‎/Transcript - The Art of Salome Wednesday Night Bible Studies Season 2 - Episode I
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Transcript: The Art of Salome: Wednesday Night Bible Studies Season 2 - Episode I

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Show concatenated view
104 timestamped sections using the same paragraph analysis.
Section 1: 00:00:00,480 – 00:00:30,790
00:00:03,140 → 00:00:10,030 take me to that happy hour I never had
00:00:10,040 → 00:00:14,930 show me the girl I never met I want it
00:00:14,940 → 00:00:17,710 so bad
00:00:17,720 → 00:00:22,429 where is that Golden Palace where is
00:00:22,439 → 00:00:26,689 that [\h__\h] called Destiny I think she
00:00:26,699 → 00:00:30,790 ran on without me
Section 2: 00:00:30,800 – 00:00:34,250
00:00:30,800 → 00:00:34,250 [Music]
Section 3: 00:00:34,260 – 00:00:56,029
00:00:34,260 → 00:00:36,950 welcome back to Lady Babylon I have a
00:00:36,960 → 00:00:38,870 couple of announcements before we begin
00:00:38,880 → 00:00:39,970 today
00:00:39,980 → 00:00:43,690 Gnostic informant is being initiated
00:00:43,700 → 00:00:47,630 into unassailable freedom
00:00:47,640 → 00:00:51,350 he has been handed over to the devil
00:00:51,360 → 00:00:56,029 it is a return to bacchic Mania
Section 4: 00:00:56,039 – 00:01:20,450
00:00:56,039 → 00:00:59,810 if his preparation is complete
00:00:59,820 → 00:01:04,969 he will come to celebrate Saturn with us
00:01:04,979 → 00:01:07,250 this week
00:01:07,260 → 00:01:08,690 Satan
00:01:08,700 → 00:01:12,230 a note for me as your mistus I do not
00:01:12,240 → 00:01:13,810 make public
00:01:13,820 → 00:01:18,170 preparation this is his business
00:01:18,180 → 00:01:20,450 tonight's episode
Section 5: 00:01:20,460 – 00:01:31,040
00:01:20,460 → 00:01:23,630 is about preventing rape and killing
00:01:23,640 → 00:01:31,040 Saints
Section 6: 00:01:31,050 – 00:01:43,210
00:01:31,050 → 00:01:43,210 [Music]
Section 7: 00:01:43,220 – 00:02:15,910
00:01:43,220 → 00:01:45,530 I know that we don't have a lot of time
00:01:45,540 → 00:01:49,130 together so I'm going to make this brief
00:01:49,140 → 00:01:50,630 tonight
00:01:50,640 → 00:01:52,850 I must start with a public service
00:01:52,860 → 00:01:57,530 announcement if you are being cornered
00:01:57,540 → 00:01:59,929 if you're being taken in the back or
00:01:59,939 → 00:02:02,330 into a back alley or somewhere in a park
00:02:02,340 → 00:02:04,310 where there's not a lot of people with
00:02:04,320 → 00:02:06,530 an academic
00:02:06,540 → 00:02:09,710 if an academic coaxes you into some
00:02:09,720 → 00:02:12,350 place that's isolated
00:02:12,360 → 00:02:15,910 always always always
Section 8: 00:02:15,920 – 00:02:47,089
00:02:15,920 → 00:02:18,589 rely upon reason
00:02:18,599 → 00:02:22,490 don't take everything you're given
00:02:22,500 → 00:02:24,550 today
00:02:24,560 → 00:02:27,830 I had to witness a terrible
00:02:27,840 → 00:02:30,170 terrible intellectual
00:02:30,180 → 00:02:33,650 and psychical molestation
00:02:33,660 → 00:02:37,850 and it took place in such a Grievous and
00:02:37,860 → 00:02:42,470 and perverted way in order to maintain
00:02:42,480 → 00:02:47,089 status in order to maintainism
Section 9: 00:02:47,099 – 00:02:56,710
00:02:47,099 → 00:02:50,930 in order to maintain the great facade
00:02:50,940 → 00:02:53,390 of Academia
00:02:53,400 → 00:02:56,710 foreign
Section 10: 00:02:56,720 – 00:03:16,369
00:02:56,720 → 00:02:58,729 little stroke
00:02:58,739 → 00:03:02,630 you can bring them short every time with
00:03:02,640 → 00:03:05,270 one little stroke what was the weakness
00:03:05,280 → 00:03:08,449 today the weakness today was the mystery
00:03:08,459 → 00:03:11,149 the mystery what happened
00:03:11,159 → 00:03:16,369 everybody defines the mystery
Section 11: 00:03:16,379 – 00:03:46,080
00:03:16,379 → 00:03:18,710 and those who Define it who live the
00:03:18,720 → 00:03:21,890 fairy tale Define it as the secret
00:03:21,900 → 00:03:24,830 everybody knows it's the secret
00:03:24,840 → 00:03:27,410 great who has from great institutions
00:03:27,420 → 00:03:29,809 will tell you that and they'll say go
00:03:29,819 → 00:03:31,550 look it up
00:03:31,560 → 00:03:34,910 I suggest you do
00:03:34,920 → 00:03:38,149 and when you'll do when you do dig down
00:03:38,159 → 00:03:41,149 to the depth and get to the ground the
00:03:41,159 → 00:03:43,309 scientific ground you'll see it means
00:03:43,319 → 00:03:46,080 initiation
Section 12: 00:03:46,090 – 00:03:47,449
00:03:46,090 → 00:03:47,449 [Music]
Section 13: 00:03:47,459 – 00:04:11,750
00:03:47,459 → 00:03:51,470 it means initiator one who has one who
00:03:51,480 → 00:03:53,690 is directing
00:03:53,700 → 00:03:56,030 one who is leading the mostest is the
00:03:56,040 → 00:03:58,369 one who is leading the initiation it is
00:03:58,379 → 00:04:02,210 also the initiation when Jesus said I am
00:04:02,220 → 00:04:04,009 the way
00:04:04,019 → 00:04:06,770 he was saying that because the
00:04:06,780 → 00:04:11,750 initiation is the initiator
Section 14: 00:04:11,760 – 00:04:35,150
00:04:11,760 → 00:04:13,130 yeah
00:04:13,140 → 00:04:16,370 he is the way
00:04:16,380 → 00:04:20,949 yes very good so when someone get back
00:04:20,959 → 00:04:24,050 get back youngest did you see what he
00:04:24,060 → 00:04:26,749 did here yo get down
00:04:26,759 → 00:04:29,629 right get your whip where's my whips get
00:04:29,639 → 00:04:35,150 you broke my cup
Section 15: 00:04:35,160 – 00:05:02,810
00:04:35,160 → 00:04:37,730 it was young
00:04:37,740 → 00:04:41,930 if young understood the mystery
00:04:41,940 → 00:04:45,170 you are never going to understand Young
00:04:45,180 → 00:04:48,770 until you open your eyes
00:04:48,780 → 00:04:51,290 until you have ears to hear
00:04:51,300 → 00:04:53,930 and until then don't pretend don't sit
00:04:53,940 → 00:04:58,870 in your Palace your lofty Palace and
00:04:58,880 → 00:05:02,810 potificate pontificatiously
Section 16: 00:05:02,820 – 00:05:39,409
00:05:02,820 → 00:05:06,830 no you don't everybody here who is in
00:05:06,840 → 00:05:09,890 this congregation knows this Temple is
00:05:09,900 → 00:05:11,090 sacred
00:05:11,100 → 00:05:15,230 here we can go to the source here we can
00:05:15,240 → 00:05:19,010 find out what was being said and here
00:05:19,020 → 00:05:21,350 tonight I'd like to start so shout out
00:05:21,360 → 00:05:24,230 to the those of you who are those of you
00:05:24,240 → 00:05:26,390 who are used and abused
00:05:26,400 → 00:05:29,810 yeah it's time for us to stand up and
00:05:29,820 → 00:05:31,850 take on our abusers
00:05:31,860 → 00:05:34,189 and that phony world that they keep
00:05:34,199 → 00:05:37,010 trying to shove down our throats that
00:05:37,020 → 00:05:39,409 fake world that you know doesn't exist
Section 17: 00:05:39,419 – 00:05:56,650
00:05:39,419 → 00:05:43,189 now your eyes have been open
00:05:43,199 → 00:05:46,310 yeah no more no more of that tonight I
00:05:46,320 → 00:05:49,070 invite you to come to Salome we go to
00:05:49,080 → 00:05:51,710 sell me in order to get to Salome I want
00:05:51,720 → 00:05:56,650 to resurrect the ghost of Oscar Wilde
Section 18: 00:05:56,660 – 00:06:38,749
00:05:56,660 → 00:06:00,469 you say I could have gone Crowley
00:06:00,479 → 00:06:04,129 oh yes well you know
00:06:04,800 → 00:06:08,890 when given a choice between a fine
00:06:08,900 → 00:06:13,010 French cuisine and McDonald's I have to
00:06:13,020 → 00:06:14,150 choose
00:06:14,160 → 00:06:17,570 Oscar Wilde thank you very much
00:06:17,580 → 00:06:18,890 um I want to read to you a couple of
00:06:18,900 → 00:06:21,110 lines here's a good one to start here's
00:06:21,120 → 00:06:23,990 a good one to start how good to see the
00:06:24,000 → 00:06:25,490 moon
00:06:25,500 → 00:06:28,249 she is like a little piece of money
00:06:28,259 → 00:06:30,590 a little silver flower
00:06:30,600 → 00:06:33,050 she is cold and Chase
00:06:33,060 → 00:06:35,390 I am sure she is a virgin
00:06:35,400 → 00:06:38,749 she has the beauty of a virgin
Section 19: 00:06:38,759 – 00:07:29,749
00:06:38,759 → 00:06:42,529 yes she is a virgin she has never
00:06:42,539 → 00:06:46,610 defiled herself she has never abandoned
00:06:46,620 → 00:06:52,249 herself to men like the other goddesses
00:06:52,259 → 00:06:54,790 foreign
00:06:54,800 → 00:06:58,490 is the one who danced the one who danced
00:06:58,500 → 00:07:00,230 and killed the prophet
00:07:00,240 → 00:07:02,270 from her dance
00:07:02,280 → 00:07:04,370 came the head
00:07:04,380 → 00:07:07,070 on a silver platter
00:07:07,080 → 00:07:10,189 dressed in silver he was for his death
00:07:10,199 → 00:07:15,110 yes yes killing Saints why kill a saint
00:07:15,120 → 00:07:18,650 let's see let's see Oscar can you tell
00:07:20,160 → 00:07:22,909 um what John said
00:07:22,919 → 00:07:26,150 John said where is he whose cup of
00:07:26,160 → 00:07:29,749 Abominations is now full
Section 20: 00:07:29,759 – 00:07:50,230
00:07:29,759 → 00:07:32,330 where is he who in a robe of silver
00:07:32,340 → 00:07:35,029 shall one day die in the face of all the
00:07:35,039 → 00:07:38,629 people it's you John it's you
00:07:38,639 → 00:07:42,170 bid him come forth that he may hear the
00:07:42,180 → 00:07:45,469 voice of him who hath cried in the waste
00:07:45,479 → 00:07:50,230 places and in the houses of Kings
Section 21: 00:07:50,240 – 00:08:26,809
00:07:50,240 → 00:07:54,230 Salome of whom is he speaking a young
00:07:54,240 → 00:07:58,550 Syrian no one can tell princess
00:07:58,560 → 00:07:59,990 John
00:08:00,000 → 00:08:02,990 where is she who saw the images of men
00:08:03,000 → 00:08:05,629 painted on the walls you and I have seen
00:08:05,639 → 00:08:08,450 these images we know where they are
00:08:08,460 → 00:08:12,469 thank you you dirty perverted Ezekiel
00:08:12,479 → 00:08:15,529 even the images of the Chaldeans painted
00:08:15,539 → 00:08:17,150 with colors
00:08:17,160 → 00:08:19,490 and gave herself up to the lust of her
00:08:19,500 → 00:08:20,330 eyes
00:08:20,340 → 00:08:23,150 and sent ambassadors in the land into
00:08:23,160 → 00:08:26,809 the land of caldea
Section 22: 00:08:26,819 – 00:08:58,550
00:08:26,819 → 00:08:30,110 Salome it is of my mother that he is
00:08:30,120 → 00:08:31,670 speaking
00:08:31,680 → 00:08:35,630 a young Syrian oh no princess Salome yes
00:08:35,640 → 00:08:39,110 it is of my mother that he is speaking
00:08:39,120 → 00:08:42,709 her mother is herodious
00:08:42,719 → 00:08:46,190 and who is herodias she happens to be
00:08:46,200 → 00:08:47,810 um if you're living in the Middle Ages
00:08:47,820 → 00:08:50,750 she happens to be a very important witch
00:08:50,760 → 00:08:52,009 Queen
00:08:52,019 → 00:08:54,710 yes if you're living in Antiquity she
00:08:54,720 → 00:08:56,690 happens to be a very important Witch
00:08:56,700 → 00:08:58,550 Princess
Section 23: 00:08:58,560 – 00:09:01,910
00:08:58,560 → 00:09:01,910 yes
Section 24: 00:09:01,920 – 00:09:33,590
00:09:01,920 → 00:09:04,130 um we see her originally
00:09:04,140 → 00:09:06,829 ultimately elevated to Queen
00:09:06,839 → 00:09:10,250 yes with her daughter Salome
00:09:10,260 → 00:09:12,470 isn't that nice
00:09:12,480 → 00:09:14,389 what is Salome
00:09:14,399 → 00:09:16,910 think
00:09:16,920 → 00:09:20,030 it's my mother he's talking about
00:09:20,040 → 00:09:23,630 who is she who is the moon as you begin
00:09:23,640 → 00:09:26,509 to see you can use this guide to show
00:09:26,519 → 00:09:30,230 yourself use Wild's ghosts to show
00:09:30,240 → 00:09:33,590 yourself the rights
Section 25: 00:09:33,600 – 00:10:08,810
00:09:33,600 → 00:09:35,870 where is she who gave herself unto the
00:09:35,880 → 00:09:37,670 captain of Assyria
00:09:37,680 → 00:09:40,550 who have baldricks on their loins and
00:09:40,560 → 00:09:42,410 crowns of Many Colors on their heads
00:09:42,420 → 00:09:44,930 where is she who has given herself to
00:09:44,940 → 00:09:47,210 the young men of the Egyptians
00:09:47,220 → 00:09:49,610 who are clothed in fine linen and
00:09:49,620 → 00:09:53,030 Hyacinth whose Shields are of gold whose
00:09:53,040 → 00:09:55,190 helmets are silver whose bodies are
00:09:55,200 → 00:09:56,269 mighty
00:09:56,279 → 00:09:58,850 go bid her Rise Up from the bed of her
00:09:58,860 → 00:10:01,329 Abominations from the bed of her
00:10:01,339 → 00:10:03,889 incestuousness that she may hear the
00:10:03,899 → 00:10:05,990 words of him who prepareth the way of
00:10:06,000 → 00:10:08,810 the Lord that she may rep repent of her
Section 26: 00:10:08,820 – 00:10:38,509
00:10:08,820 → 00:10:10,070 iniquities
00:10:10,080 → 00:10:12,470 that she will not repent but will stick
00:10:12,480 → 00:10:17,210 fast in her Abominations go bid her come
00:10:17,220 → 00:10:20,150 for the fan of the Lord is at hand
00:10:20,160 → 00:10:24,170 Salome ah but he is terrible
00:10:24,180 → 00:10:25,730 terrible
00:10:25,740 → 00:10:27,530 the young Syrian
00:10:27,540 → 00:10:30,050 do not stay here princess
00:10:30,060 → 00:10:34,850 Salome it is his eyes above all that are
00:10:34,860 → 00:10:38,509 terrible
Section 27: 00:10:38,519 – 00:10:57,710
00:10:38,519 → 00:10:40,850 they're like black holes burned by
00:10:40,860 → 00:10:43,610 torches in the tapestry of Tire they're
00:10:43,620 → 00:10:45,590 like the Black Caverns where the dragons
00:10:45,600 → 00:10:48,949 live the Black Caverns of Egypt in which
00:10:48,959 → 00:10:51,769 the dragons make their layers
00:10:51,779 → 00:10:54,949 they're like black legs troubled by
00:10:54,959 → 00:10:57,710 fantastic moons
Section 28: 00:10:57,720 – 00:11:20,590
00:10:57,720 → 00:10:59,329 do you think she will speak he will
00:10:59,339 → 00:11:01,310 speak again the young Syrian do not stay
00:11:01,320 → 00:11:03,829 here princess I pray you do not stay
00:11:03,839 → 00:11:08,269 here sell me how wasted he is
00:11:08,279 → 00:11:12,110 he's like a thin Ivory statue he's like
00:11:12,120 → 00:11:14,030 an image of silver
00:11:14,040 → 00:11:20,590 I'm sure he is chased
Section 29: 00:11:20,600 – 00:11:25,370
00:11:20,600 → 00:11:25,370 as is the Moon
Section 30: 00:11:25,380 – 00:11:49,090
00:11:25,380 → 00:11:29,090 he's like a Moonbeam like a shaft of
00:11:29,100 → 00:11:33,889 silver his flesh must be very cold cold
00:11:33,899 → 00:11:35,750 as ivory
00:11:35,760 → 00:11:37,970 I would look closer at him
00:11:37,980 → 00:11:41,569 no no princess Salome I must look at him
00:11:41,579 → 00:11:43,730 closer the young Syrian princess
00:11:43,740 → 00:11:45,470 princess
00:11:45,480 → 00:11:49,090 John
Section 31: 00:11:49,100 – 00:12:15,610
00:11:49,100 → 00:11:54,350 who is this woman who is looking at me I
00:11:54,360 → 00:11:56,449 will not have her look at me
00:11:56,459 → 00:11:59,030 wherefore does she look at me with her
00:11:59,040 → 00:12:02,449 golden eyes under her gilded eyelids I
00:12:02,459 → 00:12:05,090 know not who she is I do not desire to
00:12:05,100 → 00:12:08,509 know who she is but her be gone it is
00:12:08,519 → 00:12:11,050 not to her that I would speak
00:12:11,060 → 00:12:15,610 I am Salome daughter of herodias
Section 32: 00:12:15,620 – 00:12:43,550
00:12:15,620 → 00:12:20,389 Princess of Judea John back daughter of
00:12:20,399 → 00:12:23,690 Babylon come not near the chosen of the
00:12:23,700 → 00:12:25,970 Lord the mother has filled the Earth
00:12:25,980 → 00:12:28,910 with the wine your mother has filled the
00:12:28,920 → 00:12:31,090 Earth with the wine of her iniquities
00:12:31,100 → 00:12:34,730 and the Cry of her sinning has come up
00:12:34,740 → 00:12:37,970 even to the ears of God
00:12:37,980 → 00:12:43,550 foreign
Section 33: 00:12:43,560 – 00:13:06,530
00:12:43,560 → 00:12:45,530 daughter of Sodom
00:12:45,540 → 00:12:48,829 come not near me but cover your face
00:12:48,839 → 00:12:51,889 with a veil and Scatter ashes upon your
00:12:51,899 → 00:12:52,970 head
00:12:52,980 → 00:12:57,050 and get thee to the desert and seek out
00:12:57,060 → 00:13:06,530 the son of man
Section 34: 00:13:06,540 – 00:13:29,810
00:13:06,540 → 00:13:08,030 was it
00:13:08,040 → 00:13:10,610 a conscious process
00:13:10,620 → 00:13:14,269 that brought forth this right
00:13:14,279 → 00:13:16,629 or was it something
00:13:16,639 → 00:13:21,290 of the design of a Classics design a way
00:13:21,300 → 00:13:23,110 to bring to you
00:13:23,120 → 00:13:25,430 encapsulate a mystery
00:13:25,440 → 00:13:29,810 if you are able to read
Section 35: 00:13:29,820 – 00:14:31,069
00:13:29,820 → 00:13:33,710 Oscar Wilde Salome and have ears to hear
00:13:33,720 → 00:13:36,850 you will see her
00:13:36,860 → 00:13:42,050 whom the Mysteries hold as a center
00:13:42,060 → 00:13:46,129 you will see the aid alone Oscar Wilde
00:13:46,139 → 00:13:50,449 was able to bring you the a domon
00:13:50,459 → 00:13:52,430 the image
00:13:52,440 → 00:13:54,949 of the queen
00:13:54,959 → 00:13:56,150 yeah
00:13:56,160 → 00:13:59,150 yeah if you're going
00:13:59,160 → 00:14:02,269 to sit in an ivory Tower
00:14:02,279 → 00:14:06,170 and talk about the mystery as a secret
00:14:06,180 → 00:14:09,590 those of us who have been to the
00:14:09,600 → 00:14:11,829 sources will know
00:14:11,839 → 00:14:15,949 that you are making things up
00:14:15,959 → 00:14:19,550 from the perspective of the detritus of
00:14:19,560 → 00:14:22,490 the last 2 000 years
00:14:22,500 → 00:14:27,290 you are perpetuating a false world that
00:14:27,300 → 00:14:31,069 does not exist the reality is far more
Section 36: 00:14:31,079 – 00:14:51,230
00:14:31,079 → 00:14:32,990 interesting
00:14:33,000 → 00:14:36,650 far more interesting
00:14:36,660 → 00:14:41,389 Salome had John beheaded for a dance
00:14:41,399 → 00:14:43,370 it was in front
00:14:43,380 → 00:14:47,389 of the king's highest generals and some
00:14:47,399 → 00:14:51,230 visiting potentates
Section 37: 00:14:51,240 – 00:14:59,449
00:14:51,240 → 00:14:53,569 doesn't sound like an average party to
00:14:54,360 → 00:14:56,389 because it sound like an Irish party to
00:14:56,399 → 00:14:59,449 you
Section 38: 00:14:59,459 – 00:15:05,509
00:14:59,459 → 00:15:05,509 if you believe the Coptic sources
Section 39: 00:15:05,519 – 00:15:12,590
00:15:05,519 → 00:15:08,569 you'll know that Mary the mother of
00:15:08,579 → 00:15:12,590 Jesus was herself
Section 40: 00:15:12,600 – 00:15:41,090
00:15:12,600 → 00:15:16,670 a priestess in the temple
00:15:16,680 → 00:15:19,009 and you'll know that she was involved
00:15:19,019 → 00:15:22,129 with the dancing of the purple
00:15:22,139 → 00:15:24,889 and you'll know that when the midwife
00:15:24,899 → 00:15:27,710 insert her fingers into her vagina to
00:15:27,720 → 00:15:31,009 palpate as any Midwife would do that's
00:15:31,019 → 00:15:34,730 practice to palpate her cervix she found
00:15:34,740 → 00:15:36,470 out she had to remove them because they
00:15:36,480 → 00:15:37,730 burned
00:15:37,740 → 00:15:41,090 they burned
Section 41: 00:15:41,100 – 00:16:07,129
00:15:41,100 → 00:15:43,490 Mary is there
00:15:43,500 → 00:15:46,069 Salome is there taking the head of the
00:15:46,079 → 00:15:48,170 Baptist
00:15:48,180 → 00:15:50,990 yes and how does she get that head she
00:15:51,000 → 00:15:54,590 gets that head for a dance
00:15:54,600 → 00:15:56,870 people don't consider
00:15:56,880 → 00:16:00,290 salome's greatest accomplishment was the
00:16:00,300 → 00:16:03,110 silencing of a prophet
00:16:03,120 → 00:16:07,129 through her dance
Section 42: 00:16:07,139 – 00:16:47,389
00:16:07,139 → 00:16:10,850 yeah what was she doing there
00:16:10,860 → 00:16:12,889 and what was it that
00:16:12,899 → 00:16:15,949 Herod had to Grant her
00:16:15,959 → 00:16:18,829 up to half of his kingdom because when
00:16:18,839 → 00:16:20,569 you swear things like that in public
00:16:20,579 → 00:16:23,509 here you know Antipas isn't the only one
00:16:23,519 → 00:16:24,889 doing this
00:16:24,899 → 00:16:27,590 right this is a classical convention you
00:16:27,600 → 00:16:28,790 see it all over the place early
00:16:28,800 → 00:16:31,730 literature the late stuff when you swear
00:16:31,740 → 00:16:34,610 when you take an oath
00:16:34,620 → 00:16:36,889 um and it's public
00:16:36,899 → 00:16:40,670 the ears that hear are witnesses
00:16:40,680 → 00:16:44,210 and for Herod to swear in front of these
00:16:44,220 → 00:16:47,389 assemble these assembled important big
Section 43: 00:16:47,399 – 00:17:03,710
00:16:47,399 → 00:16:48,530 pants
00:16:48,540 → 00:16:51,590 that he was going to give her half the
00:16:51,600 → 00:16:52,910 kingdom
00:16:52,920 → 00:16:54,829 up to what she want he had to give her
00:16:54,839 → 00:16:56,090 everything
00:16:56,100 → 00:16:58,730 anything she asked for and she asked for
00:16:58,740 → 00:16:59,810 everything
00:16:59,820 → 00:17:03,710 right in order to re-establish
Section 44: 00:17:03,720 – 00:17:13,010
00:17:03,720 → 00:17:07,189 the rightful place of her own mother
00:17:07,199 → 00:17:13,010 who this Prophet was profaning
Section 45: 00:17:13,020 – 00:17:20,030
00:17:13,020 → 00:17:15,530 Oscar Wilde
00:17:15,540 → 00:17:20,030 had ears to hear
Section 46: 00:17:20,040 – 00:18:03,490
00:17:20,040 → 00:17:23,390 um he recognized the sources and so
00:17:23,400 → 00:17:26,890 that's why he can so accurately
00:17:26,900 → 00:17:28,669 label
00:17:28,679 → 00:17:30,590 Salome
00:17:30,600 → 00:17:34,250 the moon of the mystery she meets you in
00:17:34,260 → 00:17:36,110 the cave
00:17:36,120 → 00:17:38,570 while you sleep
00:17:38,580 → 00:17:40,490 yes so
00:17:40,500 → 00:17:42,230 um next time a union
00:17:42,240 → 00:17:44,930 grabs you and takes you behind the
00:17:44,940 → 00:17:46,610 somewhere dark
00:17:46,620 → 00:17:48,710 in an alley somewhere it doesn't matter
00:17:48,720 → 00:17:51,470 under a bush doesn't matter wherever
00:17:51,480 → 00:17:53,510 this jungian wants to drag you and take
00:17:53,520 → 00:17:57,350 you and they have the guts the temerity
00:17:57,360 → 00:18:03,490 the unmitigated brashness
Section 47: 00:18:03,500 – 00:18:26,750
00:18:03,500 → 00:18:07,490 to say shut up
00:18:07,500 → 00:18:09,529 to say
00:18:09,539 → 00:18:12,830 that mystery is a secret it shows you
00:18:12,840 → 00:18:15,669 they have not yet opened the red book
00:18:15,679 → 00:18:19,190 they do not possess the Libra nois
00:18:19,200 → 00:18:22,190 es right they don't know how to wield
00:18:22,200 → 00:18:24,470 the
00:18:24,480 → 00:18:26,750 the serpent
Section 48: 00:18:26,760 – 00:19:08,029
00:18:26,760 → 00:18:28,549 wand
00:18:28,559 → 00:18:30,770 of the
00:18:30,780 → 00:18:36,169 girl who was half virgin half Viper
00:18:36,179 → 00:18:39,169 the very images that
00:18:39,179 → 00:18:42,409 young was possessed by
00:18:42,419 → 00:18:46,430 when he sealed his Libra nois yes don't
00:18:46,440 → 00:18:48,529 let them take you behind in the bushes
00:18:48,539 → 00:18:50,210 and give you something that's that's
00:18:50,220 → 00:18:51,710 from the last two thousand years of
00:18:51,720 → 00:18:54,650 detritus it's not reality I was talking
00:18:54,660 → 00:18:56,150 with someone this week and I want to
00:18:56,160 → 00:18:58,669 jump to our hymn In closing but I was
00:18:58,679 → 00:19:01,370 talking to someone this week
00:19:01,380 → 00:19:05,630 um yes about the incident in the garden
00:19:05,640 → 00:19:08,029 the incident in the garden and setting
Section 49: 00:19:08,039 – 00:19:45,650
00:19:08,039 → 00:19:10,370 up the scene of that incident in the
00:19:10,380 → 00:19:12,049 garden
00:19:12,059 → 00:19:14,990 um and I just want to
00:19:15,000 → 00:19:16,909 yeah because you closed that that's a
00:19:16,919 → 00:19:20,029 little bit rude sorry I've got teenager
00:19:20,039 → 00:19:22,630 um that incident in the garden
00:19:22,640 → 00:19:25,669 uh where we're talking about the setting
00:19:25,679 → 00:19:27,470 of that place remember there are three
00:19:27,480 → 00:19:29,570 men who are standing at a distance
00:19:29,580 → 00:19:32,270 you're detectives right there were three
00:19:32,280 → 00:19:34,549 men in a public park
00:19:34,559 → 00:19:36,529 at 4am
00:19:36,539 → 00:19:38,990 and there there's one guy
00:19:39,000 → 00:19:41,270 and there's three other guys standing in
00:19:41,280 → 00:19:43,669 a distance from him keeping watch and
00:19:43,679 → 00:19:45,650 they're armed because they end up when
Section 50: 00:19:45,660 – 00:20:22,669
00:19:45,660 → 00:19:48,049 the cops end up showing up to make the
00:19:48,059 → 00:19:50,870 arrest with their informant they've got
00:19:50,880 → 00:19:53,450 their informant with them right he's
00:19:53,460 → 00:19:56,810 gonna actually point out the leader of
00:19:56,820 → 00:19:58,610 what's going on
00:19:58,620 → 00:20:01,490 and when they show up and that naked kid
00:20:01,500 → 00:20:05,570 runs off and somebody pulls out a sword
00:20:05,580 → 00:20:08,510 and starts swaying at somebody I yeah
00:20:08,520 → 00:20:10,669 somebody from the temple gets their ear
00:20:10,679 → 00:20:11,990 cut off
00:20:12,000 → 00:20:15,470 yeah and um we have to understand that
00:20:15,480 → 00:20:18,350 when the prostitutes show back up at the
00:20:18,360 → 00:20:20,570 crucifixion when not even the guys who
00:20:20,580 → 00:20:22,669 were there the enforcers would show up
Section 51: 00:20:22,679 – 00:21:00,289
00:20:22,679 → 00:20:25,909 and the mob is crying out kill this guy
00:20:25,919 → 00:20:27,890 kill this guy
00:20:27,900 → 00:20:31,789 we've got to establish that context to
00:20:31,799 → 00:20:33,590 see what he was actually doing there
00:20:33,600 → 00:20:35,990 what is the reality
00:20:36,000 → 00:20:39,409 right we we will not go back to fairy
00:20:39,419 → 00:20:42,230 tale world right we will not go back to
00:20:42,240 → 00:20:43,970 Charlton Heston
00:20:43,980 → 00:20:47,630 right no we must go forward and we must
00:20:47,640 → 00:20:50,570 know what all of these elements were
00:20:50,580 → 00:20:53,150 let's turn to for the sake of our
00:20:53,160 → 00:20:55,789 initiation let's turn to
00:20:55,799 → 00:20:57,770 um in this Bible study today with Salome
00:20:57,780 → 00:21:00,289 let's turn to the Divinity good thank
Section 52: 00:21:00,299 – 00:21:14,570
00:21:00,299 → 00:21:02,090 you for bringing that up Chewie
00:21:02,100 → 00:21:04,669 um this is an orphic hymn and I'm just
00:21:04,679 → 00:21:07,850 opening it here myself and I'm going to
00:21:07,860 → 00:21:10,190 read it to you I'm going to translate it
00:21:10,200 → 00:21:14,570 to you from this Greek text
Section 53: 00:21:14,580 – 00:21:20,409
00:21:15,240 → 00:21:20,409 yes there's more foreign
Section 54: 00:21:20,419 – 00:21:40,370
00:21:20,419 → 00:21:25,130 yes I call upon the thesma for Dionysus
00:21:25,140 → 00:21:29,510 the phasma 4 the one who brings themus
00:21:29,520 → 00:21:31,669 themus right by the way this is a
00:21:31,679 → 00:21:33,049 woman's voice
00:21:33,059 → 00:21:34,549 for those of you out here who think a
00:21:34,559 → 00:21:37,130 man is saying this you're wrong this is
00:21:37,140 → 00:21:40,370 performed during the thesmaphoria
Section 55: 00:21:40,380 – 00:22:16,669
00:21:40,380 → 00:21:42,830 and and if we just need to catch up
00:21:42,840 → 00:21:46,610 think rights of the Korah rights of the
00:21:46,620 → 00:21:49,250 Korah celebrations of eluses
00:21:49,260 → 00:21:52,390 all right the thesmaphoria is an event
00:21:52,400 → 00:21:55,970 women only there are only women seeing
00:21:55,980 → 00:21:58,310 these hymns so when you shave your head
00:21:58,320 → 00:22:00,350 don't be surprised that I don't tell you
00:22:00,360 → 00:22:02,810 you need to shave your beard because if
00:22:02,820 → 00:22:04,430 you're a woman in Antiquity you don't
00:22:04,440 → 00:22:06,950 have to worry about that
00:22:06,960 → 00:22:08,149 yeah
00:22:08,159 → 00:22:11,690 yeah I mean don't don't get me wrong the
00:22:11,700 → 00:22:13,909 doctors have all sorts of plasters and
00:22:13,919 → 00:22:16,669 stuff to take care of uh you know little
Section 56: 00:22:16,679 – 00:22:39,590
00:22:16,679 → 00:22:19,490 hairs but um we're not shaving our
00:22:19,500 → 00:22:21,049 beards we're shaving our heads because
00:22:21,059 → 00:22:23,090 we are women
00:22:23,100 → 00:22:25,549 so hold that in mind this may surprise
00:22:25,559 → 00:22:27,049 you I want to take you to him the hymn
00:22:27,059 → 00:22:28,250 of Misa
00:22:28,260 → 00:22:30,890 um I call upon the phasma for the
00:22:30,900 → 00:22:34,070 narthex Bearer what's the narthex that's
00:22:34,080 → 00:22:36,110 that empty
00:22:36,120 → 00:22:39,590 um hollowed out
Section 57: 00:22:39,600 – 00:23:12,580
00:22:39,600 → 00:22:40,909 Kane
00:22:40,919 → 00:22:43,549 that's that that that's that uh
00:22:43,559 → 00:22:46,130 instrument that carries the fire of
00:22:46,140 → 00:22:47,690 Prometheus
00:22:47,700 → 00:22:51,169 yeah it's a read right it's a read
00:22:51,179 → 00:22:55,490 good and it's carried by Dionysus
00:22:55,500 → 00:22:58,669 yes you may also know Prometheus
00:22:58,679 → 00:23:02,029 he hid the fire of Zeus for those of you
00:23:02,039 → 00:23:04,070 who have ears to hear you'll know that
00:23:04,080 → 00:23:06,529 he hid the fire of Zeus in the north
00:23:06,539 → 00:23:09,549 decks that's what he brings
00:23:09,559 → 00:23:12,580 Stone second line Paulo ornament
Section 58: 00:23:12,590 – 00:23:14,750
00:23:12,590 → 00:23:14,750 [Music]
Section 59: 00:23:14,760 – 00:23:41,690
00:23:14,760 → 00:23:19,310 um seed that is most remembered
00:23:19,320 → 00:23:20,990 seed
00:23:21,000 → 00:23:23,810 I remember we're thinking like Bronze
00:23:23,820 → 00:23:26,149 Age Greeks we're thinking like Farmers
00:23:26,159 → 00:23:28,370 we're talking about series The Golden
00:23:28,380 → 00:23:30,649 Fields were about to come across we're
00:23:30,659 → 00:23:33,590 about to come across Isis in Egypt and
00:23:33,600 → 00:23:35,870 the banks of the Nile this is where we
00:23:35,880 → 00:23:37,850 are all right we're not writing this
00:23:37,860 → 00:23:39,770 from Mars
00:23:39,780 → 00:23:41,690 good
Section 60: 00:23:41,700 – 00:24:16,070
00:23:41,700 → 00:23:44,990 what is her name holy Misa wait a minute
00:23:45,000 → 00:23:48,110 you boolius who is you bulliest you
00:23:48,120 → 00:23:50,750 bully says that dude that mortal that
00:23:50,760 → 00:23:54,409 Witnesses the Abduction of the Korah
00:23:54,419 → 00:23:57,770 he's the only mortal and he brings that
00:23:57,780 → 00:24:00,950 he brings that wisdom
00:24:00,960 → 00:24:03,649 and so is therefore involved eubilius is
00:24:03,659 → 00:24:07,430 in the rights you Bullis is Dionysus
00:24:07,440 → 00:24:10,310 yes it's an apathet used for Dionysus
00:24:10,320 → 00:24:14,210 wait a minute Dionysus is a person yeah
00:24:14,220 → 00:24:16,070 yep
Section 61: 00:24:16,080 – 00:24:57,380
00:24:16,080 → 00:24:17,870 right
00:24:17,880 → 00:24:19,130 um now you understand why they talk
00:24:19,140 → 00:24:20,990 about possession so much
00:24:21,000 → 00:24:22,430 good
00:24:22,440 → 00:24:25,789 um what is this Dionysus this Dionysus
00:24:25,799 → 00:24:28,490 is Misa and the translators
00:24:28,500 → 00:24:31,789 um at least
00:24:31,799 → 00:24:33,649 um I don't remember Taylor's but often a
00:24:33,659 → 00:24:35,690 song is this translation of this which
00:24:35,700 → 00:24:38,990 is generally good here um has to you
00:24:39,000 → 00:24:41,330 have to make a decision because the text
00:24:41,340 → 00:24:43,250 all all of a sudden switches from
00:24:43,260 → 00:24:45,649 masculine to feminine starts describing
00:24:45,659 → 00:24:48,950 a female goddess saying she is Holy
00:24:48,960 → 00:24:52,730 yeah and she is unspoken they are Ray
00:24:52,740 → 00:24:56,149 tone the unspoken the Unspeakable the
00:24:56,159 → 00:24:57,380 ineffable
Section 62: 00:24:57,390 – 00:24:58,690
00:24:57,390 → 00:24:58,690 [Music]
Section 63: 00:24:58,700 – 00:25:22,310
00:24:58,700 → 00:25:00,970 using the old
00:25:00,980 → 00:25:04,190 Mycenaean wanasa
00:25:04,200 → 00:25:06,230 the word for that princess remember the
00:25:06,240 → 00:25:07,909 scythian princess that they found
00:25:07,919 → 00:25:10,430 whoever wearing that Crown that's a
00:25:10,440 → 00:25:13,130 wanna saw that's a Bronze Age Queen
00:25:13,140 → 00:25:17,210 right there Mary hello Mary beard
00:25:17,220 → 00:25:22,310 yes we're talking about women only cults
Section 64: 00:25:22,320 – 00:26:01,310
00:25:22,320 → 00:25:24,710 we're talking about women's performances
00:25:24,720 → 00:25:28,490 we're talking about Queens Mary you need
00:25:28,500 → 00:25:32,210 to wake up Mary wake up Mary
00:25:32,220 → 00:25:36,169 devil calling Mary Beard wake up
00:25:36,179 → 00:25:40,010 um yeah so uh and here I I just want to
00:25:40,020 → 00:25:42,230 because we're wrapped for time here the
00:25:42,240 → 00:25:44,330 window's closing I just want to finish
00:25:44,340 → 00:25:45,950 our hymn here yeah
00:25:45,960 → 00:25:47,269 um it talks about
00:25:47,279 → 00:25:50,029 um being an elusive at their rights and
00:25:50,039 → 00:25:51,710 how nice that is and he talks about
00:25:51,720 → 00:25:56,090 Cyprus right Beyond Cyprus with with the
00:25:56,100 → 00:25:59,330 beautiful crown kissarea right right
00:25:59,340 → 00:26:01,310 uranium we're talking about the worship
Section 65: 00:26:01,320 – 00:26:42,049
00:26:01,320 → 00:26:04,190 of urania here and that you mean that's
00:26:04,200 → 00:26:08,570 the same as little yes yes right this is
00:26:08,580 → 00:26:12,230 the this is the thimis bringer right
00:26:12,240 → 00:26:15,710 this is the phasma 4. this is the one
00:26:15,720 → 00:26:19,070 who brings us the law this is oh did you
00:26:19,080 → 00:26:21,049 feel that shiver wait a minute what was
00:26:21,059 → 00:26:23,570 that yeah it's that's the component of
00:26:23,580 → 00:26:27,710 the mystery religion the Oracle you mean
00:26:27,720 → 00:26:30,549 Judaism and Christianity or offshoots of
00:26:30,559 → 00:26:33,289 saturnia and Bronze Age worship yeah
00:26:33,299 → 00:26:36,710 they are oracular saturnian Bronze Age
00:26:36,720 → 00:26:39,649 worship we are bringing Themis
00:26:39,659 → 00:26:42,049 right only the law
Section 66: 00:26:42,059 – 00:27:18,049
00:26:42,059 → 00:26:45,169 on the Pagan's side is the she
00:26:45,179 → 00:26:47,269 is a sheet remember we've got to dress
00:26:47,279 → 00:26:49,370 up you ever see a bacon dressed like a
00:26:49,380 → 00:26:51,049 man no
00:26:51,059 → 00:26:53,330 Rockets dressed like women
00:26:53,340 → 00:26:57,890 mean ads are the power they're the ones
00:26:57,900 → 00:27:00,470 the women they're the ones who are
00:27:00,480 → 00:27:02,210 performing the rights
00:27:02,220 → 00:27:05,149 all right you and I you and I if we want
00:27:05,159 → 00:27:07,669 to see if we want to get close you gotta
00:27:07,679 → 00:27:09,350 dress like women
00:27:09,360 → 00:27:11,510 you got dressed like women for those of
00:27:11,520 → 00:27:14,570 you with ears to hear yes where else are
00:27:14,580 → 00:27:18,049 we we're by the we're by your mother
Section 67: 00:27:18,059 – 00:27:55,909
00:27:18,059 → 00:27:21,950 or by your mother phasma 4 or by your
00:27:21,960 → 00:27:25,490 mother who is that the melanophor Isis
00:27:25,500 → 00:27:30,049 the milanaphor what is a melanophore
00:27:30,059 → 00:27:32,630 remember this four is a term that's used
00:27:32,640 → 00:27:35,090 in drug and cult right it's using a
00:27:35,100 → 00:27:38,330 medical sign cult side it's a carrier of
00:27:38,340 → 00:27:41,810 who is Lady Babylon she's a carrier of
00:27:41,820 → 00:27:43,010 that water
00:27:43,020 → 00:27:45,710 she's the one who operates within that
00:27:45,720 → 00:27:48,049 realm who is
00:27:48,059 → 00:27:52,130 who is Misa she is the carrier of the
00:27:52,140 → 00:27:53,090 black
00:27:53,100 → 00:27:55,909 of the darkness
Section 68: 00:27:55,919 – 00:28:17,570
00:27:55,919 → 00:28:00,769 she is a carrier of that toward John
00:28:00,779 → 00:28:03,430 that which reaches toward Dawn remember
00:28:03,440 → 00:28:05,990 these are the dawnbringers that we're
00:28:06,000 → 00:28:08,330 talking about this is a family that
00:28:08,340 → 00:28:12,830 predates Genesis upon which Genesis is
00:28:12,840 → 00:28:17,570 based these are the dawnbringers those
Section 69: 00:28:17,580 – 00:28:33,710
00:28:17,580 → 00:28:19,789 who Open the Eyes
00:28:19,799 → 00:28:22,250 isn't that nice those who Open the Eyes
00:28:22,260 → 00:28:24,529 they used to they used to shout Edwards
00:28:24,539 → 00:28:27,730 here in this hymn they Shout yakos
00:28:27,740 → 00:28:33,710 iak cross
Section 70: 00:28:33,720 – 00:29:02,870
00:28:33,720 → 00:28:37,730 another name of Dionysus
00:28:37,740 → 00:28:40,610 yes another name of Dionysus this is
00:28:40,620 → 00:28:43,130 what they shout if you are going to
00:28:43,140 → 00:28:44,269 enter in
00:28:44,279 → 00:28:47,990 to the unassailable freedom
00:28:48,000 → 00:28:50,570 if you're going to
00:28:50,580 → 00:28:54,110 become the initiate
00:28:54,120 → 00:28:57,649 if you're going to take that Rift
00:28:57,659 → 00:28:59,529 of reality
00:28:59,539 → 00:29:02,870 and open it up
Section 71: 00:29:02,880 – 00:29:21,289
00:29:02,880 → 00:29:07,310 peel it back and walk into it
00:29:07,320 → 00:29:10,610 if you're going to do that
00:29:11,340 → 00:29:14,090 you'll have to walk the way
00:29:14,100 → 00:29:16,490 you'll have to walk the way and that
00:29:16,500 → 00:29:18,070 won't be determined by any person
00:29:18,080 → 00:29:21,289 there's a reason
Section 72: 00:29:21,299 – 00:30:04,250
00:29:21,299 → 00:29:23,750 did you ever notice they've got some
00:29:23,760 → 00:29:27,049 funny stuff going on in Corinth right in
00:29:27,059 → 00:29:29,210 this funny kind of incestuous stuff
00:29:29,220 → 00:29:32,450 going on there's some funny sexual stuff
00:29:32,460 → 00:29:34,490 going on there's a father and his
00:29:34,500 → 00:29:37,850 daughter and Paul says give that give
00:29:37,860 → 00:29:40,370 the guy over to Satan
00:29:40,380 → 00:29:43,010 nobody ever questions what what wait
00:29:43,020 → 00:29:45,049 wait what
00:29:46,020 → 00:29:49,310 give the guy over to Satan as if it's a
00:29:49,320 → 00:29:50,990 Direction
00:29:51,000 → 00:29:53,510 for them to execute
00:29:53,520 → 00:29:56,930 he's not just throwing him a metaphor
00:29:56,940 → 00:30:00,110 he's telling them to perform a process
00:30:00,120 → 00:30:04,250 to deliver that person over to the devil
Section 73: 00:30:04,260 – 00:30:23,870
00:30:04,260 → 00:30:06,110 for what why would you give some to the
00:30:06,120 → 00:30:07,250 devil
00:30:07,260 → 00:30:10,789 for chastisement for punishment
00:30:10,799 → 00:30:15,110 yeah for purification you have been
00:30:15,120 → 00:30:17,990 handed over to the devil
00:30:18,000 → 00:30:20,330 for purification
00:30:20,340 → 00:30:23,870 yeah
Section 74: 00:30:23,880 – 00:31:00,169
00:30:23,880 → 00:30:26,570 do we end up in a dance
00:30:26,580 → 00:30:30,230 yep we end up with a dance with Salome
00:30:30,240 → 00:30:33,169 what kind of dance was that
00:30:33,179 → 00:30:35,269 it was a dance involving the
00:30:35,279 → 00:30:37,789 Abominations of her cop
00:30:37,799 → 00:30:41,269 yes and the ways of Sodom
00:30:41,279 → 00:30:43,789 yes if you don't know the ways of Sodom
00:30:43,799 → 00:30:46,250 it's because you don't have ears to hear
00:30:46,260 → 00:30:48,769 but there is a place
00:30:48,779 → 00:30:51,590 that you can go and a way that will take
00:30:51,600 → 00:30:53,810 you there
00:30:53,820 → 00:30:57,769 um and let's go now do we have I want to
00:30:57,779 → 00:31:00,169 take now we're done I just want to take
Section 75: 00:31:00,179 – 00:31:15,909
00:31:00,179 → 00:31:02,149 thank you for your 30 minutes today and
00:31:02,159 → 00:31:04,370 I'm taking it very seriously trying to
00:31:04,380 → 00:31:07,190 keep us to that hold us to that please
00:31:07,200 → 00:31:10,010 be careful out there do not get fingered
00:31:10,020 → 00:31:11,990 by an academic
00:31:12,000 → 00:31:15,909 okay we need reality
Section 76: 00:31:15,919 – 00:31:34,190
00:31:15,919 → 00:31:18,950 uh yeah because we're sworn to it right
00:31:18,960 → 00:31:21,049 reality reason
00:31:22,020 → 00:31:23,930 I've kept you to your 30 minutes I'm
00:31:23,940 → 00:31:26,450 gonna have Rob on for five to ten
00:31:26,460 → 00:31:29,810 minutes Rob tell me what do you want to
00:31:29,820 → 00:31:34,190 to uh do with this material
Section 77: 00:31:34,200 – 00:31:46,690
00:31:34,200 → 00:31:37,370 hey so I'm gonna be cheeky and say can
00:31:37,380 → 00:31:39,230 we get fingered by Oscar Wilde then
00:31:39,240 → 00:31:43,669 instead of the academic because
00:31:43,679 → 00:31:46,690 yeah
Section 78: 00:31:46,700 – 00:32:26,210
00:31:46,700 → 00:31:49,430 you've you've taken a look at Salome
00:31:49,440 → 00:31:51,769 you've taken along the salamate now tell
00:31:51,779 → 00:31:54,769 me what you see in Salome
00:31:54,779 → 00:31:58,850 coded it's it's coded to the hilt isn't
00:31:58,860 → 00:32:01,549 it how does Oscar Wilde
00:32:01,559 → 00:32:03,830 know how to
00:32:03,840 → 00:32:07,310 code this stuff and put it into a plate
00:32:07,320 → 00:32:10,850 that becomes something that's it's not
00:32:10,860 → 00:32:12,710 just a small thing this isn't I mean
00:32:12,720 → 00:32:14,149 you've got like
00:32:14,159 → 00:32:16,669 your mega stars who are obsessed with
00:32:16,679 → 00:32:18,529 this stuff you've got Al Pacino who's
00:32:18,539 → 00:32:22,010 he's obsessed with he's done a play he's
00:32:22,020 → 00:32:23,990 done a film he's doing a documentary of
00:32:24,000 → 00:32:26,210 a play of a film he's
Section 79: 00:32:26,220 – 00:32:46,750
00:32:26,220 → 00:32:29,690 in our day and age so he's reading
00:32:29,700 → 00:32:31,250 into this
00:32:31,260 → 00:32:33,049 I mean how does Oscar Wilde know about
00:32:33,059 → 00:32:35,630 the wines when he's writing this play
00:32:35,640 → 00:32:37,549 how does he
00:32:37,559 → 00:32:40,789 know is to include these wines because
00:32:40,799 → 00:32:44,029 it talks about three types of wines from
00:32:44,039 → 00:32:46,750 different areas
Section 80: 00:32:46,760 – 00:33:25,070
00:32:46,760 → 00:32:50,269 in in geography so how does he that
00:32:50,279 → 00:32:52,909 takes either because he hasn't got the
00:32:52,919 → 00:32:55,970 research capability we've got in his day
00:32:55,980 → 00:32:57,769 and age and so where's he getting his
00:32:57,779 → 00:32:58,789 information
00:32:58,799 → 00:33:01,130 that's the that's the big thing for me
00:33:01,140 → 00:33:02,990 he's getting his information from he
00:33:03,000 → 00:33:04,909 kind of stay as clear of the biblical
00:33:04,919 → 00:33:06,649 side of things
00:33:06,659 → 00:33:10,789 and gives salami agency he's kind of
00:33:10,799 → 00:33:13,490 gets she comes to the Forefront doesn't
00:33:13,500 → 00:33:15,950 she and she becomes the star
00:33:15,960 → 00:33:19,370 whereas it's um it's been portrayed for
00:33:19,380 → 00:33:23,330 so long as almost like a warning the the
00:33:23,340 → 00:33:25,070 kind of the kind of message what's
Section 81: 00:33:25,080 – 00:33:39,769
00:33:25,080 → 00:33:28,009 coming from down below through the vent
00:33:28,019 → 00:33:29,810 from
00:33:29,820 → 00:33:32,990 from John John I mean
00:33:33,000 → 00:33:39,769 it's John is talking apocalyptic
Section 82: 00:33:39,779 – 00:34:14,690
00:33:39,779 → 00:33:43,070 and sauce Lindsay but that doesn't come
00:33:43,080 → 00:33:46,029 until after
00:33:46,039 → 00:33:49,070 the moon's turning
00:33:49,080 → 00:33:51,049 blood red
00:33:51,059 → 00:33:53,810 and the sun's going dark and the sun's
00:33:53,820 → 00:33:55,190 staying into black and that that doesn't
00:33:55,200 → 00:33:56,990 come till later on does it
00:33:57,000 → 00:33:59,450 if you if you look at it in a historical
00:33:59,460 → 00:34:01,310 sense that doesn't come come till later
00:34:01,320 → 00:34:06,830 on so why is wild including this into I
00:34:06,840 → 00:34:08,089 mean it has he been initiated
00:34:08,099 → 00:34:10,010 essentially is where I'm going with this
00:34:10,020 → 00:34:12,530 is as Oscar Wilde been initiated because
00:34:12,540 → 00:34:14,690 if you were if you were to ask my
Section 83: 00:34:14,700 – 00:34:49,849
00:34:14,700 → 00:34:16,790 opinion I'd say yes I'd say it was
00:34:16,800 → 00:34:19,810 initiated through his education
00:34:19,820 → 00:34:22,190 what do you think about his being in
00:34:22,200 → 00:34:26,990 prison is that uh was that an initiation
00:34:27,000 → 00:34:29,570 um yeah I got a gas show because he's
00:34:29,580 → 00:34:32,570 he's feeling the Wrath he's talking
00:34:32,580 → 00:34:34,369 about the dragon and feeling the wrath
00:34:35,339 → 00:34:37,609 disclosing information there as far as
00:34:37,619 → 00:34:39,050 I'm concerned I think his disclosing
00:34:39,060 → 00:34:41,889 information You've Got To Have Some
00:34:41,899 → 00:34:44,450 balls you've got to have some balls to
00:34:44,460 → 00:34:47,690 put that kind of document out there
00:34:47,700 → 00:34:49,849 for those where the years to ear will be
Section 84: 00:34:49,859 – 00:35:23,150
00:34:49,859 → 00:34:51,889 listening to that document and they will
00:34:51,899 → 00:34:53,869 know what you're saying in that document
00:34:53,879 → 00:34:55,909 in that play you're making a play which
00:34:55,919 → 00:34:58,609 is going to become super famous it's
00:34:58,619 → 00:35:01,490 it's a super famous play you know in the
00:35:01,500 → 00:35:02,930 in the in the
00:35:02,940 → 00:35:07,130 there's there's it it's just it blows my
00:35:07,140 → 00:35:09,170 mind how he can
00:35:09,180 → 00:35:12,290 code this play and it's not a Long play
00:35:12,300 → 00:35:14,870 it's not a very long thing to comprehend
00:35:14,880 → 00:35:16,430 and understand
00:35:16,440 → 00:35:18,890 which filled it's absolutely filled and
00:35:18,900 → 00:35:21,589 that is what explodes out onto why you
00:35:21,599 → 00:35:23,150 can make films about it why you can
Section 85: 00:35:23,160 – 00:35:40,069
00:35:23,160 → 00:35:26,390 write show famous in my opinion so yeah
00:35:26,400 → 00:35:28,609 and I and I think you're correct to ask
00:35:28,619 → 00:35:30,829 because he'd been initiated that's the
00:35:30,839 → 00:35:33,829 same question you can ask with patchwork
00:35:33,839 → 00:35:36,410 who does everything who actually
00:35:36,420 → 00:35:40,069 performs necromantic sortes
Section 86: 00:35:40,079 – 00:36:14,390
00:35:40,079 → 00:35:42,050 um you can ask it's why the modern
00:35:42,060 → 00:35:44,690 Scholars on the Libra noas on Jung's
00:35:44,700 → 00:35:47,150 book will never catch up it's why
00:35:47,160 → 00:35:49,730 they're so behind and they're so lost in
00:35:50,700 → 00:35:52,670 um it's because they don't understand
00:35:52,680 → 00:35:56,089 the practice they can't comprehend that
00:35:56,099 → 00:35:57,650 practice
00:35:57,660 → 00:36:00,589 um so they'll talk about the symbols but
00:36:00,599 → 00:36:03,589 they'll entirely miss the the mystery in
00:36:03,599 → 00:36:06,349 which those symbols sit again they don't
00:36:06,359 → 00:36:08,930 have ears young says that he seals the
00:36:08,940 → 00:36:11,990 book where break the seal then right can
00:36:12,000 → 00:36:14,390 they no they can and they won't break
Section 87: 00:36:14,400 – 00:36:57,230
00:36:14,400 → 00:36:17,690 the seal right because why not no
00:36:17,700 → 00:36:19,609 respect for the muse
00:36:19,619 → 00:36:22,550 no respects for the Muse was Oscar Wilde
00:36:22,560 → 00:36:25,430 able to circumvent whatever it was
00:36:25,440 → 00:36:28,370 that's stopping the head of the great
00:36:28,380 → 00:36:30,849 organizations of the world academically
00:36:30,859 → 00:36:34,370 was was Oscar Wilde able to circumvent
00:36:34,380 → 00:36:36,109 it yeah he was able to go from the
00:36:36,119 → 00:36:39,470 outside he remained a guardian or a
00:36:39,480 → 00:36:42,710 dragon of those texts and he used all
00:36:42,720 → 00:36:45,829 the images that those texts contain
00:36:45,839 → 00:36:48,410 um just like patriarch
00:36:48,420 → 00:36:50,990 um just like boccaccio
00:36:51,000 → 00:36:53,630 um I would say just like Prova did as
00:36:53,640 → 00:36:57,230 far back as like fourth Century
Section 88: 00:36:57,240 – 00:37:41,270
00:36:57,240 → 00:37:00,050 um did by protecting protecting the
00:37:00,060 → 00:37:02,810 mystery and um using listen to The
00:37:02,820 → 00:37:05,450 Genius of this woman she she used Virgil
00:37:05,460 → 00:37:08,450 to write the
00:37:08,460 → 00:37:11,870 um New Testament to write the story of
00:37:11,880 → 00:37:14,410 Jesus she used Virgil
00:37:14,420 → 00:37:16,970 and when you think about that's that's
00:37:16,980 → 00:37:19,490 phenomenal it's it's not even in our
00:37:19,500 → 00:37:21,770 brains to be able to say I couldn't take
00:37:21,780 → 00:37:24,290 if I was a musician I couldn't take
00:37:24,300 → 00:37:28,450 Beethoven a Mozart and somebody else and
00:37:28,460 → 00:37:31,670 excerpt from them something to create a
00:37:31,680 → 00:37:33,950 symphony that sounded
00:37:33,960 → 00:37:35,230 um gorgeous
00:37:35,240 → 00:37:38,930 as if it's original work and yet she is
00:37:38,940 → 00:37:41,270 just using the elements how is she able
Section 89: 00:37:41,280 – 00:38:14,390
00:37:41,280 → 00:37:43,010 to do that because she understands the
00:37:43,020 → 00:37:45,890 mystery and how it functions they call
00:37:45,900 → 00:37:47,390 her they have to call her a Christian
00:37:47,400 → 00:37:51,410 because of it right it's that powerful
00:37:53,040 → 00:37:54,589 um if you want to function in the world
00:37:54,599 → 00:37:56,569 that we're still that we're in with this
00:37:56,579 → 00:37:58,849 myth and this fairy tale that we're
00:37:58,859 → 00:38:01,550 perpetuating fine I'd rather be with
00:38:01,560 → 00:38:03,650 those people like Prova who have opened
00:38:03,660 → 00:38:06,290 up the reality and are masters of it
00:38:06,300 → 00:38:09,530 that's yeah yeah so did Wild was wild
00:38:09,540 → 00:38:11,990 initiated I can
00:38:12,000 → 00:38:14,390 um I I would just say that he was he
Section 90: 00:38:14,400 – 00:38:34,370
00:38:14,400 → 00:38:17,690 uses the Dragon element yeah he does he
00:38:17,700 → 00:38:20,630 preserves the song but I would say no
00:38:20,640 → 00:38:22,849 more so than the Templars no more so
00:38:22,859 → 00:38:26,510 than any uh than Michelle or Mike
00:38:26,520 → 00:38:29,690 morulis marilis how does Mike morulis
00:38:29,700 → 00:38:34,370 write perfect cult poetry perfect hymns
Section 91: 00:38:34,380 – 00:38:55,150
00:38:34,380 → 00:38:37,970 to be used in rights how does he orphic
00:38:37,980 → 00:38:40,970 rights how does he do that
00:38:40,980 → 00:38:43,910 um when he's living it's like in the
00:38:43,920 → 00:38:46,490 Latin then sucks anyway it's terrible so
00:38:46,500 → 00:38:48,230 how does he how does he go back are
00:38:48,240 → 00:38:50,390 these dragons preserving I don't know
00:38:50,400 → 00:38:55,150 any word from arto on this any
Section 92: 00:38:55,160 – 00:39:28,130
00:38:55,160 → 00:38:57,530 yeah deep in the middle of all this yeah
00:38:57,540 → 00:38:59,089 that's
00:38:59,099 → 00:39:01,910 um I'm still on I'm still on Research in
00:39:01,920 → 00:39:04,430 Auto and I'm going to bring you some
00:39:04,440 → 00:39:05,870 more information
00:39:05,880 → 00:39:08,930 but yeah it was he went to Ireland
00:39:08,940 → 00:39:10,609 thinking there was an apocalypse about
00:39:10,619 → 00:39:13,550 trapping he actually just he made it all
00:39:13,560 → 00:39:15,710 the way to Ireland with no money
00:39:15,720 → 00:39:17,870 whatsoever he just used
00:39:17,880 → 00:39:20,510 um a letter from a from an official as
00:39:20,520 → 00:39:22,609 currency to get to Ireland
00:39:22,619 → 00:39:26,150 and when he got to Ireland nobody could
00:39:26,160 → 00:39:28,130 understand him nobody could figure out
Section 93: 00:39:28,140 – 00:40:01,870
00:39:28,140 → 00:39:30,589 what what he was saying because he
00:39:30,599 → 00:39:32,690 didn't speak Gaelic he didn't speak
00:39:32,700 → 00:39:35,089 English and they didn't speak French so
00:39:35,099 → 00:39:38,270 he really struggled so uh what I'd like
00:39:38,280 → 00:39:40,609 to do is offer more information as to
00:39:40,619 → 00:39:43,609 why he went there and where and what
00:39:43,619 → 00:39:45,530 happened to him when he come back so I
00:39:45,540 → 00:39:46,730 don't want to
00:39:46,740 → 00:39:49,010 go too early on that I'd like to give a
00:39:49,020 → 00:39:51,290 more detailed account and I'm really
00:39:51,300 → 00:39:54,010 going to reset appreciate John that
00:39:54,020 → 00:39:56,150 good and you're going to be talking to
00:39:56,160 → 00:39:57,829 us a little bit about his magic too and
00:39:57,839 → 00:39:59,569 some things you found out and he was
00:39:59,579 → 00:40:01,870 trying to protect someone great yeah
Section 94: 00:40:01,880 – 00:40:46,849
00:40:01,880 → 00:40:05,450 I've got to make amends there because I
00:40:05,460 → 00:40:07,730 I have presented
00:40:07,740 → 00:40:10,069 um a spell
00:40:10,079 → 00:40:12,710 on on the last Bible studies I presented
00:40:12,720 → 00:40:15,950 a spell that I interpreted as a death
00:40:15,960 → 00:40:16,990 threat
00:40:17,000 → 00:40:20,750 and I've recently got more information
00:40:20,760 → 00:40:23,870 on that and it's not a death threat what
00:40:23,880 → 00:40:26,390 it is is a protection spell
00:40:26,400 → 00:40:29,210 and I'm trying to piece together and
00:40:29,220 → 00:40:32,930 figure out the metaphoric basis of how
00:40:32,940 → 00:40:35,750 you say to somebody I'll send you the
00:40:35,760 → 00:40:37,490 force of death
00:40:37,500 → 00:40:40,370 in a protection Manner and somebody
00:40:40,380 → 00:40:42,829 commented on YouTube Somebody commented
00:40:42,839 → 00:40:44,089 after and said I don't think it's a
00:40:44,099 → 00:40:46,849 death threat and that made me Shack and
Section 95: 00:40:46,859 – 00:41:23,930
00:40:46,859 → 00:40:49,250 guess myself which is a good thing I
00:40:49,260 → 00:40:51,530 enjoy second guessing I don't mind being
00:40:51,540 → 00:40:54,349 mistaken and wrong and I'll certainly
00:40:54,359 → 00:40:56,950 address anything like that such as
00:40:56,960 → 00:40:59,270 another one I'm not very good at this am
00:40:59,280 → 00:41:02,030 I because he says Mary beard as far as I
00:41:02,040 → 00:41:04,730 can tell but the the English accent
00:41:04,740 → 00:41:07,430 would be different on that but then
00:41:07,440 → 00:41:10,790 yeah she it it's um
00:41:10,800 → 00:41:13,550 it's not a death threat what he sent in
00:41:13,560 → 00:41:16,550 this poor Sophia mossey
00:41:16,560 → 00:41:19,250 was I think she was Jewish and I think
00:41:19,260 → 00:41:20,930 she was taken off in
00:41:20,940 → 00:41:23,930 occupied occupied French German occupied
Section 96: 00:41:23,940 – 00:42:00,050
00:41:23,940 → 00:41:27,410 France and she was taken off which like
00:41:27,420 → 00:41:29,329 I said I'd prefer offer a bit more
00:41:29,339 → 00:41:31,810 detail
00:41:31,820 → 00:41:35,329 Isn't it nice to have a an extremely
00:41:35,339 → 00:41:36,470 well
00:41:36,480 → 00:41:40,069 uh red audience I mean this is like
00:41:40,079 → 00:41:42,770 being in the museum here we can get
00:41:42,780 → 00:41:44,569 excellent comments and we have people
00:41:44,579 → 00:41:46,550 say hey have you seen this they'll pull
00:41:46,560 → 00:41:48,650 something off the shelf they'll be able
00:41:48,660 → 00:41:50,510 to look at this manuscript oh it's got
00:41:50,520 → 00:41:52,849 Dyers formula and stuff like that from
00:41:52,859 → 00:41:55,370 Antiquity we have a real opportunity
00:41:55,380 → 00:41:57,890 here um with uh
00:41:57,900 → 00:42:00,050 um you're not an audience right you're
Section 97: 00:42:00,060 – 00:42:28,250
00:42:00,060 → 00:42:01,250 not an audience you're active
00:42:01,260 → 00:42:04,430 participants now in the initiation and I
00:42:04,440 → 00:42:06,710 appreciate that I appreciate that and
00:42:06,720 → 00:42:08,569 Rob appreciates that Rob will be talking
00:42:08,579 → 00:42:11,510 about and in the future when it's
00:42:11,520 → 00:42:15,589 appropriate for Friday night for Friday
00:42:15,599 → 00:42:17,150 night
00:42:17,160 → 00:42:22,849 um I oh I want us to be able to see
00:42:22,859 → 00:42:28,250 to see the initiation in progress
Section 98: 00:42:28,260 – 00:42:36,069
00:42:28,260 → 00:42:31,390 um this is this is the goal if we can
00:42:31,400 → 00:42:36,069 reach that Herculean
Section 99: 00:42:36,079 – 00:42:39,950
00:42:36,079 → 00:42:39,950 unassailable freedom
Section 100: 00:42:39,960 – 00:43:13,550
00:42:39,960 → 00:42:42,410 I'm looking forward to Friday night yep
00:42:42,420 → 00:42:45,829 yep me too thank you everybody thank you
00:42:45,839 → 00:42:50,270 Rob and uh we'll see everybody
00:42:50,280 → 00:42:52,730 want to tell you guys and I can tell Rob
00:42:52,740 → 00:42:54,650 says thinking the same thing it's it's
00:42:54,660 → 00:42:57,829 it's a real honor to have a a great a
00:42:57,839 → 00:42:59,690 great group of participants like you
00:42:59,700 → 00:43:02,150 guys who consistently hang here with us
00:43:02,160 → 00:43:05,450 yeah and um we need to start bringing
00:43:05,460 → 00:43:07,130 everybody on board we need to start
00:43:07,140 → 00:43:10,790 making this you know um a more a more
00:43:10,800 → 00:43:13,550 hospitable congregation but anyway I'm
Section 101: 00:43:13,560 – 00:43:27,580
00:43:13,560 → 00:43:15,410 gonna stop blabbing Rob
00:43:15,420 → 00:43:17,569 thank you very much thanks for having me
00:43:17,579 → 00:43:19,970 on and I'll see you next time
00:43:19,980 → 00:43:23,809 hail Satan hail shape show me the girl I
00:43:23,819 → 00:43:25,370 never met
00:43:25,380 → 00:43:27,580 I want it so bad
Section 102: 00:43:27,590 – 00:43:29,089
00:43:27,590 → 00:43:29,089 [Music]
Section 103: 00:43:29,099 – 00:43:40,420
00:43:29,099 → 00:43:33,589 where is that Golden Palace where is
00:43:33,599 → 00:43:37,849 that horse called Destiny I think she
00:43:37,859 → 00:43:40,420 ran off without me
Section 104: 00:43:40,430 – 00:43:44,440
00:43:40,430 → 00:43:44,440 [Music]