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Transcript: 20260430-First_Guitarist

Watch on YouTube  |  Readable transcript  |  Language: en
Show concatenated view
227 timestamped sections using the same paragraph analysis.
Section 1: 00:01:56,950 – 00:01:56,960
00:01:56,950 → 00:01:56,960 [music]
Section 2: 00:01:56,960 – 00:02:13,611
00:01:56,960 → 00:01:58,270 >> Sing me
00:01:58,280 → 00:02:01,166 a death lullaby.
00:02:01,176 → 00:02:13,611 >> [music]
Section 3: 00:02:59,790 – 00:03:04,990
00:02:59,790 → 00:02:59,800 In my veins. [music]
00:02:59,800 → 00:03:02,190 Cast out demons.
00:03:02,200 → 00:03:04,990 They will be
Section 4: 00:03:09,239 – 00:03:19,112
00:03:09,239 → 00:03:09,942 subservient.
00:03:09,952 → 00:03:10,990 >> [music]
00:03:11,000 → 00:03:12,190 >> They drink
00:03:12,200 → 00:03:13,070 the death
00:03:13,080 → 00:03:14,949 and deep sea drug.
00:03:14,959 → 00:03:16,350 It will
00:03:16,360 → 00:03:19,112 not hurt them.
Section 5: 00:04:28,790 – 00:04:48,190
00:04:28,790 → 00:04:28,800 >> Oh, welcome back to Lady Babylon.
00:04:28,800 → 00:04:32,350 You're going to love this, and I am
00:04:32,360 → 00:04:34,950 going to be humbled right in your
00:04:34,960 → 00:04:38,350 presence tonight, satanic congregation.
00:04:38,360 → 00:04:41,909 I am going to be humbled
00:04:41,919 → 00:04:43,430 before
00:04:43,440 → 00:04:48,190 the God himself.
Section 6: 00:04:51,430 – 00:05:35,230
00:04:51,430 → 00:04:51,440 The son of God will go to see his
00:04:51,440 → 00:04:53,670 father.
00:04:53,680 → 00:04:56,830 Love it, people of the strings. I'm
00:04:56,840 → 00:04:59,230 talking to you tonight, and I need your
00:04:59,240 → 00:05:00,909 assistance.
00:05:00,919 → 00:05:05,350 I know that there are masters among us.
00:05:05,360 → 00:05:09,150 I know that the congregation holds
00:05:09,160 → 00:05:11,670 the heroes of the strings.
00:05:11,680 → 00:05:14,590 Do I need to mention them? No,
00:05:14,600 → 00:05:15,909 I do not.
00:05:15,919 → 00:05:19,350 I merely call upon your wisdom.
00:05:19,360 → 00:05:23,270 I need your help tonight to translate a
00:05:23,280 → 00:05:26,110 Greek passage that
00:05:26,120 → 00:05:29,710 kept me all day. Oh God. [screaming]
00:05:29,720 → 00:05:32,830 Oh, it strained my brain, people. You
00:05:32,840 → 00:05:35,230 better be ready for this one tonight.
Section 7: 00:05:35,240 – 00:05:47,470
00:05:35,240 → 00:05:38,909 The new reality I see now.
00:05:38,919 → 00:05:41,790 God, are you ready for the new reality,
00:05:41,800 → 00:05:42,950 people?
00:05:42,960 → 00:05:47,470 Oh, we're going to talk.
Section 8: 00:05:49,270 – 00:06:19,230
00:05:49,270 → 00:05:49,280 We're going to talk about a class here,
00:05:49,280 → 00:05:52,190 people. I have managed to find two
00:05:52,200 → 00:05:54,030 people of your
00:05:54,040 → 00:05:57,310 ranks, from your ranks, congregation,
00:05:57,320 → 00:06:01,150 who are worthy and honorable,
00:06:01,160 → 00:06:03,950 and ready
00:06:03,960 → 00:06:05,870 to proceed
00:06:05,880 → 00:06:07,990 with training.
00:06:08,000 → 00:06:10,950 What are we doing? A companion intense
00:06:10,960 → 00:06:14,710 reading group, where we will find every
00:06:14,720 → 00:06:19,230 crack, crevice, and orifice.
Section 9: 00:06:19,240 – 00:06:43,474
00:06:19,240 → 00:06:20,750 The most
00:06:20,760 → 00:06:23,270 intense from the beginning to the end,
00:06:23,280 → 00:06:26,590 the very first night. We will start with
00:06:26,600 → 00:06:29,064 Homer and end
00:06:29,074 → 00:06:30,670 >> [sighs and gasps]
00:06:30,680 → 00:06:35,390 >> with those Byzantine nerds
00:06:35,400 → 00:06:38,550 talking about drugs,
00:06:38,560 → 00:06:41,230 sex,
00:06:41,240 → 00:06:43,474 and history.
Section 10: 00:06:43,484 – 00:07:07,550
00:06:43,484 → 00:06:44,190 >> [sighs]
00:06:44,200 → 00:06:47,110 >> And what is the mystery, people?
00:06:47,120 → 00:06:49,670 By the way, if you get a chance, shout
00:06:49,680 → 00:06:51,550 out to Bruno.
00:06:51,560 → 00:06:54,870 Bruno is working on more documentary,
00:06:54,880 → 00:06:56,630 people.
00:06:56,640 → 00:06:59,310 Stones [snorts] and serpents.
00:06:59,320 → 00:07:02,990 You've got to give him a shout out. He's
00:07:03,000 → 00:07:07,550 documentary. He deals with me. My God.
Section 11: 00:07:07,560 – 00:07:25,190
00:07:07,560 → 00:07:09,270 People,
00:07:09,280 → 00:07:12,710 tonight everything is in the music.
00:07:12,720 → 00:07:15,630 Everything is in the music. Now, I don't
00:07:15,640 → 00:07:17,230 know about you.
00:07:17,240 → 00:07:19,870 Congregation, I am hungry and I want a
00:07:19,880 → 00:07:22,830 quick appetizer, and I bring this to you
00:07:22,840 → 00:07:25,190 just succinctly
Section 12: 00:07:25,200 – 00:07:49,670
00:07:25,200 → 00:07:28,430 to anchor you within the now. Do you
00:07:28,440 → 00:07:31,710 understand what are we looking at? We
00:07:31,720 → 00:07:35,190 are looking at the Tartarus
00:07:35,200 → 00:07:40,270 of the child rapist looking into the
00:07:40,280 → 00:07:43,990 mirror. Those of you who follow the
00:07:44,000 → 00:07:49,670 great god, the son of Teeny himself, oh,
Section 13: 00:07:49,680 – 00:08:26,110
00:07:49,680 → 00:07:52,230 you will know and hear his voice
00:07:52,240 → 00:07:53,830 tonight.
00:07:53,840 → 00:07:56,710 Did you bring Teeny?
00:07:56,720 → 00:07:59,470 Mother of Dionysus,
00:07:59,480 → 00:08:02,550 yes. Chewie, bring her up. Bring your
00:08:02,560 → 00:08:04,070 imagery.
00:08:04,080 → 00:08:06,430 Shamboozledly,
00:08:06,440 → 00:08:08,070 doozledly.
00:08:08,080 → 00:08:09,630 Boop.
00:08:09,640 → 00:08:12,230 Look. Oh, [sighs] god, people.
00:08:12,240 → 00:08:14,270 What am I bringing you tonight? I'm
00:08:14,280 → 00:08:16,870 bringing you the lightning. You're going
00:08:16,880 → 00:08:18,670 to love it, but we need a taste of
00:08:18,680 → 00:08:21,830 something first. We need a taste of
00:08:21,840 → 00:08:26,110 justice, people. Watch the child rapist
Section 14: 00:08:26,120 – 00:08:46,390
00:08:26,120 → 00:08:31,630 look into the mirror of Nemesis herself.
00:08:31,640 → 00:08:35,190 This is gorgeous. This is the power of
00:08:35,200 → 00:08:37,750 the Bacchic frenzy.
00:08:37,760 → 00:08:39,390 Are you ready?
00:08:39,400 → 00:08:41,550 Are you ready for the Bacchic frenzy?
00:08:41,560 → 00:08:43,630 Who else are we going to see the Bacchic
00:08:43,640 → 00:08:46,390 frenzy in?
Section 15: 00:08:48,030 – 00:09:06,510
00:08:48,030 → 00:08:48,040 Who else?
00:08:48,040 → 00:08:49,670 Go ahead, put it
00:08:49,680 → 00:08:51,030 Put it on the
00:08:51,040 → 00:08:55,110 Where else is the Bacchic frenzy?
00:08:55,120 → 00:08:55,786 Ah.
00:08:55,796 → 00:08:56,950 >> [sighs]
00:08:56,960 → 00:08:58,030 >> Wow.
00:08:58,040 → 00:09:00,070 Okay, people.
00:09:00,080 → 00:09:02,350 People, we're going to see it
00:09:02,360 → 00:09:06,510 beautifully come together in a gorgeous
Section 16: 00:09:06,520 – 00:09:45,350
00:09:06,520 → 00:09:09,550 vision of inspiration, a vision of
00:09:09,560 → 00:09:12,350 music, people. And this is where I need
00:09:12,360 → 00:09:14,470 you technicians tonight.
00:09:14,480 → 00:09:18,829 Because I am sorry, but your craft is
00:09:18,839 → 00:09:22,790 beyond me and your education and your
00:09:22,800 → 00:09:25,310 brain, I'm talking to you guitarists out
00:09:25,320 → 00:09:26,190 there.
00:09:26,200 → 00:09:27,350 Right?
00:09:27,360 → 00:09:30,670 Those of you who surf the tension of the
00:09:30,680 → 00:09:31,910 string,
00:09:31,920 → 00:09:34,190 do we have those, Chewie?
00:09:34,200 → 00:09:36,830 Do we have any of those? Put them in the
00:09:36,840 → 00:09:39,950 put them in. People say
00:09:39,960 → 00:09:42,190 say tell me you surf the tension of the
00:09:42,200 → 00:09:45,350 string. Let's feast
Section 17: 00:09:45,360 – 00:09:56,710
00:09:45,360 → 00:09:47,790 on the soul
00:09:47,800 → 00:09:49,870 of the wicked.
00:09:49,880 → 00:09:56,710 Hit it, Chewie.
Section 18: 00:09:58,990 – 00:10:27,710
00:09:58,990 → 00:09:59,000 >> He writes this quote, "Administration
00:09:59,000 → 00:10:01,390 officials, they are targets." And he
00:10:01,400 → 00:10:03,910 also wrote this, "I'm no longer willing
00:10:03,920 → 00:10:06,150 to permit a pedophile, rapist, and
00:10:06,160 → 00:10:08,350 traitor to coat my hands with his
00:10:08,360 → 00:10:10,070 crimes." What's your reaction to that?
00:10:10,080 → 00:10:11,350 >> Well, I was waiting for you to read that
00:10:11,360 → 00:10:13,550 because I knew you would because you're
00:10:13,560 → 00:10:16,390 you're horrible people, horrible people.
00:10:16,400 → 00:10:18,190 Yeah, he did write that.
00:10:18,200 → 00:10:20,110 I'm I'm not a rapist. I didn't rape
00:10:20,120 → 00:10:21,990 anybody. Uh
00:10:22,000 → 00:10:23,590 oh, you think you think he was referring
00:10:23,600 → 00:10:25,510 to you? Excuse me. Excuse me.
00:10:25,520 → 00:10:27,710 I'm not a pedophile. You read that crap
Section 19: 00:10:27,720 – 00:10:42,590
00:10:27,720 → 00:10:29,550 from some sick person. You should be
00:10:29,560 → 00:10:32,310 ashamed of yourself reading that cuz I'm
00:10:32,320 → 00:10:34,630 not any of those things. I was never
00:10:34,640 → 00:10:37,270 Excuse me. Excuse me.
00:10:37,280 → 00:10:39,070 You shouldn't be reading that on 60
00:10:39,080 → 00:10:42,590 Minutes. You're a disgrace.
Section 20: 00:10:44,510 – 00:11:26,110
00:10:44,510 → 00:10:44,520 >> And who is it?
00:10:44,520 → 00:10:47,829 Who is it that is the disgrace
00:10:47,839 → 00:10:50,710 as he looks into the mirror?
00:10:50,720 → 00:10:53,590 Do you see the fury?
00:10:53,600 → 00:10:58,110 Do you see Talos? Do you see the fury?
00:10:58,120 → 00:11:01,310 Did you know the muse was
00:11:01,320 → 00:11:05,030 right at work in front of you?
00:11:05,040 → 00:11:07,350 Ow. God, suck it.
00:11:07,360 → 00:11:09,150 Suck the soul.
00:11:09,160 → 00:11:12,630 God, that face, people. What a moment in
00:11:12,640 → 00:11:15,070 the now. Capture the face. I want to go
00:11:15,080 → 00:11:18,670 back. Capture his face again right when
00:11:18,680 → 00:11:22,430 he is slapped with the reality
00:11:22,440 → 00:11:26,110 of his own reflection.
Section 21: 00:11:26,120 – 00:11:45,270
00:11:26,120 → 00:11:28,390 Are you ready, people? I'll pause it
00:11:28,400 → 00:11:30,790 right at that peak.
00:11:30,800 → 00:11:33,230 Excuse me.
00:11:33,240 → 00:11:35,150 Back at the beginning.
00:11:35,160 → 00:11:37,390 >> rapist and traitor to coat
00:11:37,400 → 00:11:38,390 >> That was all it took
00:11:38,400 → 00:11:40,270 >> Okay, here we go.
00:11:40,280 → 00:11:45,270 >> Hey there, Baldy.
Section 22: 00:11:47,230 – 00:12:23,110
00:11:47,230 → 00:11:47,240 >> How do you get that smooth?
00:11:47,240 → 00:11:49,390 >> He writes this quote, "Administration
00:11:49,400 → 00:11:51,830 officials, they are targets." And he
00:11:51,840 → 00:11:54,350 also wrote this, "I'm no longer willing
00:11:54,360 → 00:11:56,510 to permit a pedophile, rapist, and
00:11:56,520 → 00:12:00,350 traitor to coat my hands with his
00:12:00,360 → 00:12:01,630 >> I missed it. I missed it.
00:12:01,640 → 00:12:03,350 >> longer willing to permit a pedophile,
00:12:03,360 → 00:12:06,830 rapist, and traitor to coat my hands
00:12:06,840 → 00:12:09,030 >> There it is. See how he looks? He looks
00:12:09,040 → 00:12:11,950 at us right in the [\h__\h] soul.
00:12:11,960 → 00:12:13,750 That's him.
00:12:13,760 → 00:12:16,950 That's him being faced with the mirror,
00:12:16,960 → 00:12:23,110 the reality of being a child rapist.
Section 23: 00:12:23,120 – 00:12:45,510
00:12:23,120 → 00:12:25,150 Child rapist.
00:12:25,160 → 00:12:26,510 People,
00:12:26,520 → 00:12:29,110 welcome to Tartarus.
00:12:29,120 → 00:12:32,230 This man's health and safety are very
00:12:32,240 → 00:12:36,430 important. He must be kept here for the
00:12:36,440 → 00:12:40,950 sake of Nemesis. He must be kept here
00:12:40,960 → 00:12:45,510 looking right into the mirror. So, pray.
Section 24: 00:12:45,520 – 00:12:54,863
00:12:45,520 → 00:12:48,790 Pray for the health of Pentheus.
00:12:48,800 → 00:12:54,863 Pray that he may see himself.
Section 25: 00:12:54,873 – 00:12:55,710
00:12:54,873 → 00:12:55,710 [snorts]
Section 26: 00:12:55,720 – 00:13:35,550
00:12:55,720 → 00:12:57,950 Ah, God.
00:12:57,960 → 00:13:00,110 Ah.
00:13:00,120 → 00:13:01,910 Ah, God.
00:13:01,920 → 00:13:04,870 Love it. People, you've got to suck that
00:13:04,880 → 00:13:07,110 energy. Are they sucking it? Put up
00:13:07,120 → 00:13:09,550 Satanic congregation. Just let them Let
00:13:09,560 → 00:13:11,910 them freely roll, people. Did you like
00:13:11,920 → 00:13:14,950 the ad? Did you like the
00:13:14,960 → 00:13:18,590 Oh, God. This hors d'oeuvres. Oh, God.
00:13:18,600 → 00:13:21,030 People, appetizers. That's what I was
00:13:21,040 → 00:13:23,550 looking for. I'm so
00:13:23,560 → 00:13:25,630 Look, people. If the appetizer is that
00:13:25,640 → 00:13:27,230 good, how
00:13:27,240 → 00:13:29,990 good must be this
00:13:30,000 → 00:13:31,990 beautiful banquet that we've come to
00:13:32,000 → 00:13:33,990 tonight. You're going to love it. Now,
00:13:34,000 → 00:13:35,550 I'm going to have to be humble though
Section 27: 00:13:35,560 – 00:14:18,430
00:13:35,560 → 00:13:38,030 because this is advanced stuff and I
00:13:38,040 → 00:13:40,750 want everybody at the congregation
00:13:40,760 → 00:13:43,430 to help me tonight.
00:13:43,440 → 00:13:46,590 I'm going to take us on a little
00:13:46,600 → 00:13:48,190 journey.
00:13:48,200 → 00:13:51,710 Chewie, give me starts about here. Give
00:13:51,720 → 00:13:54,150 me this one.
00:13:54,160 → 00:13:55,470 Yeah.
00:13:55,480 → 00:13:57,350 People, I want just want to start you
00:13:57,360 → 00:13:58,470 out
00:13:58,480 → 00:14:01,590 with salvation. I want you to see
00:14:01,600 → 00:14:04,670 salvation and where am I taking you? I'm
00:14:04,680 → 00:14:08,110 taking you to a physician. Look people,
00:14:08,120 → 00:14:11,150 I just want to see people.
00:14:11,160 → 00:14:13,310 For those of you who look here, here's a
00:14:13,320 → 00:14:15,630 Christ thing. Here's a Christ thing with
00:14:15,640 → 00:14:18,430 something called a soteira.
Section 28: 00:14:18,440 – 00:15:01,310
00:14:18,440 → 00:14:21,670 Oh God, don't you love her? Ooh.
00:14:21,680 → 00:14:26,550 Yeah. What is she? What is that drug?
00:14:26,560 → 00:14:29,510 It's an antidotos. There you go.
00:14:29,520 → 00:14:33,150 Right, Philon. You [\h__\h] Philon, what
00:14:33,160 → 00:14:36,870 did he do? He created it, passed it on.
00:14:36,880 → 00:14:38,670 These doctors that rock. Give me the
00:14:38,680 → 00:14:42,110 next one. I want to warm you up people.
00:14:42,120 → 00:14:44,790 Are you ready for this?
00:14:44,800 → 00:14:47,470 Do you know who Athena is? Who is
00:14:47,480 → 00:14:50,270 telling us Who is telling it? What
00:14:50,280 → 00:14:53,150 people, watch. There is method to the
00:14:53,160 → 00:14:55,230 madness, please.
00:14:55,240 → 00:14:56,750 There's a method to the madness, but I
00:14:56,760 → 00:14:59,390 have to bring you to the music first and
00:14:59,400 → 00:15:01,310 then I'm going to hit you with something
Section 29: 00:15:01,320 – 00:15:26,710
00:15:01,320 → 00:15:04,550 that I don't understand and all of you
00:15:04,560 → 00:15:07,175 god damn musicians
00:15:07,185 → 00:15:08,190 >> [sighs]
00:15:08,200 → 00:15:10,190 >> you're going to figure it out.
00:15:10,200 → 00:15:13,230 And we will declare the master
00:15:13,240 → 00:15:16,829 of surfer of those waves to be the
00:15:16,839 → 00:15:20,930 one and only king. Do you understand?
00:15:20,940 → 00:15:21,350 >> [sighs]
00:15:21,360 → 00:15:22,670 >> Martha,
00:15:22,680 → 00:15:24,750 we need your vote.
00:15:24,760 → 00:15:26,710 Fantastic.
Section 30: 00:15:26,720 – 00:16:02,230
00:15:26,720 → 00:15:28,830 Give me the next one.
00:15:28,840 → 00:15:30,870 People, what do I I want you to fall
00:15:30,880 → 00:15:32,430 into a place now.
00:15:32,440 → 00:15:35,830 Just look at this Athena. Athena estigma
00:15:35,840 → 00:15:38,870 so. Now, this is grammarian stuff,
00:15:38,880 → 00:15:41,590 people. Oh God, this is like late
00:15:41,600 → 00:15:44,270 Hellenistic grammarian stuff. Athena
00:15:44,280 → 00:15:46,790 What is she? She comes
00:15:46,800 → 00:15:49,710 She comes from that verb so. How's that?
00:15:49,720 → 00:15:52,710 It's from say lanto, which means and its
00:15:52,720 → 00:15:55,510 future is theso. I'm translating.
00:15:55,520 → 00:15:57,230 Right, people? [laughter]
00:15:57,240 → 00:15:58,990 Listen to how they're talking about
00:15:59,000 → 00:16:02,230 their own language.
Section 31: 00:16:02,240 – 00:16:22,590
00:16:02,240 → 00:16:05,590 It's a verbal noun is thene, right? Oh
00:16:05,600 → 00:16:07,270 God.
00:16:07,280 → 00:16:09,550 And with that alpha, the thing we call
00:16:09,560 → 00:16:11,550 the alpha privative
00:16:11,560 → 00:16:14,670 the stetical alpha
00:16:14,680 → 00:16:17,150 What are they doing? They're putting
00:16:17,160 → 00:16:19,190 that negative on it. She's the one who
00:16:19,200 → 00:16:22,590 does not nurse.
Section 32: 00:16:22,600 – 00:16:45,350
00:16:22,600 → 00:16:25,590 Do you understand who the virgin is?
00:16:25,600 → 00:16:28,990 Who is the virgin, people? You just got
00:16:29,000 → 00:16:31,990 the definition.
00:16:32,000 → 00:16:35,070 I want to interrupt this broadcast with
00:16:35,080 → 00:16:37,630 some Junius.
00:16:37,640 → 00:16:39,710 And I want
00:16:39,720 → 00:16:42,910 you to see something that Junius has
00:16:42,920 → 00:16:45,350 done
Section 33: 00:16:47,110 – 00:17:03,950
00:16:47,110 → 00:16:47,120 for us.
00:16:47,120 → 00:16:49,630 For us. Chilly, can you take us to the
00:16:49,640 → 00:16:53,070 website first? Go there, people.
00:16:53,080 → 00:16:54,870 Check this out. We will post it for you
00:16:54,880 → 00:16:56,350 to be able
00:16:56,360 → 00:16:58,510 to see and to enjoy.
00:16:58,520 → 00:17:01,910 Here we have your journey into the first
00:17:01,920 → 00:17:03,950 Christ.
Section 34: 00:17:03,960 – 00:17:31,710
00:17:03,960 → 00:17:07,069 People, was the first Christ in history
00:17:07,079 → 00:17:09,006 a woman?
00:17:09,016 → 00:17:09,750 >> [sighs]
00:17:09,760 → 00:17:12,270 >> Where does it start?
00:17:12,280 → 00:17:13,710 Look at it. It's very well written,
00:17:13,720 → 00:17:14,870 people.
00:17:14,880 → 00:17:18,230 Her name was Metis. This There's the
00:17:18,240 → 00:17:20,429 description. What am I looking
00:17:20,439 → 00:17:22,429 at? This website explores ancient
00:17:22,439 → 00:17:25,309 sources that describe Medea
00:17:25,319 → 00:17:27,829 as a master of pharmaca, drugs,
00:17:27,839 → 00:17:31,710 medicines, and ritual substances.
Section 35: 00:17:31,720 – 00:18:02,350
00:17:31,720 → 00:17:34,150 And asks a provocative question. Okay,
00:17:34,160 → 00:17:35,150 here's what
00:17:35,160 → 00:17:37,030 Are you ready? Could Medea represent the
00:17:37,040 → 00:17:40,070 earliest example of a technical Christus
00:17:40,080 → 00:17:43,722 in recorded history?
00:17:43,732 → 00:17:44,950 >> [sighs]
00:17:44,960 → 00:17:47,390 >> Isn't that gorgeous? Give them one Give
00:17:47,400 → 00:17:49,110 them one more. People, I want you to go
00:17:49,120 → 00:17:52,310 through this and I want you to see
00:17:52,320 → 00:17:54,310 how simple
00:17:54,320 → 00:17:55,950 and accurate. Now,
00:17:55,960 → 00:17:58,790 it's because this is being written,
00:17:58,800 → 00:18:02,350 composed, produced
Section 36: 00:18:02,360 – 00:18:18,590
00:18:02,360 → 00:18:05,230 by a poet.
00:18:05,240 → 00:18:07,670 We're going to see that tonight.
00:18:07,680 → 00:18:09,630 Is this the
00:18:09,640 → 00:18:12,390 Satanic music? Do you know what I found
00:18:12,400 → 00:18:14,790 tonight for you, children?
00:18:14,800 → 00:18:16,472 Children.
00:18:16,482 → 00:18:18,590 >> [laughter]
Section 37: 00:18:24,550 – 00:18:45,110
00:18:24,550 → 00:18:24,560 >> [sighs]
00:18:24,560 → 00:18:27,270 >> What have I produced? I've produced the
00:18:27,280 → 00:18:28,710 lightning.
00:18:28,720 → 00:18:31,550 Are you ready? You're about to see the
00:18:31,560 → 00:18:33,830 song of Satan.
00:18:33,840 → 00:18:35,550 Oh, people, did you know that exists?
00:18:35,560 → 00:18:36,870 Poetry.
00:18:36,880 → 00:18:40,150 All of you who are watching these
00:18:40,160 → 00:18:43,310 channels of [\h__\h] who talk about
00:18:43,320 → 00:18:45,110 Ugaritic
Section 38: 00:18:45,120 – 00:19:06,910
00:18:45,120 → 00:18:47,550 and Inky Doo.
00:18:47,560 → 00:18:49,590 Oh God.
00:18:49,600 → 00:18:52,710 And pyramids. Oh, get them, too.
00:18:52,720 → 00:18:55,110 They only had 19,000 words, dogs. Those
00:18:55,120 → 00:18:57,910 Egyptians? In 2,000 years, they only got
00:18:57,920 → 00:19:00,630 to 19,000?
00:19:00,640 → 00:19:01,790 They had more than that. They just
00:19:01,800 → 00:19:04,110 couldn't express it with that stupid
00:19:04,120 → 00:19:06,910 writing. People.
Section 39: 00:19:06,920 – 00:19:37,038
00:19:06,920 → 00:19:08,790 Why didn't you stick with the experts?
00:19:08,800 → 00:19:10,350 The grammarians are right there. That's
00:19:10,360 → 00:19:12,150 a Greek word, you know.
00:19:12,160 → 00:19:14,510 Right.
00:19:14,520 → 00:19:17,030 What is the question? The question is
00:19:17,040 → 00:19:20,190 have you heard the song
00:19:20,200 → 00:19:22,110 of Satan?
00:19:22,120 → 00:19:24,750 Did you know, people,
00:19:24,760 → 00:19:27,630 there is music of Satan?
00:19:27,640 → 00:19:29,590 Now, nobody's going to be able to bring
00:19:29,600 → 00:19:33,510 this to you because of all the stupidity
00:19:33,520 → 00:19:37,038 of what Satan is.
Section 40: 00:19:37,048 – 00:19:50,910
00:19:37,048 → 00:19:37,950 >> [sighs]
00:19:37,960 → 00:19:39,110 >> God.
00:19:39,120 → 00:19:40,550 Oh.
00:19:40,560 → 00:19:42,670 Oh, God.
00:19:42,680 → 00:19:45,430 Where is that Saturnian homeland?
00:19:45,440 → 00:19:47,670 Are there any sickles out there? Give me
00:19:47,680 → 00:19:50,910 the next one.
Section 41: 00:19:53,870 – 00:20:11,510
00:19:53,870 → 00:19:53,880 People, here's your antidote formula.
00:19:53,880 → 00:19:56,550 For you [\h__\h] who want the science,
00:19:56,560 → 00:19:59,270 suck it. Here it is. Go ahead, suck it
00:19:59,280 → 00:20:04,510 down. It's an antidote called salvation.
00:20:04,520 → 00:20:06,150 Where do you think they got all of this
00:20:06,160 → 00:20:07,670 stuff? Okay, that's enough. Flash away
00:20:07,680 → 00:20:09,630 the ingredients. Make them go back.
00:20:09,640 → 00:20:11,510 People.
Section 42: 00:20:11,520 – 00:20:35,190
00:20:11,520 → 00:20:13,150 The next one, Chewie.
00:20:13,160 → 00:20:15,030 I'm calling on the sickles. We're about
00:20:15,040 → 00:20:16,390 to go to
00:20:16,400 → 00:20:19,390 another I want to go to a guitar artist.
00:20:19,400 → 00:20:20,670 Right?
00:20:20,680 → 00:20:23,310 Oh, God. No, I don't mean guitar artist.
00:20:23,320 → 00:20:26,350 People, please. Humbly forgive me. I
00:20:26,360 → 00:20:29,510 mean master of the strings
00:20:29,520 → 00:20:31,910 because that's what these texts say
00:20:31,920 → 00:20:35,190 these special people are
Section 43: 00:20:35,200 – 00:21:15,150
00:20:35,200 → 00:20:38,510 masters of tension.
00:20:38,520 → 00:20:40,310 Oh, God. [sighs]
00:20:40,320 → 00:20:41,270 Oh.
00:20:41,280 → 00:20:43,470 It's gorgeous. Makes me aroused
00:20:43,480 → 00:20:46,190 intellectually. Bring that one up. Oh,
00:20:46,200 → 00:20:47,630 God, one more and then I want to play
00:20:47,640 → 00:20:50,790 some genius, some actual string tension.
00:20:50,800 → 00:20:52,110 Right? I'm going to bring it to you,
00:20:52,120 → 00:20:53,230 people.
00:20:53,240 → 00:20:55,670 It's got to be rhythmic, right?
00:20:55,680 → 00:20:57,350 Do you understand me?
00:20:57,360 → 00:21:00,110 This is orgiastic, right?
00:21:00,120 → 00:21:02,550 Who is this? Oh, God, wrong quote, but
00:21:02,560 → 00:21:05,464 that's okay. It's Chirpander.
00:21:05,474 → 00:21:07,070 >> [laughter]
00:21:07,080 → 00:21:08,630 >> What is he?
00:21:08,640 → 00:21:13,070 He is the one who created the heptatonic
00:21:13,080 → 00:21:15,150 strings.
Section 44: 00:21:15,160 – 00:21:18,870
00:21:15,160 → 00:21:18,870 Heptatonic strings.
Section 45: 00:21:18,880 – 00:21:32,670
00:21:18,880 → 00:21:22,270 People, musicians, I hear from these
00:21:22,280 → 00:21:25,310 Greeks that the heptatonic strings have
00:21:25,320 → 00:21:26,710 endings.
00:21:26,720 → 00:21:28,550 They're outside of They're like their
00:21:28,560 → 00:21:32,670 boundaries.
Section 46: 00:21:36,230 – 00:21:47,070
00:21:36,230 → 00:21:36,240 There are some stuff going on using that
00:21:36,240 → 00:21:38,350 basic physics
00:21:38,360 → 00:21:41,110 to explain how everything works. Let me
00:21:41,120 → 00:21:42,110 show you
00:21:42,120 → 00:21:43,910 exactly what I mean. The song of Satan,
00:21:43,920 → 00:21:47,070 people.
Section 47: 00:21:48,670 – 00:22:26,950
00:21:48,670 → 00:21:48,680 Um if you didn't know it existed, which
00:21:48,680 → 00:21:50,230 you didn't,
00:21:50,240 → 00:21:53,590 cuz all of you watching those morons,
00:21:53,600 → 00:21:56,030 those morons, people.
00:21:56,040 → 00:21:57,870 God.
00:21:57,880 → 00:21:59,910 They don't have these, you know, they
00:21:59,920 → 00:22:01,630 don't have access to these texts, right?
00:22:01,640 → 00:22:02,910 They don't know.
00:22:02,920 → 00:22:04,670 They don't know. We cannot blame them,
00:22:04,680 → 00:22:06,430 people. We're the museum, and we're here
00:22:06,440 → 00:22:09,110 to preserve it and bring it to them. So,
00:22:09,120 → 00:22:10,590 we devote
00:22:10,600 → 00:22:13,590 our efforts to those we torture in
00:22:13,600 → 00:22:15,230 Tartarus.
00:22:15,240 → 00:22:17,270 Ah, God.
00:22:17,280 → 00:22:19,590 I live upon your madness.
00:22:19,600 → 00:22:23,670 I thrive. I drink it like an essence. Oh
00:22:23,680 → 00:22:26,950 God, eventually you will pop. You will
Section 48: 00:22:26,960 – 00:23:00,630
00:22:26,960 → 00:22:30,310 pop and find your complete
00:22:30,320 → 00:22:32,270 total insanity.
00:22:32,280 → 00:22:33,310 Ow.
00:22:33,320 → 00:22:34,350 God.
00:22:34,360 → 00:22:36,030 Love it.
00:22:36,040 → 00:22:38,470 Now, for those of us who actually have
00:22:38,480 → 00:22:40,350 material,
00:22:40,360 → 00:22:43,230 let me show you. Nice kithara there.
00:22:43,240 → 00:22:44,870 That's a good one.
00:22:44,880 → 00:22:47,645 That's a good one. I like that.
00:22:47,655 → 00:22:48,430 >> [sighs]
00:22:48,440 → 00:22:52,070 >> Is that the heptatonic string?
00:22:52,080 → 00:22:54,470 This heptatonic strings, people, seven
00:22:54,480 → 00:22:56,110 tones.
00:22:56,120 → 00:22:57,870 Oh, I'm sorry.
00:22:57,880 → 00:23:00,630 I'm sorry. Alpha.
Section 49: 00:23:00,640 – 00:23:10,350
00:23:00,640 → 00:23:03,030 All right. Epsilon
00:23:03,040 → 00:23:04,430 Eta
00:23:04,440 → 00:23:06,190 Iota
00:23:06,200 → 00:23:10,350 Omicron, Upsilon, Omega.
Section 50: 00:23:10,360 – 00:23:32,190
00:23:10,360 → 00:23:12,310 So, this is the complete
00:23:12,320 → 00:23:14,990 heptad.
00:23:15,000 → 00:23:19,070 From that tone, we have to find the
00:23:19,080 → 00:23:21,230 perimeters, the boundary people. We're
00:23:21,240 → 00:23:23,390 looking for that because we're going to
00:23:23,400 → 00:23:25,430 show you tonight
00:23:25,440 → 00:23:29,110 what Greek is.
00:23:29,120 → 00:23:32,190 Greek is music.
Section 51: 00:23:32,200 – 00:23:46,030
00:23:32,200 → 00:23:33,670 Music
00:23:33,680 → 00:23:36,270 is Greek.
00:23:36,280 → 00:23:39,150 The incarnation
00:23:39,160 → 00:23:40,790 of the muse
00:23:40,800 → 00:23:42,430 herself.
00:23:42,440 → 00:23:46,030 Oh God.
Section 52: 00:23:46,040 – 00:24:24,510
00:23:46,040 → 00:23:48,190 You musicians keep sitting there cuz you
00:23:48,200 → 00:23:50,910 know all the scale stuff and okay, it's
00:23:50,920 → 00:23:53,270 going to get complicated. Give me the
00:23:53,280 → 00:23:55,470 next one. That was just an ancient
00:23:55,480 → 00:23:59,070 guitarist people who wanted to rock
00:23:59,080 → 00:24:02,310 from hell. That's what he's doing. Next
00:24:02,320 → 00:24:05,510 and the rock next, rocking from hell.
00:24:05,520 → 00:24:07,790 Oh, people, what is the tone that we're
00:24:07,800 → 00:24:09,190 talking about?
00:24:09,200 → 00:24:10,990 Now, remember these are Greek terms. I
00:24:11,000 → 00:24:13,990 told you music is Greek. Nobody believes
00:24:14,000 → 00:24:16,430 they're like, "No, you cannot do this.
00:24:16,440 → 00:24:18,830 Universal. [\h__\h] you."
00:24:18,840 → 00:24:21,510 What is tone, people?
00:24:21,520 → 00:24:24,510 What is tone? That way by which a thing
Section 53: 00:24:24,520 – 00:24:47,512
00:24:24,520 → 00:24:26,510 is stretched.
00:24:26,520 → 00:24:28,950 tonos. Look at the verb taino, to
00:24:28,960 → 00:24:30,470 stretch.
00:24:30,480 → 00:24:34,870 Who are those who stretch?
00:24:34,880 → 00:24:37,990 These are [\h__\h] Titans.
00:24:38,000 → 00:24:40,590 Do you understand?
00:24:40,600 → 00:24:41,990 I'm calling [clears throat] upon you
00:24:42,000 → 00:24:45,350 musicians, you sons and daughters of
00:24:45,360 → 00:24:47,512 God.
Section 54: 00:24:47,522 – 00:25:22,750
00:24:47,522 → 00:24:48,790 >> [sighs]
00:24:48,800 → 00:24:50,070 >> People
00:24:50,080 → 00:24:52,710 it's the tension that is life.
00:24:52,720 → 00:24:54,750 The tension. Do you understand? Keep
00:24:54,760 → 00:24:55,790 going.
00:24:55,800 → 00:24:58,030 That's the tone.
00:24:58,040 → 00:25:00,310 A heptatonic, what is this definition?
00:25:00,320 → 00:25:03,590 Tell me. People, musicians, please.
00:25:03,600 → 00:25:06,590 If this is full of hoo-ha, please.
00:25:06,600 → 00:25:08,950 A heptatonic scale, now I can confirm
00:25:08,960 → 00:25:11,910 that I read some things that look like
00:25:11,920 → 00:25:13,190 where this probably derived its
00:25:13,200 → 00:25:14,950 information. Anyhow,
00:25:14,960 → 00:25:17,430 a heptatonic scale is a musical scale
00:25:17,440 → 00:25:20,630 that has seven pitches or tones per
00:25:20,640 → 00:25:22,750 octave.
Section 55: 00:25:22,760 – 00:25:39,550
00:25:22,760 → 00:25:25,110 You see where that borderline comes in?
00:25:25,120 → 00:25:27,830 That's that eighth. Examples include the
00:25:27,840 → 00:25:29,990 diatonic scale, including the major
00:25:30,000 → 00:25:32,070 scale and its modes.
00:25:32,080 → 00:25:34,510 Notably, the natural minor scale or
00:25:34,520 → 00:25:39,550 scale or the Aeolian mode.
Section 56: 00:25:39,560 – 00:26:18,670
00:25:39,560 → 00:25:41,910 Those of you who love Sappho, the 10th
00:25:41,920 → 00:25:43,910 muse,
00:25:43,920 → 00:25:46,870 right? Watch her birth.
00:25:46,880 → 00:25:48,710 The [sighs and gasps] melodic minor
00:25:48,720 → 00:25:51,510 scale, like the Aeolian mode, but with
00:25:51,520 → 00:25:55,110 raised sixth and seventh ascending. Now,
00:25:55,120 → 00:25:57,350 if you understand that and you can
00:25:57,360 → 00:25:58,750 comprehend,
00:25:58,760 → 00:26:01,270 I am very glad for you, but
00:26:01,280 → 00:26:03,150 ah, when the
00:26:03,160 → 00:26:06,190 muse comes and gives you such beauty,
00:26:06,200 → 00:26:07,830 sometimes it's hard. You know what I
00:26:07,840 → 00:26:09,710 mean? It's hard to
00:26:09,720 → 00:26:11,870 sit there and do anything but just kind
00:26:12,960 → 00:26:15,430 absorb and try to take as much in as
00:26:15,440 → 00:26:17,030 possible and say,
00:26:17,040 → 00:26:18,670 "Yeah, okay."
Section 57: 00:26:18,680 – 00:26:25,910
00:26:18,680 → 00:26:21,190 Oh God, you would musical people, just
00:26:21,200 → 00:26:25,910 wait. Keep going. Where's the next?
Section 58: 00:26:30,110 – 00:27:08,150
00:26:30,110 → 00:26:30,120 People have been questioning
00:26:30,120 → 00:26:32,470 Saturnian and his
00:26:32,480 → 00:26:34,270 creation
00:26:34,280 → 00:26:38,590 of Satan, and I want you to see
00:26:38,600 → 00:26:42,990 what that row is doing.
00:26:43,000 → 00:26:44,670 I want you to see it and know it. And
00:26:44,680 → 00:26:45,830 how am I going to do that? I'm going to
00:26:45,840 → 00:26:48,150 take you to the place where it all
00:26:48,160 → 00:26:50,590 begins. This is where we find the
00:26:50,600 → 00:26:54,230 evidence. This is
00:26:54,240 → 00:26:56,670 Oh God, I miss historian.
00:26:56,680 → 00:26:59,670 First BC. This is before Jesus. He says,
00:26:59,680 → 00:27:01,830 "Go on and find
00:27:01,840 → 00:27:03,710 the Saturnian
00:27:03,720 → 00:27:08,150 ion. Ion, not ion,
Section 59: 00:27:08,160 – 00:27:32,390
00:27:08,160 → 00:27:10,310 but ion.
00:27:10,320 → 00:27:12,268 What?
00:27:12,278 → 00:27:13,510 >> [sighs]
00:27:13,520 → 00:27:15,870 >> Do you see in the yellow, Saturnian?
00:27:15,880 → 00:27:18,590 Right? What is that? That's where the
00:27:18,600 → 00:27:22,510 Sicels live. Sikelon.
00:27:22,520 → 00:27:26,070 Do you understand? Where do they worship
00:27:26,080 → 00:27:29,390 the virgin? Oh, these people. Hell yeah,
00:27:29,400 → 00:27:32,390 they do, but their version is Circe,
Section 60: 00:27:32,400 – 00:27:33,870
00:27:32,400 → 00:27:33,870 [\h__\h]
Section 61: 00:27:33,880 – 00:28:03,070
00:27:33,880 → 00:27:35,150 Ow.
00:27:35,160 → 00:27:38,470 God. It's Saturnian. Now, people, how do
00:27:38,480 → 00:27:40,950 I know that this is connected with the
00:27:40,960 → 00:27:44,190 Echidna priesthood? Because next slide.
00:27:44,200 → 00:27:46,750 Because of this. Look.
00:27:46,760 → 00:27:48,190 Look
00:27:48,200 → 00:27:49,430 That's not
00:27:49,440 → 00:27:52,470 That's not the the next one. Next one.
00:27:52,480 → 00:27:55,150 No. Is that it?
00:27:55,160 → 00:27:57,110 Oh [sighs and gasps] God.
00:27:57,120 → 00:27:59,510 Go back to it. Go back to that last It's
00:27:59,520 → 00:28:03,070 out of place. Go back to that last one.
Section 62: 00:28:06,390 – 00:28:31,990
00:28:06,390 → 00:28:06,400 No. Go back. What about that?
00:28:06,400 → 00:28:08,070 Those are the right pictures. Fantastic.
00:28:08,080 → 00:28:09,870 Go there. Okay, bring that one up again.
00:28:09,880 → 00:28:13,430 People, the Saturnian
00:28:13,440 → 00:28:18,270 the Saturnian ion. If you go look up
00:28:18,280 → 00:28:20,870 if you plug in ion there,
00:28:20,880 → 00:28:23,630 you're going to find what?
00:28:23,640 → 00:28:27,230 It is Ea, the place
00:28:27,240 → 00:28:31,990 where Medea is the virgin.
Section 63: 00:28:32,000 – 00:29:04,230
00:28:32,000 → 00:28:38,150 She is the Scythian made herself of Ea.
00:28:38,160 → 00:28:39,710 Do you understand?
00:28:39,720 → 00:28:41,310 That is it right there. Now, you're
00:28:41,320 → 00:28:43,110 saying, "Wait a minute. I thought it was
00:28:43,120 → 00:28:46,150 translated there by you, knucklehead, as
00:28:46,160 → 00:28:48,750 land or country or something.
00:28:48,760 → 00:28:50,230 Right?
00:28:50,240 → 00:28:53,150 Yes, that's how I translated it.
00:28:53,160 → 00:28:55,510 So, you mean the very same place that is
00:28:55,520 → 00:28:58,990 the grounding for the Echidna cult?
00:28:59,000 → 00:29:04,230 Where Matia and Cersei and Hecate rule?
Section 64: 00:29:04,240 – 00:29:28,470
00:29:04,240 → 00:29:06,470 You mean all of that tech and all of
00:29:06,480 → 00:29:09,990 that power from this Sicilian
00:29:10,000 → 00:29:11,590 base
00:29:11,600 → 00:29:15,150 is having that influence, bringing that
00:29:15,160 → 00:29:17,430 Christ? Yes, the first Christ they told
00:29:17,440 → 00:29:20,110 you. Go to journey and look at the
00:29:20,120 → 00:29:21,630 Look at it, people. It's just all
00:29:21,640 → 00:29:23,630 printed out. Just all printed out
00:29:23,640 → 00:29:26,630 perfectly. Put it up there. Bravo to the
00:29:26,640 → 00:29:28,470 poet.
Section 65: 00:29:28,480 – 00:30:04,350
00:29:28,480 → 00:29:31,350 Bravo to the poet, right? Look at he's
00:29:31,360 → 00:29:33,470 got the Greek verb there, trio, there it
00:29:33,480 → 00:29:34,510 is.
00:29:34,520 → 00:29:35,710 Right?
00:29:35,720 → 00:29:38,030 Here's Christos, right?
00:29:38,040 → 00:29:40,390 Right, oh fantastic in the ancient
00:29:40,400 → 00:29:43,350 world, right? Oh, Christos pharmakon
00:29:43,360 → 00:29:45,710 goes into pharmakon. Where's the virgin,
00:29:45,720 → 00:29:48,750 right? Dioscorides and Galen, where we
00:29:48,760 → 00:29:50,310 have to go there. We have to go to the
00:29:50,320 → 00:29:51,350 drugs.
00:29:51,360 → 00:29:52,950 We have to go to the doctors. We have to
00:29:52,960 → 00:29:55,630 see all of that information that you and
00:29:55,640 → 00:29:58,230 I at Satanic congregation have been
00:29:58,240 → 00:30:01,710 absorbing for the last 3 and 1/2 plus
00:30:01,720 → 00:30:04,350 years.
Section 66: 00:30:04,360 – 00:30:23,070
00:30:04,360 → 00:30:08,470 Watching everything play out before our
00:30:08,480 → 00:30:09,990 eyes.
00:30:10,000 → 00:30:11,870 And we're at the stage that we're about
00:30:11,880 → 00:30:14,710 to jump into the ministry with the
00:30:14,720 → 00:30:16,390 strings. Now, before we get to the
00:30:16,400 → 00:30:18,510 enigma,
00:30:18,520 → 00:30:23,070 before we get to the mystery tonight,
Section 67: 00:30:23,080 – 00:30:47,766
00:30:23,080 → 00:30:25,550 I'm going to bring you some strings.
00:30:25,560 → 00:30:28,150 Right? Give us attention to the strings.
00:30:28,160 → 00:30:30,150 These are the strings
00:30:30,160 → 00:30:33,590 of Orion. We gave you Matthew last time.
00:30:33,600 → 00:30:36,270 Now, we're giving you Orion. Satanic
00:30:36,280 → 00:30:37,910 congregation,
00:30:37,920 → 00:30:39,390 here's the first half. We got to cut
00:30:39,400 → 00:30:47,766 into. Go ahead, Jew.
Section 68: 00:32:24,470 – 00:32:46,322
00:32:24,470 → 00:32:24,480 >> Ah.
00:32:24,480 → 00:32:26,710 You know what I'll be doing?
00:32:26,720 → 00:32:28,350 I'll be going
00:32:28,360 → 00:32:31,430 I'll be going with Junior. So, I will
00:32:31,440 → 00:32:35,030 have access to Orion in the future. For
00:32:35,040 → 00:32:37,230 those of you who
00:32:37,240 → 00:32:41,070 maybe want to establish a
00:32:41,080 → 00:32:44,230 connection of the museum type with a
00:32:44,240 → 00:32:46,322 musician.
Section 69: 00:32:46,332 – 00:33:21,038
00:32:46,332 → 00:32:46,710 >> [sighs and gasps]
00:32:46,720 → 00:32:49,710 >> God. Fantastic. Look at the
00:32:49,720 → 00:32:51,910 Look at the connections, the educational
00:32:51,920 → 00:32:54,110 connections that we can make.
00:32:54,120 → 00:32:55,510 People, do you have the schedule?
00:32:55,520 → 00:32:57,710 Remember, this is when I'm going out.
00:32:57,720 → 00:33:00,030 I'll just flash it up really quick. This
00:33:00,040 → 00:33:02,230 is the crusade, right? I'll be going
00:33:02,240 → 00:33:03,230 there.
00:33:03,240 → 00:33:05,510 Right? And those are the cities, those
00:33:05,520 → 00:33:08,510 are the dates we'll be with Junius. And
00:33:08,520 → 00:33:10,870 we'll be able to bring you
00:33:10,880 → 00:33:13,550 some real beauty. Do you have a second?
00:33:13,560 → 00:33:14,590 Yeah.
00:33:14,600 → 00:33:16,630 It was part
00:33:16,640 → 00:33:21,038 Yeah, second part. Go.
Section 70: 00:33:30,510 – 00:33:45,273
00:33:30,510 → 00:33:30,520 >> You're [music] rising like the sun.
00:33:30,520 → 00:33:34,138 I'm praying on the ground.
00:33:34,148 → 00:33:35,230 >> [music]
00:33:35,240 → 00:33:38,430 >> I don't want you down.
00:33:38,440 → 00:33:40,350 Let [music] it
00:33:40,360 → 00:33:45,273 pour out.
Section 71: 00:33:46,550 – 00:33:51,168
00:33:46,550 → 00:33:46,560 >> [music]
00:33:46,560 → 00:33:51,168 >> I'll fill my eyes.
Section 72: 00:33:55,470 – 00:33:58,373
00:33:55,470 → 00:33:55,480 >> Let me
00:33:55,480 → 00:33:58,373 drown.
Section 73: 00:34:25,710 – 00:34:33,088
00:34:25,710 → 00:34:25,720 >> [music]
00:34:25,720 → 00:34:33,088 >> Rain down.
Section 74: 00:34:33,310 – 00:34:42,258
00:34:33,310 → 00:34:33,320 >> [music]
00:34:33,320 → 00:34:42,258 >> Go down.
Section 75: 00:35:04,830 – 00:35:45,390
00:35:04,830 → 00:35:04,840 >> All right, Ryan. Thank you.
00:35:04,840 → 00:35:07,710 Thank you for that performance.
00:35:07,720 → 00:35:09,910 For that tension.
00:35:09,920 → 00:35:13,550 That is going to be our perfect segue
00:35:13,560 → 00:35:16,510 into showing
00:35:16,520 → 00:35:18,710 ourselves
00:35:18,720 → 00:35:20,390 the Greek
00:35:20,400 → 00:35:22,390 is music
00:35:22,400 → 00:35:26,144 and music is Greek.
00:35:26,154 → 00:35:27,750 >> [sighs and gasps]
00:35:27,760 → 00:35:29,419 >> Oh, people.
00:35:29,429 → 00:35:30,310 >> [laughter]
00:35:30,320 → 00:35:32,070 >> You going to love it.
00:35:32,080 → 00:35:33,590 You going to love it. How What does this
00:35:33,600 → 00:35:36,350 do? It restores the timeline, people.
00:35:36,360 → 00:35:37,870 When you get this information out there,
00:35:37,880 → 00:35:39,470 it restores the timeline. You thought
00:35:39,480 → 00:35:41,230 there was a bunch of hoo-ha.
00:35:41,240 → 00:35:43,830 Right? And people will say Psalms. Oh,
00:35:43,840 → 00:35:45,390 God, it's a Greek word, you [\h__\h]
Section 76: 00:35:45,400 – 00:36:17,270
00:35:45,400 → 00:35:46,750 morons.
00:35:46,760 → 00:35:48,390 Right? Oh.
00:35:48,400 → 00:35:50,230 Here it comes, people. Here's all the
00:35:50,240 → 00:35:52,030 music that you
00:35:52,040 → 00:35:54,270 music-loving
00:35:54,280 → 00:35:56,190 [\h__\h] will
00:35:56,200 → 00:35:59,270 devour. Let's do it. People, here's the
00:35:59,280 → 00:36:02,169 mystery tonight. This is Herodian.
00:36:02,179 → 00:36:02,750 >> [laughter]
00:36:02,760 → 00:36:04,030 >> Oh, God.
00:36:04,040 → 00:36:06,430 What are we into? Grammar and history
00:36:06,440 → 00:36:07,270 and
00:36:07,280 → 00:36:09,310 history and grammar and
00:36:10,080 → 00:36:12,390 What is the world? Is this the data of
00:36:12,400 → 00:36:17,270 the son? Oh, God.
Section 77: 00:36:19,855 – 00:36:43,190
00:36:19,855 → 00:36:19,865 Is this guy even real?
00:36:19,865 → 00:36:20,910 >> [laughter]
00:36:20,920 → 00:36:23,310 >> What is it about?
00:36:23,320 → 00:36:24,510 Look at
00:36:24,520 → 00:36:26,390 the blue, people. I just want to read a
00:36:26,400 → 00:36:28,430 prosodia
00:36:28,440 → 00:36:30,750 est di poemata
00:36:30,760 → 00:36:35,470 en gramatu phones hugious. Now, I'm just
00:36:35,480 → 00:36:37,390 going to translate that to you directly
00:36:37,400 → 00:36:39,990 right now. And I want you to
00:36:40,000 → 00:36:43,190 understand it.
Section 78: 00:36:45,190 – 00:36:53,550
00:36:45,190 → 00:36:45,200 Prosody
00:36:45,200 → 00:36:47,950 is a sort of stretching
00:36:47,960 → 00:36:53,550 of the ingrammatic whole voice.
Section 79: 00:36:53,560 – 00:37:16,310
00:36:53,560 → 00:36:55,750 Wait a minute. What? I know of people.
00:36:55,760 → 00:36:58,910 This is how it Let me do that again.
00:36:58,920 → 00:37:00,430 This is how it is to work with some of
00:37:00,440 → 00:37:02,470 these sources. That's why I told you.
00:37:02,480 → 00:37:03,230 Yeah,
00:37:03,240 → 00:37:05,550 you can read through I can read through
00:37:05,560 → 00:37:07,310 those gospels
00:37:07,320 → 00:37:09,870 those apocryphal gospels that I so love
00:37:09,880 → 00:37:11,630 looking at those acts and all that kind
00:37:11,640 → 00:37:16,310 of stuff. You can read through literally
Section 80: 00:37:16,320 – 00:37:39,550
00:37:16,320 → 00:37:19,390 dozens and dozens and dozens of pages a
00:37:19,400 → 00:37:22,110 day of that stuff. Doesn't get old. What
00:37:22,120 → 00:37:25,790 was I on? Like 9 90 the other day? Oh my
00:37:25,800 → 00:37:29,030 god. Yeah, you can hit in the Greek. You
00:37:29,040 → 00:37:31,790 can hit a patch that is five or six
00:37:31,800 → 00:37:35,350 lines long that makes you re-question
00:37:35,360 → 00:37:36,510 your
00:37:36,520 → 00:37:39,550 universe.
Section 81: 00:37:41,430 – 00:38:07,390
00:37:41,430 → 00:37:41,440 Do I really understand what the hell's
00:37:41,440 → 00:37:43,190 going on around me?
00:37:43,200 → 00:37:45,230 Oh [sighs] god.
00:37:45,240 → 00:37:47,190 It's beautiful beautiful teaching and I
00:37:47,200 → 00:37:50,350 hit one of those people and this is the
00:37:50,360 → 00:37:51,750 result.
00:37:51,760 → 00:37:54,670 Right? Always in these god damn
00:37:54,680 → 00:37:58,070 masters of the language, right? There's
00:37:58,080 → 00:38:01,470 no oral tradition here. [laughter]
00:38:02,710 → 00:38:02,720 Right?
00:38:02,720 → 00:38:05,510 People, what is prosody?
00:38:05,520 → 00:38:07,390 Prosody
Section 82: 00:38:07,400 – 00:38:24,830
00:38:07,400 → 00:38:09,710 is a kind of stretching
00:38:09,720 → 00:38:12,550 of the ingrammatic
00:38:12,560 → 00:38:15,790 whole voice.
00:38:15,800 → 00:38:18,190 The ingrammatic whole voice. Do you I
00:38:18,200 → 00:38:20,390 don't even Does anybody know what an
00:38:20,400 → 00:38:24,830 ingrammatic voice is?
Section 83: 00:38:28,990 – 00:38:41,430
00:38:28,990 → 00:38:29,000 People, it's the voice that is in
00:38:29,000 → 00:38:31,110 the letters.
00:38:31,120 → 00:38:33,230 The voice that is in the letters. It is
00:38:33,240 → 00:38:35,830 What is the difference between ancient
00:38:35,840 → 00:38:41,430 Greek and everything else?
Section 84: 00:38:43,270 – 00:39:03,550
00:38:43,270 → 00:38:43,280 And by ancient Greek, I mean all the way
00:38:43,280 → 00:38:45,590 up to the Byzantine Greeks
00:38:47,000 → 00:38:52,471 the 10th and 11th centuries Anno Domini.
00:38:53,070 → 00:38:53,080 >> [sighs]
00:38:53,080 → 00:38:54,230 >> People,
00:38:54,240 → 00:38:56,190 this is the voice. Look, there's an
00:38:56,200 → 00:38:59,110 ingrammatic voice. Oh my god. The
00:38:59,120 → 00:39:03,550 stretching of the ingrammatic voice
Section 85: 00:39:03,560 – 00:39:18,070
00:39:03,560 → 00:39:05,390 Any musicians understand what the [\h__\h]
00:39:05,400 → 00:39:07,870 is going on? That's what prosody is.
00:39:07,880 → 00:39:09,710 Give me the next slide. I need an
00:39:09,720 → 00:39:11,950 English definition. People, this is a
00:39:11,960 → 00:39:13,830 Greek word that we're now going to drag
00:39:13,840 → 00:39:16,150 down to the depths of shitty
00:39:16,160 → 00:39:18,070 Anglo-Saxon.
Section 86: 00:39:18,080 – 00:39:25,430
00:39:18,080 → 00:39:20,390 I'm sorry to have to do that. It's like
00:39:20,400 → 00:39:25,430 taking a beautiful, beautiful
Section 87: 00:39:28,190 – 00:39:52,470
00:39:28,190 → 00:39:28,200 creation
00:39:28,200 → 00:39:30,350 and
00:39:30,360 → 00:39:31,510 you know,
00:39:31,520 → 00:39:35,110 turning it into a bunk-trotting.
00:39:35,120 → 00:39:36,630 Anyhow,
00:39:36,640 → 00:39:39,510 give me the definition. Prosody there,
00:39:39,520 → 00:39:41,350 ready? Scroll down.
00:39:41,360 → 00:39:43,870 The study of versification. How? That's
00:39:43,880 → 00:39:44,910 kind of a
00:39:44,920 → 00:39:46,550 runaround, right? I mean,
00:39:46,560 → 00:39:49,590 this especially the systematic study of
00:39:49,600 → 00:39:52,470 metrical structure.
Section 88: 00:39:52,480 – 00:40:17,030
00:39:52,480 → 00:39:55,350 Does everybody hear that, people? Meter.
00:39:55,360 → 00:39:57,910 What is in meter?
00:39:57,920 → 00:39:58,830 All right.
00:39:58,840 → 00:40:01,190 A particular system, theory, or style of
00:40:01,200 → 00:40:02,550 versification. Look at number three, the
00:40:02,560 → 00:40:04,190 rhythmic
00:40:04,200 → 00:40:06,870 and intonational
00:40:06,880 → 00:40:10,150 aspect of language.
00:40:10,160 → 00:40:12,150 Some languages have it.
00:40:12,160 → 00:40:14,030 Ancient Greek. Some languages don't.
00:40:14,040 → 00:40:17,030 Every goddamn thing
Section 89: 00:40:17,040 – 00:40:28,470
00:40:17,040 → 00:40:18,510 else.
00:40:18,520 → 00:40:20,230 And I'm not just talking about pitch
00:40:20,240 → 00:40:22,510 accent people.
00:40:22,520 → 00:40:28,470 There is a melody in the speech.
Section 90: 00:40:28,480 – 00:40:47,753
00:40:28,480 → 00:40:30,110 You understand we have lots of languages
00:40:30,120 → 00:40:31,670 that are tonal. That's not what I'm
00:40:31,680 → 00:40:33,630 talking about.
00:40:33,640 → 00:40:36,750 Talking about the song.
00:40:36,760 → 00:40:39,990 The song that comes out through
00:40:40,000 → 00:40:43,790 different notes and different scales
00:40:43,800 → 00:40:47,753 through the tension.
Section 91: 00:40:48,590 – 00:41:25,990
00:40:48,590 → 00:40:48,600 >> [sighs and gasps]
00:40:48,600 → 00:40:50,270 >> People,
00:40:50,280 → 00:40:52,710 the ingrammatic voice. Let's release the
00:40:52,720 → 00:40:54,910 ingrammatic voice here.
00:40:54,920 → 00:40:57,710 Okay? Are you ready? Let's keep read Oh,
00:40:57,720 → 00:41:00,510 who is this Tom Jefferson people?
00:41:00,520 → 00:41:01,910 P- It was nothing next one Tom
00:41:01,920 → 00:41:03,350 Jefferson.
00:41:04,138 → 00:41:04,230 >> [snorts]
00:41:04,240 → 00:41:05,950 >> No, it was the f- I needed the first one
00:41:05,960 → 00:41:08,110 Jacob before the No, next one next one
00:41:08,120 → 00:41:10,950 after that. Oh, god damn it.
00:41:10,960 → 00:41:13,030 Go back. Go back.
00:41:13,040 → 00:41:14,230 People,
00:41:14,240 → 00:41:16,350 I brought you a little Tom Jefferson cuz
00:41:16,360 → 00:41:19,470 he talks about prosody with a French
00:41:19,480 → 00:41:21,190 general.
00:41:21,200 → 00:41:22,990 Right? Who he
00:41:23,000 → 00:41:25,990 had much, you know, great respect for.
Section 92: 00:41:26,000 – 00:41:44,230
00:41:26,000 → 00:41:28,430 Having spoken of feet, those are those
00:41:28,440 → 00:41:30,110 metrical feet we were talking about
00:41:30,120 → 00:41:33,270 before, which are only the constituent
00:41:33,280 → 00:41:35,910 part of verse, it becomes necessary to
00:41:35,920 → 00:41:38,870 say something of its larger divisions
00:41:38,880 → 00:41:41,510 and even of the verse itself. For what
00:41:41,520 → 00:41:44,230 is a verse?
Section 93: 00:41:44,240 – 00:41:54,563
00:41:44,240 → 00:41:45,510 People, he's doing You're about to see
00:41:45,520 → 00:41:47,710 what music is. The question naturally
00:41:47,720 → 00:41:50,350 occurs and it is not sufficiently
00:41:50,360 → 00:41:54,563 answered [snorts]
Section 94: 00:41:56,110 – 00:42:10,430
00:41:56,110 → 00:41:56,120 >> [sighs]
00:41:56,120 → 00:41:59,830 >> Fantastic. By saying it is a whole line.
00:41:59,840 → 00:42:01,590 Right? That doesn't really say anything.
00:42:01,600 → 00:42:03,510 Should the printers Right, it's not just
00:42:03,520 → 00:42:05,990 a line of poetry.
00:42:06,000 → 00:42:07,230 What are we talking about? We're talking
00:42:07,240 → 00:42:10,430 about prose and poetry.
Section 95: 00:42:10,440 – 00:42:18,870
00:42:10,440 → 00:42:13,310 Poetry is in verse.
00:42:13,320 → 00:42:18,870 It is like song.
Section 96: 00:42:21,550 – 00:42:29,430
00:42:21,550 → 00:42:21,560 Prose is not. Prose is our barbarian
00:42:21,560 → 00:42:23,870 [\h__\h] Now, here's the problem that
00:42:23,880 → 00:42:29,430 Jefferson most brilliantly is exposing.
Section 97: 00:42:29,440 – 00:43:09,430
00:42:29,440 → 00:42:31,670 You can take
00:42:31,680 → 00:42:34,910 and try to turn Greek
00:42:34,920 → 00:42:39,070 into prose and it doesn't work. And he
00:42:39,080 → 00:42:40,390 gives you an example. He says, "Look,
00:42:40,400 → 00:42:41,710 you can even just print it out like it's
00:42:41,720 → 00:42:43,670 prose."
00:42:43,680 → 00:42:45,310 Right? Go ahead.
00:42:45,320 → 00:42:47,390 You can even just print it out. Look.
00:42:47,400 → 00:42:51,230 He grabs a little Homer, right? Zeus. Oh
00:42:51,240 → 00:42:52,790 god.
00:42:52,800 → 00:42:54,110 Hades.
00:42:54,120 → 00:42:56,910 The alloy theory. Oh god, don't you love
00:42:56,920 → 00:42:59,790 it? All those other gods.
00:42:59,800 → 00:43:02,350 They're going for it. They're going.
00:43:02,360 → 00:43:05,310 Cuz somebody's going to get killed.
00:43:05,320 → 00:43:06,830 It Look at it, people. Look at the way
00:43:06,840 → 00:43:08,190 it's written though. It's written as
00:43:08,200 → 00:43:09,430 prose.
Section 98: 00:43:09,440 – 00:43:44,270
00:43:09,440 → 00:43:11,950 But if you were to read this in Greek,
00:43:11,960 → 00:43:15,350 it would still be music.
00:43:15,360 → 00:43:18,630 It would still be music. It is still
00:43:18,640 → 00:43:20,950 verse.
00:43:20,960 → 00:43:24,070 There is something in
00:43:24,080 → 00:43:28,470 the language, something in grammatic
00:43:28,480 → 00:43:30,510 that we are looking for
00:43:30,520 → 00:43:32,550 that is the music. I love it. Give me
00:43:32,560 → 00:43:34,590 back the
00:43:34,600 → 00:43:37,070 next slide. That was Tom, right? Give me
00:43:37,080 → 00:43:39,110 back the mystery translation, right?
00:43:39,120 → 00:43:40,750 We're going to go back and
00:43:40,760 → 00:43:41,550 just finish [clears throat] the
00:43:41,560 → 00:43:44,270 translation, people.
Section 99: 00:43:44,280 – 00:44:00,910
00:43:44,280 → 00:43:45,230 No.
00:43:45,240 → 00:43:47,350 This is very beginning here.
00:43:47,360 → 00:43:50,510 Next. And next. Yes. Now, people, here
00:43:50,520 → 00:43:53,230 it is. I just told you what prosody is,
00:43:53,240 → 00:43:54,470 right?
00:43:54,480 → 00:43:56,630 Now, he's going to continue to talk
00:43:56,640 → 00:44:00,910 about it, continue to define it.
Section 100: 00:44:02,670 – 00:44:08,030
00:44:02,670 → 00:44:02,680 In accordance
00:44:02,680 → 00:44:04,550 with the pronunciation
00:44:04,560 → 00:44:08,030 of the word.
Section 101: 00:44:10,910 – 00:44:34,030
00:44:10,910 → 00:44:10,920 We're talking about one syllable and how
00:44:10,920 → 00:44:13,910 it reacts with the syllables with which
00:44:13,920 → 00:44:16,590 it is joined.
00:44:16,600 → 00:44:18,830 Sometimes this is in accordance with a
00:44:18,840 → 00:44:20,510 specific
00:44:20,520 → 00:44:22,150 dialect,
00:44:22,160 → 00:44:24,710 an accepted dialect,
00:44:24,720 → 00:44:28,870 a practiced, repeated dialect.
00:44:28,880 → 00:44:31,310 Sometimes it's in accordance with the
00:44:31,320 → 00:44:34,030 analogic
Section 102: 00:44:34,040 – 00:45:03,550
00:44:34,040 → 00:44:36,750 horon.
00:44:36,760 → 00:44:40,030 And the logos.
00:44:40,040 → 00:44:42,630 What is the
00:44:42,640 → 00:44:44,630 analogic?
00:44:44,640 → 00:44:46,310 Should we give me some definitions here?
00:44:46,320 → 00:44:48,670 I'm totally lost. Is anybody follow it?
00:44:48,680 → 00:44:51,150 The analogic
00:44:51,160 → 00:44:53,070 horos.
00:44:53,080 → 00:44:54,470 You don't know what that is, people.
00:44:54,480 → 00:44:57,070 That's I didn't know either. That's the
00:44:57,080 → 00:45:00,030 outside of the seven.
00:45:00,040 → 00:45:03,550 It's the borderland.
Section 103: 00:45:05,830 – 00:45:15,630
00:45:05,830 → 00:45:05,840 What is that musically? Do I have to
00:45:05,840 → 00:45:07,590 raise the dead?
00:45:07,600 → 00:45:09,510 Do I have to raise the dead? These are
00:45:09,520 → 00:45:12,110 songs of the dead. Let's look at some
00:45:12,120 → 00:45:15,630 definitions.
Section 104: 00:45:17,470 – 00:45:55,110
00:45:17,470 → 00:45:17,480 People, can you play the songs of the
00:45:17,480 → 00:45:19,581 dead on your strings?
00:45:19,591 → 00:45:19,670 >> [snorts]
00:45:19,680 → 00:45:23,390 >> You can. And there is a satanic song
00:45:23,400 → 00:45:24,990 that you're about to see that you didn't
00:45:25,000 → 00:45:27,270 know existed. But we have to go through
00:45:27,280 → 00:45:28,470 some of these
00:45:28,480 → 00:45:31,190 terms to get to it. So, get to the good.
00:45:31,200 → 00:45:33,350 People, here's your prosodia, your
00:45:33,360 → 00:45:35,430 prosody. It's How is it defined the
00:45:35,440 → 00:45:38,150 Greek? A song sung to instrumental
00:45:38,160 → 00:45:42,150 music. Please notice. This is song
00:45:42,160 → 00:45:45,790 that we use with a kitharan,
00:45:45,800 → 00:45:48,630 with a stringed instrument. Do you
00:45:48,640 → 00:45:51,710 understand me? What is prosody? It's a
00:45:51,720 → 00:45:55,110 variation in pitch.
Section 105: 00:45:55,120 – 00:46:22,462
00:45:55,120 → 00:45:58,950 Right? You can talk about phthongoi kai
00:45:58,960 → 00:46:02,150 prosodia. Right? Tones and voice
00:46:02,160 → 00:46:04,430 modulation.
00:46:04,440 → 00:46:07,310 Those are all within the spoken
00:46:07,320 → 00:46:10,030 word.
00:46:10,040 → 00:46:11,550 Look at number two. Pronunciation of a
00:46:11,560 → 00:46:14,790 syllable on certain pitch.
00:46:14,800 → 00:46:16,710 Look at the Latin grammarians. They're
00:46:16,720 → 00:46:18,390 also on this trying to get things
00:46:18,400 → 00:46:19,790 figured out.
00:46:19,800 → 00:46:22,462 Right?
Section 106: 00:46:22,870 – 00:46:44,070
00:46:22,870 → 00:46:22,880 >> [sighs]
00:46:22,880 → 00:46:24,430 >> More generally,
00:46:24,440 → 00:46:26,430 unwritten differences of pronunciation.
00:46:26,440 → 00:46:27,830 Remember if that pronunciation is
00:46:27,840 → 00:46:29,070 musical,
00:46:29,080 → 00:46:31,630 those are bits of music. It's Thomas
00:46:31,640 → 00:46:33,950 Jefferson points this out that only a
00:46:33,960 → 00:46:35,270 native
00:46:35,280 → 00:46:37,750 singer [snorts] is going to understand.
00:46:37,760 → 00:46:39,950 You mean the Greeks walked around
00:46:39,960 → 00:46:44,070 doing musicals 24/7? No.
Section 107: 00:46:44,080 – 00:46:52,990
00:46:44,080 → 00:46:48,390 The Greek language, mother Greek,
00:46:48,400 → 00:46:52,990 harnessed
Section 108: 00:46:53,000 – 00:47:37,430
00:46:53,000 → 00:46:54,870 the tension
00:46:54,880 → 00:46:57,230 to create
00:46:57,240 → 00:46:59,550 what you see before you. [clears throat]
00:46:59,560 → 00:47:02,590 And it's those native musicians like
00:47:02,600 → 00:47:05,070 Terpander
00:47:05,080 → 00:47:07,790 who pioneered the
00:47:07,800 → 00:47:10,630 the absolute genius
00:47:10,640 → 00:47:12,990 lexicon.
00:47:13,000 → 00:47:15,630 Right? Through the music bringing you
00:47:15,640 → 00:47:17,270 the
00:47:17,280 → 00:47:19,310 logos.
00:47:19,320 → 00:47:21,412 Okay, people?
00:47:21,422 → 00:47:22,110 >> [sighs and gasps]
00:47:22,120 → 00:47:24,230 >> Jesus was so jealous of this [\h__\h] He
00:47:24,240 → 00:47:26,110 wanted to be Satan.
00:47:26,120 → 00:47:28,670 Right? He wanted to be the morning star.
00:47:28,680 → 00:47:30,150 He went through all the stuff to be the
00:47:30,160 → 00:47:31,950 morning star, people.
00:47:31,960 → 00:47:35,110 Did it with his kids. Oh God.
00:47:35,120 → 00:47:37,430 Amazing Jesus.
Section 109: 00:47:37,440 – 00:48:02,023
00:47:37,440 → 00:47:39,350 Give me the
00:47:39,360 → 00:47:41,910 Go back to the next Make sure we covered
00:47:41,920 → 00:47:43,390 all that definition that I want people
00:47:43,400 → 00:47:44,710 to see this cuz I want them to see what
00:47:44,720 → 00:47:46,470 music is as well.
00:47:46,480 → 00:47:48,070 Yes, go.
00:47:48,080 → 00:47:51,750 Next one, people. What is a song? You
00:47:51,760 → 00:47:53,110 think you're sitting there with your
00:47:53,120 → 00:47:55,710 English or now you translated this into
00:47:55,720 → 00:47:57,550 your native language, you know,
00:47:57,560 → 00:47:59,910 something else, German, Polish.
00:47:59,920 → 00:48:02,023 Right?
Section 110: 00:48:02,033 – 00:48:24,830
00:48:02,033 → 00:48:03,350 >> [sighs]
00:48:03,360 → 00:48:05,790 >> You think you know what it means? No.
00:48:05,800 → 00:48:07,270 Why are there
00:48:07,280 → 00:48:10,430 so many words for song
00:48:10,440 → 00:48:12,350 in Mother Greek?
00:48:12,360 → 00:48:15,790 It's because we are limited.
00:48:15,800 → 00:48:18,230 We are limited. We do not have the
00:48:18,240 → 00:48:19,630 melody.
00:48:19,640 → 00:48:24,830 Song lay ode for oide, which is really
Section 111: 00:48:24,840 – 00:48:43,990
00:48:24,840 → 00:48:28,190 from a oide, right? So, you can see what
00:48:28,200 → 00:48:30,510 happens. Those of you who are musicians,
00:48:30,520 → 00:48:33,030 those are seven notes. If you want to
00:48:33,040 → 00:48:36,870 figure out what's going on in a dirge,
00:48:36,880 → 00:48:39,110 you should add up
00:48:39,120 → 00:48:40,990 those notes.
00:48:41,000 → 00:48:43,990 The magicians do.
Section 112: 00:48:44,000 – 00:49:25,870
00:48:44,000 → 00:48:45,910 Did you know these songs are in an
00:48:45,920 → 00:48:48,590 untranslated language in the magical
00:48:48,600 → 00:48:52,950 papyri? You did. Joyful songs of praise,
00:48:52,960 → 00:48:54,950 right? I want to keep going down.
00:48:54,960 → 00:48:57,030 Right, we've got some funeral stuff.
00:48:57,040 → 00:48:58,270 We've got some great songs. Look at
00:48:58,280 → 00:48:59,750 number two, people.
00:48:59,760 → 00:49:02,990 It's the equivalent of ep odos,
00:49:03,000 → 00:49:06,150 a magic song. Wait a minute.
00:49:06,160 → 00:49:08,470 Right? Who is down there in the example
00:49:08,480 → 00:49:10,910 of that one? Terpander.
00:49:10,920 → 00:49:12,590 Right?
00:49:12,600 → 00:49:15,870 What is he doing? He is bringing that
00:49:15,880 → 00:49:18,190 joining of the muse
00:49:18,200 → 00:49:22,110 with that tension. She is the one who is
00:49:22,120 → 00:49:25,870 writing your reality.
Section 113: 00:49:25,880 – 00:49:33,430
00:49:25,880 → 00:49:29,950 And the principles of her godhead
00:49:29,960 → 00:49:33,430 are music.
Section 114: 00:49:33,440 – 00:50:12,150
00:49:33,440 → 00:49:34,710 God.
00:49:34,720 → 00:49:36,150 Oh.
00:49:36,160 → 00:49:37,950 It's why everybody By the way, people,
00:49:37,960 → 00:49:39,750 if you haven't figured it out by now,
00:49:39,760 → 00:49:42,590 there are tons and tons of people from
00:49:42,600 → 00:49:46,270 antiquity who can tell you, um yeah, um
00:49:46,280 → 00:49:49,510 Mother Greek is superior, um by far.
00:49:49,520 → 00:49:51,590 Right? And the proper carrier. You
00:49:51,600 → 00:49:53,590 notice all your musical terminology is
00:49:53,600 → 00:49:55,790 coming through mother Greek, right?
00:49:55,800 → 00:49:57,510 Yeah, guess what? You got to discover
00:49:57,520 → 00:50:00,870 something to come up with a term for it.
00:50:00,880 → 00:50:03,390 Right? If your language doesn't
00:50:03,400 → 00:50:04,710 a bit
00:50:04,720 → 00:50:07,550 discovery, then you're [\h__\h]
00:50:07,560 → 00:50:08,439 Ah, God.
00:50:08,449 → 00:50:09,510 >> [sighs]
00:50:09,520 → 00:50:12,150 >> Ah.
Section 115: 00:50:13,310 – 00:50:27,750
00:50:13,310 → 00:50:13,320 Ah. [snorts]
00:50:13,320 → 00:50:14,470 People
00:50:14,480 → 00:50:17,190 laugh at Go back to the text now. I want
00:50:17,200 → 00:50:19,310 to bring you the satanic music. Now, we
00:50:19,320 → 00:50:20,830 need a couple more definitions, people.
00:50:20,840 → 00:50:23,110 Look, we're talking about songs, right?
00:50:23,120 → 00:50:27,750 Here's a specific type of song, Iacchus,
Section 116: 00:50:27,760 – 00:50:52,430
00:50:27,760 → 00:50:29,670 that which is the mystic name of
00:50:29,680 → 00:50:33,110 Dionysus, people, but it's a song.
00:50:33,120 → 00:50:37,430 It's a mystic song. It's a mystic
00:50:37,440 → 00:50:41,630 performance. These are not just
00:50:41,640 → 00:50:44,470 delusions of theoretical minds. We are
00:50:44,480 → 00:50:46,870 talking about actual performances,
00:50:46,880 → 00:50:49,270 people. Look at number two, when it's
00:50:49,280 → 00:50:52,430 used in the plural.
Section 117: 00:50:52,440 – 00:51:12,630
00:50:52,440 → 00:50:55,470 All right. Iacchus Necron
00:50:55,480 → 00:50:58,390 That's the song of the dead
00:50:58,400 → 00:51:01,910 in honor of the king himself,
00:51:01,920 → 00:51:04,230 the son of God,
00:51:04,240 → 00:51:08,110 born in the lightning with the flocks,
00:51:08,120 → 00:51:12,630 puros, in his eyes.
Section 118: 00:51:12,640 – 00:51:45,750
00:51:12,640 → 00:51:13,830 >> [laughter]
00:51:13,840 → 00:51:16,110 >> Do you see his horns? Show him that
00:51:16,120 → 00:51:17,790 picture again. Show it to you. See the
00:51:17,800 → 00:51:19,510 horns?
00:51:19,520 → 00:51:20,870 Ah.
00:51:20,880 → 00:51:22,670 Where did you think the tech was coming
00:51:22,680 → 00:51:25,110 from that those
00:51:25,120 → 00:51:28,190 dudes in Enoch, those sons of God, were
00:51:28,200 → 00:51:31,030 passing on with all of their drug tech?
00:51:31,040 → 00:51:32,710 It was the music.
00:51:32,720 → 00:51:34,590 Right? It turns out the secret to the
00:51:34,600 → 00:51:36,750 physics is in music.
00:51:36,760 → 00:51:38,910 [\h__\h] you if you didn't get that.
00:51:38,920 → 00:51:40,630 Now, a lot of you instinctively got
00:51:40,640 → 00:51:43,310 that, right? Didn't have to be told.
00:51:43,320 → 00:51:45,750 Right? Or shown. He's You, know, those
Section 119: 00:51:45,760 – 00:52:04,670
00:51:45,760 → 00:51:48,670 of you who follow Apollo,
00:51:48,680 → 00:51:50,110 you know it.
00:51:50,120 → 00:51:52,630 And the praise of Apollo is said to come
00:51:52,640 → 00:51:55,310 face-to-face with his own father.
00:51:55,320 → 00:51:58,480 Isn't that gorgeous?
00:51:58,490 → 00:51:59,190 >> [sighs]
00:51:59,200 → 00:52:01,390 >> It's glorious. A vision he'll have of
00:52:01,400 → 00:52:04,670 knowing himself.
Section 120: 00:52:04,680 – 00:52:25,790
00:52:04,680 → 00:52:05,950 You know?
00:52:05,960 → 00:52:07,750 Music of the dead. People, here it is.
00:52:07,760 → 00:52:11,590 Music of the dead. Can you bring
00:52:11,600 → 00:52:15,070 them into your reality? Can you summon
00:52:15,080 → 00:52:18,710 the dead like Jesus summons the devil
00:52:18,720 → 00:52:20,670 repeatedly?
00:52:20,680 → 00:52:23,371 Can you do that?
00:52:23,381 → 00:52:25,790 >> [sighs]
Section 121: 00:52:28,790 – 00:52:49,571
00:52:28,790 → 00:52:28,800 >> People, where's your musical skill?
00:52:28,800 → 00:52:30,310 Now, go back to the poll and I want to
00:52:30,320 → 00:52:32,070 ask the musicians a question. Where is
00:52:32,080 → 00:52:34,190 their musical skill today? Here, I'm
00:52:34,200 → 00:52:35,430 going to ask them a question. What does
00:52:35,440 → 00:52:36,990 our old poll say?
00:52:37,000 → 00:52:39,070 People, I like this poll thing.
00:52:39,080 → 00:52:41,030 I'm about 10 years behind, but I like
00:52:41,040 → 00:52:44,430 it. Have you heard the song of Satan?
00:52:44,440 → 00:52:49,571 34% of you said yes. Minus 7%, right?
Section 122: 00:52:49,581 – 00:53:09,876
00:52:49,581 → 00:52:50,310 >> [sighs]
00:52:50,320 → 00:52:52,230 >> Quarter, maybe?
00:52:52,240 → 00:52:54,510 Right? Quarter?
00:52:54,520 → 00:52:56,270 Okay, you think you have. Now, those
00:52:56,280 → 00:52:58,550 people who said yes, you got to comment
00:52:58,560 → 00:53:00,270 back and say, "Oh, no. Never mind. That
00:53:00,280 → 00:53:02,310 wasn't something that I have ever seen."
00:53:02,320 → 00:53:03,870 Which I'm about to show you. And you
00:53:03,880 → 00:53:09,876 musicians who could do this song,
Section 123: 00:53:11,710 – 00:53:30,030
00:53:11,710 → 00:53:11,720 >> [sighs]
00:53:11,720 → 00:53:13,151 >> God.
00:53:13,161 → 00:53:14,670 >> [gasps]
00:53:14,680 → 00:53:17,630 >> Now, what's the new question?
00:53:17,640 → 00:53:20,830 I forgot. I got so wrapped up.
00:53:20,840 → 00:53:22,390 Yeah, I need to ask the musicians
00:53:22,400 → 00:53:23,470 something. Oh, I had a pressing
00:53:23,480 → 00:53:25,990 question. God damn it.
00:53:26,000 → 00:53:30,030 Do you see what happens, Ammon?
Section 124: 00:53:32,150 – 00:53:38,110
00:53:32,150 → 00:53:32,160 Yeah.
00:53:32,160 → 00:53:38,110 This is for me.
Section 125: 00:53:43,430 – 00:54:06,470
00:53:43,430 → 00:53:43,440 I can feel it.
00:53:43,440 → 00:53:46,190 God, it stings.
00:53:46,200 → 00:53:49,350 Right, the psychic buttock slap.
00:53:49,360 → 00:53:51,797 Oh, you didn't know about that?
00:53:51,807 → 00:53:52,950 >> [sighs]
00:53:52,960 → 00:53:54,470 >> That's too bad. I'll think about the
00:53:54,480 → 00:53:56,110 question of the minute.
00:53:56,120 → 00:53:59,230 Go back. Look it was so important. It
00:53:59,240 → 00:54:00,910 was the heart It was the heart of
00:54:00,920 → 00:54:03,510 everything. You musicians, pay attention
00:54:03,520 → 00:54:06,470 cuz there's something
Section 126: 00:54:08,350 – 00:54:34,870
00:54:08,350 → 00:54:08,360 Yeah, no. Well, let's see. Let's go on
00:54:08,360 → 00:54:11,190 with the Greek. Choreia psalleis
00:54:11,200 → 00:54:13,190 with the beauty. Keep going. Keep going.
00:54:13,200 → 00:54:16,510 Keep go there. People, what is it
00:54:16,520 → 00:54:18,830 that prosody does, this thing that
00:54:18,840 → 00:54:20,710 Thomas Jefferson was so
00:54:20,720 → 00:54:22,390 curious about because of the Greek that
00:54:22,400 → 00:54:25,990 he had seen that actually has music?
00:54:26,000 → 00:54:28,910 He said it's the stretching.
00:54:28,920 → 00:54:32,110 Herodian, it's really that stretching.
00:54:32,120 → 00:54:34,870 That extension.
Section 127: 00:54:34,880 – 00:54:53,310
00:54:34,880 → 00:54:38,190 Look at number three. We have a taseis
00:54:38,200 → 00:54:41,830 tastes phones, that stretching of the
00:54:41,840 → 00:54:44,710 voice. That pitch, we know it's
00:54:44,720 → 00:54:48,870 associated with music and accents.
00:54:48,880 → 00:54:53,310 That's what the prosody is.
Section 128: 00:54:54,910 – 00:55:14,328
00:54:54,910 → 00:54:54,920 Okay, give me the next one. The
00:54:54,920 → 00:54:57,150 stretching is, right? The prosody is
00:54:57,160 → 00:54:59,750 that stretching. What Where does that
00:54:59,760 → 00:55:02,910 song come from that you create? Now, I
00:55:02,920 → 00:55:03,830 know
00:55:03,840 → 00:55:06,470 this is musicians.
00:55:06,480 → 00:55:07,778 You know,
00:55:07,788 → 00:55:07,790 >> [snorts]
00:55:07,800 → 00:55:09,830 >> you should know this, right?
00:55:09,840 → 00:55:14,328 Look where it comes from.
Section 129: 00:55:15,390 – 00:55:35,630
00:55:15,390 → 00:55:15,400 >> [sighs]
00:55:15,400 → 00:55:18,590 >> Some kind of thing, song. Well, that's I
00:55:18,600 → 00:55:20,030 know that one.
00:55:20,040 → 00:55:21,910 I know that one, right?
00:55:21,920 → 00:55:23,430 Wait a minute.
00:55:23,440 → 00:55:25,950 And that's a misprint, by the way.
00:55:25,960 → 00:55:30,030 It's an omega, not psi. Epode. What is
00:55:30,040 → 00:55:32,550 that epode? It's a spell or
00:55:32,560 → 00:55:35,630 incantations.
Section 130: 00:55:37,990 – 00:55:50,830
00:55:37,990 → 00:55:38,000 As spells or incantations.
00:55:38,000 → 00:55:39,790 Somehow there's an overlap. Give me the
00:55:39,800 → 00:55:42,270 next word. Somehow there's an overlap,
00:55:42,280 → 00:55:45,230 right? What is an epode? We know We know
00:55:45,240 → 00:55:47,870 that what these magicians are doing is
00:55:47,880 → 00:55:50,830 creating these songs.
Section 131: 00:55:50,840 – 00:56:01,910
00:55:50,840 → 00:55:54,030 These enchantments. There is something
00:55:54,040 → 00:55:56,150 in the song
00:55:56,160 → 00:56:01,910 that is a frequency of enchantment.
Section 132: 00:56:01,920 – 00:56:25,150
00:56:01,920 → 00:56:06,110 It is a charm.
00:56:06,120 → 00:56:08,150 Now, you musicians,
00:56:08,160 → 00:56:10,910 does that make sense?
00:56:10,920 → 00:56:13,230 Give me the next song. I want people to
00:56:13,240 → 00:56:14,870 see the whole range of song through
00:56:14,880 → 00:56:17,030 Mother Greek. Cuz we can't see it
00:56:17,040 → 00:56:19,350 through our stupid English.
00:56:19,360 → 00:56:21,030 By the way, anybody else speaking in
00:56:21,040 → 00:56:22,910 stupid English?
00:56:22,920 → 00:56:25,150 Right? Epodes.
Section 133: 00:56:25,160 – 00:56:44,710
00:56:25,160 → 00:56:26,670 Singing
00:56:26,680 → 00:56:29,270 to or over
00:56:29,280 → 00:56:31,710 Use Wait a minute. The same
00:56:31,720 → 00:56:35,910 The same You just flip the ending on it.
00:56:35,920 → 00:56:40,510 Using songs or charms to heal wounds.
00:56:40,520 → 00:56:42,190 People, did you know that there was a
00:56:42,200 → 00:56:44,710 connection between
Section 134: 00:56:44,720 – 00:57:06,550
00:56:44,720 → 00:56:47,230 music and healing?
00:56:47,240 → 00:56:49,790 Music and healing, right?
00:56:49,800 → 00:56:52,950 Music and healing.
00:56:52,960 → 00:56:55,230 Why do you think Apollo, the god of the
00:56:55,240 → 00:56:59,070 electric guitar, is the god of healing?
00:56:59,080 → 00:57:01,910 He's also the god of death.
00:57:01,920 → 00:57:06,550 He brings you the arrow of death.
Section 135: 00:57:06,560 – 00:57:48,110
00:57:06,560 → 00:57:08,870 Right? Thank you, Satan.
00:57:08,880 → 00:57:11,510 Love it. Absolutely love it. It's
00:57:11,520 → 00:57:14,470 Saturnian people. You don't recognize it
00:57:14,480 → 00:57:16,030 because
00:57:16,040 → 00:57:18,470 of the fracture in the timeline and
00:57:18,480 → 00:57:21,310 people lying to you about Hebrew
00:57:21,320 → 00:57:23,710 and all sorts of stuff like that. That's
00:57:23,720 → 00:57:25,984 why you don't know that stuff.
00:57:25,994 → 00:57:27,190 >> [sighs]
00:57:27,200 → 00:57:28,750 >> Fantastic.
00:57:28,760 → 00:57:30,310 Just the sheer numbers, people. Why
00:57:30,320 → 00:57:31,270 don't they
00:57:31,280 → 00:57:32,790 Everybody who's sitting around talking
00:57:32,800 → 00:57:35,550 about now supposedly classicists out
00:57:35,560 → 00:57:38,190 there are reconsidering
00:57:38,200 → 00:57:40,270 reconsidering oh there is no Hebrew
00:57:40,280 → 00:57:42,390 original it's all Greek.
00:57:42,400 → 00:57:45,550 Mathematically people just plug it in.
00:57:45,560 → 00:57:48,110 There's not enough Hebrew words
Section 136: 00:57:48,120 – 00:58:07,905
00:57:48,120 → 00:57:50,550 to be able to gain
00:57:50,560 → 00:57:52,150 a Septuagint.
00:57:52,160 → 00:57:54,590 It's just the opposite way.
00:57:54,600 → 00:57:57,790 You can derive a Hebrew text from that
00:57:57,800 → 00:58:00,310 original Greek. You can't derive that
00:58:00,320 → 00:58:02,910 complexity of Greek from that original
00:58:02,920 → 00:58:05,310 Hebrew if it's original. It's not. It's
00:58:05,320 → 00:58:07,905 an invention.
Section 137: 00:58:07,915 – 00:58:40,655
00:58:07,915 → 00:58:08,550 >> [gasps]
00:58:08,560 → 00:58:11,310 >> The sacred language not the language of
00:58:11,320 → 00:58:13,950 Yahoo which is a sex slave genocidal
00:58:13,960 → 00:58:15,950 [\h__\h] bag language.
00:58:15,960 → 00:58:17,310 Right?
00:58:17,320 → 00:58:18,950 Not that.
00:58:18,960 → 00:58:20,310 Ancient Hebrew and I'm just talking
00:58:20,320 → 00:58:22,150 about the ancient world.
00:58:22,160 → 00:58:22,970 You right?
00:58:22,980 → 00:58:23,430 >> [laughter]
00:58:23,440 → 00:58:25,270 >> Well, wait a minute. What did he say?
00:58:25,280 → 00:58:27,270 Hebrew is
00:58:27,280 → 00:58:28,990 a [\h__\h] bag
00:58:29,000 → 00:58:32,790 rapist genocidal language of
00:58:32,800 → 00:58:36,110 child traffickers. If you don't believe
00:58:37,040 → 00:58:40,655 read the [\h__\h] Bible.
Section 138: 00:58:40,665 – 00:59:23,270
00:58:40,665 → 00:58:41,790 >> [sighs]
00:58:41,800 → 00:58:46,030 >> The word Hebrew Eber does mean
00:58:46,040 → 00:58:47,870 trafficker.
00:58:47,880 → 00:58:51,390 Child trafficker trafficker in human
00:58:51,400 → 00:58:54,430 souls. How do you think he had so many
00:58:54,440 → 00:58:56,990 people at his age? How many think he had
00:58:57,000 → 00:58:58,630 those children people?
00:58:58,640 → 00:59:01,590 Oh God, he's [\h__\h] little kids.
00:59:01,600 → 00:59:03,030 It's [\h__\h] little kids. Can we see
00:59:03,040 → 00:59:05,950 that moment where the speaking of which
00:59:05,960 → 00:59:08,070 the child rapist gets caught and people
00:59:08,080 → 00:59:10,510 remember pray for the safety of Donald
00:59:10,520 → 00:59:13,910 Trump. He must go on to be punished and
00:59:13,920 → 00:59:16,470 to punish us all for the crimes of
00:59:16,480 → 00:59:18,430 violating ch
00:59:18,440 → 00:59:20,870 Let's hit it again ch. Let's see the
00:59:20,880 → 00:59:23,270 moment and don't you love her question?
Section 139: 00:59:23,280 – 00:59:58,510
00:59:23,280 → 00:59:25,750 History just wrote in a little
00:59:25,760 → 00:59:27,590 just a little jab at the end Just a
00:59:27,600 → 00:59:30,230 little exclamation point and she does it
00:59:30,240 → 00:59:33,750 with such gorgeous finesse. The way she
00:59:33,760 → 00:59:35,470 Oh, you mean you think he's talking
00:59:35,480 → 00:59:38,110 about you? He knows.
00:59:38,120 → 00:59:41,030 She knows. We all know.
00:59:41,040 → 00:59:42,710 And she's putting a little subtle
00:59:42,720 → 00:59:45,550 exclamation point. Let's see it again.
00:59:45,560 → 00:59:48,710 We pray for your safety, you child
00:59:48,720 → 00:59:49,670 rapist. Go.
00:59:49,680 → 00:59:52,110 >> pedophile rapist and traitor to coat my
00:59:52,120 → 00:59:53,750 hands with his crime.
00:59:53,760 → 00:59:55,230 >> Let's see the whole thing.
00:59:55,240 → 00:59:56,150 >> They
00:59:56,160 → 00:59:57,030 There you go.
00:59:57,040 → 00:59:58,510 Hey buddy. He writes this quote.
Section 140: 00:59:58,520 – 01:00:28,270
00:59:58,520 → 01:00:00,790 "Administration officials, they are
01:00:00,800 → 01:00:03,590 targets." And he also wrote this. "I'm
01:00:03,600 → 01:00:05,790 no longer willing to permit a pedophile
01:00:05,800 → 01:00:08,670 rapist and traitor to coat my hands with
01:00:08,680 → 01:00:10,630 his crimes." What's your reaction to
01:00:10,640 → 01:00:10,710 that?
01:00:10,720 → 01:00:11,950 >> Well, I was waiting for you to read that
01:00:11,960 → 01:00:14,110 because I knew you would because you're
01:00:14,120 → 01:00:16,150 you're you're horrible people. Horrible
01:00:16,160 → 01:00:18,750 people. Yeah, he did write that.
01:00:18,760 → 01:00:20,670 Uh I'm I'm not a rapist. I didn't rape
01:00:20,680 → 01:00:22,230 anybody.
01:00:22,240 → 01:00:23,710 Uh but oh, you think you think he was
01:00:23,720 → 01:00:26,070 referring to you? Excuse me.
01:00:26,080 → 01:00:28,270 I'm not a pedophile. You read that crap
Section 141: 01:00:28,280 – 01:00:50,470
01:00:28,280 → 01:00:30,150 from some sick person. You should be
01:00:30,160 → 01:00:32,710 ashamed of yourself reading that cuz
01:00:32,720 → 01:00:35,190 I'm not any of those things. I was never
01:00:35,200 → 01:00:37,870 Excuse me. Excuse me.
01:00:37,880 → 01:00:39,630 You shouldn't be reading that on 60
01:00:39,640 → 01:00:42,390 Minutes. You're a disgrace.
01:00:42,400 → 01:00:45,270 >> Right. Now you see the spirit. Whose
01:00:45,280 → 01:00:47,550 spirit does that remind you of?
01:00:47,560 → 01:00:50,470 We had somebody
Section 142: 01:00:50,480 – 01:01:15,390
01:00:50,480 → 01:00:52,350 go on
01:00:52,360 → 01:00:55,190 a show and get kind of the same
01:00:55,200 → 01:00:56,670 treatment.
01:00:56,680 → 01:00:58,990 Which sort of makes sense when you look
01:00:59,000 → 01:01:01,150 into the mirror.
01:01:01,160 → 01:01:03,950 It's a mental insurrection.
01:01:03,960 → 01:01:07,670 It's a natural insurrection.
01:01:07,680 → 01:01:09,830 Yes, it is.
01:01:09,840 → 01:01:12,790 It's an insurrection of
01:01:12,800 → 01:01:15,390 disinspiration.
Section 143: 01:01:15,400 – 01:01:42,910
01:01:15,400 → 01:01:18,750 God, you got to laugh at people. You got
01:01:18,760 → 01:01:21,270 to laugh at watch it play out. It scares
01:01:21,280 → 01:01:25,150 some people. The way it plays out.
01:01:25,160 → 01:01:28,230 Yes, right, Chewie. Chewie's screaming,
01:01:28,240 → 01:01:32,150 they don't have the muse. Right?
01:01:32,160 → 01:01:34,910 People, it's gorgeous. Absolutely
01:01:34,920 → 01:01:36,950 gorgeous. Now, do we have a clip of
01:01:36,960 → 01:01:38,590 that, by the way?
01:01:38,600 → 01:01:42,910 Did you get a clip of the
Section 144: 01:01:46,190 – 01:02:22,390
01:01:46,190 → 01:01:46,200 No, I don't want to see the butterfly
01:01:46,200 → 01:01:49,190 thing, okay? It's There's only so much
01:01:49,200 → 01:01:51,790 that you can take before it becomes some
01:01:51,800 → 01:01:54,910 kind of trigger in your brain, where all
01:01:54,920 → 01:01:57,430 you can see when you see a butterfly
01:01:57,440 → 01:02:00,190 is a stick of butter brought to you by
01:02:00,200 → 01:02:01,870 the genius
01:02:01,880 → 01:02:05,510 the genius of somebody with an internet.
01:02:05,520 → 01:02:10,190 Oh, god. It's amazing. Let's go to the
01:02:10,200 → 01:02:13,110 next. Are we in Tartarus? Well, how deep
01:02:13,120 → 01:02:15,030 is the poop hole?
01:02:15,040 → 01:02:17,190 Go ahead. How deep, Chewie, is the poop
01:02:17,200 → 01:02:18,773 hole?
01:02:18,783 → 01:02:19,790 >> [sighs]
01:02:19,800 → 01:02:22,390 >> Are we in Tartarus, people?
Section 145: 01:02:22,400 – 01:02:54,510
01:02:22,400 → 01:02:25,430 Right, thank you. Pray for the safety of
01:02:25,440 → 01:02:26,910 Pentheus.
01:02:26,920 → 01:02:30,350 Right, until he pops his noodle.
01:02:30,360 → 01:02:32,630 Until he pops his noodle. Did you see
01:02:32,640 → 01:02:35,310 the ravings? Here, let's bring Joshua on
01:02:35,320 → 01:02:36,870 now, and then I'm going to kick him out,
01:02:36,880 → 01:02:39,990 Josh, because I've got to get the
01:02:40,000 → 01:02:40,990 the
01:02:41,000 → 01:02:43,150 mus- Oh, he's driving. Josh, hang on.
01:02:43,160 → 01:02:45,750 Don't drive. Just I mean, keep driving.
01:02:45,760 → 01:02:48,310 Don't come to me. Let me continue,
01:02:48,320 → 01:02:50,190 people, because Josh is driving, and we
01:02:50,200 → 01:02:51,390 don't want him distracted. He could get
01:02:51,400 → 01:02:52,310 hurt.
01:02:52,320 → 01:02:54,510 People, you're not going to read this.
Section 146: 01:02:54,520 – 01:03:31,550
01:02:54,520 → 01:02:57,390 This is John Goldenmouth.
01:02:57,400 → 01:02:58,710 Oh, god.
01:02:58,720 → 01:03:00,470 John Goldenmouth. Yeah, John
01:03:00,480 → 01:03:03,670 Goldenmouth. He's quite a character.
01:03:03,680 → 01:03:06,310 Anyhow, very well educated. How his
01:03:06,320 → 01:03:07,510 Greek is
01:03:07,520 → 01:03:10,110 magnificent, glorious.
01:03:10,120 → 01:03:13,830 Beautiful compounding. Oh.
01:03:13,840 → 01:03:15,390 Goldenmouth.
01:03:15,400 → 01:03:18,070 Chrysostomus.
01:03:18,080 → 01:03:20,710 Fantastic, people.
01:03:20,720 → 01:03:23,230 I want you to look cool guy face and
01:03:23,240 → 01:03:25,990 he's talking about some music.
01:03:26,000 → 01:03:29,070 Our Lord, right? How wonderful is your
01:03:29,080 → 01:03:31,550 name? Allah
Section 147: 01:03:31,560 – 01:03:59,470
01:03:31,560 → 01:03:34,750 Come on, shut up. He says.
01:03:34,760 → 01:03:37,390 And listen to this
01:03:37,400 → 01:03:39,990 closely.
01:03:40,000 → 01:03:42,430 If you're sitting there in the theater
01:03:42,440 → 01:03:46,070 and they've got the satanic songs of the
01:03:46,080 → 01:03:48,190 chorus going
01:03:48,200 → 01:03:50,390 there is silence
01:03:50,400 → 01:03:52,590 so that
01:03:52,600 → 01:03:55,710 the song can transmit
01:03:55,720 → 01:03:59,470 this destruction.
Section 148: 01:04:01,550 – 01:04:21,230
01:04:01,550 → 01:04:01,560 Do you understand?
01:04:01,560 → 01:04:03,590 Yes. Yes.
01:04:03,600 → 01:04:06,030 Yes, now listen. They achieve this
01:04:06,040 → 01:04:07,830 through their choruses from their
01:04:07,840 → 01:04:09,190 actors.
01:04:09,200 → 01:04:11,190 Right? And their dancers, they're all
01:04:11,200 → 01:04:13,710 people.
01:04:13,720 → 01:04:14,670 Okay?
01:04:14,680 → 01:04:17,110 And what do they use? They use this foul
01:04:17,120 → 01:04:21,230 [\h__\h] kitharode. These god damn
Section 149: 01:04:21,240 – 01:04:28,830
01:04:21,240 → 01:04:23,430 guitar players
01:04:23,440 → 01:04:28,830 with their satanic song.
Section 150: 01:04:30,510 – 01:04:50,110
01:04:30,510 → 01:04:30,520 Do you see people?
01:04:30,520 → 01:04:33,190 Satanic song is a reality. Do you see it
01:04:33,200 → 01:04:35,950 in the yellow there?
01:04:35,960 → 01:04:37,710 It's a reality in the Greek. I'm not
01:04:37,720 → 01:04:39,870 bringing you a fairy tale.
01:04:39,880 → 01:04:42,830 I am bringing you performance reality
01:04:42,840 → 01:04:46,070 and I hope that every god damn string
01:04:46,080 → 01:04:47,390 playing
01:04:47,400 → 01:04:50,110 beast out there
Section 151: 01:04:50,120 – 01:05:17,310
01:04:50,120 → 01:04:55,430 is going to want to bring this back. Ow.
01:04:55,440 → 01:04:57,710 Ow.
01:04:57,720 → 01:05:00,070 I'm going to give it to Orion.
01:05:00,080 → 01:05:02,510 I'm going to inject him.
01:05:02,520 → 01:05:06,454 People the god killer.
01:05:06,464 → 01:05:08,230 >> [sighs and gasps]
01:05:08,240 → 01:05:11,430 >> It's glorious. The power of Satan people
01:05:11,440 → 01:05:17,310 is in the song. Which song? This song.
Section 152: 01:05:17,320 – 01:05:40,515
01:05:17,320 → 01:05:20,865 Golden mouth is explaining it.
01:05:20,875 → 01:05:21,550 >> [sighs]
01:05:21,560 → 01:05:23,750 >> You know what those actors and dancers
01:05:23,760 → 01:05:26,270 were supposed to be doing, right?
01:05:26,280 → 01:05:28,910 It's the Bacchic satanic
01:05:28,920 → 01:05:33,150 chorus. It is the Saturnian
01:05:33,160 → 01:05:37,550 reality of the mystery that you will
01:05:37,560 → 01:05:40,515 wake up to.
Section 153: 01:05:40,525 – 01:05:54,310
01:05:40,525 → 01:05:41,830 >> [sighs]
01:05:41,840 → 01:05:43,910 >> Oh my god.
01:05:43,920 → 01:05:45,630 Is it gorgeous? Bring back the text.
01:05:45,640 → 01:05:47,950 This makes me want to squeeze
01:05:47,960 → 01:05:49,750 certain things.
01:05:49,760 → 01:05:54,310 Oh my god, what happened?
Section 154: 01:05:57,590 – 01:06:35,536
01:05:57,590 → 01:05:57,600 It's so stimulating people. You You
01:05:57,600 → 01:05:59,230 Okay, you
01:05:59,240 → 01:06:01,950 guitar players, please figure this out.
01:06:01,960 → 01:06:04,270 Right?
01:06:04,280 → 01:06:05,830 Please help.
01:06:05,840 → 01:06:07,310 Please help me.
01:06:07,320 → 01:06:10,110 Stringed instrument [\h__\h]
01:06:10,120 → 01:06:13,590 Right? The damage is being done
01:06:13,600 → 01:06:17,110 through this polluted
01:06:17,120 → 01:06:19,630 diamond, this demon.
01:06:19,640 → 01:06:21,790 If you
01:06:21,800 → 01:06:24,230 have ever stood
01:06:24,240 → 01:06:26,590 in the rays
01:06:26,600 → 01:06:29,230 of the god of music,
01:06:29,240 → 01:06:31,750 you will have experienced
01:06:31,760 → 01:06:35,536 the diamond.
Section 155: 01:06:36,070 – 01:06:49,670
01:06:36,070 → 01:06:36,080 >> [sighs]
01:06:36,080 → 01:06:38,230 >> Do you understand? Now, if you suck or
01:06:38,240 → 01:06:39,750 if you can't do it at all like me, you
01:06:39,760 → 01:06:42,390 don't experience the diamond.
01:06:42,400 → 01:06:45,790 This is for the people who are absorbing
01:06:45,800 → 01:06:49,670 those rays of Apollo.
Section 156: 01:06:49,680 – 01:07:14,790
01:06:49,680 → 01:06:51,470 On the other side, I'm going to start
01:06:51,480 → 01:06:53,590 translating, is the chorus of holy
01:06:53,600 → 01:06:54,830 people.
01:06:54,840 → 01:06:56,470 Right?
01:06:56,480 → 01:06:58,390 And what is their
01:06:58,400 → 01:07:01,270 dancer? What is the leader of their
01:07:01,280 → 01:07:04,990 chorus? That's what the Horostates is.
01:07:05,000 → 01:07:07,550 What is that leader of the chorus?
01:07:07,560 → 01:07:11,030 What is that one engineering the chorus?
01:07:11,040 → 01:07:14,790 Hall prophetess is a prophet.
Section 157: 01:07:14,800 – 01:07:32,521
01:07:14,800 → 01:07:19,910 And the melos does not come from
01:07:19,920 → 01:07:24,830 satanic case in their gay ass does not
01:07:24,840 → 01:07:28,190 come from satanic
01:07:28,200 → 01:07:32,521 energy.
Section 158: 01:07:33,470 – 01:08:14,510
01:07:33,470 → 01:07:33,480 >> [sighs]
01:07:33,480 → 01:07:36,950 >> It comes from [snorts] pneumatic
01:07:36,960 → 01:07:39,470 grace.
01:07:39,480 → 01:07:41,150 Ah.
01:07:41,160 → 01:07:42,346 People
01:07:42,356 → 01:07:42,830 >> [gasps]
01:07:42,840 → 01:07:44,950 >> People, do you understand why the
01:07:44,960 → 01:07:48,510 electric guitar is satanic? Now, I know
01:07:48,520 → 01:07:50,350 I know that because
01:07:50,360 → 01:07:52,870 a master told me that.
01:07:52,880 → 01:07:55,310 Told me that. That's what it is.
01:07:55,320 → 01:07:56,790 And that
01:07:56,800 → 01:07:59,430 son of Apollo was marked
01:07:59,440 → 01:08:01,190 right on his ass.
01:08:01,200 → 01:08:03,230 Oh god.
01:08:03,240 → 01:08:04,150 The
01:08:04,160 → 01:08:08,150 electric guitar is satanic. It is the
01:08:08,160 → 01:08:09,830 string
01:08:09,840 → 01:08:14,510 capacitated by the lightning.
Section 159: 01:08:14,520 – 01:08:55,470
01:08:14,520 → 01:08:17,510 Do you see it, people? They're talking
01:08:17,520 → 01:08:20,749 about electric guitars. Oh god.
01:08:20,759 → 01:08:22,030 Welcome.
01:08:22,040 → 01:08:23,990 Welcome, people, to the worship of
01:08:24,000 → 01:08:25,577 Bacchus.
01:08:25,587 → 01:08:27,150 >> [sighs and gasps]
01:08:27,160 → 01:08:29,150 >> People, what do we do?
01:08:29,160 → 01:08:32,030 What do we do? Isn't there sex involved,
01:08:32,040 → 01:08:32,950 Joey?
01:08:32,960 → 01:08:36,712 Get your mind out of the gutter. Right?
01:08:36,722 → 01:08:38,349 >> [sighs]
01:08:38,359 → 01:08:39,870 >> For now.
01:08:39,880 → 01:08:41,829 You hold that. Hold that thought. Bring
01:08:41,839 → 01:08:42,749 it.
01:08:42,759 → 01:08:44,430 People, look at some of these. That's
01:08:44,440 → 01:08:46,430 the episode. Look. Go back. The
01:08:46,440 → 01:08:48,829 incantation involves the drugs, right?
01:08:48,839 → 01:08:51,390 Involves the drugs. Good. The charms,
01:08:51,400 → 01:08:53,309 right? Another an enchanter, right?
01:08:53,319 → 01:08:55,470 Somebody who's assisting some things
Section 160: 01:08:55,480 – 01:09:11,870
01:08:55,480 → 01:08:59,430 that are sung to music. Oh god, verse.
01:08:59,440 → 01:09:01,110 Verse, people. Do you see where the
01:09:01,120 → 01:09:04,269 magic comes from? It comes from the
01:09:04,279 → 01:09:06,470 verse.
01:09:06,480 → 01:09:08,230 And what do they note for the meters
01:09:08,240 → 01:09:11,870 here in the music? Sapphics.
Section 161: 01:09:11,880 – 01:09:54,310
01:09:11,880 → 01:09:14,150 Sapphics, people.
01:09:14,160 → 01:09:17,110 Do you know where this is coming from?
01:09:17,120 → 01:09:19,230 The throne
01:09:19,240 → 01:09:22,430 of the Sapphic muse herself,
01:09:22,440 → 01:09:25,430 who is creating
01:09:25,440 → 01:09:28,390 with Greek
01:09:28,400 → 01:09:30,309 a new
01:09:30,319 → 01:09:32,070 meter.
01:09:32,080 → 01:09:36,390 A new form of song. If you are a
01:09:36,400 → 01:09:37,870 guitarist out there, put this in the
01:09:37,880 → 01:09:40,950 poll. If you're a guitarist out there,
01:09:40,960 → 01:09:42,990 have you created a new form of song?
01:09:43,000 → 01:09:44,829 Tell me, yes or no.
01:09:44,839 → 01:09:47,430 New song? Have you created Should I put
01:09:47,440 → 01:09:49,870 that up there? Loving the polls. Have
01:09:49,880 → 01:09:54,310 you created a new song?
Section 162: 01:09:57,510 – 01:10:26,750
01:09:57,510 → 01:09:57,520 Yes, have you created a new form of
01:09:57,520 → 01:09:59,670 song? I want you to put that in there.
01:09:59,680 → 01:10:01,590 For the poll, if you are a guitarist.
01:10:01,600 → 01:10:03,830 Now, just answer if you're a guitarist.
01:10:03,840 → 01:10:05,990 Right, except for you 7%. You're going
01:10:06,920 → 01:10:08,790 you're going to blow the curve.
01:10:08,800 → 01:10:10,590 Right, and we'd love spanking you
01:10:10,600 → 01:10:11,710 anyway.
01:10:11,720 → 01:10:13,110 Right?
01:10:13,120 → 01:10:15,750 Guess who is Guess who was there. Chewie
01:10:15,760 → 01:10:18,590 got lucky last time and
01:10:18,600 → 01:10:20,150 eradicated.
01:10:20,160 → 01:10:21,550 Yeah.
01:10:21,560 → 01:10:23,270 Way to go with the
01:10:23,280 → 01:10:24,670 cross. But you didn't even know it was
01:10:24,680 → 01:10:26,750 him, did you? You were just like, get
Section 163: 01:10:26,760 – 01:10:46,390
01:10:26,760 → 01:10:30,150 out of here. Some dude. Right?
01:10:30,160 → 01:10:31,910 61%
01:10:31,920 → 01:10:34,430 have. Let's see. Really?
01:10:34,440 → 01:10:36,630 50% Really?
01:10:36,640 → 01:10:39,430 What do we have? It's about half of
01:10:39,440 → 01:10:43,430 Seriously, you have created a new form.
01:10:43,440 → 01:10:46,390 Right?
Section 164: 01:10:48,550 – 01:11:08,550
01:10:48,550 → 01:10:48,560 Throw that Greek back up there.
01:10:48,560 → 01:10:50,590 I don't think they
01:10:50,600 → 01:10:53,110 appreciate quite that
01:10:53,120 → 01:10:55,030 half of the people
01:10:55,040 → 01:10:59,030 appreciate quite what's going on, right?
01:10:59,040 → 01:11:02,950 Have you converted to the magic? Have
01:11:02,960 → 01:11:08,550 you found the metrics of the magic
Section 165: 01:11:08,560 – 01:11:45,190
01:11:08,560 → 01:11:13,914 to create an action from a distance?
01:11:15,030 → 01:11:15,040 >> [sighs]
01:11:15,040 → 01:11:16,590 >> Nice.
01:11:16,600 → 01:11:19,470 Nice, okay. This is the power of the
01:11:19,480 → 01:11:22,429 Sapphic. Do you understand me?
01:11:22,439 → 01:11:23,190 >> [panting]
01:11:23,200 → 01:11:24,910 >> What
01:11:24,920 → 01:11:27,430 people What is the dialect that we're
01:11:27,440 → 01:11:28,590 talking about? When you talk about
01:11:28,600 → 01:11:29,990 language, you talk about dialects. And
01:11:30,000 → 01:11:31,830 today people think, "Oh, it's just a
01:11:31,840 → 01:11:33,830 it's a the same language, but it formed
01:11:33,840 → 01:11:35,190 in a different region, so that they have
01:11:35,200 → 01:11:36,790 different sounds. They make the vowels
01:11:36,800 → 01:11:39,110 at different lengths, and etc., etc."
01:11:39,120 → 01:11:41,910 Right? No, that's not dialect
01:11:41,920 → 01:11:45,190 for Mother Greek, the scientific
Section 166: 01:11:45,200 – 01:11:57,350
01:11:45,200 → 01:11:48,230 language that's enabled us to discover
01:11:48,240 → 01:11:51,350 music, discourse, conversation, common
01:11:51,360 → 01:11:57,350 language, talk, speak, speech, language,
Section 167: 01:12:00,630 – 01:12:22,390
01:12:00,630 → 01:12:00,640 as opposed to phone.
01:12:00,640 → 01:12:03,230 voice.
01:12:03,240 → 01:12:04,870 Right? They're using a different
01:12:04,880 → 01:12:06,070 understanding. This is different
01:12:06,080 → 01:12:07,270 physics.
01:12:07,280 → 01:12:09,430 Look at the very bottom of musical
01:12:09,440 → 01:12:11,950 instruments, you can talk about the
01:12:11,960 → 01:12:13,470 quality.
01:12:13,480 → 01:12:16,230 You musicians of strings,
01:12:16,240 → 01:12:18,310 musical instruments, you can talk about
01:12:18,320 → 01:12:22,390 the quality.
Section 168: 01:12:25,830 – 01:12:31,205
01:12:25,830 → 01:12:25,840 The quality, and they put idiom there.
01:12:25,840 → 01:12:31,205 Can your instrument have a dialect?
Section 169: 01:12:31,215 – 01:13:05,670
01:12:31,215 → 01:12:32,030 >> [sighs and gasps]
01:12:32,040 → 01:12:35,990 >> Can you bring the dragon
01:12:36,000 → 01:12:37,990 pitch?
01:12:38,000 → 01:12:39,430 Ow!
01:12:39,440 → 01:12:41,550 Is that what it is?
01:12:41,560 → 01:12:43,110 People, you're going to love it. It's
01:12:43,120 → 01:12:46,270 satanic. And he's trying to tell you how
01:12:46,280 → 01:12:48,670 this works, the physics. You don't care.
01:12:48,680 → 01:12:49,950 You know, nobody cares what John
01:12:49,960 → 01:12:53,830 Goldmouth thinks. Right? Oh, God. But
01:12:53,840 → 01:12:56,150 this is where the science led them. This
01:12:57,080 → 01:12:58,270 you know
01:12:58,280 → 01:12:59,830 people
01:12:59,840 → 01:13:03,110 what do we associate with dialect that
01:13:03,120 → 01:13:05,670 is musical?
Section 170: 01:13:05,680 – 01:13:22,510
01:13:05,680 → 01:13:09,190 Habitual intercourse, intimacy.
01:13:09,200 → 01:13:10,990 You wait a minute, they've got a word
01:13:11,000 → 01:13:13,150 here
01:13:13,160 → 01:13:15,470 that is a word to represent language
01:13:15,480 → 01:13:17,230 that you can see under number two in the
01:13:17,240 → 01:13:19,910 in the blue, the customary uses of usage
01:13:19,920 → 01:13:22,510 of language.
Section 171: 01:13:22,520 – 01:13:43,830
01:13:22,520 → 01:13:24,070 Right?
01:13:24,080 → 01:13:26,070 What are we talking about? We're talking
01:13:26,080 → 01:13:28,350 about rematon and onomaton. What are
01:13:28,360 → 01:13:32,590 those? Verbs and nouns.
01:13:32,600 → 01:13:34,670 Verbs and nouns.
01:13:34,680 → 01:13:38,190 Language, and yet what does this mean?
01:13:38,200 → 01:13:43,830 Sexual intercourse.
Section 172: 01:13:45,910 – 01:13:59,830
01:13:45,910 → 01:13:45,920 What do you do when you have this
01:13:45,920 → 01:13:48,270 intimacy with a woman?
01:13:48,280 → 01:13:50,070 You have That's what it says in the
01:13:50,080 → 01:13:51,150 Greek.
01:13:51,160 → 01:13:53,590 You have
01:13:53,600 → 01:13:56,310 that exact
01:13:56,320 → 01:13:59,830 that perfect
Section 173: 01:13:59,840 – 01:14:09,430
01:13:59,840 → 01:14:01,750 creation
01:14:01,760 → 01:14:05,390 that perfect visualization
01:14:05,400 → 01:14:09,430 of music
Section 174: 01:14:11,670 – 01:14:36,390
01:14:11,670 → 01:14:11,680 through the language.
01:14:11,680 → 01:14:14,750 Right? As if it were meant as if it as
01:14:14,760 → 01:14:17,990 if the creatrix, the creator
01:14:18,000 → 01:14:21,110 the great she
01:14:21,120 → 01:14:23,190 had written this
01:14:23,200 → 01:14:26,710 as the subtext of existence.
01:14:26,720 → 01:14:29,110 It's absolutely gorgeous.
01:14:29,120 → 01:14:30,910 Bring back the
01:14:30,920 → 01:14:32,430 right?
01:14:32,440 → 01:14:36,390 Language
Section 175: 01:14:38,030 – 01:14:41,190
01:14:38,030 → 01:14:38,040 and
01:14:38,040 → 01:14:41,190 analogicos.
Section 176: 01:14:42,990 – 01:15:04,070
01:14:42,990 → 01:14:43,000 What is that?
01:14:43,000 → 01:14:45,110 That is a world
01:14:45,120 → 01:14:48,030 based in ratio.
01:14:48,040 → 01:14:50,190 A world based in ratio.
01:14:50,200 → 01:14:53,590 Your language and the music of it are
01:14:53,600 → 01:14:55,150 analogic.
01:14:55,160 → 01:14:57,910 The satanic chorus.
01:14:57,920 → 01:15:00,670 The satanic [clears throat] epode.
01:15:00,680 → 01:15:04,070 The satanic kitharode.
Section 177: 01:15:04,080 – 01:15:18,710
01:15:04,080 → 01:15:06,350 Is there any satanic guitarists out
01:15:06,360 → 01:15:07,390 there?
01:15:07,400 → 01:15:10,270 Is there any truly satanic guitarists
01:15:10,280 → 01:15:12,470 out there?
01:15:12,480 → 01:15:14,870 How was our poll?
01:15:14,880 → 01:15:18,710 Right.
Section 178: 01:15:21,670 – 01:15:50,470
01:15:21,670 → 01:15:21,680 Fantastic. Josh, I know you're waiting.
01:15:21,680 → 01:15:23,990 Where is our satanic poll? Bring it up.
01:15:24,000 → 01:15:26,310 Josh don't care. He can wait. Right.
01:15:26,320 → 01:15:28,230 He's not trying to
01:15:28,240 → 01:15:30,470 Have you created a new form song? How
01:15:30,480 → 01:15:32,590 How many of them said it? 50? About half
01:15:32,600 → 01:15:33,790 and half.
01:15:33,800 → 01:15:36,230 About half and half. I don't think they
01:15:36,240 → 01:15:37,550 Let's see if we can clear it up. It's
01:15:37,560 → 01:15:40,350 interesting. Let's let the musicians
01:15:40,360 → 01:15:42,590 hash it out. You know what I mean? Like
01:15:42,600 → 01:15:44,630 wouldn't it be great to do that? Bring
01:15:44,640 → 01:15:47,510 your guitars and show us.
01:15:47,520 → 01:15:49,070 Right.
01:15:49,080 → 01:15:50,470 God.
Section 179: 01:15:50,480 – 01:16:15,430
01:15:50,480 → 01:15:52,710 Oh god. Okay, back. I came up with
01:15:52,720 → 01:15:54,710 another one. Another poll. People,
01:15:54,720 → 01:15:56,550 there's two polls. The polls are
01:15:56,560 → 01:15:59,430 slipping my brain cuz the it To be quite
01:15:59,440 → 01:16:02,070 honest, look people, look at this next.
01:16:02,080 → 01:16:03,310 Okay, I'm going to show you something
01:16:03,320 → 01:16:06,510 gorgeous you've never seen. This horos
01:16:06,520 → 01:16:08,030 thing here
01:16:08,040 → 01:16:10,910 or the corsair and old was, see the
01:16:10,920 → 01:16:15,430 digamma in it? It's Mycenaean.
Section 180: 01:16:18,230 – 01:16:35,870
01:16:18,230 → 01:16:18,240 Ooh, I'm warning you.
01:16:18,240 → 01:16:21,150 This concept and look in the blue. The
01:16:21,160 → 01:16:23,830 notes which limit the intervals in the
01:16:23,840 → 01:16:26,230 musical scale. Okay, I know that
01:16:26,240 → 01:16:29,430 musicians you musicians can hear that.
01:16:29,440 → 01:16:31,310 Okay.
01:16:31,320 → 01:16:35,870 That is the horos.
Section 181: 01:16:35,880 – 01:17:03,870
01:16:35,880 → 01:16:37,510 Go shrink it down.
01:16:37,520 → 01:16:40,990 It is a boundary.
01:16:41,000 → 01:16:43,070 The Etruscan
01:16:43,080 → 01:16:46,910 who interacted in Greek,
01:16:46,920 → 01:16:48,070 right?
01:16:48,080 → 01:16:50,790 From their barbarian language,
01:16:50,800 → 01:16:55,030 those people who learned from Greek
01:16:55,040 → 01:16:58,070 had prophecies
01:16:58,080 → 01:17:03,870 of the Horos.
Section 182: 01:17:07,190 – 01:17:41,678
01:17:07,190 → 01:17:07,200 When will the Horos
01:17:09,080 → 01:17:11,710 overthrown?
01:17:11,720 → 01:17:13,470 Isn't that interesting?
01:17:13,480 → 01:17:16,550 These people were on way too many drugs,
01:17:16,560 → 01:17:18,910 you know? They were on way too many
01:17:18,920 → 01:17:21,710 drugs. Is somebody going
01:17:21,720 → 01:17:24,950 to penetrate the boundary
01:17:24,960 → 01:17:28,190 with the music? Is somebody going to
01:17:28,200 → 01:17:32,550 throw down the boundary stone? Because
01:17:32,560 → 01:17:34,550 the prophecy is
01:17:34,560 → 01:17:37,350 this son of God
01:17:37,360 → 01:17:41,678 must bring back Eve.
Section 183: 01:17:41,688 – 01:18:08,790
01:17:41,688 → 01:17:42,630 >> [sighs]
01:17:42,640 → 01:17:44,510 >> Oh God.
01:17:44,520 → 01:17:45,790 Oh.
01:17:45,800 → 01:17:48,870 Do you mean that is the purpose? To free
01:17:48,880 → 01:17:52,950 that? To free Imagine people, to free
01:17:52,960 → 01:17:56,030 music herself.
01:17:56,040 → 01:17:58,470 Music herself.
01:17:58,480 → 01:18:01,630 To free her, that's the mission.
01:18:01,640 → 01:18:03,750 Where is the God with the electric
01:18:03,760 → 01:18:05,110 strings
01:18:05,120 → 01:18:08,790 to free her?
Section 184: 01:18:14,190 – 01:18:26,470
01:18:14,190 → 01:18:14,200 You musicians out there, give me the
01:18:14,200 → 01:18:16,470 next one, Sherry. I want to flower guess
01:18:16,480 → 01:18:18,510 them a little bit, people. Where was
01:18:18,520 → 01:18:20,630 that satanic? Yes.
01:18:20,640 → 01:18:23,630 There's the old walls. Can you break the
01:18:23,640 → 01:18:26,470 old walls, people?
Section 185: 01:18:26,480 – 01:18:29,950
01:18:26,480 → 01:18:29,950 Right? Mhm.
Section 186: 01:18:29,960 – 01:18:56,470
01:18:29,960 → 01:18:31,910 I want to finish what I was translating
01:18:31,920 → 01:18:35,830 before. In the case
01:18:35,840 → 01:18:39,870 in the case of the pneumatic,
01:18:39,880 → 01:18:43,630 those people who use that,
01:18:43,640 → 01:18:45,710 right, are not
01:18:45,720 → 01:18:48,870 harnessing the diamond, it says.
01:18:48,880 → 01:18:53,870 But, theos, they become possessed by
01:18:53,880 → 01:18:56,470 theos.
Section 187: 01:18:56,480 – 01:18:59,910
01:18:56,480 → 01:18:59,910 By a god.
Section 188: 01:19:02,710 – 01:19:12,390
01:19:02,710 → 01:19:02,720 For your musical performance,
01:19:02,720 → 01:19:06,230 I want you to keep that in mind.
01:19:06,240 → 01:19:08,670 For your musical performance, I want you
01:19:08,680 → 01:19:12,390 to keep that in mind.
Section 189: 01:19:14,910 – 01:19:24,910
01:19:14,910 → 01:19:14,920 Wow, it's quite an art, people. Next
01:19:14,920 → 01:19:15,990 slide.
01:19:16,000 → 01:19:19,670 It's quite an art. Okay, let's bring in
01:19:19,680 → 01:19:24,910 Can we bring in
Section 190: 01:19:27,070 – 01:20:06,670
01:19:27,070 → 01:19:27,080 Okay, people, I want you Oh, Chewie
01:19:27,080 → 01:19:29,110 wants to show an animation. Chewie, can
01:19:29,120 → 01:19:31,190 you please show an animation? Thank you.
01:19:31,200 → 01:19:34,430 Now, by the way, why was that
01:19:34,440 → 01:19:36,790 Why was there that association between
01:19:36,800 → 01:19:40,070 that music and that intercourse?
01:19:40,080 → 01:19:41,750 Isn't that funny? Were we supposed to
01:19:41,760 → 01:19:42,990 learn that?
01:19:43,000 → 01:19:45,670 Somehow, somewhere. Is this Josh?
01:19:45,680 → 01:19:47,470 Oh, fantastic, people. Here we have
01:19:47,480 → 01:19:50,110 Josh. Who is Josh? Josh has been
01:19:50,120 → 01:19:53,190 politely waiting in the wings, and he
01:19:53,200 → 01:19:55,030 went on
01:19:55,040 → 01:19:57,750 He went on
01:19:57,760 → 01:20:00,550 a show where he was
01:20:00,560 → 01:20:02,830 given to Donald Trump.
01:20:02,840 → 01:20:06,670 Right? Oh, god. How awful you are.
Section 191: 01:20:06,680 – 01:20:42,750
01:20:06,680 → 01:20:08,510 I wonder if Donald kicked her out like
01:20:08,520 → 01:20:09,790 he did
01:20:09,800 → 01:20:12,190 like that guy at like Neil did.
01:20:12,200 → 01:20:13,870 Um uh
01:20:13,880 → 01:20:16,310 Josh, I wonder if he did. Let's bring
01:20:16,320 → 01:20:20,870 him up. Josh. Now, Josh, I just want you
01:20:20,880 → 01:20:22,670 I know you didn't We didn't rehearse
01:20:22,680 → 01:20:23,710 this,
01:20:23,720 → 01:20:26,590 but I want you to give
01:20:26,600 → 01:20:29,670 m- Satanic congregation just a general
01:20:29,680 → 01:20:32,070 background, and
01:20:32,080 → 01:20:34,430 you don't have to go into any depth that
01:20:34,440 → 01:20:36,030 you're not comfortable with. Just give
01:20:36,040 → 01:20:37,350 them a general background so they know
01:20:37,360 → 01:20:39,630 who you are. Introduce yourself
01:20:39,640 → 01:20:42,750 and we'll go from there.
Section 192: 01:20:42,760 – 01:20:51,310
01:20:42,760 → 01:20:44,270 >> Well, listen. I'm going to keep this
01:20:44,280 → 01:20:45,950 real simple.
01:20:45,960 → 01:20:48,070 So, I'm an ex-Mormon.
01:20:48,080 → 01:20:51,310 And, um
Section 193: 01:20:53,550 – 01:21:24,790
01:20:53,550 → 01:20:53,560 I grew up with just my mother. And, my
01:20:53,560 → 01:20:54,670 dad
01:20:54,680 → 01:20:56,710 was in prison my whole life.
01:20:56,720 → 01:20:59,030 And,
01:20:59,040 → 01:21:01,950 he Both of them are now passed away.
01:21:01,960 → 01:21:04,830 And, so like my dad he made this thing
01:21:04,840 → 01:21:07,590 right here in prison. It says no mercy.
01:21:07,600 → 01:21:09,470 And, on the back of it says do not wash.
01:21:09,480 → 01:21:11,230 He didn't care. He went ahead and washed
01:21:11,240 → 01:21:12,470 it.
01:21:12,480 → 01:21:14,510 And, I still have it to this day.
01:21:14,520 → 01:21:16,630 And, so here right here
01:21:16,640 → 01:21:18,150 this is my mother.
01:21:18,160 → 01:21:19,910 She's passed away. She passed away on
01:21:19,920 → 01:21:22,110 February 7th, uh
01:21:22,120 → 01:21:24,790 2026.
Section 194: 01:21:24,800 – 01:21:58,230
01:21:24,800 → 01:21:26,150 Both of them
01:21:26,160 → 01:21:28,590 cared about the Bible and about
01:21:28,600 → 01:21:31,230 spirituality. And, they met in Utah. My
01:21:31,240 → 01:21:33,910 mom grew up Mormon in a Mormon family.
01:21:33,920 → 01:21:35,790 I just want you to know that if she
01:21:35,800 → 01:21:38,750 would have known what Emin and Huey have
01:21:38,760 → 01:21:40,670 sent in these messages
01:21:40,680 → 01:21:42,470 maybe both of them would still be here
01:21:42,480 → 01:21:43,390 today.
01:21:43,400 → 01:21:44,870 Because they would have made different
01:21:44,880 → 01:21:46,630 decisions and they would have felt less
01:21:46,640 → 01:21:48,950 guilty about themselves. And, they would
01:21:48,960 → 01:21:50,990 have made different choices because they
01:21:51,000 → 01:21:52,070 would have
01:21:52,080 → 01:21:54,270 had a act an actual scientific basis of
01:21:54,280 → 01:21:58,230 reality that wasn't a guilt trip fantasy
Section 195: 01:21:58,240 – 01:22:21,710
01:21:58,240 → 01:22:00,910 sent by a genocidal maniac woman-hating
01:22:00,920 → 01:22:02,310 god.
01:22:02,320 → 01:22:03,830 God is a woman.
01:22:03,840 → 01:22:05,630 And, I told my mom that while she was in
01:22:05,640 → 01:22:08,670 the hospital bleeding out it from the
01:22:08,680 → 01:22:10,910 inside.
01:22:10,920 → 01:22:12,390 God is a woman.
01:22:12,400 → 01:22:14,390 And, monotheists need to get over that.
01:22:14,400 → 01:22:16,390 What Why do you guys hate your moms?
01:22:16,400 → 01:22:17,710 Like, you can't have one without the
01:22:17,720 → 01:22:19,110 other. That biologically doesn't make
01:22:19,120 → 01:22:21,710 any sense.
Section 196: 01:22:21,720 – 01:22:43,030
01:22:21,720 → 01:22:23,150 >> Love you.
01:22:23,160 → 01:22:23,830 >> Yeah.
01:22:23,840 → 01:22:26,030 >> Love it. Now, go on. I interrupted, but
01:22:26,040 → 01:22:27,870 I want you to go on and I want you to
01:22:27,880 → 01:22:29,630 get us to the point that you're sitting
01:22:29,640 → 01:22:33,710 there on Neil's show. Why, you know,
01:22:33,720 → 01:22:38,270 and to tell people what you you know,
01:22:38,280 → 01:22:41,190 you went from losing your mother and
01:22:41,200 → 01:22:43,030 realizing
Section 197: 01:22:43,040 – 01:23:17,710
01:22:43,040 → 01:22:44,150 that
01:22:44,160 → 01:22:47,030 the [\h__\h] from Mormonism
01:22:47,040 → 01:22:48,110 had
01:22:48,120 → 01:22:49,750 impacted
01:22:49,760 → 01:22:52,310 your parents' lives to such a such a
01:22:52,320 → 01:22:55,350 negative degree that you wish they could
01:22:55,360 → 01:22:58,150 have been free. You come to us from that
01:22:58,160 → 01:23:00,270 perspective. Okay, now go your your
01:23:00,280 → 01:23:03,230 journey of discovery. Keep going.
01:23:03,240 → 01:23:04,270 >> So,
01:23:04,280 → 01:23:06,270 man, I made a lot of mistakes.
01:23:06,280 → 01:23:07,590 Like
01:23:07,600 → 01:23:10,350 I grew up So, I live with just my mom
01:23:10,360 → 01:23:11,790 and these neighbors got jealous of my
01:23:11,800 → 01:23:14,350 mom and they reported her to CPS and I
01:23:14,360 → 01:23:15,990 ended up with my aunt and uncle who were
01:23:16,000 → 01:23:17,710 really like Mormon.
Section 198: 01:23:17,720 – 01:23:51,190
01:23:17,720 → 01:23:19,470 And, you know, my family's a bunch of
01:23:19,480 → 01:23:21,350 Mormon pioneers. My great great great
01:23:21,360 → 01:23:23,390 great great grandpa hung out with Joseph
01:23:23,400 → 01:23:25,910 Smith. So,
01:23:25,920 → 01:23:27,270 anyways,
01:23:27,280 → 01:23:30,230 when I was 12, I was placed with in the
01:23:30,240 → 01:23:33,350 custody of my aunt and uncle.
01:23:33,360 → 01:23:36,430 And growing up in that household was
01:23:36,440 → 01:23:37,790 not cool.
01:23:37,800 → 01:23:39,590 It wasn't cool. They didn't let me use
01:23:39,600 → 01:23:41,630 the computer. I didn't have access to a
01:23:41,640 → 01:23:43,150 phone. I couldn't call my mom. They
01:23:43,160 → 01:23:44,750 wouldn't let me talk to my mother even
01:23:44,760 → 01:23:46,750 if I wanted to. They were trying to keep
01:23:46,760 → 01:23:48,910 me from my mother who I had lived with
01:23:48,920 → 01:23:51,190 since I was 12 and that was the only
Section 199: 01:23:51,200 – 01:24:11,510
01:23:51,200 → 01:23:53,030 person that I grew up with.
01:23:53,040 → 01:23:55,110 And I'll tell you what, Mormons they
01:23:55,120 → 01:23:58,470 also abuse legal systems to take kids
01:23:58,480 → 01:24:00,110 away from their parents.
01:24:00,120 → 01:24:02,070 And that's that shouldn't be allowed.
01:24:02,080 → 01:24:04,190 You shouldn't uh base your legal system
01:24:04,200 → 01:24:07,350 on the Bible that's been mistranslated
01:24:07,360 → 01:24:09,230 into English from a Greek text that you
01:24:09,240 → 01:24:11,510 haven't read.
Section 200: 01:24:11,520 – 01:24:22,110
01:24:11,520 → 01:24:13,030 And you shouldn't swear on a Bible,
01:24:13,040 → 01:24:14,550 either.
01:24:14,560 → 01:24:17,270 >> Exactly. Exactly. Hear how nice that
01:24:17,280 → 01:24:22,110 would summarize?
Section 201: 01:24:23,790 – 01:24:53,390
01:24:23,790 → 01:24:23,800 Go ahead. Go ahead. Keep talking. Keep
01:24:23,800 → 01:24:24,870 talking.
01:24:24,880 → 01:24:28,150 >> Oh, okay. Well,
01:24:29,280 → 01:24:32,190 I grew up in a household where I was not
01:24:32,200 → 01:24:34,230 allowed to learn
01:24:34,240 → 01:24:35,510 anything outside of the Mormon
01:24:35,520 → 01:24:37,910 tradition. I didn't I used to hate
01:24:37,920 → 01:24:38,910 Homer.
01:24:38,920 → 01:24:40,870 I I was like, "Homer's such an [\h__\h]
01:24:40,880 → 01:24:41,750 Why
01:24:41,760 → 01:24:43,590 Why didn't he just trust in God? He was
01:24:43,600 → 01:24:45,110 a pagan or something. Like, I don't know
01:24:45,120 → 01:24:47,590 why He just got what he deserved." I
01:24:47,600 → 01:24:49,190 didn't even read the text. Like, we were
01:24:49,200 → 01:24:51,590 taking Socratic classes in high school
01:24:51,600 → 01:24:53,390 and we're not even reading Greek texts.
Section 202: 01:24:53,400 – 01:25:27,150
01:24:53,400 → 01:24:55,350 So, why are they calling it uh
01:24:56,120 → 01:24:58,630 Oh, I My bad. A Socratic class. Why are
01:24:58,640 → 01:24:59,990 they calling it a Socratic class when
01:25:00,000 → 01:25:02,190 we're not learning Greek?
01:25:02,200 → 01:25:04,430 Isn't that kind of
01:25:04,440 → 01:25:06,150 >> Yeah. Yeah.
01:25:06,160 → 01:25:08,470 It's [\h__\h] but that's that's the way
01:25:08,480 → 01:25:10,350 it is. That's the state of modern
01:25:10,360 → 01:25:13,390 education. And what we'll be doing, what
01:25:13,400 → 01:25:15,790 you and I and Madalena will be doing
01:25:15,800 → 01:25:17,950 starting next week, is we're going to
01:25:17,960 → 01:25:19,830 actually look at Homer.
01:25:19,840 → 01:25:21,430 Right. We're going to actually look at
01:25:21,440 → 01:25:24,510 Plato. We're going to actually look just
01:25:24,520 → 01:25:27,150 to give you a smattering, an intensive
Section 203: 01:25:27,160 – 01:26:10,190
01:25:27,160 → 01:25:29,990 smattering, cuz people I saw Neil
01:25:30,000 → 01:25:31,190 yelling
01:25:31,200 → 01:25:33,310 and saying, "Fuck you. Get out of here."
01:25:33,320 → 01:25:35,470 And I thought, "You know what?
01:25:35,480 → 01:25:39,030 Um that's the Trumpian way.
01:25:39,040 → 01:25:42,950 Um the right way, the satanic way, is to
01:25:42,960 → 01:25:46,790 say, "Hey, um I have a mind and reason
01:25:46,800 → 01:25:49,150 gifted by nature.
01:25:49,160 → 01:25:52,830 I'm a human being with intrinsic beauty
01:25:52,840 → 01:25:54,670 and value
01:25:54,680 → 01:25:56,830 in the cosmos.
01:25:56,840 → 01:26:00,310 And I can reach out to the
01:26:00,320 → 01:26:03,870 creator. I can reach out to her. I can I
01:26:03,880 → 01:26:04,710 can
01:26:04,720 → 01:26:07,590 look at something that is reasonable and
01:26:07,600 → 01:26:10,190 rational. I can read a text and say, "I
Section 204: 01:26:10,200 – 01:26:41,910
01:26:10,200 → 01:26:12,430 didn't know Jesus was arrested in a
01:26:12,440 → 01:26:14,550 public park with a naked kid. I didn't
01:26:14,560 → 01:26:16,150 know that."
01:26:16,160 → 01:26:19,150 Right. So, yeah. It's um I love that
01:26:19,160 → 01:26:21,310 about your uh
01:26:21,320 → 01:26:23,990 about your personal situation. Can you
01:26:24,000 → 01:26:26,710 tell us what it was like
01:26:26,720 → 01:26:28,470 Can you tell us what it was like to go
01:26:28,480 → 01:26:33,070 on to Gnostic and be told to [\h__\h] off?
01:26:33,080 → 01:26:35,910 >> Well, thankfully I can skip a bunch of
01:26:35,920 → 01:26:38,670 details and just go there. But, um
01:26:38,680 → 01:26:41,910 Gnostic Informant was uninformed.
Section 205: 01:26:41,920 – 01:27:15,910
01:26:41,920 → 01:26:44,390 He followed fantasies, so maybe he
01:26:44,400 → 01:26:45,630 should change his name to Fantasy
01:26:45,640 → 01:26:47,870 Informant because there's no textual
01:26:47,880 → 01:26:50,270 evidence of Semitic letter names in
01:26:50,280 → 01:26:51,590 ancient texts.
01:26:51,600 → 01:26:53,830 There's no Semitic abjad that lists the
01:26:53,840 → 01:26:56,510 letter names like aleph, beta, gimel in
01:26:56,520 → 01:26:57,710 a row
01:26:57,720 → 01:27:00,150 in an abjad. That doesn't exist.
01:27:00,160 → 01:27:01,310 >> Have you been reading
01:27:01,320 → 01:27:02,150 >> thing as Semitic
01:27:02,160 → 01:27:05,270 >> Have you been reading up on
01:27:05,280 → 01:27:07,790 Oh God, the development and
01:27:07,800 → 01:27:11,110 Indo-European stuff? That Let me propose
01:27:11,120 → 01:27:12,950 this to you. Let me ask you a question.
01:27:12,960 → 01:27:15,910 Do you think it's possible that that son
Section 206: 01:27:15,920 – 01:27:47,110
01:27:15,920 → 01:27:19,030 of a [\h__\h] twin those brothers those
01:27:19,040 → 01:27:20,910 What were they? The Grimm brothers?
01:27:20,920 → 01:27:23,150 Those guys were full of [\h__\h] dog. And
01:27:23,160 → 01:27:25,510 the whole Indo-European scale, it's all
01:27:25,520 → 01:27:29,550 [\h__\h] It's all made up [\h__\h] So,
01:27:29,560 → 01:27:32,270 that's why it's difficult for us to
01:27:32,280 → 01:27:36,710 question how it is that um Greek can be
01:27:36,720 → 01:27:39,270 using these terms that are we think are
01:27:39,280 → 01:27:41,150 biblical, but they're not. They're
01:27:41,160 → 01:27:42,990 actually just ancient Greek, you know,
01:27:43,000 → 01:27:47,110 Mycenaean terms of musical
Section 207: 01:27:47,120 – 01:28:01,950
01:27:47,120 → 01:27:49,630 composition and whatnot. You know, it
01:27:49,640 → 01:27:50,950 doesn't
01:27:50,960 → 01:27:52,670 Here's what I want to do. You You tell
01:27:52,680 → 01:27:54,270 me what you think about this, but I want
01:27:54,280 → 01:27:56,790 to have our class, and thanks to an
01:27:56,800 → 01:27:59,390 anonymous
01:27:59,400 → 01:28:01,950 patroness
Section 208: 01:28:01,960 – 01:28:41,590
01:28:01,960 → 01:28:05,110 Thanks to that anonymous patroness,
01:28:05,120 → 01:28:08,390 um we're going to have a course built
01:28:08,400 → 01:28:11,790 to be able to follow up the intensive
01:28:11,800 → 01:28:14,790 Greek course. so that you can take it's
01:28:14,800 → 01:28:17,270 a reading course so that you can take
01:28:17,280 → 01:28:19,790 your training to the next level. I saw
01:28:19,800 → 01:28:22,310 Neil beating you up and I thought, you
01:28:22,320 → 01:28:25,830 know what? Um that's somebody
01:28:25,840 → 01:28:27,310 Josh and
01:28:27,320 → 01:28:31,470 Madalena are somebodies who want to
01:28:31,480 → 01:28:32,830 fight
01:28:32,840 → 01:28:35,350 who want to go out there and seize the
01:28:35,360 → 01:28:38,630 field and I respect that. I respect that
01:28:38,640 → 01:28:41,590 a lot and Um tell me something. Do you
Section 209: 01:28:41,600 – 01:29:15,430
01:28:41,600 → 01:28:42,590 have
01:28:42,600 → 01:28:44,230 Do you have a fighting spirit?
01:28:44,240 → 01:28:44,870 >> I
01:28:44,880 → 01:28:47,230 So I do have something to say. So like
01:28:47,240 → 01:28:48,870 the letter names in Greek were
01:28:48,880 → 01:28:51,910 explicitly written out by Colaeus in the
01:28:51,920 → 01:28:54,710 fifth sensor sixth century BC in a
01:28:54,720 → 01:28:57,510 grammatical tragedy that he wrote. It's
01:28:57,520 → 01:28:59,830 called the alphabet tragedy. So I don't
01:28:59,840 → 01:29:01,590 want to hear [\h__\h] about Semitic
01:29:01,600 → 01:29:03,950 letter names proceeding
01:29:03,960 → 01:29:05,950 the Greek letter names. The Greeks were
01:29:05,960 → 01:29:08,310 the first to label them.
01:29:08,320 → 01:29:10,310 >> Wait a minute. Did people Did you hear
01:29:10,320 → 01:29:14,030 that? You just quoted Cratinus. Oh my
01:29:14,040 → 01:29:15,331 god.
01:29:15,341 → 01:29:15,430 >> [laughter]
Section 210: 01:29:15,440 – 01:29:43,270
01:29:15,440 → 01:29:18,070 >> The alphabet book. Look at the sources,
01:29:18,080 → 01:29:20,510 people. We can pull that up on TLG. I'll
01:29:20,520 → 01:29:23,070 I'll feed that in. Cratinus, I'll feed
01:29:23,080 → 01:29:25,030 that into your reading course so you can
01:29:25,040 → 01:29:27,070 look at the Greek directly. You Look,
01:29:27,080 → 01:29:29,710 you you're outgunning people
01:29:29,720 → 01:29:32,030 when you're quoting sources that people
01:29:32,040 → 01:29:33,750 have never heard of, right? You're
01:29:33,760 → 01:29:35,510 outgunning. We're going to read a lot.
01:29:35,520 → 01:29:36,830 Would you mind if we read some
01:29:36,840 → 01:29:38,950 grammarians, too?
01:29:38,960 → 01:29:41,270 >> Yeah, I don't mind. I mean, I have Homer
01:29:41,280 → 01:29:43,270 in my room and I also don't like when
Section 211: 01:29:43,280 – 01:30:15,390
01:29:43,280 → 01:29:44,750 people say that Homer is a synthetic
01:29:44,760 → 01:29:46,430 language. It was written in a way so
01:29:46,440 → 01:29:48,470 that all dialects could read it. It's
01:29:48,480 → 01:29:51,430 not It's not synthetic. They just
01:29:51,440 → 01:29:53,590 That's That's a load of [\h__\h] Don't
01:29:53,600 → 01:29:55,190 say that. Like
01:29:55,200 → 01:29:58,150 >> It's sexy. Homer, it's sexy. I love him.
01:29:58,160 → 01:29:59,630 That's where we're going to start. By
01:29:59,640 → 01:30:01,350 the way, Madalena, I want you to hear
01:30:01,360 → 01:30:04,710 this, too. Please start in book 10 of
01:30:04,720 → 01:30:07,790 Homer, right? I want you to find Circe
01:30:07,800 → 01:30:11,950 and any passages that have Circe's name
01:30:11,960 → 01:30:15,390 in them. I want you to read that line
Section 212: 01:30:15,400 – 01:30:45,310
01:30:15,400 → 01:30:17,190 and if you have to the line before it
01:30:17,200 → 01:30:19,310 and after it if you want to.
01:30:19,320 → 01:30:20,870 This is what I want you to do. Find
01:30:20,880 → 01:30:23,550 Circe and then notice all the Greek
01:30:23,560 → 01:30:25,550 associated with her name and you're
01:30:25,560 → 01:30:28,710 going to notice drugs right off the bat.
01:30:28,720 → 01:30:31,750 Drugs right off the bat. Okay. Okay,
01:30:31,760 → 01:30:34,670 Josh, thank you for coming tonight. Is
01:30:34,680 → 01:30:37,270 there anything I'm going to wrap it up?
01:30:37,280 → 01:30:38,590 Is there cuz we're at the hour and a
01:30:38,600 → 01:30:41,870 half. Is there anything that you want to
01:30:41,880 → 01:30:45,310 say to Satanic Congregation? Just, you
Section 213: 01:30:45,320 – 01:31:15,310
01:30:45,320 → 01:30:47,750 know, cuz you want to say it.
01:30:47,760 → 01:30:50,030 >> Well, one, Circe is Medea's aunt. So,
01:30:50,040 → 01:30:51,590 you know, that's really magical. And
01:30:51,600 → 01:30:53,990 also, she had a kid with Odysseus named
01:30:54,000 → 01:30:56,390 Latinus who
01:30:56,400 → 01:30:58,390 is legend has it he went on to rule the
01:30:58,400 → 01:31:00,030 Etruscans.
01:31:00,040 → 01:31:02,510 And so, the Euboean alphabet, that's
01:31:02,520 → 01:31:04,110 also a derivative of the Phoenician
01:31:04,120 → 01:31:06,550 script that was brought by Cadmus.
01:31:06,560 → 01:31:08,910 And, you know, according to myth, uh
01:31:08,920 → 01:31:11,510 Zeus and Io, Io was stung by a gadfly
01:31:11,520 → 01:31:13,310 after she had an affair with Zeus and
01:31:13,320 → 01:31:15,310 she fled to Egypt. So, Zeus and Io went
Section 214: 01:31:15,320 – 01:31:42,350
01:31:15,320 → 01:31:16,830 to Egypt and they had a son named
01:31:16,840 → 01:31:19,710 Epaphus and from that line is actually
01:31:19,720 → 01:31:22,190 where Cadmus comes from.
01:31:22,200 → 01:31:23,390 >> And
01:31:23,400 → 01:31:26,590 people think people assume, right, oh,
01:31:26,600 → 01:31:28,230 he's Phoenician, so he's going to be
01:31:28,240 → 01:31:30,390 speaking Phoenician. He's not.
01:31:30,400 → 01:31:32,830 Right? His background is actually Greek
01:31:32,840 → 01:31:34,030 and he's
01:31:34,040 → 01:31:35,910 Greek himself.
01:31:35,920 → 01:31:38,830 So, the fact that they're we have an
01:31:38,840 → 01:31:42,350 account of them importing,
Section 215: 01:31:42,360 – 01:32:17,110
01:31:42,360 → 01:31:43,870 the fact that we have an account of them
01:31:43,880 → 01:31:48,510 importing, um letters is has nothing to
01:31:48,520 → 01:31:51,390 do, it doesn't tell you what language is
01:31:51,400 → 01:31:53,230 dominating. It doesn't tell you what
01:31:53,240 → 01:31:55,550 language is actually being used and let
01:31:55,560 → 01:31:59,190 me prove that just by one phrase. How
01:31:59,200 → 01:32:02,510 much Phoenician literature is there?
01:32:02,520 → 01:32:05,590 How much Phoenician literature exists?
01:32:05,600 → 01:32:06,910 And you're going to have to find you're
01:32:06,920 → 01:32:08,990 going to have to dig in Greek to find
01:32:09,000 → 01:32:11,230 the Greeks recording it in order to find
01:32:11,240 → 01:32:13,830 it cuz it doesn't exist, dog. I'm
01:32:13,840 → 01:32:17,110 telling you. I'm telling you. Oh God.
Section 216: 01:32:17,120 – 01:32:50,190
01:32:17,120 → 01:32:18,110 Yeah, go ahead. You want to say
01:32:18,120 → 01:32:19,870 something? Go ahead.
01:32:19,880 → 01:32:20,830 >> Well,
01:32:21,720 → 01:32:24,670 the we have Scolia like in
01:32:25,480 → 01:32:28,110 we have Scolia that say that in the
01:32:28,120 → 01:32:30,150 Trojan War they wrote with Phoenician
01:32:30,160 → 01:32:32,710 characters. And so Cadmus was before the
01:32:32,720 → 01:32:36,310 Trojan War. So, uh the idea that um
01:32:36,320 → 01:32:37,550 people in the Near East could have
01:32:37,560 → 01:32:39,510 adopted the Phoenician characters is not
01:32:39,520 → 01:32:40,630 out of the question. So, I don't know
01:32:40,640 → 01:32:43,710 why people try to follow the 18th
01:32:43,720 → 01:32:46,550 century reconstruction that was built
01:32:46,560 → 01:32:48,070 literally with the bias in mind of
01:32:48,080 → 01:32:50,190 biblical scholarship and Egyptologists
Section 217: 01:32:50,200 – 01:33:13,190
01:32:50,200 → 01:32:51,950 like Aleph-Betal
01:32:51,960 → 01:32:54,950 uh those are literally mimicking
01:32:54,960 → 01:32:55,630 they're
01:32:55,640 → 01:32:57,950 they're mnemonics that mimic the Greek
01:32:57,960 → 01:33:00,190 letter names. How pathetic. How
01:33:00,200 → 01:33:02,750 unoriginal. How unoriginal.
01:33:02,760 → 01:33:05,270 >> You can see the same
01:33:05,280 → 01:33:07,550 You can see the same influence, Josh.
01:33:07,560 → 01:33:09,310 You can see the same influence, excuse
01:33:09,320 → 01:33:13,190 me. On the um LSJ
Section 218: 01:33:13,200 – 01:33:45,790
01:33:13,200 → 01:33:14,230 You can see it. You don't have a
01:33:14,240 → 01:33:15,830 definition and all of a sudden you'll
01:33:15,840 → 01:33:18,230 have one that's just a biblical
01:33:18,240 → 01:33:19,870 definition that's trying to make it a
01:33:19,880 → 01:33:22,190 little bit different. Like of all the
01:33:22,200 → 01:33:24,550 editors who worked on the Liddell-Scott
01:33:24,560 → 01:33:27,390 and there's a lot. Of all those people,
01:33:27,400 → 01:33:30,230 there were some who came from seminary
01:33:30,240 → 01:33:34,150 backgrounds, had religious intent and
01:33:34,160 → 01:33:37,110 they bled that into the into the
01:33:37,120 → 01:33:38,790 lexicon, which you shouldn't do. It
01:33:38,800 → 01:33:40,230 should just It's a language. You should
01:33:40,240 → 01:33:42,870 treat it like a language, right? Ah.
01:33:42,880 → 01:33:45,790 >> Well, and I also wanted to say that um
Section 219: 01:33:45,800 – 01:34:21,590
01:33:45,800 → 01:33:48,030 these reconstructed charts that show the
01:33:48,040 → 01:33:50,630 evolution of the alphabet um if they
01:33:50,640 → 01:33:52,590 start with Egyptian hieroglyphs, the
01:33:52,600 → 01:33:54,070 phonetic values of the Egyptian
01:33:54,080 → 01:33:55,430 hieroglyphs don't match the
01:33:55,440 → 01:33:56,710 reconstructed values of the
01:33:56,720 → 01:33:58,390 Proto-Sinaitic
01:33:58,400 → 01:34:00,260 which is
01:34:00,270 → 01:34:00,830 >> [laughter]
01:34:00,840 → 01:34:03,150 >> that was applied from the reconstructed
01:34:03,160 → 01:34:05,790 Phoenician trying to say they they tried
01:34:05,800 → 01:34:07,950 to say that the Phoenician alphabet
01:34:07,960 → 01:34:09,950 evolved from a script that it didn't
01:34:09,960 → 01:34:11,150 that
01:34:11,160 → 01:34:13,590 so so they applied the phonetic values
01:34:13,600 → 01:34:16,590 to the pro Proto-Sinaitic script anyways
01:34:16,600 → 01:34:18,670 in their reconstruction and there's no
01:34:18,680 → 01:34:21,590 Proto-Sinaitic abjad either
Section 220: 01:34:21,600 – 01:34:55,280
01:34:21,600 → 01:34:23,710 so so the letter names themselves were
01:34:23,720 → 01:34:26,990 invented mnemonic in the 18th century.
01:34:27,000 → 01:34:28,790 There's no ancient text that say aleph
01:34:28,800 → 01:34:31,590 betel gimel on next to an alphabet and
01:34:31,600 → 01:34:33,665 says the letter names. That's not
01:34:33,675 → 01:34:33,790 >> [laughter]
01:34:33,800 → 01:34:36,110 >> In other words, look they weren't even
01:34:36,120 → 01:34:38,470 talking about it. In other words, in
01:34:38,480 → 01:34:40,510 other words you're getting shafted by
01:34:40,520 → 01:34:43,390 somebody who's trying to sell you an
01:34:43,400 → 01:34:45,230 image of and you know, it's always
01:34:45,240 → 01:34:47,190 because they want to establish what is
01:34:47,200 → 01:34:50,550 the sacred language. I'm sorry people.
01:34:50,560 → 01:34:52,990 I'm sorry, but it's the one with the
01:34:53,000 → 01:34:55,280 music and all the words.
Section 221: 01:34:55,290 – 01:35:34,830
01:34:55,290 → 01:34:56,670 >> [laughter]
01:34:56,680 → 01:34:58,630 >> Yeah, it's fantastic and there wasn't
01:34:58,640 → 01:35:01,030 anything else. There's no Phoenician
01:35:01,040 → 01:35:02,270 What is the
01:35:02,280 → 01:35:04,950 What is the Ugaritic epic of
01:35:04,960 → 01:35:07,910 Baal? Oh God, read that thing, man. Read
01:35:07,920 → 01:35:09,510 a translation I
01:35:09,520 → 01:35:12,430 Read the Read a translation of the
01:35:12,440 → 01:35:15,230 Egyptian Book of the Dead, people. And
01:35:15,240 → 01:35:19,310 then try to go back and read Aristotle
01:35:19,320 → 01:35:21,750 on music or something, right? Try to do
01:35:21,760 → 01:35:23,310 that. You're not going to
01:35:23,320 → 01:35:24,990 You're not going to Okay, I've got to
01:35:25,000 → 01:35:27,230 call it there. I've got to call it
01:35:27,240 → 01:35:28,830 there. I've got another
01:35:28,840 → 01:35:31,470 thing to do tonight. So I'm going to
01:35:31,480 → 01:35:34,830 call it there. Thank you for coming.
Section 222: 01:35:34,840 – 01:36:07,710
01:35:34,840 → 01:35:37,430 And I want Joshua, I want you to be
01:35:37,440 → 01:35:38,550 ready
01:35:38,560 → 01:35:40,950 Monday. We'll start our classes at the
01:35:40,960 → 01:35:43,310 appointed time and I'll stay in touch
01:35:43,320 → 01:35:45,950 with you email. Four week intensive.
01:35:45,960 → 01:35:49,350 Love it. Right? And I'll let you play us
01:35:49,360 → 01:35:52,510 out. Joshua, what's the final word?
01:35:52,520 → 01:35:54,750 >> Um well, don't know if the camera's
01:35:54,760 → 01:35:56,630 messed up or something, but listen, you
01:35:56,640 → 01:35:58,710 should do your own research, guys, and
01:35:58,720 → 01:36:00,910 learn Mother Greek because that's what
01:36:00,920 → 01:36:02,510 led me to this conclusion. And not only
01:36:02,520 → 01:36:05,590 that, but there's over 120,000 unique
01:36:05,600 → 01:36:07,710 lemmas in Ancient Greek. So, that's
Section 223: 01:36:07,720 – 01:36:29,990
01:36:07,720 → 01:36:09,870 120,000
01:36:09,880 → 01:36:11,950 roots. And not only that, but those
01:36:11,960 → 01:36:13,550 roots have different forms based on the
01:36:13,560 → 01:36:15,430 grammatical inflection that are unique.
01:36:15,440 → 01:36:17,550 It's not like they're reusing words.
01:36:17,560 → 01:36:20,070 They're actually coining new roots as
01:36:20,080 → 01:36:21,230 they're
01:36:21,240 → 01:36:23,150 inflecting that
01:36:23,160 → 01:36:24,670 idea.
01:36:24,680 → 01:36:29,990 So, that's why there's over 500,000
Section 224: 01:36:32,110 – 01:37:18,870
01:36:32,110 → 01:36:32,120 root stems in Ancient Greek. It's
01:36:32,120 → 01:36:34,110 absolutely massive.
01:36:34,120 → 01:36:37,270 >> Mind Mind-boggling.
01:36:37,280 → 01:36:40,630 Mind-bogglingly beautiful. The
01:36:40,640 → 01:36:43,590 The face of Mother Greek. Fantastic.
01:36:43,600 → 01:36:46,670 Thanks, everybody, for coming tonight.
01:36:46,680 → 01:36:48,630 I'll see you tomorrow.
01:36:48,640 → 01:36:51,030 Hail Satan.
01:36:51,040 → 01:36:52,630 >> Hail Satan. Hail Satan.
01:36:52,640 → 01:36:54,830 >> Stir in the red [music] sauce gravy.
01:36:54,840 → 01:36:57,270 Sleigh bells ringing.
01:36:57,280 → 01:37:00,150 Let the good times roll fashion giblets.
01:37:00,160 → 01:37:02,550 Apply paint to the road. Wicked Tony
01:37:02,560 → 01:37:03,830 Tone.
01:37:03,840 → 01:37:05,390 Fantastico.
01:37:05,400 → 01:37:06,950 Satanico. [music]
01:37:06,960 → 01:37:08,590 Flavorful.
01:37:08,600 → 01:37:11,350 Turning up the heat. This place is lit
01:37:11,360 → 01:37:14,142 like fire. Stirring up the tomato sauce
01:37:14,152 → 01:37:16,230 [music] to die for.
01:37:16,240 → 01:37:18,870 If they can't produce the orphans,
Section 225: 01:37:18,880 – 01:37:39,687
01:37:18,880 → 01:37:21,550 crucify the lot of them.
01:37:21,560 → 01:37:24,622 By order of the dragon, get this place
01:37:24,632 → 01:37:25,830 [music] cooking.
01:37:25,840 → 01:37:28,110 Death Star overkill with Death Lord the
01:37:28,120 → 01:37:29,590 Demolisher.
01:37:29,600 → 01:37:31,750 Dead can dance macabre.
01:37:31,760 → 01:37:34,390 >> Sophia the snake.
01:37:34,400 → 01:37:39,687 Stay up late. Do you like balloons?
Section 226: 01:37:39,697 – 01:37:42,070
01:37:39,697 → 01:37:42,070 >> [music]
Section 227: 01:37:45,150 – 01:37:53,442
01:37:45,150 → 01:37:45,160 >> Violet silk satin venom sweet [music]
01:37:45,160 → 01:37:46,590 taste.
01:37:46,600 → 01:37:53,442 Have a [clears throat] travel or two.