280 → 00:04:53,330 that are involved in the Mysteries
00:04:53,340 → 00:04:55,730 right sometimes they're labeled by their
00:04:55,740 → 00:04:57,170 colors
00:04:57,180 → 00:05:00,409 yeah so they use the gold here is
00:05:00,419 → 00:05:02,749 quite quite important and not only that
00:05:02,759 → 00:05:04,969 it says you know perhaps he's got good
00:05:04,979 → 00:05:07,450 taste
Section 13: 00:05:07,460 – 00:05:46,430
00:05:07,460 → 00:05:09,590 I'll do
00:05:09,600 → 00:05:14,570 his head his hair is three case
00:05:14,580 → 00:05:18,110 they're white they're not blonde
00:05:18,120 → 00:05:24,110 they're white his lady hair is white
00:05:24,120 → 00:05:25,909 do you get the feeling
00:05:25,919 → 00:05:28,550 I know I rocketed us into that text
00:05:28,560 → 00:05:30,950 tonight but do you get the feeling that
00:05:30,960 → 00:05:33,050 something's wrong do you get a little
00:05:33,060 → 00:05:34,370 nausea
00:05:34,380 → 00:05:36,590 a little bit sensation wait a minute
00:05:36,600 → 00:05:38,749 that nausea you're feeling is because
00:05:38,759 → 00:05:41,210 this work is written
00:05:41,220 → 00:05:43,909 by a civil
00:05:43,919 → 00:05:46,430 and restructured
Section 14: 00:05:46,440 – 00:06:20,330
00:05:46,440 → 00:05:49,430 with very obvious little oh and that
00:05:49,440 → 00:05:51,350 person that that was talking about is
00:05:51,360 → 00:05:52,850 Jesus
00:05:52,860 → 00:05:55,430 little inserts
00:05:55,440 → 00:05:57,170 you know they call the early Christian
00:05:57,180 → 00:05:59,930 sybilis for a reason right
00:05:59,940 → 00:06:03,529 sybilis who is the daughter
00:06:03,539 → 00:06:06,590 who is the daughter it's heropoly
00:06:06,600 → 00:06:08,390 that Sybil
00:06:08,400 → 00:06:11,689 who is the daughter of the lamia
00:06:11,699 → 00:06:15,830 the lamia Hang on we're almost there to
00:06:15,840 → 00:06:20,330 her I'm showing you vampire Jesus
Section 15: 00:06:20,340 – 00:06:31,249
00:06:20,340 → 00:06:23,629 who sucks the blood of little boys
00:06:23,639 → 00:06:26,150 vampire Jesus who sucks the blood of
00:06:26,160 → 00:06:31,249 little boys there we go
Section 16: 00:06:31,259 – 00:07:11,450
00:06:31,259 → 00:06:33,529 what's after his white wig
00:06:33,539 → 00:06:35,510 verse 15.
00:06:35,520 → 00:06:38,990 his feet
00:06:39,000 → 00:06:42,129 looks like
00:06:42,139 → 00:06:46,909 halcolibanos is or Lebanon is a is a
00:06:46,919 → 00:06:48,650 word that's just two words slammed
00:06:48,660 → 00:06:50,990 together one of them's bronze
00:06:51,000 → 00:06:53,809 that's where we get the calc root and
00:06:53,819 → 00:06:58,249 the other word is is used for incense
00:06:58,259 → 00:07:00,409 you know the pro the problem is we don't
00:07:00,419 → 00:07:02,809 have a lot of references to these two
00:07:02,819 → 00:07:05,689 words being smashed together
00:07:05,699 → 00:07:09,670 so it really should mean literally
00:07:09,680 → 00:07:11,450 bronze
Section 17: 00:07:11,460 – 00:07:14,990
00:07:11,460 → 00:07:14,990 incense
Section 18: 00:07:15,000 – 00:07:36,950
00:07:15,000 → 00:07:18,110 you mean is his feet his bottom of his
00:07:18,120 → 00:07:22,070 legs are like bronze incense
00:07:22,080 → 00:07:25,309 wow that's kind of strange so
00:07:25,319 → 00:07:28,010 um we've translated this not we but you
00:07:28,020 → 00:07:29,689 know the king
00:07:29,699 → 00:07:33,469 and his men have translated this as
00:07:34,680 → 00:07:36,950 bronze
Section 19: 00:07:36,960 – 00:07:55,909
00:07:36,960 → 00:07:40,730 in reflection or bronze in color
00:07:40,740 → 00:07:43,730 right brazen
00:07:43,740 → 00:07:46,969 his bronzed feet
00:07:46,979 → 00:07:51,589 why does Jesus have bronze feet white
00:07:51,599 → 00:07:55,909 wig and lingerie
Section 20: 00:07:55,919 – 00:08:25,990
00:07:55,919 → 00:07:57,589 what happened
00:07:57,599 → 00:08:01,390 because he's got that
00:08:01,400 → 00:08:04,909 phonet that voice
00:08:04,919 → 00:08:08,710 which is the Voice who docked on polon
00:08:08,720 → 00:08:12,890 the voice of many Waters
00:08:12,900 → 00:08:16,550 the voice of many Waters what better
00:08:16,560 → 00:08:18,950 Sybil
00:08:18,960 → 00:08:23,150 as then she Who is the granddaughter of
00:08:23,160 → 00:08:25,990 ocean
Section 21: 00:08:26,000 – 00:08:30,290
00:08:26,000 → 00:08:30,290 the great daughter
Section 22: 00:08:30,300 – 00:08:47,690
00:08:30,300 → 00:08:32,510 of lamia
00:08:32,520 → 00:08:34,850 why would you bring up Lamy here who's
00:08:34,860 → 00:08:38,810 lamia labia is a Libyan Queen
00:08:38,820 → 00:08:42,290 is a Libyan Queen
00:08:42,300 → 00:08:47,690 and lamia
Section 23: 00:08:47,700 – 00:08:54,850
00:08:47,700 → 00:08:49,509 in her
00:08:49,519 → 00:08:54,850 intercourse with Zeus
Section 24: 00:08:54,860 – 00:09:46,970
00:08:54,860 → 00:08:58,790 sacrifices her children
00:08:58,800 → 00:09:00,530 yeah
00:09:00,540 → 00:09:02,870 yeah she has to
00:09:02,880 → 00:09:04,970 to the jealousy
00:09:04,980 → 00:09:09,769 to the jealousy of Hera
00:09:09,779 → 00:09:12,949 you know those children are lost taken
00:09:12,959 → 00:09:14,449 away from her
00:09:14,459 → 00:09:17,090 so imagine lamia
00:09:17,100 → 00:09:19,790 who is the mother
00:09:19,800 → 00:09:23,329 who pulls out her own eyes
00:09:23,339 → 00:09:26,990 yeah and what does she do after that
00:09:27,000 → 00:09:28,850 she prowls the world
00:09:28,860 → 00:09:31,850 looking for young boys
00:09:31,860 → 00:09:34,490 yeah looking for young boys you know me
00:09:34,500 → 00:09:38,509 Cersei you know I showed you
00:09:38,519 → 00:09:42,110 Cersei I showed you and you showed
00:09:42,120 → 00:09:46,970 yourself you revealed yourself
Section 25: 00:09:46,980 – 00:10:25,250
00:09:46,980 → 00:09:48,710 yes
00:09:48,720 → 00:09:51,110 Cersei
00:09:51,120 → 00:09:54,410 drinks the blood
00:09:56,220 → 00:09:56,829 yeah
00:09:56,839 → 00:09:59,630 let's take a look at lamia
00:09:59,640 → 00:10:02,150 shall we let's go to Libya let's get in
00:10:02,160 → 00:10:03,710 our ship and go to Libya and really what
00:10:03,720 → 00:10:05,150 we're doing
00:10:05,160 → 00:10:06,889 for those of you who are asking why are
00:10:06,899 → 00:10:09,889 we on this field trip because here we're
00:10:09,899 → 00:10:12,290 going to take a look away from the
00:10:12,300 → 00:10:14,269 garden where Jesus is arrested with that
00:10:14,279 → 00:10:15,470 naked boy
00:10:15,480 → 00:10:19,070 and we're going to look at the cross
00:10:19,080 → 00:10:22,070 and we're going to say okay this is the
00:10:22,080 → 00:10:25,250 all part of the same crime scene right
Section 26: 00:10:25,260 – 00:10:58,790
00:10:25,260 → 00:10:28,670 so what is he doing there what is he
00:10:28,680 → 00:10:31,790 saying we can get his blood we can get
00:10:31,800 → 00:10:34,550 us you know do all sorts of things but
00:10:34,560 → 00:10:36,769 what do we have record-wise we've got
00:10:36,779 → 00:10:40,070 records of his speech
00:10:40,080 → 00:10:43,910 so what is he saying before he's dying
00:10:43,920 → 00:10:47,090 and maybe we can solve the idea of why
00:10:47,100 → 00:10:49,009 does he die prematurely right people
00:10:49,019 → 00:10:51,650 don't realize everybody in the world
00:10:51,660 → 00:10:54,590 will tell you Jesus Christ was crucified
00:10:54,600 → 00:10:56,930 he died by crucifixion he didn't die by
00:10:56,940 → 00:10:58,790 crucifixion
Section 27: 00:10:58,800 – 00:11:38,389
00:10:58,800 → 00:11:02,990 that's what the Roman guards noticed
00:11:03,000 → 00:11:04,430 Centurion
00:11:04,440 → 00:11:07,069 that dudes already dead he's not
00:11:07,079 → 00:11:09,410 supposed to be dead yet nobody else is
00:11:09,420 → 00:11:13,550 dead it's been hasn't been enough time
00:11:13,560 → 00:11:17,509 yeah they were engineers right they knew
00:11:17,519 → 00:11:21,410 exactly how to engineer the the
00:11:21,420 → 00:11:23,150 um stage of death
00:11:23,160 → 00:11:25,610 and they did and Jesus is there but he
00:11:25,620 → 00:11:27,530 dies early and they're like oh
00:11:27,540 → 00:11:30,470 don't have to bust him up so he can't
00:11:30,480 → 00:11:32,210 breathe hold himself up and breathe
00:11:32,220 → 00:11:34,910 anymore he's already dead he's already
00:11:34,920 → 00:11:37,310 dead what did he say right before he
00:11:37,320 → 00:11:38,389 died
Section 28: 00:11:38,399 – 00:12:17,590
00:11:38,399 → 00:11:41,750 what did he say let's go to Libya to
00:11:41,760 → 00:11:43,730 find out let's go to Libya to find out
00:11:43,740 → 00:11:46,550 because this dude's in deep
00:11:46,560 → 00:11:49,009 um let's go to the first uh passage that
00:11:49,019 → 00:11:52,009 we have tonight this is from Dayo
00:11:52,019 → 00:11:53,990 um dial golden mouth
00:11:54,000 → 00:11:55,730 yep just go ahead and leave that up dial
00:11:55,740 → 00:11:58,610 golden mouth this is late first early
00:11:58,620 → 00:12:00,829 second in that range that's when he's
00:12:00,839 → 00:12:02,750 writing doing his thing
00:12:02,760 → 00:12:07,370 yeah and he tells us about Libya
00:12:07,380 → 00:12:10,370 the general character and appearance
00:12:10,380 → 00:12:12,650 of their body
00:12:12,660 → 00:12:15,590 we're as follows the face was that of a
00:12:15,600 → 00:12:17,590 woman
Section 29: 00:12:17,600 – 00:12:43,910
00:12:17,600 → 00:12:21,470 now he says a brief woman right and that
00:12:21,480 → 00:12:23,930 translation is not is
00:12:23,940 → 00:12:26,810 is no good because this is a woman in
00:12:26,820 → 00:12:28,490 her prime
00:12:28,500 → 00:12:33,170 this is herpes she who's at her Acme
00:12:33,180 → 00:12:35,750 she was at her Acme is how their
00:12:35,760 → 00:12:37,069 appearance is
00:12:37,079 → 00:12:39,650 this is a group of people
00:12:39,660 → 00:12:41,810 in Libya
00:12:41,820 → 00:12:43,910 yeah
Section 30: 00:12:43,920 – 00:13:20,210
00:12:43,920 → 00:12:45,889 the breast
00:12:45,899 → 00:12:49,250 and bosom and the neck too
00:12:49,260 → 00:12:51,710 were extremely beautiful
00:12:51,720 → 00:12:54,590 the life of which no mortal maid or
00:12:54,600 → 00:12:56,870 bride in the bloom of Youth
00:12:56,880 → 00:12:58,670 could claim
00:12:58,680 → 00:13:01,430 isn't that nice nobody can claim this
00:13:01,440 → 00:13:04,610 these people were gorgeous
00:13:04,620 → 00:13:05,889 okay
00:13:05,899 → 00:13:09,829 Norse sculptor nor painter will ever be
00:13:09,839 → 00:13:12,110 able to reproduce
00:13:12,120 → 00:13:14,629 yeah let those of you who have ears to
00:13:14,639 → 00:13:15,829 hear hear
00:13:15,839 → 00:13:20,210 yeah the complexion was of dazzling
Section 31: 00:13:20,220 – 00:13:58,430
00:13:20,220 → 00:13:22,430 brightness now this one this one also
00:13:22,440 → 00:13:25,910 falls a little short I I did the grit to
00:13:25,920 → 00:13:30,530 make sure and um it's a re it's it's a
00:13:30,540 → 00:13:32,810 light emanating from
00:13:32,820 → 00:13:35,090 her skin
00:13:35,100 → 00:13:37,610 the the face as she looks at you
00:13:37,620 → 00:13:41,810 emanates light we've only seen this
00:13:41,820 → 00:13:44,329 um in one other group and that is the
00:13:44,339 → 00:13:46,009 group from Georgia
00:13:46,019 → 00:13:48,710 it turns out that's how you know
00:13:48,720 → 00:13:54,350 a daughter of ETS is that her skin glows
00:13:54,360 → 00:13:55,850 that's why we call her one of the
00:13:55,860 → 00:13:57,530 reasons we call her the granddaughter of
00:13:57,540 → 00:13:58,430 the Sun
Section 32: 00:13:58,440 – 00:14:48,710
00:13:58,440 → 00:14:00,230 She Glows
00:14:00,240 → 00:14:02,509 interesting libyans
00:14:02,519 → 00:14:04,069 beautiful
00:14:04,079 → 00:14:05,329 laughs
00:14:05,339 → 00:14:10,069 the glance of the eyes aroused affection
00:14:10,079 → 00:14:13,250 a yearning in The Souls of all that
00:14:13,260 → 00:14:14,629 beheld
00:14:14,639 → 00:14:17,569 that's interesting
00:14:17,579 → 00:14:20,569 um sort of she's got a Henry Cavill
00:14:20,579 → 00:14:21,829 thing going
00:14:21,839 → 00:14:25,490 yes Chewie don't look like that you know
00:14:25,500 → 00:14:27,350 what I'm talking about the rest of the
00:14:27,360 → 00:14:29,569 body was hard
00:14:29,579 → 00:14:32,990 and protected by scales and all the
00:14:33,000 → 00:14:35,449 lower part was snake
00:14:35,459 → 00:14:39,170 ending in the snake's baleful head
00:14:39,180 → 00:14:42,290 now the story does not say that these
00:14:42,300 → 00:14:45,530 animals were winged like the sphinxes
00:14:45,540 → 00:14:48,710 nor that they liked them spoke or made
Section 33: 00:14:48,720 – 00:15:26,569
00:14:48,720 → 00:14:51,949 any sound whatever except a hissing
00:14:51,959 → 00:14:54,050 noise
00:14:54,060 → 00:14:56,750 that's the hissing of the pipe
00:14:56,760 → 00:14:59,870 it's the same word to express it
00:14:59,880 → 00:15:02,269 right when you're talking to Angels you
00:15:02,279 → 00:15:04,610 don't hear
00:15:04,620 → 00:15:07,189 you don't hear what you think what has
00:15:07,199 → 00:15:09,769 been portrayed to you in the fairy tale
00:15:09,779 → 00:15:13,129 yeah it says in the text that you hear
00:15:13,139 → 00:15:14,870 the sound of an instrument everybody's
00:15:14,880 → 00:15:16,629 like what up
00:15:16,639 → 00:15:20,030 his voice is like a trumpet what help
00:15:20,040 → 00:15:21,590 and they don't understand it because
00:15:21,600 → 00:15:24,790 we've lost the context
00:15:24,800 → 00:15:26,569 scales
Section 34: 00:15:26,579 – 00:15:44,210
00:15:26,579 → 00:15:29,030 and what do they do
00:15:29,040 → 00:15:31,790 what do these lamiah do these lay me
00:15:31,800 → 00:15:33,230 eyes go out
00:15:33,240 → 00:15:35,509 and they hunt
00:15:35,519 → 00:15:38,329 they hunt after young boys
00:15:38,339 → 00:15:44,210 whose blood they suck
Section 35: 00:15:44,220 – 00:16:06,110
00:15:44,220 → 00:15:47,750 and whose flesh they eat
00:15:47,760 → 00:15:51,170 it is all in the blood
00:15:51,180 → 00:15:55,370 and in the body
00:15:55,380 → 00:15:59,150 what do these lay me I look like
00:15:59,160 → 00:16:06,110 what do they look like please
Section 36: 00:16:06,120 – 00:16:47,689
00:16:06,120 → 00:16:09,250 let's go to set our time ship for
00:16:09,260 → 00:16:12,889 Aristophanes Athenian comedian
00:16:12,899 → 00:16:15,650 young guy well you know he's he's
00:16:15,660 → 00:16:18,170 writing he's pretty young when he's when
00:16:18,180 → 00:16:20,930 he's successful highly successful right
00:16:20,940 → 00:16:22,910 and here he is what is he writing he's
00:16:22,920 → 00:16:27,550 he's identifying this is from the frogs
00:16:27,560 → 00:16:31,250 aristophony's play where Dionysus get
00:16:31,260 → 00:16:33,110 that off of there for a minute let me
00:16:33,120 → 00:16:35,870 explain context I'm terribly
00:16:35,880 → 00:16:37,730 they shouldn't have done that
00:16:37,740 → 00:16:40,430 it's the frogs and he's explaining it um
00:16:40,440 → 00:16:43,730 Dionysus and xanthius are going to the
00:16:43,740 → 00:16:47,689 underworld they're making their trip
Section 37: 00:16:47,699 – 00:17:10,130
00:16:47,699 → 00:16:52,009 their catalysis if you if you want to
00:16:53,399 → 00:16:55,430 but they're making their trips the
00:16:55,440 → 00:16:56,990 underworld and then coming back and
00:16:57,000 → 00:16:58,490 they're going to bring back with them
00:16:58,500 → 00:17:01,310 euripides isn't that funny they're going
00:17:01,320 → 00:17:02,930 to bring back within euripides but they
00:17:02,940 → 00:17:06,169 run into on the way
00:17:06,179 → 00:17:10,130 um chorus of initiates
Section 38: 00:17:10,140 – 00:17:53,950
00:17:10,140 → 00:17:13,610 they look for Heracles
00:17:13,620 → 00:17:15,409 Heracles
00:17:15,419 → 00:17:19,490 yes and remember this is the same stage
00:17:19,500 → 00:17:21,829 where we took in Greece where we took
00:17:21,839 → 00:17:25,970 that bakic religious procession and
00:17:25,980 → 00:17:29,570 funneled it into the stage right there
00:17:29,580 → 00:17:31,490 in the stage so that thing could be
00:17:31,500 → 00:17:34,250 performed in front of you
00:17:34,260 → 00:17:36,890 so when aristophany steps up there he's
00:17:36,900 → 00:17:38,990 not stepping up there as a war of
00:17:39,000 → 00:17:40,430 Brothers guy
00:17:40,440 → 00:17:43,850 right he's not working for Disney
00:17:43,860 → 00:17:46,250 he's working for the Muse this is a
00:17:46,260 → 00:17:47,750 sacred Act
00:17:47,760 → 00:17:50,090 this is a sacred act so everything must
00:17:51,360 → 00:17:53,950 shot on if we're going to bring back
Section 39: 00:17:53,960 – 00:18:35,150
00:17:53,960 → 00:17:57,310 lamia so that Jesus can sit on the cross
00:17:57,320 → 00:18:00,169 and scream
00:18:00,179 → 00:18:04,190 lay me a sabak's son
00:18:04,200 → 00:18:06,350 the one from
00:18:06,360 → 00:18:10,370 the one from the Sun
00:18:10,380 → 00:18:13,370 from the liminal Earth
00:18:13,380 → 00:18:15,950 the one to bring back from the dead the
00:18:15,960 → 00:18:17,570 great Queen
00:18:17,580 → 00:18:20,390 yeah if we're going to invoke her like
00:18:20,400 → 00:18:22,250 Jesus did on a cross
00:18:22,260 → 00:18:23,330 then we're going to have to understand
00:18:23,340 → 00:18:26,210 who she is we have a very beautiful just
00:18:26,220 → 00:18:28,190 very brief little description in
00:18:28,200 → 00:18:30,169 aristophan these frogs let's bring that
00:18:30,179 → 00:18:31,070 up again
00:18:31,080 → 00:18:35,150 oh isn't this nice
Section 40: 00:18:35,160 – 00:18:46,930
00:18:35,160 → 00:18:38,090 we're defining who she is she is the
00:18:38,100 → 00:18:46,930 impulsa right that's the lamia Thai
Section 41: 00:18:46,940 – 00:19:32,570
00:18:46,940 → 00:18:50,390 isn't that beautiful yeah she
00:18:50,400 → 00:18:52,970 sits there and shines
00:18:52,980 → 00:18:56,029 yeah with fire
00:18:56,039 → 00:18:58,190 shines Bree
00:18:58,200 → 00:19:00,230 by means of a fire
00:19:00,240 → 00:19:03,230 inner completely what shines her entire
00:19:03,240 → 00:19:05,090 face
00:19:05,100 → 00:19:06,950 her look
00:19:06,960 → 00:19:10,909 the way she looks at you her plus Ops
00:19:10,919 → 00:19:13,909 you know what an Ops is that's this only
00:19:13,919 → 00:19:15,650 as I'm looking at you when you look at
00:19:15,660 → 00:19:19,909 me we make eye contact my Ops
00:19:21,299 → 00:19:24,350 being received right you're taking in my
00:19:24,360 → 00:19:27,590 Ops well hers is entirely
00:19:27,600 → 00:19:29,270 Shining
00:19:29,280 → 00:19:32,570 it has light
Section 42: 00:19:32,580 – 00:19:56,930
00:19:33,240 → 00:19:35,510 and let's go back to the passage what
00:19:35,520 → 00:19:37,430 else what else is better
00:19:37,440 → 00:19:39,710 um can you take that Bob there we go
00:19:39,720 → 00:19:41,690 well look at this
00:19:41,700 → 00:19:45,169 she has the bronze feet too
00:19:45,179 → 00:19:48,289 look at that Dionysus thank you very
00:19:48,299 → 00:19:49,490 much
00:19:49,500 → 00:19:53,270 what are you doing lamia what are you
00:19:53,280 → 00:19:56,930 doing queen of Libya
Section 43: 00:19:56,940 – 00:20:38,390
00:19:56,940 → 00:19:59,810 you do in the mystery
00:19:59,820 → 00:20:02,390 you're doing the mystery
00:20:02,400 → 00:20:04,130 yeah
00:20:04,140 → 00:20:06,710 and there you are of course you're going
00:20:06,720 → 00:20:08,750 to be dressed in here you're going to
00:20:08,760 → 00:20:10,669 have your Moss dice
00:20:10,679 → 00:20:12,350 girded up
00:20:12,360 → 00:20:15,650 you're gonna have them held back
00:20:15,660 → 00:20:19,310 right in place you're ready to go
00:20:19,320 → 00:20:22,010 with your white wig
00:20:22,020 → 00:20:25,070 yeah you gotta have the white wig how do
00:20:25,080 → 00:20:28,610 we know that we've resurrecting euripid
00:20:28,620 → 00:20:29,810 these
00:20:29,820 → 00:20:32,090 and you repeat these
00:20:32,100 → 00:20:34,669 brings us pantheists
00:20:34,679 → 00:20:38,390 with his white wig
Section 44: 00:20:38,400 – 00:21:05,770
00:20:38,400 → 00:20:41,810 and his new vision in order to make it
00:20:41,820 → 00:20:44,210 in order to reach that death and
00:20:44,220 → 00:20:46,490 Resurrection mystery
00:20:46,500 → 00:20:52,090 you have to be wearing your women's kit
00:20:52,100 → 00:20:55,450 remember this is an ancient religion
00:20:55,460 → 00:20:59,210 that is created by women
00:20:59,220 → 00:21:01,370 women who are not sitting at home but
00:21:01,380 → 00:21:03,950 women who were experimenting with
00:21:03,960 → 00:21:05,770 Pharmaceuticals
Section 45: 00:21:05,780 – 00:21:20,150
00:21:05,780 → 00:21:08,990 women who were delivering babies
00:21:09,000 → 00:21:10,970 right women who were stopping other
00:21:10,980 → 00:21:13,430 women from bleeding to death
00:21:13,440 → 00:21:20,150 this is that type of woman
Section 46: 00:21:20,160 – 00:21:51,049
00:21:21,539 → 00:21:27,529 when Jesus finds himself on the cross
00:21:27,539 → 00:21:30,950 you and I follow the fairy tale and we
00:21:30,960 → 00:21:34,430 say this is this is a translation of
00:21:34,440 → 00:21:36,669 some Hebrew no it's not
00:21:36,679 → 00:21:40,669 there isn't the Hebrew going around in
00:21:40,679 → 00:21:43,070 the first century
00:21:43,080 → 00:21:46,070 yeah this is a Cristos
00:21:46,080 → 00:21:47,570 that
00:21:47,580 → 00:21:51,049 is a Greek concept
Section 47: 00:21:51,059 – 00:22:28,549
00:21:51,059 → 00:21:56,750 I was telling my class last Saturday of
00:21:56,760 → 00:21:59,330 the superiority
00:21:59,340 → 00:22:02,690 of ancient Greek and why it is that we
00:22:02,700 → 00:22:04,789 have the expression is what's Greek To
00:22:05,580 → 00:22:07,370 right and not why don't we say it about
00:22:07,380 → 00:22:08,990 every other language and why did the
00:22:09,000 → 00:22:11,870 Romans say that about Greek
00:22:11,880 → 00:22:14,029 there's a reason for that there's a
00:22:14,039 → 00:22:16,730 scientific reason for that and it's my
00:22:16,740 → 00:22:20,390 job to push those students into the
00:22:20,400 → 00:22:23,510 place that they can absorb that they can
00:22:23,520 → 00:22:25,850 see the superior functioning of the
00:22:25,860 → 00:22:28,549 language and they can benefit from it
Section 48: 00:22:28,559 – 00:23:00,529
00:22:28,559 → 00:22:30,710 they can how do they do that by the
00:22:30,720 → 00:22:32,289 translation
00:22:32,299 → 00:22:35,630 so when we have a text like the
00:22:35,640 → 00:22:37,130 apocalypse
00:22:37,140 → 00:22:39,529 and John is writing about a very
00:22:39,539 → 00:22:43,610 specific woman called The Morning Star
00:22:43,620 → 00:22:47,630 yeah when he's writing about her
00:22:47,640 → 00:22:51,230 and has to insert Jesus
00:22:51,240 → 00:22:54,890 he just really does so
00:22:54,900 → 00:23:00,529 does it bother him that she is wearing
Section 49: 00:23:00,539 – 00:23:42,649
00:23:00,539 → 00:23:02,029 feminine
00:23:02,039 → 00:23:03,890 garb
00:23:03,900 → 00:23:08,330 now John writes it right he leaves it in
00:23:08,340 → 00:23:10,130 because she's the morning star and we
00:23:10,140 → 00:23:13,190 all know what the Morning Star does we
00:23:13,200 → 00:23:15,470 all know her
00:23:15,480 → 00:23:18,409 yeah we all know her we know she drinks
00:23:18,419 → 00:23:21,350 the blood of young boys
00:23:21,360 → 00:23:23,510 we know that she does
00:23:23,520 → 00:23:29,390 is Jesus in invoking lamia from the
00:23:29,400 → 00:23:31,010 cross
00:23:31,020 → 00:23:35,590 screaming about how thirsty he is
00:23:35,600 → 00:23:40,190 if he invokes the goddess herself of
00:23:40,200 → 00:23:42,649 this history
Section 50: 00:23:42,659 – 00:24:18,169
00:23:42,659 → 00:23:44,210 past
00:23:44,220 → 00:23:46,430 that comes through Libya
00:23:46,440 → 00:23:48,049 and Georgia
00:23:48,059 → 00:23:51,409 which are somehow connected thanks to
00:23:51,419 → 00:23:53,210 the syrians
00:23:53,220 → 00:23:55,490 right love it
00:23:55,500 → 00:23:58,610 right here she is if he is invoking this
00:23:58,620 → 00:24:00,590 right
00:24:00,600 → 00:24:02,750 it would give him a reason to be
00:24:02,760 → 00:24:04,850 arrested in a public park
00:24:04,860 → 00:24:07,730 at 4am with a naked boy
00:24:07,740 → 00:24:11,510 what was that bandage doing
00:24:11,520 → 00:24:12,950 yeah
00:24:12,960 → 00:24:16,370 what was that bandage doing
Section 51: 00:24:18,179 – 00:24:57,890
00:24:18,179 → 00:24:20,330 by the way for those of you who want to
00:24:20,340 → 00:24:22,850 make Jesus's bandages underwear because
00:24:22,860 → 00:24:26,270 there's a tendency for translators to do
00:24:26,280 → 00:24:27,890 that
00:24:27,900 → 00:24:31,310 um yeah you know that you're wrong and
00:24:31,320 → 00:24:34,430 you know there's no word there for what
00:24:34,440 → 00:24:36,529 soldiers and Hunters anybody else who's
00:24:36,539 → 00:24:39,710 girding up their loins puts on
00:24:39,720 → 00:24:42,590 kid doesn't have it he's gumnos but he
00:24:42,600 → 00:24:44,390 does have a bandage with him we know
00:24:44,400 → 00:24:46,190 these bandages are impregnated with
00:24:46,200 → 00:24:48,409 drugs and
00:24:48,419 → 00:24:50,690 does he have a bandage because he's
00:24:50,700 → 00:24:54,470 lamely invoking boy blood sucking
00:24:54,480 → 00:24:57,890 vampire God
Section 52: 00:24:57,900 – 00:25:36,590
00:24:57,900 → 00:25:01,310 is with him in the garden
00:25:01,320 → 00:25:03,409 yeah
00:25:03,419 → 00:25:07,010 yeah I think we're getting closer
00:25:07,020 → 00:25:09,230 I think we're getting closer to seeing
00:25:09,240 → 00:25:11,930 in order to see Jesus you have to see
00:25:11,940 → 00:25:13,070 lamia
00:25:13,080 → 00:25:15,409 you have to see lamia there's a reason
00:25:15,419 → 00:25:17,450 that they're described the way the way
00:25:17,460 → 00:25:20,510 they are the language is a is a
00:25:20,520 → 00:25:23,210 fingerprint it preserves the crime scene
00:25:23,220 → 00:25:26,330 preserves the evidence that we need it's
00:25:26,340 → 00:25:28,250 like the amber that preserves that
00:25:28,260 → 00:25:31,010 mosquito
00:25:31,020 → 00:25:33,529 so we have the old DNA
00:25:33,539 → 00:25:36,169 from 40 million years ago
00:25:36,179 → 00:25:36,590 yeah
Section 53: 00:25:36,600 – 00:25:37,970
00:25:36,600 → 00:25:37,970 [Music]
Section 54: 00:25:37,980 – 00:26:08,870
00:25:37,980 → 00:25:40,130 nice
00:25:41,700 → 00:25:44,750 for those of you I'm providing thank you
00:25:44,760 → 00:25:47,990 for coming tonight I'm hoping that you
00:25:48,000 → 00:25:50,210 are seeing
00:25:50,220 → 00:25:54,409 that you are seeing that point in
00:25:54,419 → 00:25:56,810 history for what it is we should be able
00:25:56,820 → 00:25:59,690 to see that now in the present should be
00:25:59,700 → 00:26:02,149 able to bring that past and then that
00:26:02,159 → 00:26:03,830 future together
00:26:03,840 → 00:26:06,890 the daughter of lamia is the Civil
00:26:06,900 → 00:26:08,870 heropoly
Section 55: 00:26:08,880 – 00:26:30,830
00:26:08,880 → 00:26:11,269 that's what everything is about that's
00:26:11,279 → 00:26:14,810 why we early Christians call ourselves
00:26:14,820 → 00:26:16,850 sybilis
00:26:16,860 → 00:26:19,130 right that's why we don't care when the
00:26:19,140 → 00:26:20,750 Romans
00:26:20,760 → 00:26:22,669 um call us syphilis
00:26:22,679 → 00:26:24,950 all right John
00:26:24,960 → 00:26:30,830 is preserving those sibling works
Section 56: 00:26:30,840 – 00:27:08,570
00:26:30,840 → 00:26:33,289 you know the sibling visions
00:26:33,299 → 00:26:34,789 beautiful
00:26:34,799 → 00:26:37,669 um next Saturday I'll be having the
00:26:37,679 → 00:26:39,769 class again in the morning that time is
00:26:39,779 → 00:26:42,710 set but I want to announce that tomorrow
00:26:42,720 → 00:26:45,769 um button 9 at 9 00 A.M
00:26:45,779 → 00:26:49,789 Mountain Standard I will be opening the
00:26:49,799 → 00:26:52,130 dojo for people to come in and to work
00:26:52,140 → 00:26:55,010 out because I want this class that's
00:26:55,020 → 00:26:56,870 proceeding to be the best of the best
00:26:56,880 → 00:27:00,350 and so I have to work with them oops I
00:27:00,360 → 00:27:02,269 have to work with them
00:27:02,279 → 00:27:05,630 um to to Really exercise
00:27:05,640 → 00:27:08,570 right to really exercise so I'm
Section 57: 00:27:08,580 – 00:27:38,930
00:27:08,580 → 00:27:10,370 providing that time for you and if you
00:27:10,380 → 00:27:12,890 can come great if you can't fine it'll
00:27:12,900 → 00:27:14,930 be in the dough it'll be on the Discord
00:27:14,940 → 00:27:17,570 and every time that we start this
00:27:17,580 → 00:27:19,310 program again we
00:27:19,320 → 00:27:22,190 repost the Discord so anybody who wants
00:27:22,200 → 00:27:23,990 to show up can do that
00:27:24,000 → 00:27:25,730 um anybody from the class who wants to
00:27:25,740 → 00:27:27,169 come tomorrow at nine o'clock please
00:27:27,179 → 00:27:30,529 show up we'll drill we'll work out we'll
00:27:30,539 → 00:27:34,190 get exercised and um I I appreciate your
00:27:34,200 → 00:27:38,930 I appreciate your diligence
Section 58: 00:27:38,940 – 00:27:54,590
00:27:38,940 → 00:27:42,169 yeah yeah I think we're going to stop
00:27:42,179 → 00:27:43,669 there tonight
00:27:43,679 → 00:27:46,310 and I want you to
00:27:46,320 → 00:27:48,950 thank those of you who will be coming to
00:27:48,960 → 00:27:54,590 our special Valentines
Section 59: 00:27:54,600 – 00:28:44,630
00:27:54,600 → 00:27:56,870 show which would be next
00:27:56,880 → 00:27:58,190 Friday
00:27:58,200 → 00:28:00,710 next Friday when you come to the
00:28:00,720 → 00:28:02,510 Valentine's show please
00:28:02,520 → 00:28:05,390 those of you who come
00:28:05,400 → 00:28:09,110 who have the strength
00:28:09,120 → 00:28:12,950 um to be considered sons of Heracles
00:28:12,960 → 00:28:14,210 yeah
00:28:14,220 → 00:28:17,090 um to put on the ivy
00:28:17,100 → 00:28:20,090 you know to put on the dress
00:28:20,100 → 00:28:23,570 you know to put on the woman's kit
00:28:23,580 → 00:28:26,149 those of you who have that
00:28:26,159 → 00:28:27,769 courage
00:28:27,779 → 00:28:31,490 to stand for
00:28:31,500 → 00:28:34,310 the image that we are bringing
00:28:34,320 → 00:28:36,710 right if we want to I mean come on what
00:28:36,720 → 00:28:38,570 are we all doing here right we're trying
00:28:38,580 → 00:28:41,390 to expose we're trying to bring this
00:28:41,400 → 00:28:44,630 investigation to a conclusion right we
Section 60: 00:28:44,640 – 00:29:13,730
00:28:44,640 → 00:28:46,130 don't want to be here forever none of us
00:28:46,140 → 00:28:48,649 wants to join a cult none of us wants to
00:28:48,659 → 00:28:49,730 become
00:28:49,740 → 00:28:52,430 you know um not in the future for our
00:28:52,440 → 00:28:54,789 associations as a cult
00:28:54,799 → 00:28:57,590 we want to see the reality when we're
00:28:57,600 → 00:28:59,330 bringing that to the world and that's
00:28:59,340 → 00:29:01,190 what we're here that's what we are here
00:29:01,200 → 00:29:03,350 doing those of us who are dressing up
00:29:03,360 → 00:29:05,450 great it should be a lot of fun
00:29:05,460 → 00:29:08,570 it should be a lot of fun and I hope
00:29:08,580 → 00:29:10,730 that everybody is
00:29:10,740 → 00:29:13,730 um comfortable this will all be on above
Section 61: 00:29:13,740 – 00:29:49,710
00:29:13,740 → 00:29:17,630 the board just a group of men
00:29:17,640 → 00:29:19,610 um discussing
00:29:19,620 → 00:29:24,409 themselves and history and wearing the
00:29:24,419 → 00:29:25,310 kit
00:29:25,320 → 00:29:28,789 of Lady Babylon
00:29:28,799 → 00:29:30,310 have a good evening
00:29:30,320 → 00:29:35,210 show me the girl I never met I want it
00:29:35,220 → 00:29:37,970 so bad
00:29:37,980 → 00:29:42,470 where is that Golden Palace where is
00:29:42,480 → 00:29:46,669 that horse called Destiny I think she
00:29:46,679 → 00:29:49,710 ran off without me
Section 62: 00:29:49,720 – 00:29:53,190
00:29:49,720 → 00:29:53,190 [Music]