‎/Transcript - 20250501-Ritual_Music
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Transcript: 20250501-Ritual_Music

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177 timestamped sections using the same paragraph analysis.
Section 1: 00:00:17,630 – 00:00:30,640
00:00:17,630 → 00:00:17,640 Mazar Sugar
00:00:17,640 → 00:00:20,990 Queen Nik with the
00:00:21,000 → 00:00:24,670 purple 1,000 names palace
00:00:24,680 → 00:00:28,189 Athena Nik with the dragon
00:00:28,199 → 00:00:30,640 mist possession.
Section 2: 00:00:30,650 – 00:00:31,870
00:00:30,650 → 00:00:31,870 [Music]
Section 3: 00:00:31,880 – 00:00:58,790
00:00:31,880 → 00:00:35,069 Zifi off in a
00:00:35,079 → 00:00:38,709 drift. The ritual is sacred. I smell
00:00:38,719 → 00:00:42,069 like indica. Bodies you can be up. You
00:00:42,079 → 00:00:44,630 eat some dead babies soiling cleaning
00:00:44,640 → 00:00:47,590 your eyes. Rub the purple in. It's no
00:00:47,600 → 00:00:50,389 surprise they were doing heroin.
00:00:50,399 → 00:00:53,630 Sniffing on the cocaine. The dragon
00:00:53,640 → 00:00:58,790 gods. The beast bears up. Lady Babylon.
Section 4: 00:00:58,800 – 00:01:18,180
00:00:58,800 → 00:01:03,029 Rain man, rain man on the song. Serinate
00:01:03,039 → 00:01:06,149 them in the dragon mist. They'll just
00:01:06,159 → 00:01:07,870 hit them a little
00:01:07,880 → 00:01:10,710 bit. Twisting on this [\h__\h]
00:01:10,720 → 00:01:14,950 sugar cane. Hot purple lady Babylon make
Section 5: 00:01:19,469 – 00:01:19,479
00:01:19,469 → 00:01:19,479 [Music]
Section 6: 00:01:19,479 – 00:01:25,630
00:01:19,479 → 00:01:21,230 rain
00:01:21,240 → 00:01:25,630 and fro the
Section 7: 00:01:28,270 – 00:01:35,149
00:01:28,270 → 00:01:28,280 mountain sugar
00:01:28,280 → 00:01:35,149 queen make you with
Section 8: 00:01:39,469 – 00:02:22,229
00:01:39,469 → 00:01:39,479 purple. Welcome back to Lady
00:01:39,479 → 00:01:42,469 Babylon. Tonight I'm going to have to be
00:01:42,479 → 00:01:43,789 kind of
00:01:43,799 → 00:01:46,469 still. Go ahead and reduce me, Chewy.
00:01:46,479 → 00:01:48,389 Fantastic. I'm going to have to be kind
00:01:48,399 → 00:01:50,910 of still and slow
00:01:50,920 → 00:01:54,350 and purposeful because
00:01:54,360 → 00:01:58,069 we are running from the empire tonight.
00:01:58,079 → 00:02:00,709 Oh god, we're on the side of the road
00:02:00,719 → 00:02:02,709 running people. Seriously, no. That's
00:02:02,719 → 00:02:06,389 our speed tonight. So, um, I want to say
00:02:06,399 → 00:02:09,229 welcome back to Lady
00:02:09,239 → 00:02:12,309 Babylon and initiating apocalypse. It's
00:02:12,319 → 00:02:15,670 nice to be with you again. I've have
00:02:15,680 → 00:02:18,589 some great material for you
00:02:18,599 → 00:02:22,229 tonight and I think it's going to shine
Section 9: 00:02:22,239 – 00:03:17,910
00:02:22,239 → 00:02:25,270 light on a lot of things that uh, you
00:02:25,280 → 00:02:29,470 know, maybe needed some light shined on
00:02:29,480 → 00:02:32,150 it. I've got some marvelous text for you
00:02:32,160 → 00:02:34,670 tonight. I've got some
00:02:34,680 → 00:02:39,070 Aristoxinus. Oh, sexy. Who is that?
00:02:39,080 → 00:02:43,110 Aristoxinus was a musician who worked uh
00:02:43,120 → 00:02:46,790 he was a parapotetic. He worked with um
00:02:46,800 → 00:02:48,190 what's his name?
00:02:48,200 → 00:02:51,350 Aristotle. Aristotle. Right. So, we are
00:02:51,360 → 00:02:55,190 in the age when the sciences are being
00:02:55,200 → 00:02:57,589 born. Botanes under Theophrastus
00:02:57,599 → 00:03:01,190 Aristotle student is being born. Right.
00:03:01,200 → 00:03:05,990 This is henistic grace, baby. Laugh it.
00:03:06,000 → 00:03:09,350 And what is happening? Well, one of the
00:03:09,360 → 00:03:14,509 areas that is being really drawn down is
00:03:14,519 → 00:03:17,910 music. And this is one of the dudes. And
Section 10: 00:03:17,920 – 00:03:54,229
00:03:17,920 → 00:03:21,030 I want you to remember people, they
00:03:21,040 → 00:03:23,350 weren't able to reproduce this stuff in
00:03:23,360 → 00:03:24,110 the
00:03:24,120 → 00:03:26,710 Renaissance. I'm going to show you some
00:03:26,720 → 00:03:29,509 cult performance tonight. It's going to
00:03:29,519 → 00:03:31,350 really before tonight you would say I
00:03:31,360 → 00:03:34,789 really didn't understand what a bachan
00:03:34,799 → 00:03:37,030 was. I didn't understand what the
00:03:37,040 → 00:03:40,309 worship of bacas was. I'm going to show
00:03:40,319 → 00:03:42,789 it to you people. I'm going to show it
00:03:42,799 → 00:03:45,390 to you and in in a way that you hadn't
00:03:45,400 → 00:03:48,149 considered so far and I hope it's fun.
00:03:48,159 → 00:03:50,350 It may get a little
00:03:50,360 → 00:03:54,229 bit dirty. It may get a little bit dirty
Section 11: 00:03:54,239 – 00:04:31,820
00:03:54,239 → 00:03:57,990 because we have to get down into the
00:03:58,000 → 00:04:01,429 slime that's on the ground in order to
00:04:01,439 → 00:04:06,630 be part of that native culture that is
00:04:06,640 → 00:04:11,110 using Mother Greek, right? Oh god. Oh,
00:04:11,120 → 00:04:12,470 we're going to see some things Mother
00:04:12,480 → 00:04:14,149 Greek does tonight. By the way, I went
00:04:14,159 → 00:04:17,509 to New York. I gave him just a slice of
00:04:17,519 → 00:04:19,550 the beauty of Mother
00:04:19,560 → 00:04:23,790 Greek. Oh god.
00:04:23,800 → 00:04:26,870 Now people are upset because everybody
00:04:26,880 → 00:04:30,550 assumed all language was created equal
00:04:30,560 → 00:04:31,820 and it is
Section 12: 00:04:31,830 – 00:04:33,310
00:04:31,830 → 00:04:33,310 [Laughter]
Section 13: 00:04:33,320 – 00:04:55,950
00:04:33,320 → 00:04:37,189 not. It is not. And there is this form
00:04:37,199 → 00:04:42,230 of language that is so far superior to
00:04:42,240 → 00:04:45,749 the runing runs that are around it that
00:04:45,759 → 00:04:49,670 she just gobbled them up. Just ate them
00:04:49,680 → 00:04:52,510 one at a time. Come
00:04:52,520 → 00:04:55,950 here. Come here. Oh
Section 14: 00:04:55,960 – 00:05:19,749
00:04:55,960 → 00:05:00,629 god. So sexy of a history we have. This
00:05:00,639 → 00:05:03,990 language is so incredible. It's so
00:05:04,000 → 00:05:07,749 incredible. Oh god. You ever just drift
00:05:07,759 → 00:05:09,830 through a lexicon? You ever just do
00:05:09,840 → 00:05:11,909 that? Try that sometime. Just drift
00:05:11,919 → 00:05:13,670 through a lexicon. We're also going to
00:05:13,680 → 00:05:16,510 bring Jesus because everybody loves
00:05:16,520 → 00:05:19,749 Jesus, right?
Section 15: 00:05:19,759 – 00:05:48,710
00:05:19,759 → 00:05:21,310 You better love
00:05:21,320 → 00:05:25,110 Jesus. Right. Here we go. Cuz we're
00:05:25,120 → 00:05:26,629 going to bring him. And I'm going to
00:05:26,639 → 00:05:29,270 bring you something that if you are a
00:05:29,280 → 00:05:31,990 monist, you have probably sat in church
00:05:32,000 → 00:05:33,990 and heard this phrase over and over
00:05:34,000 → 00:05:37,189 again. And you've never understood it.
00:05:37,199 → 00:05:38,950 You've never here. Put yourself right
00:05:38,960 → 00:05:41,749 here. Put yourself right here. Just
00:05:41,759 → 00:05:45,830 There you are. Never heard the stitch
00:05:45,840 → 00:05:48,710 up.
Section 16: 00:05:48,720 – 00:06:13,070
00:05:48,720 → 00:05:50,870 No, you haven't. You think you have, but
00:05:50,880 → 00:05:55,830 you haven't, right? Oh, God. Are we
00:05:55,840 → 00:05:59,550 living in the age of
00:05:59,560 → 00:06:02,909 ignorance? We are living in a time
00:06:02,919 → 00:06:06,670 people where the growth of
00:06:06,680 → 00:06:08,270 civilization
00:06:08,280 → 00:06:10,430 was
00:06:10,440 → 00:06:13,070 devastated,
Section 17: 00:06:13,080 – 00:06:47,150
00:06:13,080 → 00:06:15,790 regressed. And what we had
00:06:15,800 → 00:06:21,070 develop was 1,800 years of modest
00:06:21,080 → 00:06:23,230 lies. Mest
00:06:23,240 → 00:06:26,469 lies. And now we're in court and we have
00:06:26,479 → 00:06:29,510 the evidence in front of us and we don't
00:06:29,520 → 00:06:32,590 need the theology. We don't need your
00:06:32,600 → 00:06:36,070 attempt to explain theologically and
00:06:36,080 → 00:06:38,029 justify and
00:06:38,039 → 00:06:41,390 esqueological. Give me this. Take
00:06:41,400 → 00:06:47,150 this. God, now they're
Section 18: 00:06:49,070 – 00:07:31,270
00:06:49,070 → 00:06:49,080 ringing. Ah,
00:06:49,080 → 00:06:52,309 better. Fantastic.
00:06:52,319 → 00:06:56,430 I want people to look at
00:06:56,440 → 00:06:58,029 something.
00:06:58,039 → 00:07:01,550 Religion at its most
00:07:01,560 → 00:07:05,830 natural. Oh god. Are you ready for this?
00:07:05,840 → 00:07:08,710 Are you ready for this? These Greeks. Oh
00:07:08,720 → 00:07:10,870 god. These people. It wasn't just
00:07:10,880 → 00:07:13,589 Greeks. The people who were using the
00:07:13,599 → 00:07:16,790 Greek language. Oh, they gone to such a
00:07:16,800 → 00:07:20,309 place. It's unfair people. The fact that
00:07:20,319 → 00:07:21,710 we have thought that
00:07:21,720 → 00:07:25,430 the Torah and the Old Testament that
00:07:25,440 → 00:07:27,749 these were written that this document
00:07:27,759 → 00:07:28,990 was
00:07:29,000 → 00:07:31,270 written in a
Section 19: 00:07:31,280 – 00:07:33,070
00:07:31,280 → 00:07:33,070 [Laughter]
Section 20: 00:07:33,080 – 00:07:56,110
00:07:33,080 → 00:07:37,350 language with 7,000 words that had been
00:07:37,360 → 00:07:42,469 dead for centuries. You are high if you
00:07:42,479 → 00:07:45,070 think that's the case. And guess what?
00:07:45,080 → 00:07:47,909 Everybody Do you know why? 1800 years
00:07:47,919 → 00:07:50,990 ago. Shift in
00:07:51,000 → 00:07:53,790 timeline, a
00:07:53,800 → 00:07:56,110 false
Section 21: 00:07:56,120 – 00:08:30,990
00:07:56,120 → 00:07:58,150 metamorphosis, and all of a sudden a
00:07:58,160 → 00:08:01,950 fake history and a mind disease called
00:08:01,960 → 00:08:04,189 theology. Oh
00:08:04,199 → 00:08:06,589 god. Oh
00:08:06,599 → 00:08:09,670 god. What happens to a civilization that
00:08:09,680 → 00:08:12,550 grows? I'm about to show you. I'm about
00:08:12,560 → 00:08:14,309 to show you. This is what you produce,
00:08:14,319 → 00:08:18,469 people. Your greatest asset was not your
00:08:18,479 → 00:08:21,790 tar in the ground, your burbling
00:08:21,800 → 00:08:25,110 petroleum. It's not your greatest asset.
00:08:25,120 → 00:08:28,110 Your gases and your minerals, you
00:08:28,120 → 00:08:30,990 idiots. It's your
Section 22: 00:08:31,000 – 00:09:16,949
00:08:31,000 → 00:08:33,790 language. And look where you
00:08:33,800 → 00:08:39,070 are. Bogtrotting English. God, what a
00:08:39,080 → 00:08:41,670 waste. And let me ask you one more time
00:08:41,680 → 00:08:43,190 before we get to the text. How many
00:08:43,200 → 00:08:44,269 words,
00:08:44,279 → 00:08:46,790 people? Go ahead and blow me up, Chewy,
00:08:46,800 → 00:08:49,949 and get some answers from the
00:08:49,959 → 00:08:52,630 congregation. People, how many words did
00:08:52,640 → 00:08:54,350 you invent
00:08:54,360 → 00:08:57,470 today? How many English words did you
00:08:57,480 → 00:09:02,269 invent? The answer in all your heads is
00:09:02,279 → 00:09:04,350 zero because
00:09:04,360 → 00:09:09,110 that is beyond the capacity of English.
00:09:09,120 → 00:09:11,110 I'm going to show you words, invented
00:09:11,120 → 00:09:14,310 words in ancient Greek. Ancient Greek is
00:09:14,320 → 00:09:16,949 a language so different from modern
Section 23: 00:09:16,959 – 00:10:05,190
00:09:16,959 → 00:09:19,389 Greek. I find it
00:09:19,399 → 00:09:22,949 hilarious. Hilarious. Two of my best
00:09:22,959 → 00:09:26,870 buds in graduate school, Tom and Kiki.
00:09:26,880 → 00:09:30,630 Oh god, they were both Spartans. Well,
00:09:30,640 → 00:09:32,470 they weren't Spartans, but they were
00:09:32,480 → 00:09:36,710 from the Paloponyis, right? Laugh it.
00:09:36,720 → 00:09:39,310 And what did they hate and teach me to
00:09:39,320 → 00:09:42,870 hate? Presumption. I am a modern Greek.
00:09:42,880 → 00:09:45,310 Therefore, I can read these
00:09:45,320 → 00:09:49,710 texts. No, you can't. No, you
00:09:49,720 → 00:09:53,030 can't. Oh, it's gorgeousness. And that's
00:09:53,040 → 00:09:54,790 why they came to the University of
00:09:54,800 → 00:09:57,509 Wisconsin, these Greeks, so that they
00:09:57,519 → 00:10:01,750 could study ancient Greek, which is just
00:10:01,760 → 00:10:05,190 like the language they discovered last
Section 24: 00:10:05,200 – 00:10:26,190
00:10:05,200 → 00:10:09,350 year in the mountains in Turkey along
00:10:09,360 → 00:10:10,750 the Black
00:10:10,760 → 00:10:13,990 Sea. Sister languages, Henistic Greek
00:10:14,000 → 00:10:16,550 and this language. And this language is
00:10:16,560 → 00:10:18,790 so far different from modern Greek. Oh
00:10:18,800 → 00:10:23,870 god, they don't even Oh, stop it. Don't
00:10:23,880 → 00:10:26,190 presume
Section 25: 00:10:26,200 – 00:10:31,230
00:10:26,200 → 00:10:31,230 amateurs. This is a professional
Section 26: 00:10:33,829 – 00:10:37,150
00:10:33,829 → 00:10:33,839 ring. Here we deal with ancient Greek
00:10:33,839 → 00:10:37,150 and I am a classical
Section 27: 00:10:39,670 – 00:10:58,990
00:10:39,670 → 00:10:39,680 philologist. Did you like it? Give me
00:10:39,680 → 00:10:43,350 the first slide. Love it. Here we go.
00:10:43,360 → 00:10:46,310 Are you ready?
00:10:46,320 → 00:10:48,190 Let's just jump right into it.
00:10:48,200 → 00:10:50,750 Aristocoxinus. What is what is
00:10:50,760 → 00:10:56,030 Aristoinus talking about? He says the
00:10:56,040 → 00:10:58,990 hilleria, that holy
Section 28: 00:10:59,000 – 00:11:31,470
00:10:59,000 → 00:11:02,430 act, right? It's ultimately coming from
00:11:02,440 → 00:11:05,069 tragedy and the
00:11:05,079 → 00:11:08,030 magodia from
00:11:08,040 → 00:11:12,470 comedy. And often times the mag gods
00:11:12,480 → 00:11:15,750 what happens to them right they have
00:11:15,760 → 00:11:21,069 their own contests right their own comic
00:11:21,079 → 00:11:24,949 contests and they are judged in their
00:11:24,959 → 00:11:27,790 own legitimate struggles on their
00:11:27,800 → 00:11:31,470 platform these
Section 29: 00:11:31,480 – 00:11:43,230
00:11:31,480 → 00:11:34,829 magodes and the name
00:11:34,839 → 00:11:39,990 magodia it comes from the combo
00:11:40,000 → 00:11:43,230 of the use of
Section 30: 00:11:44,750 – 00:12:14,910
00:11:44,750 → 00:11:44,760 magic
00:11:44,760 → 00:11:47,630 right and
00:11:47,640 → 00:11:51,870 displaying the powers of
00:11:51,880 → 00:11:54,990 drugs. So I talked about
00:11:55,000 → 00:11:58,990 meodia. What the hell is that
00:11:59,000 → 00:12:03,310 exactly? We are talking
00:12:03,320 → 00:12:07,550 about facets of Bak
00:12:07,560 → 00:12:09,550 worship
00:12:09,560 → 00:12:11,150 including
00:12:11,160 → 00:12:14,910 song and
Section 31: 00:12:19,470 – 00:12:24,110
00:12:19,470 → 00:12:19,480 dance calibrated regulated rhythmic
00:12:19,480 → 00:12:24,110 dance
Section 32: 00:12:27,310 – 00:13:02,269
00:12:27,310 → 00:12:27,320 ruth. Oh, what is the
00:12:27,320 → 00:12:29,829 rhythm? Do you understand? And look at
00:12:29,839 → 00:12:31,990 the word in yellow. It's the drugs,
00:12:32,000 → 00:12:35,590 people. Get down the Oh, look at the
00:12:35,600 → 00:12:37,790 word in yellow, people.
00:12:37,800 → 00:12:41,150 Drugs. What does drug taking and
00:12:41,160 → 00:12:45,470 magic have to do with the
00:12:45,480 → 00:12:48,310 stage? Everything for those of you who
00:12:48,320 → 00:12:51,430 have been watching, right? Everything,
00:12:51,440 → 00:12:53,269 you know. And by the way, people, I want
00:12:53,279 → 00:12:56,150 to say all of these all of these Lady
00:12:56,160 → 00:12:57,389 Babylon
00:12:57,399 → 00:13:02,269 episodes, all of them are like
Section 33: 00:13:02,279 – 00:13:18,990
00:13:02,279 → 00:13:04,350 papers,
00:13:04,360 → 00:13:07,910 right? People will ultimately have to go
00:13:07,920 → 00:13:10,870 through the text that I am presenting
00:13:10,880 → 00:13:14,710 and the information in order to figure
00:13:14,720 → 00:13:18,990 out what's going on.
Section 34: 00:13:22,470 – 00:13:43,790
00:13:22,470 → 00:13:22,480 They're they're a testimony to one thing
00:13:22,480 → 00:13:24,790 and one thing alone and that is the
00:13:24,800 → 00:13:28,550 voice of the muse singing to you and I
00:13:28,560 → 00:13:29,710 through
00:13:29,720 → 00:13:31,629 Greek.
00:13:31,639 → 00:13:35,470 Right. Sing to us. Give me the
00:13:35,480 → 00:13:38,470 next. What? What are these magodes?
00:13:38,480 → 00:13:40,190 Right. What is the
00:13:40,200 → 00:13:43,790 magodia? My god. Hello
Section 35: 00:13:43,800 – 00:14:04,590
00:13:43,800 → 00:13:47,110 Lucifer. No, it's different.
00:13:47,120 → 00:13:49,990 We're so behind. We're so behind. What
00:13:50,000 → 00:13:52,790 is that thing? Well, if you want to know
00:13:52,800 → 00:13:55,030 what the magode is, you got to know what
00:13:55,040 → 00:13:58,790 the hiller is. What is that, people? A
00:13:58,800 → 00:14:01,790 singer of joyous, not
00:14:01,800 → 00:14:04,590 comic, joyous
Section 36: 00:14:04,600 – 00:14:24,509
00:14:04,600 → 00:14:07,750 songs. There's a difference here. You
00:14:07,760 → 00:14:09,949 remember the
00:14:09,959 → 00:14:13,269 hilaria. You remember what is the hiller
00:14:13,279 → 00:14:15,870 road? It is
00:14:15,880 → 00:14:18,910 that person who is able to
00:14:18,920 → 00:14:24,509 capture that pleasing
Section 37: 00:14:30,430 – 00:15:08,949
00:14:30,430 → 00:14:30,440 graciousness in the form of a a vocal
00:14:30,440 → 00:14:33,509 accompaniment to the liar. Not the liar
00:14:33,519 → 00:14:36,550 accompanying the voice. The voice
00:14:36,560 → 00:14:38,710 accompanying the liar. And they make
00:14:38,720 → 00:14:41,189 that distinction. They make that
00:14:41,199 → 00:14:44,069 distinction very clearly. Next one. They
00:14:44,079 → 00:14:46,069 make it. It's like a big deal. I don't
00:14:46,079 → 00:14:49,230 know. Maybe some of you musicians out
00:14:49,240 → 00:14:51,430 there will understand that. Remember,
00:14:51,440 → 00:14:55,430 we're talking about the I am. This is
00:14:55,440 → 00:14:57,990 Yambos. And what is it? It's that
00:14:58,000 → 00:14:59,389 metrical
00:14:59,399 → 00:15:03,750 foot, right? Watch. I amic verse amic
00:15:03,760 → 00:15:05,509 porn. That's great. They talk about
00:15:05,519 → 00:15:08,949 kicus. Beautiful helenistic Greek,
Section 38: 00:15:08,959 – 00:15:46,440
00:15:08,959 → 00:15:11,670 right? Genius people, right? This is
00:15:11,680 → 00:15:15,389 when the language is really flourishing.
00:15:15,399 → 00:15:17,790 Lampoon,
00:15:17,800 → 00:15:19,550 lampoon,
00:15:19,560 → 00:15:22,230 lampoon. That is what I am doing with my
00:15:22,240 → 00:15:24,069 I am. That's why the bottom line you'll
00:15:24,079 → 00:15:26,550 see the dithy ram in Greek and the
00:15:26,560 → 00:15:28,350 thriumbos. What is
00:15:28,360 → 00:15:32,910 thrimbos? That is the name of
00:15:32,920 → 00:15:35,949 dionis. Okay. They do not
00:15:35,959 → 00:15:39,350 know what the etmology. I've seen
00:15:39,360 → 00:15:41,910 guesses and they guessed in antiquity,
00:15:41,920 → 00:15:44,310 right? They guessed in antiquity. But
00:15:44,320 → 00:15:46,440 like the word
Section 39: 00:15:46,450 – 00:15:47,949
00:15:46,450 → 00:15:47,949 [Music]
Section 40: 00:15:47,959 – 00:16:02,749
00:15:47,959 → 00:15:51,269 syibble, this one's kind of This one's
00:15:51,279 → 00:15:54,389 kind of murky. It comes from a past that
00:15:54,399 → 00:15:58,990 is buried deep deep several thousand
00:15:59,000 → 00:16:02,749 years before
Section 41: 00:16:02,759 – 00:16:45,550
00:16:02,759 → 00:16:06,310 Jesus. Okay, fantastic. Give me the next
00:16:06,320 → 00:16:09,189 one. Okay. So, I I told you I was going
00:16:09,199 → 00:16:12,150 to What's a magode? Right. What the What
00:16:12,160 → 00:16:16,550 the hell is a magode? Right. Remember
00:16:16,560 → 00:16:18,509 tragedy? What is
00:16:18,519 → 00:16:22,150 maggody? Right. Comedy, right? Do you
00:16:22,160 → 00:16:24,550 see what's going on here? Ancient Greek
00:16:24,560 → 00:16:29,150 is the language that's unique because it
00:16:29,160 → 00:16:32,269 facilitates the creation of
00:16:32,279 → 00:16:36,389 novelty. It works with the brain. It
00:16:36,399 → 00:16:38,550 doesn't set itself as a template, but it
00:16:38,560 → 00:16:41,230 gives you tools to build from your
00:16:41,240 → 00:16:45,550 observations. That is a superior
Section 42: 00:16:45,560 – 00:17:08,829
00:16:45,560 → 00:16:48,189 mistress. What is the
00:16:48,199 → 00:16:51,949 magodia? It's a rude
00:16:51,959 → 00:16:54,310 pantomime. Wait a minute. This is part
00:16:54,320 → 00:16:56,230 of the religion, right? When I go to
00:16:56,240 → 00:16:59,430 church, I I don't see any Make me small.
00:16:59,440 → 00:17:03,430 I don't see any rude pantomimes. I don't
00:17:03,440 → 00:17:05,549 see any rude pantoimes,
00:17:05,559 → 00:17:08,829 people.
Section 43: 00:17:11,750 – 00:17:43,350
00:17:11,750 → 00:17:11,760 Right. Well, it's not very descriptive
00:17:11,760 → 00:17:13,990 either cuz something that you think is
00:17:14,000 → 00:17:16,309 rude, I may not think is so rude. And
00:17:16,319 → 00:17:18,710 you know what I mean? Vice versa call
00:17:18,720 → 00:17:21,429 it. So here's what I want you to do. I
00:17:21,439 → 00:17:25,429 want you to imagine what do these saters
00:17:25,439 → 00:17:27,150 who have
00:17:27,160 → 00:17:31,230 satiasis which is a condition of
00:17:31,240 → 00:17:33,590 priopism. What do they do in their
00:17:33,600 → 00:17:36,990 dances? Do you want to see the naked
00:17:37,000 → 00:17:39,029 dances? Do you want to see them? Of
00:17:39,039 → 00:17:40,950 course you do. They're in the they're in
00:17:40,960 → 00:17:43,350 the text people. I'm going to bring them
Section 44: 00:17:43,360 – 00:18:15,630
00:17:43,360 → 00:17:45,190 going to bring them to you. Love it.
00:17:45,200 → 00:17:46,950 Ready? Bakik. It's going to get really
00:17:46,960 → 00:17:48,230 bak. I'm telling you. You're going to
00:17:48,240 → 00:17:50,390 say I didn't know what bak was. Give me
00:17:50,400 → 00:17:51,870 the next
00:17:51,880 → 00:17:54,110 one. That
00:17:54,120 → 00:17:59,029 magia is part of the kos. What is that?
00:17:59,039 → 00:18:00,909 It's the revel, the
00:18:00,919 → 00:18:03,990 corous. Have you ever been reveling when
00:18:04,000 → 00:18:07,350 you go to church? Do you see pantomime?
00:18:07,360 → 00:18:10,110 That's dirty. And do you
00:18:10,120 → 00:18:15,630 revel? No, you don't. But Jesus
Section 45: 00:18:20,070 – 00:18:34,750
00:18:20,070 → 00:18:20,080 did. Yes. And we're going to clean this
00:18:20,080 → 00:18:23,270 activity up. We're going to take it out
00:18:23,280 → 00:18:26,630 of society. We're going to keep our
00:18:26,640 → 00:18:30,710 beloved faithful from it. Or my name
00:18:30,720 → 00:18:34,750 isn't Paul, the venom immune
Section 46: 00:18:34,760 – 00:18:55,710
00:18:34,760 → 00:18:39,190 apostle who goes to the sixth seventh
00:18:39,200 → 00:18:42,230 heavens and fights the visions. Whether
00:18:42,240 → 00:18:45,110 they're in flesh or spirit, I don't
00:18:45,120 → 00:18:46,350 know.
00:18:48,039 → 00:18:55,710 god. Again. Son of a [\h__\h] Stupid
Section 47: 00:19:01,230 – 00:19:17,830
00:19:01,230 → 00:19:01,240 apostle. Sometimes I swear I can see the
00:19:01,240 → 00:19:06,270 dirt of Paul's ass cheeks on my whip. I
00:19:06,280 → 00:19:08,990 swear. Take a bath,
00:19:09,000 → 00:19:10,510 dude.
00:19:10,520 → 00:19:17,830 Seriously. Give me the next one.
Section 48: 00:19:21,789 – 00:19:48,549
00:19:21,789 → 00:19:21,799 The commos the revel
00:19:21,799 → 00:19:24,029 um look at the
00:19:24,039 → 00:19:28,470 bottom the ode. So can be the act of the
00:19:28,480 → 00:19:34,590 revalry the corral or can be a band of
00:19:34,600 → 00:19:38,430 revelers or it can be the
00:19:38,440 → 00:19:42,070 song that they are singing. And if you
00:19:42,080 → 00:19:43,630 think these
00:19:43,640 → 00:19:48,549 revelers are not keeping the rhythm,
Section 49: 00:19:48,559 – 00:20:24,510
00:19:48,559 → 00:19:50,430 then you're an
00:19:50,440 → 00:19:53,470 idiot. This is the
00:19:53,480 → 00:19:57,750 mystery. Oh god. Right. And the people
00:19:57,760 → 00:20:00,470 sit around writing academic papers. All
00:20:00,480 → 00:20:01,950 of you naughty
00:20:01,960 → 00:20:05,110 academics from all the naughty academic
00:20:05,120 → 00:20:08,270 places with their in money
00:20:08,280 → 00:20:12,430 piles. Don't you love it? You rich
00:20:12,440 → 00:20:14,710 morons. You write your papers and
00:20:14,720 → 00:20:17,630 they're [\h__\h] useless. They're
00:20:17,640 → 00:20:22,669 useless. Your academia stinks of
00:20:22,679 → 00:20:24,510 armpits,
Section 50: 00:20:24,520 – 00:20:46,990
00:20:24,520 → 00:20:28,350 crotches, sweaty undergarments of
00:20:28,360 → 00:20:32,710 monks. Oh god. Curse upon it all. Right.
00:20:32,720 → 00:20:34,789 It's ineffectual. The very fact that you
00:20:34,799 → 00:20:37,270 don't even know what classical philology
00:20:37,280 → 00:20:40,270 is before you came in here, that is a
00:20:40,280 → 00:20:44,470 testimony to the [\h__\h] that is Harvard,
00:20:44,480 → 00:20:46,990 Princeton, Yale
Section 51: 00:20:47,000 – 00:21:16,909
00:20:47,000 → 00:20:49,710 classics. That is a
00:20:49,720 → 00:20:52,070 testimony. It's a testimony that I can
00:20:52,080 → 00:20:55,110 travel and that I can go see people and
00:20:55,120 → 00:20:57,350 they can have their eyes open to a new
00:20:57,360 → 00:21:00,789 world because you idiot academics were
00:21:00,799 → 00:21:03,510 trying to prostitute this stuff.
00:21:03,520 → 00:21:05,990 You were keeping it from the people. Do
00:21:06,000 → 00:21:08,149 you know what happens to academics in
00:21:08,159 → 00:21:09,310 the
00:21:09,320 → 00:21:12,909 underworld? Yeah. Let me just say one
00:21:12,919 → 00:21:16,909 thing.
Section 52: 00:21:20,149 – 00:21:54,110
00:21:20,149 → 00:21:20,159 Lubricant. Love it. Hail Satan. You know
00:21:20,159 → 00:21:21,990 what I mean? Everybody give me some Hail
00:21:22,000 → 00:21:26,029 Satans people, right? We want want
00:21:26,039 → 00:21:29,029 justice. We want nemesis. Baby, you
00:21:29,039 → 00:21:33,669 cannot be you cannot be one of these
00:21:33,679 → 00:21:37,750 revelers without nemesis. Oh god, give
00:21:37,760 → 00:21:40,510 me Oh, you giving some hail s hail Satan
00:21:40,520 → 00:21:44,390 everybody. Right. Right. Laugh it. Laugh
00:21:44,400 → 00:21:47,990 it for anybody who's new. Right. Hail
00:21:48,000 → 00:21:50,870 Satan. Right. Thank you for coming. And
00:21:50,880 → 00:21:54,110 hail Satan. Fantastic.
Section 53: 00:21:54,120 – 00:22:25,310
00:21:54,120 → 00:21:56,390 Fantastic. There's a lot There's a lot
00:21:56,400 → 00:21:58,630 of Hail Satans. Look how how sane do we
00:21:58,640 → 00:22:02,070 need? Look at the logic and the reason
00:22:02,080 → 00:22:06,470 that Satan gives us. Oh God, isn't it
00:22:06,480 → 00:22:10,149 gorgeous? Love it. Love it, people. Who
00:22:10,159 → 00:22:13,590 works these? Who gives this to you? I
00:22:13,600 → 00:22:17,270 give it to you. Satan gives it to you.
00:22:17,280 → 00:22:20,390 Oh God, it's all co-mingled. Isn't it
00:22:20,400 → 00:22:22,149 beautiful? Life is beautiful, man. Give
00:22:22,159 → 00:22:25,310 me the next one.
Section 54: 00:22:32,909 – 00:23:00,590
00:22:32,909 → 00:22:32,919 People I want you to think
00:22:32,919 → 00:22:35,710 magodia. What is
00:22:35,720 → 00:22:38,789 magodia? Well, it's from this word word
00:22:38,799 → 00:22:41,909 magus, right? Here's just the the m root
00:22:41,919 → 00:22:45,350 which is really just mu gamma, right?
00:22:45,360 → 00:22:46,830 That
00:22:46,840 → 00:22:51,110 maroot comes from principally the group
00:22:51,120 → 00:22:55,390 of people who followed the
00:22:55,400 → 00:23:00,590 meda. That's with the
Section 55: 00:23:03,830 – 00:23:19,990
00:23:03,830 → 00:23:03,840 daama. It's with the daikama. By the
00:23:03,840 → 00:23:06,630 way, before I forget, I'll be talk I'll
00:23:06,640 → 00:23:11,029 be doing on Friday a Lady Babylon uh
00:23:11,039 → 00:23:14,470 edition with from now on every Friday
00:23:14,480 → 00:23:19,990 with uh the ending being ammonu. What
Section 56: 00:23:20,000 – 00:23:55,110
00:23:20,000 → 00:23:22,270 I'll do is I will continue to
00:23:22,280 → 00:23:25,190 progress through the text with you. for
00:23:25,200 → 00:23:26,630 anybody who's interested in the
00:23:26,640 → 00:23:29,110 intensive course and making it through
00:23:29,120 → 00:23:32,149 and maybe not this Friday, we'll have in
00:23:32,159 → 00:23:34,149 the future more people who have been
00:23:34,159 → 00:23:35,669 through the intensive course and are
00:23:35,679 → 00:23:38,630 reading now right at that introductory
00:23:38,640 → 00:23:43,190 reading level right oh god it's gorgeous
00:23:43,200 → 00:23:47,029 so we will continue almond you almond
00:23:47,039 → 00:23:50,630 you will be back right fantastic my
00:23:50,640 → 00:23:53,029 reading class I want you I'm not going
00:23:53,039 → 00:23:55,110 to be it's going to take me a few more
Section 57: 00:23:55,120 – 00:24:46,230
00:23:55,120 → 00:23:57,029 weeks to do what I need to do. My
00:23:57,039 → 00:23:58,789 reading class, I want you to start
00:23:58,799 → 00:24:00,830 looking at home
00:24:00,840 → 00:24:02,430 grammarss.
00:24:02,440 → 00:24:05,430 Homemeric grammarss. You how do you
00:24:05,440 → 00:24:09,029 learn ancient Greek? Somebody says, some
00:24:09,039 → 00:24:10,870 fool will say, "Oh, you just live today
00:24:10,880 → 00:24:13,710 in modern Greece and walk around." Oh,
00:24:13,720 → 00:24:17,750 God, it's so amazing. No, you learn the
00:24:17,760 → 00:24:20,310 same way that they learned in antiquity.
00:24:20,320 → 00:24:22,230 How did they learn? How did the Greeks
00:24:22,240 → 00:24:24,710 learn ancient Greek? How did they learn
00:24:24,720 → 00:24:28,350 it? They learned it by studying
00:24:28,360 → 00:24:35,230 Homer, the grammar, syntax, right? The
00:24:35,240 → 00:24:37,310 lexicon of
00:24:37,320 → 00:24:41,990 homeic words and how they develop and
00:24:42,000 → 00:24:46,230 odd forms are forms, right? Read that
Section 58: 00:24:46,240 – 00:25:13,149
00:24:46,240 → 00:24:51,269 people. Read it. uh and um start reading
00:24:51,279 → 00:24:54,430 some Homer because we need to get you
00:24:54,440 → 00:24:56,950 into Can I tell you this, Satanic
00:24:56,960 → 00:25:00,269 Congregation, just by
00:25:00,279 → 00:25:02,669 reading Greek
00:25:02,679 → 00:25:05,310 grammar, you will
00:25:05,320 → 00:25:07,149 expand your
00:25:07,159 → 00:25:09,549 brain. You expand your brain
00:25:09,559 → 00:25:13,149 connections, stuff happens,
Section 59: 00:25:13,159 – 00:26:00,669
00:25:13,159 → 00:25:16,990 right? Right. Okay. And don't worry, we
00:25:17,000 → 00:25:21,269 all we all come at it as modern idiots.
00:25:21,279 → 00:25:24,070 All right. All right. Fantastic.
00:25:24,080 → 00:25:26,549 Fantastic. Right. There's a reason they
00:25:26,559 → 00:25:29,430 say it's Greek to me. Right. There's a
00:25:29,440 → 00:25:30,789 reason they don't say, "Oh, it's Italian
00:25:30,799 → 00:25:33,590 to me." Because Italian is a modern
00:25:33,600 → 00:25:39,909 language that is not even a 50th of the
00:25:39,919 → 00:25:43,590 complexity of ancient Greek. And modern
00:25:43,600 → 00:25:47,269 Italian is not a word, is not a language
00:25:47,279 → 00:25:51,110 where we go around coining words on the
00:25:51,120 → 00:25:54,630 regular in order to describe our
00:25:54,640 → 00:25:57,870 surroundings and interactions with
00:25:57,880 → 00:26:00,669 others. It's got a set
Section 60: 00:26:00,679 – 00:26:29,350
00:26:00,679 → 00:26:02,789 lexicon. There's a phenomenon, a
00:26:02,799 → 00:26:05,870 linguistic phenomenon, people. There are
00:26:05,880 → 00:26:09,390 languages whose
00:26:09,400 → 00:26:13,390 lexica are set in
00:26:13,400 → 00:26:16,430 concrete. And there is one language in
00:26:16,440 → 00:26:20,750 history whose lexicon was
00:26:20,760 → 00:26:22,830 continuously
00:26:22,840 → 00:26:24,430 forever
00:26:24,440 → 00:26:29,350 purposefully expanding.
Section 61: 00:26:32,710 – 00:26:58,230
00:26:32,710 → 00:26:32,720 Hopox lega are not words that only
00:26:32,720 → 00:26:34,390 appear once because we only happen to
00:26:34,400 → 00:26:37,190 have one record of them. They're the
00:26:37,200 → 00:26:39,310 author's own
00:26:39,320 → 00:26:42,549 creations with the language and every
00:26:42,559 → 00:26:44,549 author has a fingerprint. Now you and I
00:26:44,559 → 00:26:46,549 are sitting around. We don't do this but
00:26:46,559 → 00:26:49,669 imagine if we did under the training of
00:26:49,679 → 00:26:51,470 this
00:26:51,480 → 00:26:55,830 language reach out and start forming our
00:26:55,840 → 00:26:58,230 own vocabulary.
Section 62: 00:26:58,240 – 00:27:11,549
00:26:58,240 → 00:27:00,269 Look at the look at the people around
00:27:00,279 → 00:27:03,029 you. Look at the person on your left and
00:27:03,039 → 00:27:05,190 on your right. And if you don't have
00:27:05,200 → 00:27:06,470 somebody on your left and your right, go
00:27:06,480 → 00:27:09,190 to your bathroom and look in the mirror
00:27:09,200 → 00:27:11,549 and ask
Section 63: 00:27:11,559 – 00:27:17,710
00:27:11,559 → 00:27:17,710 yourself, do I use a language that
Section 64: 00:27:21,830 – 00:28:05,230
00:27:21,830 → 00:27:21,840 creates? And the answer is no.
00:27:21,840 → 00:27:22,909 The
00:27:22,919 → 00:27:24,990 renaissance will
00:27:25,000 → 00:27:29,710 come with the tech of the
00:27:29,720 → 00:27:34,950 language. Oh god. Oh god. Give it to me.
00:27:34,960 → 00:27:38,750 This stuff is so
00:27:38,760 → 00:27:42,149 intelleeric. My god. That's the magi.
00:27:42,159 → 00:27:44,230 Good. Give me the next one. People don't
00:27:44,240 → 00:27:45,909 forget media. Right. Because this is all
00:27:45,919 → 00:27:48,710 at the heart. Even the modia. Yes.
00:27:48,720 → 00:27:51,669 Right. Oh god. Give me the next one
00:27:51,679 → 00:27:54,070 please. Oh, there is by the way lovely
00:27:54,080 → 00:27:57,110 mats tonight, Chewy. Lovely mats. Each
00:27:57,120 → 00:27:59,870 one people, each of these mats is an
00:27:59,880 → 00:28:01,470 intention
00:28:01,480 → 00:28:05,230 right behind it is an entire
Section 65: 00:28:05,240 – 00:28:31,490
00:28:05,240 → 00:28:08,310 universe. Aristocinus the musician says
00:28:08,320 → 00:28:10,750 look there are all sorts of foreign
00:28:10,760 → 00:28:14,789 instruments right that are our liar.
00:28:14,799 → 00:28:16,710 And then he goes on to name eight of
00:28:16,720 → 00:28:23,870 them, right? Fornicas,
00:28:28,190 → 00:28:28,200 right? Sambukas
00:28:28,200 → 00:28:31,490 triaus. You're the I am in that one. I
Section 66: 00:28:31,500 – 00:28:32,909
00:28:31,500 → 00:28:32,909 [Music]
Section 67: 00:28:32,919 – 00:28:58,389
00:28:32,919 → 00:28:36,870 am dapsus and the everybody's favorite,
00:28:36,880 → 00:28:38,190 the
00:28:38,200 → 00:28:42,950 iniaon, the nine stringer, right? These
00:28:42,960 → 00:28:44,310 are all Wait a minute. Wait a minute.
00:28:44,320 → 00:28:45,830 Wait a minute. Wait a minute. These are
00:28:45,840 → 00:28:48,950 all guitars. Yep. They're all guitars
00:28:48,960 → 00:28:52,830 produced by um Aristo Aristocinus says
00:28:52,840 → 00:28:58,389 by cultures outside of those that speak
Section 68: 00:28:58,399 – 00:29:16,909
00:28:58,399 → 00:28:59,470 the
00:28:59,480 → 00:29:00,990 Greek.
00:29:01,000 → 00:29:04,549 Okay. They're not using the liar.
00:29:04,559 → 00:29:07,029 They're using derivations of it. You
00:29:07,039 → 00:29:09,510 know why we hit that seven string liar
00:29:09,520 → 00:29:12,870 and perfection was set in motion and
00:29:12,880 → 00:29:16,909 creation of democracy was
Section 69: 00:29:20,029 – 00:29:49,230
00:29:20,029 → 00:29:20,039 possible. Yeah. Cuz we found the
00:29:20,039 → 00:29:22,389 harmony. We found the harmony. Now let
00:29:22,399 → 00:29:24,549 me show you some of the instruments that
00:29:24,559 → 00:29:27,190 led us in that direction. Give me the
00:29:27,200 → 00:29:28,870 next slide. Look at some of these
00:29:28,880 → 00:29:30,630 people. You're not going to know. You're
00:29:30,640 → 00:29:31,990 not going to know these, right? What is
00:29:32,000 → 00:29:34,870 the forex? Well, you thought the Fenix
00:29:34,880 → 00:29:38,630 was a just a Phoenician, right? Cadmas,
00:29:38,640 → 00:29:41,909 where does the purple come from? And
00:29:41,919 → 00:29:43,830 it's burning. It's not the burn. It's
00:29:43,840 → 00:29:45,750 burning. These people are terrible. They
00:29:45,760 → 00:29:49,230 don't know the use of voice even. It's
Section 70: 00:29:49,240 – 00:30:29,669
00:29:49,240 → 00:29:53,590 amazing. It's amazing. It's absolutely
00:29:53,600 → 00:29:56,950 amazing. You're a joke. You're a joke.
00:29:56,960 → 00:29:58,710 You get in the ring with a master and
00:29:58,720 → 00:30:01,430 you look like a fool. You look like a
00:30:01,440 → 00:30:05,029 fool. What is that Phoenician? Right.
00:30:05,039 → 00:30:07,230 Well, look at number two. It's that
00:30:07,240 → 00:30:09,990 purple. Right. If it's not the dude or
00:30:10,000 → 00:30:12,710 dude that's standing there, it can be
00:30:12,720 → 00:30:16,510 the thing that they are most known
00:30:16,520 → 00:30:20,269 for. And that is the
00:30:20,279 → 00:30:23,549 trade, the production and trade of the
00:30:23,559 → 00:30:26,310 purple, right? The Trinians are going to
00:30:26,320 → 00:30:29,669 get involved in this and the Greeks are
Section 71: 00:30:29,679 – 00:31:12,950
00:30:29,679 → 00:30:32,149 going to have to descend upon them and
00:30:32,159 → 00:30:34,990 make things
00:30:35,000 → 00:30:37,830 right. You don't even you don't even
00:30:37,840 → 00:30:39,430 know these sources. Give me the next
00:30:39,440 → 00:30:41,549 one. What else is
00:30:41,559 → 00:30:45,029 that? Check it out people. Right. What
00:30:45,039 → 00:30:48,310 else is that? It's a musical instrument.
00:30:48,320 → 00:30:51,110 They say like a guitar invented by the
00:30:51,120 → 00:30:54,230 Phoenetians but so-called because it's
00:30:54,240 → 00:30:58,549 made from the Dian palm. Wait a minute.
00:30:58,559 → 00:31:01,870 So-called because it's made from a Greek
00:31:01,880 → 00:31:06,149 palm. What the people get your See, this
00:31:06,159 → 00:31:08,149 is why we need people like Aristos and
00:31:08,159 → 00:31:10,549 us to get us to get us going. I want to
00:31:10,559 → 00:31:12,950 make one statement that's going to shock
Section 72: 00:31:12,960 – 00:31:32,029
00:31:12,960 → 00:31:15,750 and surprise people. It was the language
00:31:15,760 → 00:31:19,750 of ancient Greek that gave us the power
00:31:19,760 → 00:31:22,389 of the stringed instrument. I want to
00:31:22,399 → 00:31:24,710 say that one more time. It was the
00:31:24,720 → 00:31:27,510 language of ancient Greek that gave us
00:31:27,520 → 00:31:28,510 the
00:31:28,520 → 00:31:32,029 power of the stringed
Section 73: 00:31:32,039 – 00:32:04,830
00:31:32,039 → 00:31:35,830 instrument. These forms of stringed
00:31:35,840 → 00:31:38,430 instruments that you see
00:31:38,440 → 00:31:40,509 emerging in the
00:31:40,519 → 00:31:44,830 Mediterranean, right? You see them
00:31:44,840 → 00:31:46,909 accompany the
00:31:46,919 → 00:31:51,990 surge of the poetry that is deathy ram.
00:31:52,000 → 00:31:55,190 That is the purification of society
00:31:55,200 → 00:31:57,350 through the stage and the possession of
00:31:57,360 → 00:31:58,509 the
00:31:58,519 → 00:32:04,830 god the Christ
Section 74: 00:32:08,789 – 00:32:41,710
00:32:08,789 → 00:32:08,799 himself. Okay, give me the next one. My
00:32:08,799 → 00:32:11,909 god, man. Right. It's we haven't seen
00:32:11,919 → 00:32:14,549 bakic worship. We haven't seen Christian
00:32:14,559 → 00:32:17,149 worship. We haven't seen Jewish worship
00:32:17,159 → 00:32:21,269 either. Judeian to be most precise. What
00:32:21,279 → 00:32:24,470 is a pakis? A stringed instrument. Who
00:32:24,480 → 00:32:25,990 is this one used by? It's used by the
00:32:26,000 → 00:32:28,070 Lydians. But I want you to notice he
00:32:28,080 → 00:32:31,990 quotes Sappo along with others, right?
00:32:32,000 → 00:32:34,350 But Sappo and why is
00:32:34,360 → 00:32:37,389 that? Said to have been introduced from
00:32:37,399 → 00:32:41,710 Lydia, right? by
Section 75: 00:32:45,430 – 00:33:24,750
00:32:45,430 → 00:32:45,440 Safo and that's our that's our liar
00:32:45,440 → 00:32:48,269 that's our guitar right
00:32:48,279 → 00:32:53,350 or right oh wonderful wonderful and who
00:32:53,360 → 00:32:56,070 okay so wait a minute who by this time
00:32:56,080 → 00:32:58,310 who do we know as Aristoinus is writing
00:32:58,320 → 00:33:02,269 we have a whole a whole list of famous
00:33:02,279 → 00:33:04,789 guitarists but you may not have known
00:33:04,799 → 00:33:08,830 that Sappo was at the top of that
00:33:08,840 → 00:33:11,830 list. You didn't know that, did you? No,
00:33:11,840 → 00:33:14,230 you didn't. You didn't. And you didn't
00:33:14,240 → 00:33:17,710 know Sappa with all her Amazonian
00:33:17,720 → 00:33:20,470 influences, cultural Amazonian cultural
00:33:20,480 → 00:33:21,990 influences. Why do you think she had a
00:33:22,000 → 00:33:24,750 college of
Section 76: 00:33:27,269 – 00:34:09,030
00:33:27,269 → 00:33:27,279 women? You say there was a college of
00:33:27,279 → 00:33:30,990 women in antiquity? Yeah, it was in
00:33:31,000 → 00:33:34,149 Jerusalem. No, it wasn't. Yeah, it was
00:33:34,159 → 00:33:36,470 over in Percepil.
00:33:36,480 → 00:33:38,230 No, it wasn't there either. I'm just
00:33:38,240 → 00:33:40,430 kidding. Samaria.
00:33:40,440 → 00:33:44,310 No. Was it in Maybe the Canaanites got
00:33:44,320 → 00:33:46,389 there. What about the Hittites? They
00:33:46,399 → 00:33:49,549 talk. You can search all you
00:33:49,559 → 00:33:53,230 want, but if you want to see the his the
00:33:53,240 → 00:33:56,630 historical woman teaching woman in a
00:33:56,640 → 00:34:00,750 college and she is the mistress of the
00:34:00,760 → 00:34:04,549 guitar and the song, oh, they called her
00:34:04,559 → 00:34:09,030 the 10th muse. This is at a time when
Section 77: 00:34:09,040 – 00:34:22,109
00:34:09,040 → 00:34:11,990 backwater is backwater. What is
00:34:12,000 → 00:34:15,510 backwater? It's those places that don't
00:34:15,520 → 00:34:17,629 speak
00:34:17,639 → 00:34:22,109 Greek. Think about this for a minute,
Section 78: 00:34:23,629 – 00:34:37,790
00:34:23,629 → 00:34:23,639 people.
00:34:23,639 → 00:34:26,950 Backwater. No libraries, no literature,
00:34:27,960 → 00:34:30,430 education, no
00:34:30,440 → 00:34:37,790 safo, no
Section 79: 00:34:41,069 – 00:35:08,310
00:34:41,069 → 00:34:41,079 Greek. You've believed the
00:34:41,079 → 00:34:44,710 lie. I set you free. Give it to me. Give
00:34:44,720 → 00:34:46,589 me the next
00:34:46,599 → 00:34:50,149 one. What's this one? Oh, here's the
00:34:50,159 → 00:34:52,310 liar. I just wanted you to see the liar
00:34:52,320 → 00:34:56,310 right. Oh god. What is that? Oh, since
00:34:56,320 → 00:34:58,470 the jar was accompanied by the flute,
00:34:58,480 → 00:35:00,109 ride
00:35:00,119 → 00:35:04,069 tone on. What is the flon? It's another
00:35:04,079 → 00:35:08,310 one of these musical operations.
Section 80: 00:35:08,320 – 00:35:45,910
00:35:08,320 → 00:35:11,470 Do we have mourning in the rights of
00:35:11,480 → 00:35:14,109 Bacus? Damn
00:35:14,119 → 00:35:17,790 straight. Give it to me. Next
00:35:17,800 → 00:35:21,950 one. Boom. Now, let's make with the
00:35:21,960 → 00:35:24,470 Greek. Are you ready? Here's one of
00:35:24,480 → 00:35:27,990 those words that only appears in Nonas.
00:35:28,000 → 00:35:30,790 He likes to create this kind of stuff,
00:35:30,800 → 00:35:33,670 right? He's a very good if you take all
00:35:33,680 → 00:35:35,910 of these ancient authors and you just
00:35:35,920 → 00:35:38,550 look at the number of hophox leoma that
00:35:38,560 → 00:35:41,510 they have words that appear once only in
00:35:41,520 → 00:35:43,910 them and you compare them. Some authors
00:35:43,920 → 00:35:45,910 have a whole scad. Some of them have
Section 81: 00:35:45,920 – 00:35:56,589
00:35:45,920 → 00:35:49,750 just a few. Right? You can see their
00:35:49,760 → 00:35:51,910 level of progression. You can see their
00:35:51,920 → 00:35:56,589 level of
Section 82: 00:35:58,510 – 00:36:02,829
00:35:58,510 → 00:35:58,520 intellectual
00:35:58,520 → 00:36:02,829 brutality. Intellectual
Section 83: 00:36:05,510 – 00:36:42,470
00:36:05,510 → 00:36:05,520 brutality by the complexity of the words
00:36:05,520 → 00:36:08,150 that they're pulling out of the air and
00:36:08,160 → 00:36:10,230 using on people. What is this one?
00:36:10,240 → 00:36:14,550 Clapsy nos. What is a clapsy noo? Well,
00:36:14,560 → 00:36:20,190 no is a mind and claps. A claps is a
00:36:20,200 → 00:36:23,630 thief, right? It comes from
00:36:23,640 → 00:36:27,109 klepto klepsy nos is a some kind of
00:36:27,119 → 00:36:29,510 thieving of your mind. Now, think about
00:36:29,520 → 00:36:32,230 this. Nonus had to sit sit around and
00:36:32,240 → 00:36:33,589 figure this thing out, right? He's
00:36:33,599 → 00:36:35,430 writing his writing his work. He's
00:36:35,440 → 00:36:37,270 trying to describe something. He's
00:36:37,280 → 00:36:39,589 trying to describe a state where the
00:36:39,599 → 00:36:42,470 mind has been perplexed. It's been
Section 84: 00:36:42,480 – 00:37:12,430
00:36:42,480 → 00:36:45,550 intentionally fooled. It's been
00:36:45,560 → 00:36:48,349 beguiled.
00:36:48,359 → 00:36:51,349 Klepos. Okay. So remember that next time
00:36:51,359 → 00:36:52,710 you have it. You don't have an English
00:36:52,720 → 00:36:55,510 term and you know but okay give me the
00:36:55,520 → 00:36:57,670 next one. Here's another one. Now look
00:36:57,680 → 00:36:59,910 people just keep building. Okay. If I
00:36:59,920 → 00:37:01,510 know that's how these roots work, how
00:37:01,520 → 00:37:03,829 about I use the Kleps again? And what's
00:37:03,839 → 00:37:06,510 the EOTA doing there? It's just a
00:37:06,520 → 00:37:12,430 buffer, right? You can't go
Section 85: 00:37:14,870 – 00:37:55,829
00:37:14,870 → 00:37:14,880 between, right? So they put a vowel
00:37:14,880 → 00:37:17,470 there.
00:37:17,480 → 00:37:21,990 Cleamos clamos. It's that hidden gamos.
00:37:22,000 → 00:37:24,550 And what is that gamos? You know the
00:37:24,560 → 00:37:28,270 thing that the act that makes
00:37:28,280 → 00:37:32,550 gameamtes, right? Seeking illicit love.
00:37:32,560 → 00:37:35,589 Look who's making it up again. Do you
00:37:35,599 → 00:37:37,750 see what he's doing? He likes to use
00:37:37,760 → 00:37:40,710 these roots, right? He likes to use the
00:37:40,720 → 00:37:43,510 whole concept. Well, there happens to be
00:37:43,520 → 00:37:45,430 the name of an instrument that's doing
00:37:45,440 → 00:37:48,630 the same thing. Some guitarist came
00:37:48,640 → 00:37:52,069 along and said, "Oh god, I need a term
00:37:52,079 → 00:37:54,150 for this." Boom.
00:37:54,160 → 00:37:55,829 He created, can you imagine that?
Section 86: 00:37:55,839 – 00:38:36,069
00:37:55,839 → 00:37:59,430 Creating a guitar that's not a guitar
00:37:59,440 → 00:38:03,589 and naming it, right? You're creating a
00:38:03,599 → 00:38:05,109 stringed instrument. Have you ever
00:38:05,119 → 00:38:07,310 created a stringed instrument and named
00:38:07,320 → 00:38:09,670 it? No. Number one, you couldn't name
00:38:09,680 → 00:38:12,550 it. Number two, you know, why would you
00:38:12,560 → 00:38:14,390 create it? Just like words, we don't
00:38:14,400 → 00:38:16,550 create new words in English, nor do you
00:38:16,560 → 00:38:18,510 in any other frigin modern
00:38:18,520 → 00:38:22,150 language. You don't create novelty on a
00:38:22,160 → 00:38:26,230 daily basis as per our conversations.
00:38:26,240 → 00:38:30,030 I don't see anybody pulling out words,
00:38:30,040 → 00:38:31,790 right?
00:38:31,800 → 00:38:36,069 God, this is all. Do don't you see? It's
Section 87: 00:38:36,079 – 00:39:14,870
00:38:36,079 → 00:38:39,990 the language. This the real value of the
00:38:40,000 → 00:38:43,470 human spirit is in the
00:38:43,480 → 00:38:46,030 language. Oh
00:38:46,040 → 00:38:48,550 god. Free up, right? You see what I
00:38:48,560 → 00:38:50,790 mean? Free up. Give me the So what is
00:38:50,800 → 00:38:54,790 the clapsy nom? You can do it. And
00:38:54,800 → 00:38:57,670 Lyafron does it here, right? And what do
00:38:57,680 → 00:38:59,670 they what do the translators here do?
00:38:59,680 → 00:39:01,910 These these Victorian translators, they
00:39:01,920 → 00:39:04,310 say clefos, by the way, you see the word
00:39:04,320 → 00:39:07,190 nymph there. And so you've got this
00:39:07,200 → 00:39:10,150 hidden nymph, right? This hidden
00:39:10,160 → 00:39:12,550 nymphing. What is it when you nymph,
00:39:12,560 → 00:39:14,870 right? That nymph is the one who's about
Section 88: 00:39:14,880 – 00:39:50,310
00:39:14,880 → 00:39:18,990 to engage in the union that is
00:39:19,000 → 00:39:21,750 marriage, right? And here you're doing
00:39:21,760 → 00:39:23,710 it.
00:39:23,720 → 00:39:27,470 secretly klepedum false and that's in
00:39:27,480 → 00:39:29,829 Lyafron and where would you have an
00:39:29,839 → 00:39:31,670 occasion to use this word? Oh, I don't
00:39:31,680 → 00:39:35,349 know. Let's use it of a priestess. Let's
00:39:35,359 → 00:39:38,230 use it of a priestess in Lyafron. This
00:39:38,240 → 00:39:40,550 is where the next passage should be.
00:39:40,560 → 00:39:42,069 This is where the next P you can come
00:39:42,079 → 00:39:44,150 back to that one if you want. This is
00:39:44,160 → 00:39:47,069 where people This is the English. I
00:39:47,079 → 00:39:50,310 just was lazy and pulled up the English.
Section 89: 00:39:50,320 – 00:40:40,430
00:39:50,320 → 00:39:51,710 Um this is
00:39:51,720 → 00:39:53,390 Lyafron
00:39:53,400 → 00:39:58,230 absolutely gorgeous difficult Greek very
00:39:58,240 → 00:40:00,950 culty right this is his this is his
00:40:00,960 → 00:40:03,910 Alexandra right absolutely gorgeous
00:40:03,920 → 00:40:06,390 right let's just read this together this
00:40:06,400 → 00:40:08,790 is written by a priestess by the way one
00:40:08,800 → 00:40:11,190 at the bath while he seeks for the
00:40:11,200 → 00:40:14,390 difficult exits of the mesh round about
00:40:14,400 → 00:40:17,829 his neck entangled in a net shall search
00:40:17,839 → 00:40:20,390 with blind hands wait what's going
00:40:20,400 → 00:40:22,030 She is
00:40:22,040 → 00:40:25,030 prophesying. This is that prophetess,
00:40:25,040 → 00:40:28,710 the performer between 10 and 20. That
00:40:28,720 → 00:40:31,270 second decade when they switch from the
00:40:31,280 → 00:40:32,750 training to the
00:40:32,760 → 00:40:34,670 performance. This is
00:40:34,680 → 00:40:37,790 her. And she's been taken captive by
00:40:37,800 → 00:40:40,430 this stupid
Section 90: 00:40:40,440 – 00:41:02,829
00:40:40,440 → 00:40:44,870 Greek, right? Oh, God. And what she say
00:40:44,880 → 00:40:47,109 with blind hands the French stitching
00:40:47,119 → 00:40:49,829 and diving under the hot covering of the
00:40:49,839 → 00:40:53,270 bath he shall sprinkle with his brains
00:40:53,280 → 00:40:55,750 tripod and basin. You're going to
00:40:55,760 → 00:40:58,829 sprinkle the tripod with your
00:40:58,839 → 00:41:02,829 brains. Why? Your wife, you
Section 91: 00:41:02,839 – 00:41:48,030
00:41:02,839 → 00:41:06,069 dumbass. Don't you remember who she is?
00:41:06,079 → 00:41:09,150 She's the kind
00:41:09,160 → 00:41:13,750 of What does that mean in ancient Greek?
00:41:13,760 → 00:41:17,670 the dragon priestess. Oh, if that
00:41:17,680 → 00:41:22,230 doesn't turn everybody on, right? For
00:41:22,240 → 00:41:25,670 the women who want to be her and men who
00:41:25,680 → 00:41:27,390 want to stare at
00:41:27,400 → 00:41:30,109 her in
00:41:30,119 → 00:41:32,390 wonder, right? What's she doing? She's
00:41:32,400 → 00:41:35,829 killing her husband here. You mean we
00:41:35,839 → 00:41:37,829 haven't This is Remember people, we we
00:41:37,839 → 00:41:41,030 haven't left the late Bronze Age.
00:41:41,040 → 00:41:43,030 Odysius is going around kidnapped by a
00:41:43,040 → 00:41:45,589 woman like this, right? She's holding
00:41:45,599 → 00:41:48,030 him hostage as a sex
Section 92: 00:41:48,040 – 00:42:28,630
00:41:48,040 → 00:41:51,030 slave, right? Which I suppose is, you
00:41:51,040 → 00:41:54,670 know, there could be worse fates. I
00:41:54,680 → 00:41:57,829 understand. But at the same time, right,
00:41:57,839 → 00:41:59,910 poor Odysius, all he does is spend his
00:41:59,920 → 00:42:02,309 time on the beach crying. That's why you
00:42:02,319 → 00:42:05,349 can't. Whoever does this odyssey, there
00:42:05,359 → 00:42:09,190 are too many scenes of Odysius crying on
00:42:09,200 → 00:42:12,390 a beach while being held captive as a
00:42:12,400 → 00:42:13,870 sex
00:42:13,880 → 00:42:17,670 slave. Calypso and Cersei are doing the
00:42:17,680 → 00:42:19,349 same thing to him. If they don't have
00:42:19,359 → 00:42:22,510 that Odyssey, they're stupid
00:42:22,520 → 00:42:26,069 punks. Stupid punks. They better have
00:42:26,079 → 00:42:28,630 some drugs, too. But, you know, here's
Section 93: 00:42:28,640 – 00:42:55,990
00:42:28,640 → 00:42:30,630 the problem. You've got to ask yourself
00:42:30,640 → 00:42:33,750 how much do people sell versus how much
00:42:33,760 → 00:42:36,069 do you want to get the tr you want to
00:42:36,079 → 00:42:38,309 get the accurate uh history. I want to
00:42:38,319 → 00:42:41,030 say one thing while I'm going to toot. I
00:42:41,040 → 00:42:43,750 want to say one thing. Somebody just did
00:42:44,680 → 00:42:47,470 video talking about the interview with
00:42:47,480 → 00:42:49,790 Danny and
00:42:49,800 → 00:42:55,990 Bob right Medatron. That's his his name,
Section 94: 00:42:56,000 – 00:42:59,309
00:42:56,000 → 00:42:59,309 whatever YouTube
Section 95: 00:43:02,589 – 00:43:34,349
00:43:02,589 → 00:43:02,599 name. And I thought it was
00:43:02,599 → 00:43:04,990 hilarious that he
00:43:05,000 → 00:43:08,550 assumed that Danny slapped down $5,000
00:43:08,560 → 00:43:11,230 for Bob and for
00:43:11,240 → 00:43:17,670 me. No, no, no. You see the discussion
00:43:17,680 → 00:43:20,430 debate was set
00:43:22,839 → 00:43:24,670 when
00:43:24,680 → 00:43:27,990 Bob stepped out and said I'm not going
00:43:28,000 → 00:43:29,910 to do it if it has anything to do with
00:43:29,920 → 00:43:34,349 that dude
Section 96: 00:43:37,990 – 00:43:56,510
00:43:37,990 → 00:43:38,000 Almond. This is like a week before,
00:43:38,000 → 00:43:40,390 right? I'm already scheduled to go there
00:43:40,400 → 00:43:43,190 and everything. I'm excited.
00:43:43,200 → 00:43:45,950 finally going to get a chance. Woo!
00:43:45,960 → 00:43:48,990 Fantastic. Nope, he's not going to do it
00:43:49,000 → 00:43:51,550 now. What could
00:43:51,560 → 00:43:53,309 possibly
00:43:53,319 → 00:43:56,510 move this human
Section 97: 00:43:56,520 – 00:44:28,829
00:43:56,520 → 00:43:59,470 being to do
00:43:59,480 → 00:44:01,069 this?
00:44:01,079 → 00:44:03,790 Yeah. Offer him five
00:44:03,800 → 00:44:08,069 grand. What an idea. Wasn't mine. Offer
00:44:08,079 → 00:44:11,430 him five grand. And it worked. It
00:44:11,440 → 00:44:13,030 worked.
00:44:13,800 → 00:44:17,510 worked. Do you see why we hail Satan?
00:44:17,520 → 00:44:20,230 Because we know. We're here to punish
00:44:20,240 → 00:44:23,829 you. We know your greed. And your greed
00:44:23,839 → 00:44:26,390 stains your soul with a stench of ruin.
00:44:26,400 → 00:44:28,829 Listen, Mr.
Section 98: 00:44:28,839 – 00:45:09,109
00:44:28,839 → 00:44:31,230 Medatron, the five
00:44:31,240 → 00:44:34,870 grand. Yeah. You know who that was for?
00:44:34,880 → 00:44:37,390 That was for the devil's little
00:44:37,400 → 00:44:39,630 puke. The devil's
00:44:39,640 → 00:44:43,030 puke, right? It's a test, people. It's a
00:44:43,040 → 00:44:45,589 test. That's why we at Lady Babylon
00:44:45,599 → 00:44:49,230 don't take money. It's why we don't have
00:44:49,240 → 00:44:52,230 chats, right, that have money values on.
00:44:52,240 → 00:44:54,309 Oh, look. Oh, look. Who is that? Okay,
00:44:54,319 → 00:44:55,990 here. Valerie. Here's Valerie. Hell,
00:44:56,000 → 00:44:57,910 Lady Babylon forever. Thank you,
00:44:57,920 → 00:44:59,829 Valerie. I say the same thing. Hell,
00:44:59,839 → 00:45:03,349 Lady Babylon forever. Um, now I'm not
00:45:03,359 → 00:45:06,109 asking you for any money, am I?
00:45:06,119 → 00:45:09,109 No. I'm not going to play the game. Do
Section 99: 00:45:09,119 – 00:45:39,790
00:45:09,119 → 00:45:11,270 you know what that does with everything
00:45:11,280 → 00:45:14,270 that I say? It makes it
00:45:14,280 → 00:45:17,349 legitimate. Because when you hear other
00:45:17,359 → 00:45:19,190 people on YouTube, do you know what
00:45:19,200 → 00:45:22,190 they're offering you? Something for
00:45:22,200 → 00:45:25,030 sale. Something for sale. And do you
00:45:25,040 → 00:45:27,790 know what that does to your
00:45:27,800 → 00:45:30,030 words? You know
00:45:30,040 → 00:45:32,069 what? What did you do? That was a
00:45:32,079 → 00:45:34,390 fascinum. I just stuck it in your mouth.
00:45:34,400 → 00:45:39,790 A fosulum. Oh, gag.
Section 100: 00:45:42,349 – 00:45:51,390
00:45:42,349 → 00:45:42,359 walk. That's what the cash
00:45:42,359 → 00:45:44,910 does. There is
00:45:44,920 → 00:45:48,150 purity. There is a purity in the music
00:45:48,160 → 00:45:51,390 that you cannot
Section 101: 00:45:54,109 – 00:46:41,390
00:45:54,109 → 00:45:54,119 sell. I warned
00:45:54,119 → 00:45:59,390 you. I promised you the madness would
00:45:59,400 → 00:46:03,910 come. Your greed has stained your souls
00:46:03,920 → 00:46:07,230 with a stench of ruin.
00:46:07,240 → 00:46:11,230 People see that. People see
00:46:11,240 → 00:46:15,870 that. You know, it's important. It's
00:46:15,880 → 00:46:19,109 important. Fantastic. Let's go um back
00:46:19,119 → 00:46:21,349 to this right now. Tell me what happens
00:46:21,359 → 00:46:24,630 here. And I beside the bath shall lie on
00:46:24,640 → 00:46:26,470 the ground. This is the priestess
00:46:26,480 → 00:46:30,790 shattered by the calibdic sword. For she
00:46:30,800 → 00:46:34,470 shall cleave me. This is a woman being
00:46:34,480 → 00:46:37,430 attacked by another woman who is
00:46:37,440 → 00:46:41,390 wielding a sword who just killed her
Section 102: 00:46:41,400 – 00:46:54,589
00:46:41,400 → 00:46:43,150 husband.
00:46:43,160 → 00:46:46,270 Okay, for all of
00:46:46,280 → 00:46:48,030 you
00:46:48,040 → 00:46:54,589 who quiver at the thought of the
Section 103: 00:46:56,750 – 00:47:13,390
00:46:56,750 → 00:46:56,760 matriarchy, you do
00:46:59,000 → 00:47:02,430 rightly. The priestess is being
00:47:02,440 → 00:47:05,550 sacrificed by the dragon
00:47:05,560 → 00:47:08,270 queen. And this is playing
00:47:08,280 → 00:47:13,390 out on a
Section 104: 00:47:16,510 – 00:47:50,150
00:47:16,510 → 00:47:16,520 stage via a
00:47:16,520 → 00:47:20,510 song and that song includes
00:47:20,520 → 00:47:23,430 dances. You take all the elements and
00:47:23,440 → 00:47:25,589 unify them. Do you know what they were
00:47:25,599 → 00:47:27,910 doing with their hands? Do you know what
00:47:27,920 → 00:47:30,390 they were gesturing like? Do you know
00:47:30,400 → 00:47:32,230 what else they were using to gesture?
00:47:32,240 → 00:47:33,910 Would you be surprised if I told you
00:47:33,920 → 00:47:37,470 they were using their body parts to
00:47:37,480 → 00:47:40,870 gesture? Give me the next one. Give me
00:47:40,880 → 00:47:44,390 the next one. Oh god, Chewy, the art is
00:47:44,400 → 00:47:48,470 fantastic. You can go. Yeah, you can go
00:47:48,480 → 00:47:50,150 um back to any of these pictures you
Section 105: 00:47:50,160 – 00:48:32,069
00:47:50,160 → 00:47:53,829 want. There's Okay. So uh and I beside
00:47:53,839 → 00:47:55,589 the bath shall lie on the ground
00:47:55,599 → 00:47:58,470 shattered for she shall cleave me broad
00:47:58,480 → 00:48:00,550 tendon and back even as a woodcutter
00:48:00,560 → 00:48:02,710 workman on the mountains cleaves trunk
00:48:02,720 → 00:48:05,630 of pine or stem of
00:48:05,640 → 00:48:10,309 oak and sand viper as she is will rend
00:48:10,319 → 00:48:14,069 all my cold body and blood and set her
00:48:14,079 → 00:48:17,510 foot on my neck and glut her laden soul
00:48:17,520 → 00:48:21,470 of bitter bile. That bile is a toxin,
00:48:21,480 → 00:48:24,390 right? Talking taking relentless
00:48:24,400 → 00:48:27,829 vengeance on me and evil jealousy as if
00:48:27,839 → 00:48:32,069 I were a stolen bride and not a spear
Section 106: 00:48:32,079 – 00:48:55,790
00:48:32,079 → 00:48:35,230 one prize. You see that stolen
00:48:35,240 → 00:48:38,549 bride and that's where Lyafron who's
00:48:38,559 → 00:48:41,109 long time before
00:48:41,119 → 00:48:42,430 uh known
00:48:42,440 → 00:48:46,230 us who's writing probably fifth sixth
00:48:46,240 → 00:48:47,870 somewhere in that
00:48:47,880 → 00:48:52,790 range like a fron is a good six 700
00:48:52,800 → 00:48:53,950 years
00:48:53,960 → 00:48:55,790 earlier
Section 107: 00:48:55,800 – 00:49:37,510
00:48:55,800 → 00:49:01,309 right it's coming out but they're both
00:49:01,319 → 00:49:04,670 using the same language to
00:49:04,680 → 00:49:06,430 create
00:49:06,440 → 00:49:09,030 words to identify and why is that
00:49:09,040 → 00:49:10,790 important people I should have told you
00:49:10,800 → 00:49:12,470 we're done with that one go to the next
00:49:12,480 → 00:49:14,710 why is that important that you have a
00:49:14,720 → 00:49:16,589 language that is creating
00:49:16,599 → 00:49:19,670 words because that language is working
00:49:19,680 → 00:49:23,430 with you to bring what you are using up
00:49:23,440 → 00:49:27,430 here to make of everything around you
00:49:27,440 → 00:49:29,270 doesn't matter if you're an artist
00:49:29,280 → 00:49:32,549 that's the peak right that's the peak.
00:49:32,559 → 00:49:34,470 That's when the muse gets involved and
00:49:34,480 → 00:49:37,510 that machinery turns on. Right? You say,
Section 108: 00:49:37,520 – 00:50:06,589
00:49:37,520 → 00:49:40,950 "I'm not an artist." Well, yeah, maybe.
00:49:40,960 → 00:49:44,069 Right. Look at the nature of things,
00:49:44,079 → 00:49:47,630 people. Look at the nature and how it's
00:49:47,640 → 00:49:51,910 working. God. Okay. What is the skinned
00:49:51,920 → 00:49:54,390 up sauce? It is a four string musical
00:49:54,400 → 00:49:55,670 instrument. Thank you. I just wanted you
00:49:55,680 → 00:49:58,150 guys to see there's all sorts of these
00:49:58,160 → 00:49:59,910 guitars, right? All these different
00:49:59,920 → 00:50:03,470 kinds of guitars. Give me the next one.
00:50:03,480 → 00:50:06,589 Boom. Oh,
Section 109: 00:50:06,599 – 00:50:54,870
00:50:06,599 → 00:50:09,630 yeah. Hello, Bakus. Love that picture,
00:50:09,640 → 00:50:12,790 Chewy. Right. Um, I just want you to
00:50:12,800 → 00:50:16,030 know, look at the the word
00:50:16,040 → 00:50:21,390 Keithia. That Ktherrist art is becoming
00:50:21,400 → 00:50:25,430 defined along with its instruments. At a
00:50:25,440 → 00:50:27,870 time when Romans are sitting around in
00:50:27,880 → 00:50:31,190 hots, okay? At a time when there is no
00:50:31,200 → 00:50:34,230 medical literature except for this crap
00:50:34,240 → 00:50:37,790 except for this crap from the
00:50:37,800 → 00:50:40,390 Egyptians. Oh my god. Have you seen the
00:50:40,400 → 00:50:44,150 Ebers? Oh god. Papyrus. It's terrible.
00:50:44,160 → 00:50:46,630 If you set Galen next to the Ebers
00:50:46,640 → 00:50:49,190 Papyrus, it's like a joke. It's like a
00:50:49,200 → 00:50:52,870 third grader with somebody who's PhD in
00:50:52,880 → 00:50:54,870 quantum mechanics or something. You know
Section 110: 00:50:54,880 – 00:51:44,349
00:50:54,880 → 00:50:57,750 what I mean? It's crazy.
00:50:57,760 → 00:51:00,069 Um, I want you just to realize that the
00:51:00,079 → 00:51:03,829 language itself is feeling and it's
00:51:03,839 → 00:51:07,390 creating an environment that it can work
00:51:07,400 → 00:51:11,470 in. And this comes
00:51:11,480 → 00:51:15,910 through these sources that we have are
00:51:15,920 → 00:51:17,950 revealing to to
00:51:17,960 → 00:51:22,870 us that language history that we ignore
00:51:22,880 → 00:51:25,190 to our own peril. To our own peril. Give
00:51:25,200 → 00:51:27,190 me the next one. And we believe stuff
00:51:27,200 → 00:51:29,270 like, yes, the Torah, the Old Testament
00:51:29,280 → 00:51:31,990 is Hebrew originally, right? And we
00:51:32,000 → 00:51:33,630 believe
00:51:33,640 → 00:51:36,109 miraculously that somehow you can take
00:51:36,119 → 00:51:40,630 1.5 unique million unique word forms and
00:51:40,640 → 00:51:44,349 squeeze them down into
Section 111: 00:51:44,359 – 00:51:57,630
00:51:44,359 → 00:51:47,349 7,000. It's the why you get the earth
00:51:47,359 → 00:51:50,109 was without form and void
00:51:50,119 → 00:51:57,630 toou instead of the gorgeous Greek
Section 112: 00:52:00,030 – 00:52:24,349
00:52:00,030 → 00:52:00,040 aorts an
00:52:00,040 → 00:52:02,230 impossibility. You people believe in
00:52:02,240 → 00:52:04,710 fairy tales and everybody says oh's the
00:52:04,720 → 00:52:06,950 only one who says this. Well we must
00:52:06,960 → 00:52:09,270 have the um do you know they'll come
00:52:09,280 → 00:52:11,349 along in a thousand years and say your
00:52:11,359 → 00:52:14,950 greatest minds were full of shite.
00:52:14,960 → 00:52:18,309 That's the nature of discovery and life,
00:52:18,319 → 00:52:20,390 people, and civilization. And
00:52:20,400 → 00:52:24,349 civilization keeps that ball moving
Section 113: 00:52:24,359 – 00:52:48,430
00:52:24,359 → 00:52:27,430 forward. Moving forward. Thank you to
00:52:27,440 → 00:52:29,589 Danny for letting us have these
00:52:29,599 → 00:52:32,390 conversations so the ball can be moved
00:52:32,400 → 00:52:35,470 forward. What is this? This is a work on
00:52:35,480 → 00:52:39,270 etmology rise by some Byzantine freaks.
00:52:39,280 → 00:52:41,230 And it says
00:52:41,240 → 00:52:43,670 seekiness. What is a seekiness? It's
00:52:43,680 → 00:52:48,430 going to define it for you. It's a satur
Section 114: 00:52:52,349 – 00:53:12,270
00:52:52,349 → 00:52:52,359 oris. Do you see the word for seder?
00:52:52,359 → 00:52:54,589 Satur,
00:52:54,599 → 00:52:57,750 right? Satirical, right? That's an
00:52:57,760 → 00:53:01,549 adjectival form. Don't you love it? So,
00:53:01,559 → 00:53:07,390 a sader's dance or hesus is the
00:53:07,400 → 00:53:12,270 seekness. And what does he go on to
Section 115: 00:53:20,829 – 00:53:38,150
00:53:20,829 → 00:53:20,839 cordox right? The dance of the
00:53:20,839 → 00:53:24,309 Himalaya accompanies the tragedy. The
00:53:24,319 → 00:53:27,190 cordox accompanies the comedy. This is
00:53:27,200 → 00:53:28,309 it continues to say this is what
00:53:28,319 → 00:53:31,109 Aristocoxinus says in his first book on
00:53:31,119 → 00:53:32,430 the
00:53:32,440 → 00:53:38,150 um traic or uh chorus. Right. Okay.
Section 116: 00:53:38,160 – 00:53:58,109
00:53:38,160 → 00:53:40,670 What's going on people? There is a
00:53:40,680 → 00:53:43,390 movement that is associated with the
00:53:43,400 → 00:53:47,510 music that is associated with a compound
00:53:47,520 → 00:53:50,990 drug that is associated with a
00:53:51,000 → 00:53:54,349 right. And that right is the
00:53:54,359 → 00:53:58,109 mystery being
Section 117: 00:54:02,510 – 00:54:37,069
00:54:02,510 → 00:54:02,520 performed. The actuation of the
00:54:02,520 → 00:54:05,670 mystery. Right. Give me the next source.
00:54:05,680 → 00:54:08,870 Yeah. What is this? Right here we are.
00:54:08,880 → 00:54:11,109 Have we gotten to the Have we gone to
00:54:11,119 → 00:54:12,710 the dirty dancing? People, there's going
00:54:12,720 → 00:54:15,270 to be some dirty dancing. If you um if
00:54:15,280 → 00:54:18,069 you were with Lady Babylon and you're
00:54:18,079 → 00:54:19,430 watching and you've been here for a
00:54:19,440 → 00:54:22,309 couple of years, it doesn't matter. The
00:54:22,319 → 00:54:25,190 naked dancing doesn't bother you, right?
00:54:25,200 → 00:54:28,230 It doesn't. But for some people, the
00:54:28,240 → 00:54:31,870 concept of the dancing naked
00:54:31,880 → 00:54:37,069 chorus that is all moving
Section 118: 00:54:37,079 – 00:55:15,069
00:54:37,079 → 00:54:42,309 rhythmically set thanking as a group. Do
00:54:42,319 → 00:54:44,230 you understand? You haven't done this as
00:54:44,240 → 00:54:46,870 a human, have you? It's really sad. It's
00:54:46,880 → 00:54:51,270 really sad. You have not been ever able
00:54:51,280 → 00:54:53,829 to enter into the theossos. What is the
00:54:53,839 → 00:54:57,670 thesos of the mystery? It is that group,
00:54:57,680 → 00:55:03,309 that group of meanad women who think as
00:55:03,319 → 00:55:06,670 one. Have you ever been in a
00:55:06,680 → 00:55:09,870 cult where you make
00:55:09,880 → 00:55:15,069 movements as one? where your group will
Section 119: 00:55:15,079 – 00:55:30,349
00:55:15,079 → 00:55:20,829 hunt, seek, take down a dude, drug
00:55:20,839 → 00:55:23,829 him, take advantage of him, do what you
00:55:23,839 → 00:55:26,670 want with him. If you want to eat
00:55:26,680 → 00:55:30,349 him, suck his
Section 120: 00:55:34,549 – 00:56:21,910
00:55:34,549 → 00:55:34,559 blood. Oh god. Do you know how the group
00:55:34,559 → 00:55:36,990 is and how the group
00:55:37,000 → 00:55:39,349 thinks? Remember, we're all carrying
00:55:39,359 → 00:55:42,790 these poisonous vipers.
00:55:42,800 → 00:55:45,430 Right? We're dragon queens, men. We got
00:55:45,440 → 00:55:48,750 no place for the weak. And that's why
00:55:48,760 → 00:55:52,390 Agamimnon, the chief of the Greek dudes,
00:55:52,400 → 00:55:56,230 ends up dead along with his little
00:55:56,240 → 00:55:57,710 secret
00:55:57,720 → 00:56:01,349 lover who was actually just a captive
00:56:01,359 → 00:56:03,390 cuz they're all
00:56:03,400 → 00:56:05,710 laced. Do you
00:56:05,720 → 00:56:07,630 understand? Oh,
00:56:07,640 → 00:56:09,230 God.
00:56:09,240 → 00:56:11,829 Right. Right. It's not like he didn't
00:56:11,839 → 00:56:14,470 have it coming. It's not like and you
00:56:14,480 → 00:56:18,230 know um you know that the prophetess as
00:56:18,240 → 00:56:21,910 she watched Agabndon die, you know, she
Section 121: 00:56:21,920 – 00:56:41,190
00:56:21,920 → 00:56:24,549 was like, "You deserve it, bro. You
00:56:24,559 → 00:56:27,190 absolutely totally freaking deserve it.
00:56:27,200 → 00:56:29,670 There's got to be some admiration for
00:56:29,680 → 00:56:32,549 that woman who is willing to take it to
00:56:32,559 → 00:56:34,990 the level of
00:56:35,000 → 00:56:37,990 nemesis, right? Has to be some
00:56:38,000 → 00:56:41,190 admiration.
Section 122: 00:56:43,750 – 00:57:17,589
00:56:43,750 → 00:56:43,760 or you're, you know, you're going to
00:56:43,760 → 00:56:45,030 make a mistake and you're going to end
00:56:45,040 → 00:56:46,870 up like Odysius on the beach crying
00:56:46,880 → 00:56:48,069 somewhere and she's going to be like,
00:56:48,079 → 00:56:50,510 "Get in here, big
00:56:50,520 → 00:56:53,670 boy." You're going to be like, "Oh no,
00:56:53,680 → 00:56:56,190 she put something in my food
00:56:56,200 → 00:56:59,349 again." Right? Give me the next one.
00:56:59,359 → 00:57:01,829 Boom. Right? Do you see the places you
00:57:01,839 → 00:57:04,549 can go as a human that you can't go
00:57:04,559 → 00:57:07,349 under the reign of monisms like Judaism,
00:57:07,359 → 00:57:09,910 Christianity, and Islam? Do you see what
00:57:09,920 → 00:57:10,990 they
00:57:11,000 → 00:57:14,710 purposefully intentionally repress? And
00:57:14,720 → 00:57:17,589 that's why you throw acid into the face
Section 123: 00:57:17,599 – 00:57:22,910
00:57:17,599 → 00:57:22,910 of a beautiful young
Section 124: 00:57:25,430 – 00:57:28,670
00:57:25,430 → 00:57:25,440 girl. You see what your religions have
00:57:25,440 → 00:57:28,670 brought
Section 125: 00:57:31,309 – 00:57:42,180
00:57:31,309 → 00:57:31,319 you? What is the
00:57:31,319 → 00:57:33,910 dancer? What is the dancer? People, I
00:57:33,920 → 00:57:35,510 want you to look at the end of the line.
00:57:35,520 → 00:57:38,750 This is especially a pantomimic
00:57:38,760 → 00:57:41,670 dancer. When I What does the Greek say?
00:57:41,680 → 00:57:42,180 It says
Section 126: 00:57:42,190 – 00:57:46,910
00:57:42,190 → 00:57:46,910 [Music]
Section 127: 00:57:46,920 – 00:58:20,030
00:57:46,920 → 00:57:49,589 alto. What are these dancers doing?
00:57:49,599 → 00:57:51,549 They're mimicking,
00:57:51,559 → 00:57:53,069 copying,
00:57:53,079 → 00:57:56,510 this rhythmic
00:57:56,520 → 00:58:00,069 movement. When you are in the group and
00:58:00,079 → 00:58:02,270 you are under the
00:58:02,280 → 00:58:05,030 influence and you are put into a
00:58:05,040 → 00:58:09,829 position where the God possesses the way
00:58:09,839 → 00:58:14,109 that we think is communal as
00:58:14,119 → 00:58:16,309 one. Now some of you are going to say
00:58:16,319 → 00:58:20,030 wait a minute that's
Section 128: 00:58:23,190 – 00:58:45,750
00:58:23,190 → 00:58:23,200 Christianity. Welcome welcome it's nice
00:58:23,200 → 00:58:25,190 to have you. I want you to notice that
00:58:25,200 → 00:58:28,109 their dances also include dancing with
00:58:28,119 → 00:58:30,589 shields. This is a big part of the
00:58:30,599 → 00:58:32,190 culture.
00:58:32,200 → 00:58:33,710 Shields,
00:58:33,720 → 00:58:36,950 right? Give me the next one. You didn't
00:58:36,960 → 00:58:38,789 realize that this was militaristic,
00:58:38,799 → 00:58:41,349 right? Why do you think those means were
00:58:41,359 → 00:58:45,750 taking down people? We're talking
Section 129: 00:58:45,760 – 00:58:57,710
00:58:45,760 → 00:58:48,750 essentially those Amazonians influencing
00:58:48,760 → 00:58:52,069 women like Safo.
00:58:52,079 → 00:58:57,710 That culture is pushing this
Section 130: 00:59:00,069 – 00:59:17,230
00:59:00,069 → 00:59:00,079 dance. Show me some of it people. Show
00:59:00,079 → 00:59:03,349 it. Give me the next one. Show here. Oh,
00:59:03,359 → 00:59:05,349 God is taking. Don't you love it? Now
00:59:05,359 → 00:59:07,990 you can understand the horns, right? Do
00:59:08,000 → 00:59:10,230 you understand the horns? Do you know
00:59:10,240 → 00:59:13,309 the horns of Dian Isis and why he is
00:59:13,319 → 00:59:17,230 horned? Oh, do you
Section 131: 00:59:17,240 – 00:59:52,549
00:59:17,240 → 00:59:21,030 really? What does media do? Right. She
00:59:21,040 → 00:59:24,630 quenches that bull's desire. She
00:59:24,640 → 00:59:28,069 quenches that bull's desire. Fantastic.
00:59:28,079 → 00:59:31,829 What is that orasis? It's the dance, the
00:59:31,839 → 00:59:33,589 pantomimic dance. That's the same one.
00:59:33,599 → 00:59:35,670 Go to notice it's a title of a work by
00:59:35,680 → 00:59:37,910 Lucian. That's nice, right? So, these
00:59:37,920 → 00:59:41,109 are not unknown concepts, right? And I I
00:59:41,119 → 00:59:42,950 want you to see a couple of Lucian
00:59:42,960 → 00:59:45,109 statements on dance as to the rights of
00:59:45,119 → 00:59:47,750 Dianisis. You know without my telling
00:59:47,760 → 00:59:50,230 you that they consisted in dancing from
00:59:50,240 → 00:59:52,549 beginning to end. Of the three main
Section 132: 00:59:52,559 – 01:00:16,150
00:59:52,559 → 00:59:54,829 types of dance, the Cordox, the
00:59:54,839 → 00:59:58,430 seekness, and the Emlia, each was the
00:59:58,440 → 01:00:01,109 invention and bore the name of one of
01:00:01,119 → 01:00:03,789 the saters, Dianisis's
01:00:03,799 → 01:00:08,309 followers. Right? These are these
01:00:08,319 → 01:00:09,910 Ktherrists.
01:00:09,920 → 01:00:12,510 These are the
01:00:12,520 → 01:00:16,150 instrumentbearing cultists who assisted
Section 133: 01:00:16,160 – 01:01:04,589
01:00:16,160 → 01:00:18,230 by this art and accompanied by these
01:00:18,240 → 01:00:21,030 revelers the conquered terrinians,
01:00:21,040 → 01:00:23,910 Indians and Lydians dancing those
01:00:23,920 → 01:00:25,710 warlike tribes into
01:00:25,720 → 01:00:27,670 submission. You thought I was just
01:00:27,680 → 01:00:30,309 talking about dance like when you go to
01:00:30,319 → 01:00:33,710 a, you know, do your disco
01:00:33,720 → 01:00:38,069 thing. No, I'm talking about conquering.
01:00:38,079 → 01:00:39,789 I'm talking about
01:00:39,799 → 01:00:42,789 conquering. You see, these women means
01:00:42,799 → 01:00:46,109 had much more in
01:00:46,119 → 01:00:48,710 mind than the limited world of
01:00:48,720 → 01:00:51,430 entertainment and money that your greed
01:00:51,440 → 01:00:55,309 has impressed on you. Give me the next
01:00:55,319 → 01:00:58,230 one. Yeah, you're learning. You're
01:00:58,240 → 01:01:00,309 learning classical culture the first
01:01:00,319 → 01:01:02,150 time. I so want to take this to the
01:01:02,160 → 01:01:04,589 people of Ukraine. That's what I want to
Section 134: 01:01:04,599 – 01:01:18,910
01:01:04,599 → 01:01:07,510 do, right? Do you see how they would
01:01:07,520 → 01:01:10,950 receive it? Do you see how it's prepped?
01:01:12,040 → 01:01:18,910 god, what a beauty. It's just
Section 135: 01:01:22,230 – 01:01:47,710
01:01:22,230 → 01:01:22,240 amazing. Okay, couple more. It's taking
01:01:22,240 → 01:01:24,230 a while. All right, take a look. We got
01:01:24,240 → 01:01:26,150 a I got a couple more slides here for
01:01:26,160 → 01:01:28,710 you. I want you to see I want to jump
01:01:28,720 → 01:01:32,349 through some of these just to give you
01:01:32,359 → 01:01:35,270 a a glimpse of a world that you don't
01:01:35,280 → 01:01:36,349 normally
01:01:36,359 → 01:01:40,190 have. A world that is far too
01:01:40,200 → 01:01:43,549 sexy. It's far too sexy for
01:01:43,559 → 01:01:47,710 modernity. Am I
Section 136: 01:01:51,190 – 01:02:31,990
01:01:51,190 → 01:01:51,200 dead? Yeah. Sorry people. The Chewy said
01:01:51,200 → 01:01:53,430 the ship's no longer responding. We're
01:01:53,440 → 01:01:56,710 in freeall. So ah you know we'll just
01:01:56,720 → 01:02:00,390 sit here until ah voila. What is that?
01:02:00,400 → 01:02:03,910 Emma, right? Emma. Notice that they have
01:02:03,920 → 01:02:06,870 in parenthesis melo which is the Greek
01:02:06,880 → 01:02:11,549 word for song right in tune or
01:02:11,559 → 01:02:14,230 harmonious. In tune or harmonious. You
01:02:14,240 → 01:02:16,549 can use this of people. The emlik are
01:02:16,559 → 01:02:18,589 the people who are
01:02:18,599 → 01:02:21,910 orderly. Look how they put wit
01:02:21,920 → 01:02:24,230 underneath that. somebody who's witty,
01:02:25,720 → 01:02:27,990 humilous, well proportioned. That's
01:02:28,000 → 01:02:29,670 where we get harmony, people, is from
01:02:29,680 → 01:02:31,990 proportion. And every guitarist out
Section 137: 01:02:32,000 – 01:03:03,150
01:02:32,000 → 01:02:34,789 there just, you know, said, you know,
01:02:34,799 → 01:02:37,349 you're an idiot. Um, that's a course.
01:02:37,359 → 01:02:39,910 It's programmed into the fabric of
01:02:39,920 → 01:02:42,470 everything, all the quantum reality that
01:02:42,480 → 01:02:44,390 we've been dealing with. I Okay, I get
01:02:44,400 → 01:02:46,950 it. But I'm discovering it. So, you
01:02:46,960 → 01:02:49,430 know, it's it's it's big and new to me.
01:02:49,440 → 01:02:53,190 Give it to me. Here's another uh no. Oh,
01:02:53,200 → 01:02:55,910 here's a What is the Himalaya then? What
01:02:55,920 → 01:02:58,309 is the Emma? You take the abstract noun,
01:02:58,319 → 01:03:01,190 right? Well, it's harmony in music,
01:03:01,200 → 01:03:03,150 right?
Section 138: 01:03:03,160 – 01:03:44,230
01:03:03,160 → 01:03:07,430 Or modulation, right? Proper modulation
01:03:07,440 → 01:03:09,549 of spoken
01:03:09,559 → 01:03:11,829 words. And then notice he tells you
01:03:11,839 → 01:03:14,109 generally it's harmony or
01:03:14,119 → 01:03:16,549 gracefulness. Notice that we can't even
01:03:16,559 → 01:03:19,430 define. We had to throw 15 words at that
01:03:19,440 → 01:03:21,190 to try to understand why we don't have a
01:03:21,200 → 01:03:23,109 word for this. Just give me a one to one
01:03:23,119 → 01:03:26,069 in English on this. Uhhuh. No, you're
01:03:26,079 → 01:03:27,990 not going to be able to find it. It's a
01:03:28,000 → 01:03:32,630 tragic dance. So you see people during
01:03:32,640 → 01:03:37,870 the possession, the god causes the
01:03:37,880 → 01:03:44,230 dance. The god brings you the emaile.
Section 139: 01:03:44,240 – 01:04:09,950
01:03:44,240 → 01:03:47,870 This is the bak secret of the
01:03:47,880 → 01:03:50,789 mystery. This is the foundation of
01:03:50,799 → 01:03:54,430 everything that is Judaism and
01:03:54,440 → 01:03:57,190 Christianity. There would be no Judaism
01:03:58,359 → 01:04:01,670 Christianity without a talisterian in
01:04:01,680 → 01:04:05,870 which the logos in which the words of
01:04:05,880 → 01:04:09,950 God could be
Section 140: 01:04:09,960 – 01:04:53,270
01:04:09,960 → 01:04:13,430 accessed turns your faith gray.
01:04:13,440 → 01:04:16,710 turns your face gray. Oh, are you
01:04:16,720 → 01:04:18,670 getting to the
01:04:18,680 → 01:04:22,309 choruses? Okay, Chewy wants to Chewy
01:04:22,319 → 01:04:24,069 wants to get to the choruses. Give it to
01:04:24,079 → 01:04:26,309 me the next one. Okay, people now.
01:04:26,319 → 01:04:28,630 Right, this is the We got to be mature
01:04:28,640 → 01:04:30,789 about this. I think this is Go and give
01:04:30,799 → 01:04:32,630 me the next one. I think that we're
01:04:32,640 → 01:04:34,270 getting close. Right. What is the
01:04:34,280 → 01:04:37,430 Cordox, people? The Cordox is a dance
01:04:37,440 → 01:04:39,990 performed during the comedy. Right.
01:04:40,000 → 01:04:42,150 Right. And what is it? uh what
01:04:42,160 → 01:04:44,069 characterizes it right look at the
01:04:44,079 → 01:04:47,549 second line it's regarded as
01:04:47,559 → 01:04:49,549 indent in
01:04:49,559 → 01:04:53,270 Indent and um who is being worshiped
Section 141: 01:04:53,280 – 01:05:13,069
01:04:53,280 → 01:04:55,349 under the Cordox well we know there's an
01:04:55,359 → 01:04:58,069 association with Artemis directly you
01:04:58,079 → 01:05:01,190 say wait a minute that kind of threw me
01:05:01,200 → 01:05:04,230 I was thinking maybe it was no Artemis
01:05:04,240 → 01:05:06,390 think of the Black Sea and everything
01:05:06,400 → 01:05:08,589 that we have associated with
01:05:08,599 → 01:05:13,069 Eio the poison pouring ing
Section 142: 01:05:13,079 – 01:05:18,750
01:05:13,079 → 01:05:15,270 Artemis. All right. Think of her. Give
01:05:15,280 → 01:05:18,750 me the next
Section 143: 01:05:22,069 – 01:05:56,109
01:05:22,069 → 01:05:22,079 one. Helos. This is just go back. I I
01:05:22,079 → 01:05:23,270 don't know why I brought this in at this
01:05:23,280 → 01:05:26,589 point. It was out of place. Next
01:05:26,599 → 01:05:30,549 one. Here's Aanus. Listen to this. But
01:05:30,559 → 01:05:32,910 the
01:05:32,920 → 01:05:35,870 gymnopedics. That doesn't sound good,
01:05:35,880 → 01:05:39,589 right? Gymnopitica. What the hell? What
01:05:39,599 → 01:05:42,069 kind of artist is gymnopica? I'm getting
01:05:42,079 → 01:05:45,029 suspicious because kumnos means naked.
01:05:45,039 → 01:05:47,589 And then we got the word for p for kid
01:05:47,599 → 01:05:49,510 in there. This is the naked kid. It
01:05:49,520 → 01:05:51,990 resembles the dance which by the
01:05:52,000 → 01:05:54,470 ancients used to be called wait what did
01:05:54,480 → 01:05:56,109 it used to be called?
Section 144: 01:05:56,119 – 01:06:36,950
01:05:56,119 → 01:05:59,589 Anapal. Okay. For all the boys dance
01:05:59,599 → 01:06:02,069 naked, performing some kind of movement
01:06:02,079 → 01:06:05,270 in regular time, and with gestures of
01:06:05,280 → 01:06:08,990 the hand, like those used by
01:06:09,000 → 01:06:11,750 wrestlers, so that the dancers exhibit a
01:06:11,760 → 01:06:14,549 sword of spectacle akin to the polystra
01:06:14,559 → 01:06:16,710 and to the pancratium. Do you know what
01:06:16,720 → 01:06:20,549 the ponium is? That's that's the octagon
01:06:20,559 → 01:06:23,190 in antiquity. The octagon is part of
01:06:23,200 → 01:06:25,510 education. It's not an octagon, but it's
01:06:26,359 → 01:06:29,109 gymnasium, right? And this fighting and
01:06:29,119 → 01:06:32,670 submission is a part of the
01:06:32,680 → 01:06:36,950 gymnasium, right? Okay. Okay. Moving
Section 145: 01:06:36,960 – 01:07:24,789
01:06:36,960 → 01:06:40,789 their feet in regular time. And these
01:06:40,799 → 01:06:42,390 gestures of the hand and the different
01:06:42,400 → 01:06:45,670 modes of dancing it are called. And
01:06:45,680 → 01:06:49,150 look, we have a whole bunch of right
01:06:49,160 → 01:06:51,829 oscaphoricus and the bak and this kind
01:06:51,839 → 01:06:54,829 of dance too has some reference to
01:06:54,839 → 01:06:58,470 dionis right but but aristocus here's
01:06:58,480 → 01:07:00,470 our musician again says that the
01:07:00,480 → 01:07:02,190 ancients after they had exercised
01:07:02,200 → 01:07:05,470 themselves turned to the pyic
01:07:05,480 → 01:07:09,230 dance before they enter what are we
01:07:09,240 → 01:07:13,230 doing we're going from exercises of
01:07:13,240 → 01:07:14,829 naked
01:07:14,839 → 01:07:18,190 boys that are fighting,
01:07:18,200 → 01:07:22,430 wrestling, dancing in a way that is
01:07:22,440 → 01:07:24,789 militaristic. And somehow this is going
Section 146: 01:07:24,799 – 01:08:05,390
01:07:24,799 → 01:07:27,829 to lead us to the pirick and ultimately
01:07:27,839 → 01:07:30,349 to the tragic stage where we can be
01:07:30,359 → 01:07:33,150 purified through the
01:07:33,160 → 01:07:36,150 chorus. You thought it was entertainment
01:07:36,160 → 01:07:38,710 because you greedy bastards have turned
01:07:38,720 → 01:07:42,390 it into entertainment. It is religious
01:07:42,400 → 01:07:45,670 purification. Your stage has been
01:07:45,680 → 01:07:49,589 defiled by your greed and that is why
01:07:49,599 → 01:07:51,710 you have
01:07:51,720 → 01:07:54,710 tyrants. Let me say that one more time.
01:07:54,720 → 01:07:57,270 Your stage has been defiled by your
01:07:57,280 → 01:08:00,789 greed and that is why you have tyrants.
01:08:00,799 → 01:08:05,390 That's what they said to you in
Section 147: 01:08:08,710 – 01:08:33,749
01:08:08,710 → 01:08:08,720 antiquity. Fantastic. Next one. We're
01:08:08,720 → 01:08:11,430 almost finished, people. Next one.
01:08:11,440 → 01:08:13,270 Right. He's decked out there. Wait.
01:08:13,280 → 01:08:15,190 Notice the guy in the back. That's a
01:08:15,200 → 01:08:17,590 dude. And he's decked out there like a
01:08:17,600 → 01:08:20,390 lady. Now, you think, "Oh, that's a
01:08:20,400 → 01:08:22,709 that's a weird thing going on there.
01:08:22,719 → 01:08:25,189 What'd you do there?" Right? I want you
01:08:25,199 → 01:08:26,510 to know for a
01:08:26,520 → 01:08:30,470 fact there are dudes dancing like women
01:08:30,480 → 01:08:33,749 within these performances.
Section 148: 01:08:33,759 – 01:08:45,070
01:08:33,759 → 01:08:37,709 They are expressing a
01:08:37,719 → 01:08:41,510 femininity that is part of the worship
01:08:41,520 → 01:08:45,070 of the
Section 149: 01:08:47,070 – 01:08:55,229
01:08:47,070 → 01:08:47,080 god. Oh
01:08:47,080 → 01:08:50,390 god. Right. Do you see how democracy
01:08:50,400 → 01:08:55,229 comes from this place
Section 150: 01:09:00,430 – 01:09:35,430
01:09:00,430 → 01:09:00,440 of cosmos? Organization of different
01:09:00,440 → 01:09:05,550 elements into one coherent song. That's
01:09:05,560 → 01:09:08,309 Cosmos. And there's one artist who's
01:09:08,319 → 01:09:11,829 playing us all. And that's the Muse.
01:09:11,839 → 01:09:14,470 Love it. Love it. Two more. No, a couple
01:09:14,480 → 01:09:16,630 more. Hurry. We got a Yeah, we got a
01:09:16,640 → 01:09:18,470 couple more. Go. Go ahead. Go ahead. The
01:09:18,480 → 01:09:21,990 next one. Next one. Okay. Here's another
01:09:22,000 → 01:09:24,309 dance. I think you forget when you
01:09:24,319 → 01:09:25,990 advocate the claims of tragedy and
01:09:26,000 → 01:09:28,709 comedy. When you Yep. That each of them
01:09:28,719 → 01:09:31,269 has its own peculiar form of dance.
01:09:31,279 → 01:09:35,430 Tragedy. It's Emlia. Comedy. It's Cordox
Section 151: 01:09:35,440 – 01:09:56,270
01:09:35,440 → 01:09:36,870 supplemented occasionally by the
01:09:36,880 → 01:09:39,030 seekness. You began by asserting the
01:09:39,040 → 01:09:41,910 superiority of tragedy of comedy and of
01:09:41,920 → 01:09:45,149 the periodic performances blah blah
01:09:45,159 → 01:09:47,510 blah. Right?
01:09:47,520 → 01:09:49,070 Give me the
01:09:49,080 → 01:09:51,470 next. The
01:09:51,480 → 01:09:56,270 religious
Section 152: 01:10:00,709 – 01:10:17,910
01:10:00,709 → 01:10:00,719 purification of the Athenian society,
01:10:00,719 → 01:10:02,750 the society that's built on the
01:10:02,760 → 01:10:07,070 virgin who nurses the
01:10:07,080 → 01:10:09,390 serpent.
01:10:09,400 → 01:10:13,790 Right? Our democracy is
01:10:13,800 → 01:10:17,910 fundamentally musical.
Section 153: 01:10:18,750 – 01:10:58,290
01:10:18,750 → 01:10:18,760 The
01:10:18,760 → 01:10:22,750 physics of the music are
01:10:22,760 → 01:10:25,229 determining the
01:10:25,239 → 01:10:29,030 society. They are creating the reality.
01:10:29,040 → 01:10:34,030 So if you were to take your music
01:10:34,040 → 01:10:37,390 away, what fills the
01:10:37,400 → 01:10:39,630 vacuum?
01:10:39,640 → 01:10:43,270 Tyranny. Tyranny.
01:10:43,280 → 01:10:47,790 It's why music that was bad was
01:10:47,800 → 01:10:51,750 punished because they saw that music had
01:10:51,760 → 01:10:53,390 the
01:10:53,400 → 01:10:58,290 purpose of freeing the soul from the
Section 154: 01:10:58,300 – 01:10:59,470
01:10:58,300 → 01:10:59,470 [Music]
Section 155: 01:10:59,480 – 01:11:40,390
01:10:59,480 → 01:11:02,870 tyrant. When you remove the music, you
01:11:02,880 → 01:11:05,189 cause the tyrant to enter. Whether that
01:11:05,199 → 01:11:07,430 tyrant is a Jesus Christ who is arrested
01:11:07,440 → 01:11:09,510 in a public park at 4 am with a naked
01:11:09,520 → 01:11:11,470 kid. Mark
01:11:11,480 → 01:11:14,790 14:51-52 or whether it was a another
01:11:14,800 → 01:11:17,830 dude, some kind of oligarch with a bunch
01:11:17,840 → 01:11:20,310 of power and the oracle says, "Oh god,
01:11:20,320 → 01:11:22,790 you got to get rid of this guy." Right?
01:11:23,719 → 01:11:26,669 god. When you take that
01:11:26,679 → 01:11:30,990 music out of the fabric of
01:11:31,000 → 01:11:33,390 society, out of the
01:11:33,400 → 01:11:37,390 education, out of the science, what
01:11:37,400 → 01:11:40,390 happens? What happens? You get a void
Section 156: 01:11:40,400 – 01:11:45,870
01:11:40,400 → 01:11:41,630 that becomes
01:11:41,640 → 01:11:45,870 filled by
Section 157: 01:11:48,470 – 01:11:54,270
01:11:48,470 → 01:11:48,480 greed. Give me the next. Give me the
01:11:48,480 → 01:11:54,270 next. Do you understand? Do you
Section 158: 01:11:56,870 – 01:12:33,070
01:11:56,870 → 01:11:56,880 understand? Isn't it amazing that they
01:11:56,880 → 01:12:00,470 taught that music can lead you to what
01:12:00,480 → 01:12:04,110 is beautiful. Just the study and
01:12:04,120 → 01:12:08,390 interaction of your brain with music can
01:12:08,400 → 01:12:11,630 lead you to be a good
01:12:11,640 → 01:12:14,310 person. Isn't that weird? We don't have
01:12:14,320 → 01:12:16,590 that idea. We don't have that idea at
01:12:16,600 → 01:12:19,990 all. No. The music I've been listening
01:12:20,000 → 01:12:22,470 to is making me a better person. I
01:12:22,480 → 01:12:25,110 listen to a track and say, "Well, Jesus,
01:12:25,120 → 01:12:26,870 I feel like a better person after
01:12:26,880 → 01:12:29,750 listening to that. I'm going to go down
01:12:29,760 → 01:12:33,070 and do X, Y, and Z. Support my
Section 159: 01:12:33,080 – 01:12:59,030
01:12:33,080 → 01:12:36,430 democracy, strengthen my constitution,
01:12:36,440 → 01:12:39,709 honor the generations that have preceded
01:12:39,719 → 01:12:42,910 mine. Right? That's where you can go.
01:12:42,920 → 01:12:47,870 But when you take the music out, what
01:12:47,880 → 01:12:51,030 happens? You get Putin and Trump. All
01:12:51,040 → 01:12:52,590 right? You get
01:12:52,600 → 01:12:59,030 Kim. All right? You get tyrants.
Section 160: 01:13:00,110 – 01:13:18,830
01:13:00,110 → 01:13:00,120 The
01:13:00,120 → 01:13:03,149 music is our only
01:13:03,159 → 01:13:05,149 defense
01:13:05,159 → 01:13:06,750 against
01:13:06,760 → 01:13:09,030 tyranny. Do you know why the Greeks were
01:13:09,040 → 01:13:11,510 able to come up with so much? Do you
01:13:11,520 → 01:13:13,270 know why their language is so different
01:13:13,280 → 01:13:15,630 from any language you speak
01:13:15,640 → 01:13:18,830 today?
Section 161: 01:13:20,830 – 01:13:58,950
01:13:20,830 → 01:13:20,840 Yeah. It's
01:13:20,840 → 01:13:23,950 because they followed the
01:13:23,960 → 01:13:28,070 muse. They revered the music and what it
01:13:28,080 → 01:13:30,709 could teach them and they allowed the
01:13:30,719 → 01:13:32,110 magic to
01:13:32,120 → 01:13:33,950 create
01:13:33,960 → 01:13:37,430 freedom. Oh, fantastic. Couple of more.
01:13:37,440 → 01:13:39,830 Did we see the I think we saw them.
01:13:39,840 → 01:13:44,709 Yeah. Just a couple. Oh, people. I just
01:13:44,719 → 01:13:47,669 wanted you to see the symphony here. I
01:13:47,679 → 01:13:50,870 just wanted you to see the symphony.
01:13:50,880 → 01:13:52,470 And I want you to notice that it's going
01:13:52,480 → 01:13:54,790 to even penetrate to the New Testament.
01:13:54,800 → 01:13:56,870 People say New Testament has to be read
01:13:56,880 → 01:13:58,950 outside of everything else. No, it
Section 162: 01:13:58,960 – 01:14:27,630
01:13:58,960 → 01:14:00,709 doesn't. That's why you don't can't read
01:14:00,719 → 01:14:03,270 it and don't understand it. Right. And I
01:14:03,280 → 01:14:05,430 do want to make I want to make No, you
01:14:05,440 → 01:14:07,110 know what? That's arrogant. I'm not
01:14:07,120 → 01:14:10,630 going to I don't want to be a jackass.
01:14:10,640 → 01:14:12,950 You know what I mean? I don't want to be
01:14:12,960 → 01:14:15,910 a jackass. Let's go. Um people, look at
01:14:15,920 → 01:14:18,310 this symphony and chorus. What is this?
01:14:18,320 → 01:14:20,470 I just want you to see in the Bible this
01:14:20,480 → 01:14:22,630 these are not unfamiliar concepts. Give
01:14:22,640 → 01:14:27,630 you the next one. Paul takes it to the
Section 163: 01:14:31,110 – 01:14:44,709
01:14:31,110 → 01:14:31,120 insty right or concord or unison of
01:14:31,120 → 01:14:32,870 sound. Look what they're talking about.
01:14:32,880 → 01:14:36,870 Harmonia again in the Greek. The harmony
01:14:36,880 → 01:14:38,830 in the
01:14:38,840 → 01:14:44,709 song. This is called symphony.
Section 164: 01:14:49,830 – 01:14:53,709
01:14:49,830 → 01:14:49,840 The harmony within the song is what you
01:14:49,840 → 01:14:53,709 and I call
Section 165: 01:14:57,550 – 01:15:25,149
01:14:57,550 → 01:14:57,560 symphony. Two sounds only. Musical
01:14:57,560 → 01:14:59,830 concord, right? Look at and they start
01:14:59,840 → 01:15:01,990 talking music fourth, fifth and octave.
01:15:02,000 → 01:15:05,430 Okay, for all of you music people who
01:15:05,440 → 01:15:06,950 have been there and understand this
01:15:06,960 → 01:15:09,030 stuff, thank you for putting up with us
01:15:09,040 → 01:15:12,229 dummies. harmonious union uh union of
01:15:12,239 → 01:15:14,750 voices that is
01:15:14,760 → 01:15:18,910 concert that chorus is a concert of
01:15:18,920 → 01:15:25,149 Artemis. It is the
Section 166: 01:15:34,390 – 01:16:21,590
01:15:34,390 → 01:15:34,400 Next, last one. I think I just want to
01:15:34,400 → 01:15:38,070 give one more. Yeah. Go ahead.
01:15:38,080 → 01:15:39,910 This is Paul the Apostle. And I want to
01:15:39,920 → 01:15:41,830 finish here with Paul the Apostle. And
01:15:41,840 → 01:15:43,550 I'm just going to translate
01:15:43,560 → 01:15:51,750 it. I say, right? Oh, God. You've got to
01:15:51,760 → 01:15:54,590 go around in the
01:15:54,600 → 01:16:00,390 spirit. Right. Right. And not follow the
01:16:00,400 → 01:16:04,990 desires of the socks, the flesh. For the
01:16:05,000 → 01:16:08,390 flesh has desires that are contrary to
01:16:08,400 → 01:16:11,590 the spirit, and the spirit is contrary
01:16:11,600 → 01:16:13,149 to the
01:16:13,159 → 01:16:16,550 flesh. And these things are naturally
01:16:16,560 → 01:16:18,510 opposed to one
01:16:18,520 → 01:16:21,590 another. So that the things that you
Section 167: 01:16:21,600 – 01:16:25,070
01:16:21,600 → 01:16:25,070 want to do, you really
Section 168: 01:16:28,350 – 01:16:50,430
01:16:28,350 → 01:16:28,360 don't. Right? If you're led by the
01:16:28,360 → 01:16:31,950 spirit, you won't be
01:16:31,960 → 01:16:34,990 hoopon under
01:16:35,000 → 01:16:38,790 law. These are the works of the flesh.
01:16:38,800 → 01:16:50,430 Look at verse 19, the second
Section 169: 01:16:53,990 – 01:17:23,070
01:16:53,990 → 01:16:54,000 line. Sex, sex, dirty, dirtiness. More
01:16:54,000 → 01:16:57,390 sex and sex. Sex
01:16:57,400 → 01:17:00,110 fluids ga your sex
01:17:00,120 → 01:17:04,030 fluids. The cop is a cop of
01:17:04,040 → 01:17:07,750 porna. Look at line 21 verse 21. Methi
01:17:07,760 → 01:17:10,110 drunkenness and
01:17:10,120 → 01:17:14,070 komoy. Comoy. Do you see what Paul is
01:17:14,080 → 01:17:17,110 trying to do? Take it down. What Paul is
01:17:17,120 → 01:17:19,870 trying to do is he's trying to
01:17:19,880 → 01:17:23,070 reverse the mystical
Section 170: 01:17:23,080 – 01:17:58,510
01:17:23,080 → 01:17:27,350 tide that Jesus is pushing himself with
01:17:27,360 → 01:17:28,270 his
01:17:28,280 → 01:17:32,550 boys. He's trying to reverse it. He's
01:17:32,560 → 01:17:34,470 trying to control it. Don't get me
01:17:34,480 → 01:17:36,870 wrong, Paul's still getting high and
01:17:36,880 → 01:17:38,990 going to the third and fourth and fifth
01:17:39,000 → 01:17:41,750 heavens. He's still talking about God. I
01:17:41,760 → 01:17:43,990 don't know if I was in the flesh or in
01:17:44,000 → 01:17:45,950 the spirit. Wait a minute.
01:17:45,960 → 01:17:48,310 What? Yeah, you didn't read those two
01:17:48,320 → 01:17:51,510 passages together, did you? But now that
01:17:51,520 → 01:17:53,430 you understand what's going on with the
01:17:53,440 → 01:17:56,470 cult, they make sense.
01:17:56,480 → 01:17:58,510 He says, "I don't know, flash your
Section 171: 01:17:58,520 – 01:18:03,390
01:17:58,520 → 01:18:03,390 spirit, but I was
Section 172: 01:18:06,590 – 01:18:10,350
01:18:06,590 → 01:18:06,600 seeing the
01:18:06,600 → 01:18:10,350 prophets and their
Section 173: 01:18:12,270 – 01:18:37,390
01:18:12,270 → 01:18:12,280 mysteries are
01:18:12,280 → 01:18:14,189 indebted to
01:18:14,199 → 01:18:16,910 one lady
01:18:16,920 → 01:18:19,229 alone. And that
01:18:19,239 → 01:18:21,390 lady is
01:18:21,400 → 01:18:26,310 Harmony. And you cannot find her unless
01:18:26,320 → 01:18:28,990 you look in
01:18:29,000 → 01:18:32,990 Greek. She's the daughter of Greek.
01:18:33,000 → 01:18:37,390 Harmony is a Greek
Section 174: 01:18:40,350 – 01:19:08,270
01:18:40,350 → 01:18:40,360 word. Thank you for coming tonight,
01:18:40,360 → 01:18:43,270 people. All of this beauty, you will
01:18:43,280 → 01:18:47,270 find no other place where the language
01:18:47,280 → 01:18:50,709 of mother Greek is not spoken.
01:18:50,719 → 01:18:53,070 the technology that is
01:18:53,080 → 01:18:56,950 facilitating the use of the strings to
01:18:56,960 → 01:19:00,550 create via magic and to purify people
01:19:00,560 → 01:19:04,149 and to push mystery. That power is
01:19:04,159 → 01:19:08,270 coming to us through mother
Section 175: 01:19:08,280 – 01:19:59,669
01:19:08,280 → 01:19:12,070 Greek. There is no other language that
01:19:12,080 → 01:19:14,910 can stand next to
01:19:14,920 → 01:19:19,189 her. Thank you for coming tonight.
01:19:19,199 → 01:19:20,669 May the priest of
01:19:20,679 → 01:19:24,950 Apollo honor the god. Hail Satan.
01:19:24,960 → 01:19:27,830 Address the blood sacrifice before
01:19:27,840 → 01:19:30,950 pieces discharges on the cycle. Bring
01:19:30,960 → 01:19:34,709 the knife rump pump with her always
01:19:34,719 → 01:19:37,350 ways. The mystery goddess. Bring the
01:19:37,360 → 01:19:41,149 [\h__\h] pain. Magic dress on the
01:19:41,159 → 01:19:45,270 Amazonia. Spitting dragon all over you.
01:19:45,280 → 01:19:48,709 Overs to the moon. People swoon from
01:19:48,719 → 01:19:52,950 just a little bit of dope. Hail Satan,
01:19:52,960 → 01:19:56,630 sing the muse. Tragedy and doom. Hot
01:19:56,640 → 01:19:59,669 purple in your eyes. Take a hit. Let's
Section 176: 01:19:59,679 – 01:20:23,630
01:19:59,679 → 01:20:03,350 go get stone. Got crucified just the
01:20:03,360 → 01:20:06,310 other day with Jesus. He was trying to
01:20:06,320 → 01:20:09,430 buy scorpion venom with the Epstein
01:20:09,440 → 01:20:12,550 client list. If he can rattle out on
01:20:12,560 → 01:20:15,910 every pedophile working for the Vatican
01:20:15,920 → 01:20:17,830 and the Catholic Church, you know he
01:20:17,840 → 01:20:21,790 would in a heartbeat. So they mured
01:20:21,800 → 01:20:23,630 him
Section 177: 01:20:23,640 – 01:20:34,880
01:20:23,640 → 01:20:27,149 and brother the
01:20:27,159 → 01:20:31,070 mouth and sugar
01:20:31,080 → 01:20:34,880 queen without