‎/Transcript - Medusas Gaze Wednesday Night Bible Studies Season 1 - Episode VI
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Transcript: Medusa's Gaze: Wednesday Night Bible Studies Season 1 - Episode VI

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Show concatenated view
108 timestamped sections using the same paragraph analysis.
Section 1: 00:00:36,360 – 00:00:42,190
00:00:36,360 → 00:00:42,190 foreign
Section 2: 00:00:42,200 – 00:01:09,649
00:00:42,200 → 00:00:46,250 tonight we have a Bible study with a
00:00:46,260 → 00:00:47,569 treat
00:00:47,579 → 00:00:50,150 um we are going to feature in Our Salon
00:00:50,160 → 00:00:51,350 tonight
00:00:51,360 → 00:00:54,650 in our templum we are going to feature
00:00:54,660 → 00:00:58,189 Matthias Ferrari who will be working on
00:00:58,199 → 00:01:03,170 as we speak the varying image the very
00:01:03,180 → 00:01:09,649 image of she who's him we are reading
Section 3: 00:01:09,659 – 00:01:34,090
00:01:09,659 → 00:01:12,230 um yes so we're taking ourselves tonight
00:01:12,240 → 00:01:14,810 to the initiation
00:01:14,820 → 00:01:17,330 um welcome Matthias I'm just going to
00:01:17,340 → 00:01:20,289 tell you to leave Matthias a tad
00:01:20,299 → 00:01:23,270 enigmatic I'm going to tell you that he
00:01:23,280 → 00:01:26,090 is being tested he is being tested to
00:01:26,100 → 00:01:29,870 see if he is worthy of the Ferrari who
00:01:29,880 → 00:01:34,090 made the sculpture of Bruno
Section 4: 00:01:34,100 – 00:02:06,889
00:01:34,100 → 00:01:37,010 I want to see we're here to see the
00:01:37,020 → 00:01:39,530 devil is testing him tonight with his
00:01:39,540 → 00:01:42,590 hands he is breathing life into the
00:01:42,600 → 00:01:44,630 image of
00:01:44,640 → 00:01:48,469 the Virgo the naked virgin welcome to
00:01:48,479 → 00:01:51,410 the naked version virgin I'm gonna jump
00:01:51,420 → 00:01:55,910 right in tonight with our text I want us
00:01:55,920 → 00:01:58,010 this is Bible study so of course we're
00:01:58,020 → 00:02:01,310 going to open tonight with a Bible verse
00:02:01,320 → 00:02:04,609 and I want us to all go to go to that
00:02:04,619 → 00:02:06,889 text
Section 5: 00:02:06,899 – 00:02:19,330
00:02:06,899 → 00:02:19,330 edoken
Section 6: 00:02:19,340 – 00:02:24,770
00:02:19,340 → 00:02:24,770 is autonomy apology
Section 7: 00:02:24,780 – 00:02:55,729
00:02:28,459 → 00:02:31,010 Matthias uh hits your mute button for a
00:02:31,020 → 00:02:32,030 second
00:02:32,040 → 00:02:35,809 so this is our opening this is our
00:02:35,819 → 00:02:37,850 opening passage this is our Bible
00:02:37,860 → 00:02:41,270 passage it's the famous John 3 16 that
00:02:41,280 → 00:02:43,369 you see at every football game held up
00:02:43,379 → 00:02:46,309 on the sign and I just want you to
00:02:46,319 → 00:02:49,690 notice that
00:02:49,700 → 00:02:53,869 God loves the world and gave his
00:02:53,879 → 00:02:55,729 monogenes
Section 8: 00:02:55,739 – 00:03:17,089
00:02:55,739 → 00:02:58,130 his mono Guinness she would bring us
00:02:58,140 → 00:03:00,410 back up the passage again I want you to
00:03:00,420 → 00:03:02,750 look at look at the word mono Guinness
00:03:02,760 → 00:03:05,750 it's on the second line
00:03:05,760 → 00:03:07,729 second line
00:03:07,739 → 00:03:10,089 and it's the third word in
00:03:10,099 → 00:03:13,250 the form here yeah because it's an
00:03:13,260 → 00:03:15,110 accusative those of you in class
00:03:15,120 → 00:03:17,089 excellent
Section 9: 00:03:17,099 – 00:03:53,149
00:03:17,099 → 00:03:18,830 um but I want you to look at that word
00:03:18,840 → 00:03:20,869 and I want you to remember that word
00:03:20,879 → 00:03:25,070 what is the only begotten what is the
00:03:25,080 → 00:03:28,910 only begotten of God what is it there
00:03:28,920 → 00:03:31,330 are those people out there who believe
00:03:31,340 → 00:03:34,490 Christianity they are believers and they
00:03:34,500 → 00:03:39,110 believe Christianity came ex-nihilo in
00:03:39,120 → 00:03:41,750 the first century just poof it was there
00:03:41,760 → 00:03:44,270 on the scene and for those of us who
00:03:44,280 → 00:03:47,509 study reason and don't have the belief
00:03:47,519 → 00:03:50,750 we know that this does not happen that
00:03:50,760 → 00:03:53,149 there there is not a religious framework
Section 10: 00:03:53,159 – 00:04:48,969
00:03:53,159 → 00:03:56,030 that is born complete without having
00:03:56,040 → 00:03:59,149 built upon the terminology of its
00:03:59,159 → 00:04:01,910 predecessors remember Judaism and
00:04:01,920 → 00:04:04,869 Christianity are Bronze Age
00:04:04,879 → 00:04:48,969 saturnian offshoots I shoot
Section 11: 00:04:48,979 – 00:05:24,850
00:04:48,979 → 00:04:50,950 foreign
00:04:50,960 → 00:04:53,150 great you'll have to pardon me we're
00:04:53,160 → 00:04:55,249 having a terrible internet night tonight
00:04:55,259 → 00:04:59,210 here at the base of the Colorado Rockies
00:04:59,220 → 00:05:01,189 um it's exciting but it's a little bit
00:05:01,199 → 00:05:04,490 annoying hopefully we'll be okay I'll be
00:05:04,500 → 00:05:07,490 back if I have to disappear for moments
00:05:07,500 → 00:05:10,670 um Chewie hit the first verse from the
00:05:10,680 → 00:05:13,070 hymn to Athena because we're looking for
00:05:13,080 → 00:05:15,650 this mono Guinness and I want you all to
00:05:15,660 → 00:05:17,870 take a look at this take a look at this
00:05:17,880 → 00:05:24,850 Palace
Section 12: 00:05:24,860 – 00:06:02,810
00:05:24,860 → 00:05:27,409 and we look at that second word and we
00:05:27,419 → 00:05:29,629 see that it's the monarchinace now
00:05:29,639 → 00:05:32,270 dialectical differences play with vowels
00:05:32,280 → 00:05:34,909 so that's why we get the moo in the
00:05:34,919 → 00:05:36,830 front of the Moon okay instead of the
00:05:36,840 → 00:05:38,990 monarchyness but don't worry it's just
00:05:39,000 → 00:05:40,370 the difference between something like
00:05:40,380 → 00:05:43,430 attic and ionian yeah two different
00:05:43,440 → 00:05:47,810 dialects fantastic the only born the
00:05:47,820 → 00:05:51,950 only born right Palace the only born who
00:05:51,960 → 00:05:54,830 is Palace this is Athena we are invoking
00:05:54,840 → 00:05:58,010 tonight we're in Attica tonight we are
00:05:58,020 → 00:06:02,810 in the Dem where we worship the naked
Section 13: 00:06:02,820 – 00:06:51,170
00:06:02,820 → 00:06:04,370 version
00:06:04,380 → 00:06:07,490 and in this team we call her Palace and
00:06:07,500 → 00:06:10,550 that word Palace people are so terrible
00:06:10,560 → 00:06:12,170 with this word
00:06:12,180 → 00:06:14,210 um it's the the origin of it it's
00:06:14,220 → 00:06:15,350 beautiful
00:06:15,360 → 00:06:19,930 um The Palace is that Korra is that
00:06:19,940 → 00:06:23,330 pre-developed Korah who carries the
00:06:23,340 → 00:06:26,469 spear who carries the spirit that
00:06:26,479 → 00:06:29,330 pre-adolescent core that carries a spear
00:06:29,340 → 00:06:31,370 and you say wait a minute who is this
00:06:31,380 → 00:06:35,150 that you're talking about this is the
00:06:35,160 → 00:06:38,990 girl whom we release from the head of
00:06:39,000 → 00:06:40,270 Zeus
00:06:40,280 → 00:06:45,770 we we take the acts of Hephaestus and we
00:06:45,780 → 00:06:49,370 slice open Jehovah's head and from
00:06:49,380 → 00:06:51,170 Jehovah's head
Section 14: 00:06:51,180 – 00:07:25,189
00:06:51,180 → 00:06:55,490 Springs the new ruler who possesses all
00:06:55,500 → 00:06:59,090 that belongs to Jehovah
00:06:59,100 → 00:07:01,129 this is her
00:07:01,139 → 00:07:05,930 and she is the Palace of the Romans
00:07:05,940 → 00:07:09,170 absorb the concept with pilex and it's
00:07:09,180 → 00:07:12,249 the image of the girl who is not yet
00:07:12,259 → 00:07:15,290 marriageable and how do they she's not
00:07:15,300 → 00:07:17,330 in a thief yet right she's not
00:07:17,340 → 00:07:20,990 marriageable so she's premarital she's
00:07:21,000 → 00:07:25,189 not developed hence the virgin
Section 15: 00:07:25,199 – 00:08:11,510
00:07:25,199 → 00:07:29,210 and why we protect her because she is
00:07:29,220 → 00:07:32,210 not yet marriageable she is in that
00:07:32,220 → 00:07:34,790 state now wait a minute she's burst from
00:07:34,800 → 00:07:36,950 the head of Zeus and when she does she
00:07:36,960 → 00:07:40,749 makes both Mortals and Immortals Quake
00:07:40,759 → 00:07:44,570 shake the images of shaking the images
00:07:44,580 → 00:07:48,430 of what you feel when you get hit by the
00:07:48,440 → 00:07:52,129 by the wave of sound that hits you when
00:07:52,139 → 00:07:53,510 Thunder
00:07:53,520 → 00:07:56,809 is is there Thunderstruck this is
00:07:56,819 → 00:07:59,629 Thunderstruck that fear that paralyzes
00:07:59,639 → 00:08:03,370 you in place that is what the palace
00:08:03,380 → 00:08:06,830 brings to you and you say how can this
00:08:06,840 → 00:08:10,129 Palace this mono Guinness this child of
00:08:10,139 → 00:08:11,510 God
Section 16: 00:08:11,520 – 00:09:05,509
00:08:11,520 → 00:08:14,450 how can this child of God which was
00:08:14,460 → 00:08:17,330 originally a daughter of God
00:08:17,340 → 00:08:21,170 how can this daughter bring complete
00:08:21,180 → 00:08:24,770 quaking and shaking in us she is the one
00:08:24,780 → 00:08:29,089 who emerges she is the one who emerges
00:08:29,099 → 00:08:31,430 from the head
00:08:31,440 → 00:08:36,829 yes she is that daughter of matis she is
00:08:36,839 → 00:08:39,829 that daughter of that reasoning
00:08:39,839 → 00:08:43,250 she is the daughter of that intellect
00:08:43,260 → 00:08:46,670 yes and she comes into the world in that
00:08:46,680 → 00:08:50,030 form and you say this is not scary this
00:08:50,040 → 00:08:53,509 is not scary to me I don't see remember
00:08:53,519 → 00:08:56,870 his daughter this 12 year old is
00:08:56,880 → 00:09:02,030 actually six foot tall and carries a a
00:09:02,040 → 00:09:05,509 spear and exercises naked we'll see this
Section 17: 00:09:05,519 – 00:09:30,769
00:09:05,519 → 00:09:07,970 we'll see this and how can she do that
00:09:07,980 → 00:09:10,550 remember where you are remember where
00:09:10,560 → 00:09:12,889 you are you are in a song
00:09:12,899 → 00:09:15,889 you are in a song that is being sung
00:09:15,899 → 00:09:19,790 during a mystery performance the images
00:09:19,800 → 00:09:21,949 that you are receiving you are receiving
00:09:21,959 → 00:09:23,990 from the throne
00:09:24,000 → 00:09:27,350 you are seated upon the throne of Saturn
00:09:27,360 → 00:09:30,769 receiving these images
Section 18: 00:09:30,779 – 00:09:50,570
00:09:30,779 → 00:09:34,550 how is it scary remember she's six foot
00:09:34,560 → 00:09:37,610 one because we've been giving her
00:09:37,620 → 00:09:42,050 hormones ever since she was seven
00:09:42,060 → 00:09:45,050 seven is the starting age
00:09:45,060 → 00:09:50,570 Palace means Priestess of Athena who
Section 19: 00:09:50,580 – 00:10:29,509
00:09:50,580 → 00:09:52,910 carries the spear
00:09:52,920 → 00:09:56,810 Priestess of Athena who carries the
00:09:56,820 → 00:10:01,150 spear and she has been on hormones
00:10:01,160 → 00:10:04,730 through the Venoms that we're giving her
00:10:04,740 → 00:10:07,190 since she was seven years old and now
00:10:07,200 → 00:10:10,430 she's 12 13 years old on the cusp of
00:10:10,440 → 00:10:12,350 what would naturally be for those of us
00:10:12,360 → 00:10:15,230 who are not medusai
00:10:15,240 → 00:10:17,449 those of us who are not under the
00:10:17,459 → 00:10:20,990 regimen would we would start entering at
00:10:21,000 → 00:10:23,150 12 13 years old
00:10:23,160 → 00:10:25,070 um 14 we're finished and we're getting
00:10:25,080 → 00:10:27,650 married we've cycled normally for a year
00:10:27,660 → 00:10:29,509 everything's good we're getting married
Section 20: 00:10:29,519 – 00:11:12,769
00:10:29,519 → 00:10:32,449 she's in that pre-states but we've been
00:10:32,459 → 00:10:36,530 giving her the drugs that are turning
00:10:36,540 → 00:10:38,210 her into something
00:10:38,220 → 00:10:42,350 it causes her skin to become rough or
00:10:42,360 → 00:10:46,370 harsh they call it scaly in Greek scaly
00:10:46,380 → 00:10:50,210 she loses sight during the day because
00:10:50,220 → 00:10:53,769 of the brightness she's known to inhabit
00:10:53,779 → 00:10:58,329 the caves we call her the half virgin
00:10:58,339 → 00:11:02,810 half Viper or the Echidna yes the
00:11:02,820 → 00:11:05,329 Echidna so let's look some more at the
00:11:05,339 → 00:11:06,829 hymns let's look some more as she
00:11:06,839 → 00:11:09,110 emerges from the artist's hands this is
00:11:09,120 → 00:11:11,990 like creation it's gorgeous okay the
00:11:12,000 → 00:11:12,769 second
Section 21: 00:11:12,779 – 00:11:34,150
00:11:12,779 → 00:11:14,690 um the first line again please from
00:11:14,700 → 00:11:18,889 Palace yes Palace she who is that only
00:11:18,899 → 00:11:21,470 begotten daughter of God
00:11:21,480 → 00:11:23,750 yes and by the way there's another word
00:11:23,760 → 00:11:27,829 that comes with Palace to be from it
00:11:27,839 → 00:11:34,150 means to be from the great father
Section 22: 00:11:34,160 – 00:11:58,730
00:11:34,160 → 00:11:38,210 right from that great thundering father
00:11:38,220 → 00:11:43,370 there is no word for the Sun
00:11:43,380 → 00:11:46,750 only the daughter this is a female
00:11:46,760 → 00:11:50,150 centered cult that is creating these
00:11:50,160 → 00:11:53,210 terms that Jesus is using somewhere
00:11:53,220 → 00:11:58,730 between 500 to 900 years after
Section 23: 00:11:58,740 – 00:12:30,230
00:11:58,740 → 00:12:00,949 the Greeks are performing their
00:12:00,959 → 00:12:03,530 Mysteries right they're Mysteries
00:12:03,540 → 00:12:05,210 excellent excellent let's read the line
00:12:05,220 → 00:12:09,470 what is she she is the EK gonna the holy
00:12:09,480 → 00:12:14,930 product or offspring of great dios deos
00:12:14,940 → 00:12:18,769 of great Zeus and when I say Zeus I'm
00:12:18,779 → 00:12:22,910 referring to Jupiter himself I'm ref
00:12:22,920 → 00:12:26,449 um uh uh revert referring to
00:12:27,680 → 00:12:30,230 the Jehovah
Section 24: 00:12:30,240 – 00:13:16,790
00:12:30,240 → 00:12:33,410 yes the Deus
00:12:33,420 → 00:12:35,509 the Deus
00:12:35,519 → 00:12:39,170 yes the Deus and we have her name on the
00:12:39,180 → 00:12:40,930 second line because we're invoking her
00:12:40,940 → 00:12:44,930 Dia Dia do you see the Dr on the front
00:12:44,940 → 00:12:48,290 here Dia now I'm going Rat King will
00:12:48,300 → 00:12:50,389 love this because we were talking about
00:12:50,399 → 00:12:54,530 this today but I will go ahead and
00:12:54,540 → 00:12:58,370 not give you not give you the secret
00:12:58,380 → 00:13:02,389 name because Dia hides a secret name
00:13:02,399 → 00:13:05,750 that if you know how to use this
00:13:05,760 → 00:13:09,470 secret name if you know the name
00:13:09,480 → 00:13:13,910 you can then manipulate that Force if
00:13:13,920 → 00:13:16,790 you knew what Amon meant
Section 25: 00:13:16,800 – 00:13:51,290
00:13:16,800 → 00:13:19,970 you could control almond
00:13:19,980 → 00:13:23,509 the knowledge the frenasis
00:13:23,519 → 00:13:27,290 is what brings you that ability okay
00:13:27,300 → 00:13:30,410 from the throne excellent excellent the
00:13:30,420 → 00:13:32,030 furnace is good
00:13:32,839 → 00:13:35,150 she is but I'm not going to give you a
00:13:35,160 → 00:13:37,970 secret name from DIA I will let you know
00:13:37,980 → 00:13:42,829 though that Dr is a female form that the
00:13:42,839 → 00:13:46,009 Deus is taken from
00:13:46,019 → 00:13:51,290 it's old old old Mycenaean it's the dewa
Section 26: 00:13:51,300 – 00:14:18,410
00:13:51,300 → 00:13:53,170 or the dewana
00:13:53,180 → 00:13:56,449 oh love it it's just gorgeous this is
00:13:56,459 → 00:13:58,069 gorgeous that's why they walk around
00:13:58,079 → 00:14:01,910 calling Medea the dewanasa yeah the
00:14:01,920 → 00:14:03,170 dewana
00:14:03,180 → 00:14:06,370 Diwana isn't that nice the Diana
00:14:06,380 → 00:14:09,650 ooh love it because what comes out of
00:14:09,660 → 00:14:11,870 Jehovah's head people are surprised what
00:14:11,880 → 00:14:14,629 comes out she does
00:14:14,639 → 00:14:18,410 yes beautiful beautiful polymer Colony
Section 27: 00:14:18,420 – 00:15:04,790
00:14:18,420 → 00:14:21,470 right clonos is a disruption in your
00:14:21,480 → 00:14:24,590 guts on the medical side that when that
00:14:24,600 → 00:14:27,590 you get on your inside that wind that
00:14:27,600 → 00:14:31,930 comes up that causes you to defecate
00:14:31,940 → 00:14:36,590 yes the storm that wind is the cloneos
00:14:36,600 → 00:14:39,230 and the pollen root here it just means
00:14:39,240 → 00:14:43,930 war she is the one who engages in the
00:14:43,940 → 00:14:49,069 storm of war the storm of war the obrimo
00:14:49,079 → 00:14:54,350 thume she has brimos she has that's from
00:14:54,360 → 00:14:58,490 the word Bremo in Greek and it means to
00:14:58,500 → 00:15:00,829 thunder to shake
00:15:00,839 → 00:15:04,790 to create that loud voice that loud
Section 28: 00:15:04,800 – 00:15:45,050
00:15:04,800 → 00:15:06,790 voice that
00:15:06,800 → 00:15:10,970 stunsume it can also be the beat of the
00:15:10,980 → 00:15:11,810 heart
00:15:11,820 → 00:15:15,410 the beat of the heart she has the
00:15:15,420 → 00:15:17,389 thunderous heart
00:15:17,399 → 00:15:20,210 fantastic remember she's holding it
00:15:20,220 → 00:15:23,629 she's holding the heart of Dionysus good
00:15:23,639 → 00:15:25,790 um in the next line next verses here
00:15:25,800 → 00:15:28,990 that we have up great
00:15:29,000 → 00:15:31,550 oh we've got some magic going on for
00:15:31,560 → 00:15:33,170 those of you who are keeping track now
00:15:33,180 → 00:15:36,050 we're performing a magic little device
00:15:36,060 → 00:15:39,310 here watch what we're doing
00:15:39,320 → 00:15:45,050 the unspoken and the spoken the unspoken
Section 29: 00:15:45,060 – 00:16:05,170
00:15:45,060 → 00:15:49,009 and the spoken we're using both sides of
00:15:49,019 → 00:15:50,990 the magic for those of you familiar with
00:15:51,000 → 00:15:54,410 esoteric magical text like the PGM
00:15:54,420 → 00:15:56,810 you'll understand what's going on here
00:15:56,820 → 00:15:59,689 we are using the Opposites it's poles
00:15:59,699 → 00:16:05,170 it's the manipulation of polls
Section 30: 00:16:05,180 – 00:16:39,189
00:16:05,180 → 00:16:08,150 remember this is a song that you're
00:16:08,160 → 00:16:11,030 singing into the ear of the one who is
00:16:11,040 → 00:16:14,389 Seated on the throne that one is bound
00:16:14,399 → 00:16:17,329 and when you're entering into this meter
00:16:17,339 → 00:16:19,730 you're binding that one with your song
00:16:19,740 → 00:16:21,590 they said in these mystery performances
00:16:21,600 → 00:16:24,769 the song was more important than even
00:16:24,779 → 00:16:26,210 the drugs
00:16:26,220 → 00:16:29,290 right even the communion
00:16:29,300 → 00:16:39,189 the song was most important
Section 31: 00:16:39,199 – 00:17:20,390
00:16:39,199 → 00:16:42,590 yes oh rhythmic rhythmic rhythmic
00:16:42,600 → 00:16:46,069 rhythmic rhythmic beautiful so
00:16:46,079 → 00:16:50,269 um uh uh what else is she she is the
00:16:50,279 → 00:16:53,150 mega onome the one with the great named
00:16:53,160 → 00:16:57,410 right the antra diate the one who exists
00:16:57,420 → 00:17:01,249 in your antrum what is your antrum your
00:17:01,259 → 00:17:03,470 antrum is the center point of your
00:17:03,480 → 00:17:06,289 temple your antrum is the center point
00:17:06,299 → 00:17:10,610 of your temple so the cult image the
00:17:10,620 → 00:17:15,530 cult image is what is preserved in that
00:17:15,540 → 00:17:20,390 central place that is where she works
Section 32: 00:17:20,400 – 00:17:42,049
00:17:20,400 → 00:17:22,789 nice if you climb the hill of the
00:17:22,799 → 00:17:25,909 Acropolis up to the Parthenon you can
00:17:25,919 → 00:17:31,010 reach that focal point that antrum yes
00:17:31,020 → 00:17:33,409 originally this is a cave
00:17:33,419 → 00:17:35,390 this is a cave
00:17:35,400 → 00:17:37,850 right excellent
00:17:37,860 → 00:17:42,049 remember Medusa is the Priestess
Section 33: 00:17:42,059 – 00:18:00,350
00:17:42,059 → 00:17:44,090 of Athena
00:17:44,100 → 00:17:48,049 yeah yeah right excellent okay let's
00:17:48,059 → 00:17:50,210 keep going let's keep going because if
00:17:50,220 → 00:17:52,210 we want to see the Savior
00:17:52,220 → 00:17:55,070 that's who we're looking for what who is
00:17:55,080 → 00:17:58,070 this savior who is this only begotten
00:17:58,080 → 00:18:00,350 of God
Section 34: 00:18:00,360 – 00:18:52,990
00:18:00,360 → 00:18:02,169 yeah
00:18:02,179 → 00:18:06,650 what does she do she travels these high
00:18:06,660 → 00:18:08,049 mountains
00:18:08,059 → 00:18:12,470 these high mountains the focal point she
00:18:12,480 → 00:18:15,730 is at the focal point of the mountain
00:18:15,740 → 00:18:18,950 with the imagery is great here with her
00:18:18,960 → 00:18:22,310 head thrown back with her head thrown
00:18:22,320 → 00:18:23,450 back
00:18:23,460 → 00:18:27,710 oh bordering on the word can also mean
00:18:27,720 → 00:18:28,909 Pride
00:18:28,919 → 00:18:31,789 right not necessarily in a bad way
00:18:31,799 → 00:18:34,370 I'm almost a strutting
00:18:34,380 → 00:18:37,370 a strutting excellent and on the next
00:18:37,380 → 00:18:39,110 line
00:18:39,120 → 00:18:41,090 on the next line please
00:18:41,100 → 00:18:43,970 yeah um one before that
00:18:43,980 → 00:18:45,650 yes
00:18:45,660 → 00:18:48,169 um so there we are one after that I'm
00:18:48,179 → 00:18:52,990 sorry yeah right
Section 35: 00:18:53,000 – 00:19:44,570
00:18:53,000 → 00:18:58,070 she also Masters those shaded mountains
00:18:58,080 → 00:19:00,770 those shaded mountains you didn't think
00:19:00,780 → 00:19:03,230 Athena was the Mistress of the Shaded
00:19:03,240 → 00:19:06,110 mountain did you know but now you do and
00:19:06,120 → 00:19:10,430 she focuses her mind she focuses her
00:19:10,440 → 00:19:14,570 mind upon not only the mountain but The
00:19:14,580 → 00:19:15,890 Meadows
00:19:15,900 → 00:19:18,770 right not only The Ridges but the
00:19:18,780 → 00:19:22,850 meadows where the cities are built where
00:19:22,860 → 00:19:26,210 the villages are are developed over time
00:19:26,220 → 00:19:29,390 she is the one who works there are we
00:19:29,400 → 00:19:31,730 seeing Athena there's a lot more to the
00:19:31,740 → 00:19:32,750 only born
00:19:32,760 → 00:19:35,150 than you thought and this only born is
00:19:35,160 → 00:19:39,250 prophesied of we know it because
00:19:39,260 → 00:19:44,570 Jehovah says I'm gonna be overcome by my
Section 36: 00:19:44,580 – 00:20:08,210
00:19:44,580 → 00:19:46,370 mono Guinness
00:19:46,380 → 00:19:49,850 and that's why he consumes her mother
00:19:49,860 → 00:19:52,789 he consumes her because he doesn't want
00:19:52,799 → 00:19:55,310 to get overthrown he doesn't want to get
00:19:55,320 → 00:19:57,430 over there and Jehovah is a
00:19:57,440 → 00:20:01,130 poopy guy he's a poopy guy and he wants
00:20:01,140 → 00:20:03,710 to stay in power he doesn't want to
00:20:03,720 → 00:20:05,870 relinquish his power
00:20:05,880 → 00:20:08,210 right so
Section 37: 00:20:08,220 – 00:20:45,110
00:20:08,220 → 00:20:11,810 um this is the way of forcing him to
00:20:11,820 → 00:20:15,890 relinquish it to give her the birth and
00:20:15,900 → 00:20:19,250 this comes through the Hephaestus Right
00:20:19,260 → 00:20:22,070 comes through the craft how do you open
00:20:22,080 → 00:20:24,470 the head of Jehovah to give birth to his
00:20:24,480 → 00:20:26,270 daughter yeah we'll do one more line and
00:20:26,280 → 00:20:28,730 we'll check in we'll check in
00:20:28,740 → 00:20:33,409 um with uh uh Matthias I want you to see
00:20:33,419 → 00:20:37,810 on the next line yes at the bottom there
00:20:37,820 → 00:20:40,250 right she is the one you know she's
00:20:40,260 → 00:20:42,710 delighting in the Hopland the weapons
00:20:42,720 → 00:20:45,110 she loves the weapons she's always
Section 38: 00:20:45,120 – 00:21:05,450
00:20:45,120 → 00:20:47,029 pictured with that spear when she comes
00:20:47,039 → 00:20:50,090 out of Zeus's head the mono Guinness she
00:20:50,100 → 00:20:51,890 comes out naked
00:20:51,900 → 00:20:54,289 carrying one thing and one thing on she
00:20:54,299 → 00:20:56,690 got no helmet she got no Shield she got
00:20:56,700 → 00:20:59,750 nothing she has a spear
00:20:59,760 → 00:21:03,049 and it scares us all here's this six
00:21:03,059 → 00:21:05,450 foot tall
Section 39: 00:21:05,460 – 00:21:42,470
00:21:05,460 → 00:21:08,570 um hybrid Viper girl
00:21:08,580 → 00:21:10,730 it must have been spectacular in
00:21:10,740 → 00:21:12,650 Antiquity to see her must have been
00:21:12,660 → 00:21:15,890 spectacular to know one of these Viper
00:21:15,900 → 00:21:18,289 girls and to be like wow I'm you know
00:21:18,299 → 00:21:19,789 impressed
00:21:19,799 → 00:21:21,650 um their eyes supposedly were bloodshot
00:21:21,660 → 00:21:23,510 all the time and they used these poisons
00:21:23,520 → 00:21:25,730 that they put in their hair
00:21:25,740 → 00:21:28,549 and or archers they're on Archer horse
00:21:28,559 → 00:21:31,430 culture yeah Isn't that cool
00:21:31,440 → 00:21:34,730 yeah that that's that sounds cool to me
00:21:34,740 → 00:21:37,070 um yeah and um what's the very next part
00:21:37,080 → 00:21:38,529 of that line
00:21:38,539 → 00:21:42,470 I told you guys the sigma Tau row root
Section 40: 00:21:42,480 – 00:22:34,990
00:21:42,480 → 00:21:47,029 the SDR oyster right she's causing Mania
00:21:47,039 → 00:21:50,990 she's causing estrus right
00:21:51,000 → 00:21:54,289 what is she putting into asteriskas the
00:21:54,299 → 00:21:59,450 souls proton of men The Souls of men and
00:21:59,460 → 00:22:02,930 where is she taking them into money I
00:22:02,940 → 00:22:06,890 say Maniac excuse me into mania into
00:22:06,900 → 00:22:09,049 Maniac States
00:22:09,059 → 00:22:11,390 you didn't think Athena the builder of
00:22:11,400 → 00:22:13,970 the polis you didn't think that she was
00:22:13,980 → 00:22:17,690 the architect of mania did you she is
00:22:17,700 → 00:22:21,710 she is the architect of mania yes okay
00:22:21,720 → 00:22:25,370 okay gorgeous one more one more line I
00:22:25,380 → 00:22:34,990 want to get one more line in sorry
Section 41: 00:22:35,000 – 00:22:55,190
00:22:35,000 → 00:22:37,370 that's where we get the naked from the
00:22:37,380 → 00:22:39,649 naked version what does that mean the
00:22:39,659 → 00:22:42,830 naked virgin it means the one who
00:22:42,840 → 00:22:45,289 exercises naked
00:22:45,299 → 00:22:48,710 which is not on you know the concept of
00:22:48,720 → 00:22:51,950 exercise and being naked is welded
00:22:51,960 → 00:22:55,190 together in the Greek
Section 42: 00:22:55,200 – 00:23:35,210
00:22:55,200 → 00:22:58,549 so um when I am exercising
00:22:58,559 → 00:23:00,950 um I am doing it naked you know when you
00:23:00,960 → 00:23:03,350 run the Olympic events you're running
00:23:03,360 → 00:23:06,830 naked right and they're doing it through
00:23:06,840 → 00:23:08,690 Hera the worship of Hera the women are
00:23:08,700 → 00:23:10,190 doing it
00:23:10,200 → 00:23:12,649 um I would argue probably before I'll
00:23:12,659 → 00:23:13,669 let the
00:23:13,679 → 00:23:16,850 I'll let the folks who write books about
00:23:16,860 → 00:23:19,730 such things make their declarations but
00:23:19,740 → 00:23:23,090 probably before the um the male was the
00:23:23,100 → 00:23:26,390 female uh version so this virgin who
00:23:26,400 → 00:23:29,870 exercises naked is not you know the
00:23:29,880 → 00:23:31,310 gymnast
00:23:31,320 → 00:23:35,210 she is not necessarily an odd uh uh
Section 43: 00:23:35,220 – 00:23:56,450
00:23:35,220 → 00:23:37,130 figure this is not strange for us to
00:23:37,140 → 00:23:38,570 Envision
00:23:38,580 → 00:23:40,190 right it's not strange for us to
00:23:40,200 → 00:23:43,669 Envision good and she has that thumon
00:23:43,679 → 00:23:46,610 having that thumb on that is
00:23:46,620 → 00:23:49,730 our chest her heart
00:23:49,740 → 00:23:52,190 her inner spirit
00:23:52,200 → 00:23:56,450 her inner Spirit causes the quaking
Section 44: 00:23:56,460 – 00:24:41,090
00:23:56,460 → 00:23:59,029 causes the quaking okay so we have a
00:23:59,039 → 00:24:00,710 Cora
00:24:00,720 → 00:24:04,610 we know that she's this hybrid
00:24:04,620 → 00:24:08,270 she is the only born
00:24:08,280 → 00:24:11,990 of the supreme ruler
00:24:12,000 → 00:24:16,250 she alone shares his traits
00:24:16,260 → 00:24:18,950 yeah it's it's gorgeous
00:24:18,960 → 00:24:21,110 um let's let's uh let's give this scoop
00:24:21,120 → 00:24:23,990 here on our image and um just ask
00:24:24,000 → 00:24:26,570 Matthias here Matthias
00:24:26,580 → 00:24:29,750 um is there any is as you are working
00:24:29,760 → 00:24:31,730 and as the art is coming through your
00:24:31,740 → 00:24:33,409 hands is this
00:24:33,419 → 00:24:35,149 um like when you made the sculpture of
00:24:35,159 → 00:24:38,330 the snake goddess as a as a younger as a
00:24:38,340 → 00:24:41,090 13 year old you know and you bring
Section 45: 00:24:41,100 – 00:25:14,270
00:24:41,100 → 00:24:43,310 coming up with the images in your mind
00:24:43,320 → 00:24:45,110 and they're just kind of working
00:24:45,120 → 00:24:48,049 themselves out organically
00:24:48,919 → 00:24:51,470 tell us what's going on here with this
00:24:51,480 → 00:24:53,210 is this inspiration that you're going
00:24:53,220 → 00:24:54,610 through what is this
00:24:54,620 → 00:24:57,950 yeah this is really fun actually now
00:24:57,960 → 00:25:00,649 that you mentioned it yeah so a couple
00:25:00,659 → 00:25:02,690 of things like um when you mention her
00:25:02,700 → 00:25:05,570 having only a spear
00:25:05,580 → 00:25:08,090 um I actually I used the tool that I was
00:25:08,100 → 00:25:09,590 hoping with and then put it in her hand
00:25:09,600 → 00:25:11,570 and it almost went on pretty naturally
00:25:11,580 → 00:25:14,270 it looks pretty good on her too so it
Section 46: 00:25:14,280 – 00:25:22,130
00:25:14,280 → 00:25:16,490 was like she was meant to be holding it
00:25:16,500 → 00:25:18,830 and also like
Section 47: 00:25:22,140 – 00:26:03,049
00:25:22,140 → 00:25:25,310 yeah that's it I think yeah she looks
00:25:25,320 → 00:25:26,990 really good this is like a sketch right
00:25:27,000 → 00:25:29,510 this is like um you know I'm not going
00:25:29,520 → 00:25:31,909 for the the finish here I'm just really
00:25:31,919 → 00:25:35,149 going through this for the process
00:25:35,159 → 00:25:37,070 um for the
00:25:37,080 → 00:25:40,010 the presentation you're giving
00:25:40,020 → 00:25:41,870 um so I'm not worried about finishing it
00:25:41,880 → 00:25:45,289 as much as I am worried about just like
00:25:45,299 → 00:25:47,750 um like trying different things and
00:25:47,760 → 00:25:50,210 having fun with what I'm doing and yeah
00:25:50,220 → 00:25:52,789 it's pretty good yeah you you're
00:25:52,799 → 00:25:55,250 remaining faithful to the image aren't
00:25:55,260 → 00:25:59,570 you and um just as Athena as worships on
00:25:59,580 → 00:26:03,049 Helicon where the Temple of the muses is
Section 48: 00:26:03,059 – 00:26:19,610
00:26:03,059 → 00:26:06,110 then we know that their worship is I
00:26:06,120 → 00:26:08,330 mean look at look at this artist working
00:26:08,340 → 00:26:10,850 right I want I had the privilege of
00:26:10,860 → 00:26:13,610 watching Mathias produce from just the
00:26:13,620 → 00:26:15,830 rough clay just nothing it was like
00:26:15,840 → 00:26:19,610 watching Michelangelo bring those images
Section 49: 00:26:19,620 – 00:26:53,110
00:26:19,620 → 00:26:22,850 out of the stone and Mateus could you do
00:26:22,860 → 00:26:26,149 us one big favor and do you have this
00:26:26,159 → 00:26:29,810 the sketch that you made uh of the
00:26:29,820 → 00:26:31,730 Echidna first could you show us the
00:26:31,740 → 00:26:34,909 sketch maybe hold that up to your camera
00:26:34,919 → 00:26:37,610 yeah I do and this is her right here I
00:26:37,620 → 00:26:39,649 have plenty of these sketches really if
00:26:39,659 → 00:26:41,330 I have been better prepared I wouldn't
00:26:41,340 → 00:26:43,190 have had a bunch of them but
00:26:43,200 → 00:26:45,110 um this is more and less what she's
00:26:45,120 → 00:26:47,990 supposed to be looking like or what you
00:26:48,000 → 00:26:51,769 know this is like the rough sketch of
00:26:51,779 → 00:26:53,110 um what she's supposed to look like
Section 50: 00:26:53,120 – 00:27:09,169
00:26:53,120 → 00:26:55,669 gorgeous gorgeous and of course Matthias
00:26:55,679 → 00:26:58,789 is very is very humble about his work
00:26:58,799 → 00:27:01,549 and it's just a sketch right it's it's
00:27:01,559 → 00:27:04,370 just a sketch well it's a pretty
00:27:04,380 → 00:27:09,169 fantastic and uh um um talented sketch
Section 51: 00:27:09,179 – 00:27:40,789
00:27:09,179 → 00:27:11,630 so thank you thank you okay let's go to
00:27:11,640 → 00:27:14,029 the next verse and see if we can take
00:27:14,039 → 00:27:17,450 our words and put them into this clay
00:27:17,460 → 00:27:19,730 into this breathing
00:27:19,740 → 00:27:22,310 um this thing that's happening yeah so
00:27:22,320 → 00:27:24,649 um on the next line gorgophone she is
00:27:24,659 → 00:27:26,870 the gorgophone
00:27:26,880 → 00:27:28,970 um oh it got cut off at the top a little
00:27:28,980 → 00:27:31,210 bit maybe it's a yeah there we go
00:27:31,220 → 00:27:34,070 gorgophone right what is she she's the
00:27:34,080 → 00:27:36,169 killer of the Gorgon
00:27:36,179 → 00:27:38,750 she's the killer of the Gorgon who is
00:27:38,760 → 00:27:40,789 that Gorgon that Gorgon is her own
Section 52: 00:27:40,799 – 00:28:20,330
00:27:40,799 → 00:27:42,230 Priestess
00:27:42,240 → 00:27:45,649 right that Gorgon is her own Priestess
00:27:45,659 → 00:27:47,630 it is from
00:27:47,640 → 00:27:50,090 the footprint of that priest this is
00:27:50,100 → 00:27:52,789 offspring that comes from her severed
00:27:52,799 → 00:27:54,049 head
00:27:54,059 → 00:27:57,350 it is from that offspring that the
00:27:57,360 → 00:28:00,230 hippocrine the Fountain of the muses
00:28:00,240 → 00:28:01,970 flows
00:28:01,980 → 00:28:04,250 okay remember Pythagoras said you want
00:28:04,260 → 00:28:06,529 us found a city in Antiquity he's not
00:28:06,539 → 00:28:08,930 talking myth he's talking to people who
00:28:08,940 → 00:28:11,029 are out going to take their supplies get
00:28:11,039 → 00:28:13,549 into a ship go go across the
00:28:13,559 → 00:28:16,310 Mediterranean to North Africa and start
00:28:16,320 → 00:28:18,769 a Greek colony and they're like what
00:28:18,779 → 00:28:20,330 should we do and he's like number one
Section 53: 00:28:20,340 – 00:28:58,970
00:28:20,340 → 00:28:21,950 the first thing you do before anything
00:28:21,960 → 00:28:26,390 else build a temple to the muses build a
00:28:26,400 → 00:28:28,370 temple to the muses and your
00:28:28,380 → 00:28:31,070 civilization will begin right you'll
00:28:31,080 → 00:28:33,649 have Justice that way okay so here she
00:28:33,659 → 00:28:36,409 is the the one who brings that Fountain
00:28:36,419 → 00:28:40,430 yeah yeah yeah she's the one who fugo
00:28:40,440 → 00:28:43,010 lectray she's the one who does not go to
00:28:43,020 → 00:28:46,970 the bed of reproduction she does not why
00:28:46,980 → 00:28:49,370 she's the Virgo right
00:28:49,380 → 00:28:51,350 she is not ready
00:28:51,360 → 00:28:53,570 she is perpetually you didn't realize
00:28:53,580 → 00:28:55,850 that that the only begotten daughter of
00:28:55,860 → 00:28:58,970 God was the Perpetual virgin did you now
Section 54: 00:28:58,980 – 00:29:43,750
00:28:58,980 → 00:29:02,810 she is right Perpetual virgin she shuns
00:29:02,820 → 00:29:06,350 that bed shuns that bed right right
00:29:06,360 → 00:29:09,490 she's the polo always
00:29:09,500 → 00:29:12,490 she is the mother
00:29:12,500 → 00:29:16,430 of all skill technique
00:29:16,440 → 00:29:20,450 technique if you want to if you want to
00:29:20,460 → 00:29:22,610 stitch Fabrics in order to make a
00:29:22,620 → 00:29:26,330 textile that displays a story on it you
00:29:26,340 → 00:29:29,450 have to work with her she is the source
00:29:29,460 → 00:29:32,570 of that isn't that great I'm beginning
00:29:32,580 → 00:29:34,970 to I'm beginning to see all the angles
00:29:34,980 → 00:29:38,510 of this individual and it's gorgeous yes
00:29:38,520 → 00:29:40,850 on the last next line I talked about
00:29:40,860 → 00:29:43,750 hormones I talked about hormones before
Section 55: 00:29:43,760 – 00:29:52,450
00:29:43,760 → 00:29:46,909 here's the Greek here's the Greek
00:29:46,919 → 00:29:52,450 hormastera
Section 56: 00:29:52,460 – 00:30:22,330
00:29:52,460 → 00:29:55,630 sotera savior
00:29:55,640 → 00:30:00,350 Master she who brings the impulse
00:30:00,360 → 00:30:02,870 she who brings the hormone
00:30:02,880 → 00:30:05,930 she who brings the push you can't take
00:30:05,940 → 00:30:07,669 your child
00:30:07,679 → 00:30:10,250 and give her dedicate they call it
00:30:10,260 → 00:30:13,010 dedication give her to the Temple of
00:30:13,020 → 00:30:17,630 Athena unless you expect that they will
00:30:17,640 → 00:30:22,330 bring out in her that Invincible Medic
Section 57: 00:30:22,340 – 00:30:50,330
00:30:22,340 → 00:30:26,690 or medusik virgin Medusa just means to
00:30:26,700 → 00:30:28,010 rule
00:30:28,020 → 00:30:30,769 it just means to rule when you create
00:30:30,779 → 00:30:32,690 that six foot one
00:30:32,700 → 00:30:36,049 hybrid 12 year old hybrid you have
00:30:36,059 → 00:30:39,289 created a ruler
00:30:39,299 → 00:30:42,590 a ruler with a greater capacity than you
00:30:42,600 → 00:30:44,510 have up here
00:30:44,520 → 00:30:48,049 greater capacity up here than you have
00:30:48,059 → 00:30:50,330 frene
Section 58: 00:30:50,340 – 00:31:21,950
00:30:50,340 → 00:30:54,289 yeah good good let's see what happens I
00:30:54,299 → 00:30:56,389 bet it does something to the brain
00:30:56,399 → 00:30:58,909 and I bet those priestesses end up
00:30:58,919 → 00:31:00,590 that's why they're always deciding what
00:31:00,600 → 00:31:02,870 colony is going to go where and what the
00:31:02,880 → 00:31:04,789 judgment is and they bring in this
00:31:04,799 → 00:31:06,110 murder and they're like what do we do
00:31:06,120 → 00:31:08,510 with this guy he killed someone and she
00:31:08,520 → 00:31:11,149 tells you why are they doing this why
00:31:11,159 → 00:31:13,850 does Western Justice spring up in her
00:31:13,860 → 00:31:16,850 courtroom the Greeks made a huge deal
00:31:16,860 → 00:31:19,370 out of this through escalus with the
00:31:19,380 → 00:31:21,950 orastaya in the last play the or style
Section 59: 00:31:21,960 – 00:32:05,450
00:31:21,960 → 00:31:23,750 it's called the humanities they
00:31:23,760 → 00:31:27,649 transform the the furies into the
00:31:27,659 → 00:31:30,110 humanities and how do they do it through
00:31:30,120 → 00:31:31,549 atene
00:31:31,559 → 00:31:35,930 through Athena the virgin
00:31:35,940 → 00:31:38,409 yeah do you see it's not fairy tale
00:31:38,419 → 00:31:41,210 we're talking about people
00:31:41,220 → 00:31:44,810 in time we're talking about drugs we're
00:31:44,820 → 00:31:47,450 talking about ritual and performance and
00:31:47,460 → 00:31:50,149 we're talking about a hybrid
00:31:50,159 → 00:31:51,830 girl
00:31:51,840 → 00:31:55,610 who is handing down judgments and
00:31:55,620 → 00:31:58,370 telling you the future
00:31:58,380 → 00:32:01,310 wow this is fan Athena Athena is not
00:32:01,320 → 00:32:02,870 what you thought she was
00:32:02,880 → 00:32:05,450 issue okay
Section 60: 00:32:05,460 – 00:32:45,590
00:32:06,200 → 00:32:10,130 natey at the end of that line metis is
00:32:10,140 → 00:32:14,149 who she's born from right metis that
00:32:14,159 → 00:32:15,710 mind
00:32:15,720 → 00:32:19,070 that capacity that is not masculine it
00:32:19,080 → 00:32:23,810 is feminine mental capacity love it it's
00:32:23,820 → 00:32:25,250 love it
00:32:25,260 → 00:32:28,549 gorgeous what is she she's an Iola morph
00:32:28,559 → 00:32:30,649 oh that's interesting what if you trace
00:32:30,659 → 00:32:32,570 the different Iola Morse you'll
00:32:32,580 → 00:32:35,269 understand what class she belongs to
00:32:35,279 → 00:32:38,389 she takes the different forms
00:32:38,399 → 00:32:42,350 she has the spots on the skin
00:32:42,360 → 00:32:45,590 like the spotted serpent
Section 61: 00:32:45,600 – 00:33:20,750
00:32:45,600 → 00:32:48,529 have you ever seen her legs
00:32:48,539 → 00:32:52,789 it's a tale of a spotted serpent
00:32:52,799 → 00:32:54,889 is that isn't that gorgeous that's
00:32:54,899 → 00:32:59,269 fantastic lamia right it's it's the Lamy
00:32:59,279 → 00:33:01,070 attic you know she comes from North
00:33:01,080 → 00:33:04,310 Africa she is tritical after all right
00:33:04,320 → 00:33:08,889 the one from Triton the lake right right
00:33:08,899 → 00:33:11,510 beautiful okay anyway
00:33:11,520 → 00:33:14,210 um and right after Iola morph right
00:33:14,220 → 00:33:15,889 after Iola morph I want to make sure
00:33:15,899 → 00:33:20,750 you're getting nope next one
Section 62: 00:33:20,760 – 00:34:11,389
00:33:20,760 → 00:33:23,149 bump yep there we go look what I've
00:33:23,159 → 00:33:25,009 underlined in red
00:33:25,019 → 00:33:28,610 yeah drakaina did you know Athena was a
00:33:28,620 → 00:33:29,690 dracana
00:33:29,700 → 00:33:33,409 the dracana is the Draco
00:33:33,419 → 00:33:36,289 yeah the serpent
00:33:36,299 → 00:33:38,930 um the the one
00:33:38,940 → 00:33:42,710 who has the combination of
00:33:42,720 → 00:33:46,009 the milk and the blood
00:33:46,019 → 00:33:49,310 and you say milk how is she milking yes
00:33:49,320 → 00:33:52,009 we are milking her she is nursing
00:33:52,019 → 00:33:55,389 right because she has this this hybrid
00:33:55,399 → 00:33:57,590 has this
00:33:57,600 → 00:34:02,149 chemical that we so value The Galena
00:34:02,159 → 00:34:05,810 that comes from her breasts and they're
00:34:05,820 → 00:34:08,470 described as grape-like
00:34:08,480 → 00:34:11,389 grape-like there's an accident from them
Section 63: 00:34:11,399 – 00:34:46,010
00:34:11,399 → 00:34:13,909 that we use remember she's been on Venom
00:34:13,919 → 00:34:15,649 since she was seven
00:34:15,659 → 00:34:17,210 and how do they oh by the way how do
00:34:17,220 → 00:34:18,829 they put them on Venom
00:34:18,839 → 00:34:21,349 um what I have seen textually is lateral
00:34:21,359 → 00:34:23,089 slits
00:34:23,099 → 00:34:26,570 lateral slits that are covered up with a
00:34:26,580 → 00:34:29,270 drug impregnated bandage
00:34:29,280 → 00:34:31,310 yeah so you go for the day and you get
00:34:31,320 → 00:34:33,589 your you get your bandage right and you
00:34:33,599 → 00:34:35,810 get your make your Cuts oh these aren't
00:34:35,820 → 00:34:38,030 it's not bleeding make a cut until it
00:34:38,040 → 00:34:40,609 bleeds and then right do it right
00:34:40,619 → 00:34:44,210 medication she's shown that right by the
00:34:44,220 → 00:34:46,010 older priestesses
Section 64: 00:34:46,020 – 00:35:24,470
00:34:46,020 → 00:34:48,829 so um when she's at that age at seven
00:34:48,839 → 00:34:51,530 that's when she's brought in so this is
00:34:51,540 → 00:34:54,169 a process of building someone
00:34:54,179 → 00:34:57,710 yes yes building the only born
00:34:57,720 → 00:35:02,570 and remember you are not to enter the
00:35:02,580 → 00:35:03,470 bed
00:35:03,480 → 00:35:06,050 you're not into the bed of mating we'd
00:35:06,060 → 00:35:08,690 say to them the image of the bad was the
00:35:08,700 → 00:35:11,030 image of that coupling of that coming
00:35:11,040 → 00:35:12,770 together and you weren't supposed to do
00:35:12,780 → 00:35:16,069 that and if you did you lost your head
00:35:16,079 → 00:35:19,849 right and what is she what is this holy
00:35:19,859 → 00:35:24,470 virgin gymnast what does she wear on her
Section 65: 00:35:24,480 – 00:35:35,450
00:35:24,480 → 00:35:27,230 chest on the skin that's on her chest
00:35:27,240 → 00:35:29,210 she wears the head
00:35:29,220 → 00:35:31,910 of the medicine
00:35:31,920 → 00:35:35,450 nice nice
Section 66: 00:35:35,460 – 00:36:12,770
00:35:35,460 → 00:35:37,970 gorgeous gorgeous how's our head coming
00:35:37,980 → 00:35:40,910 along do we have a Medusa head don't you
00:35:40,920 → 00:35:43,609 love the gyrations when whenever
00:35:43,619 → 00:35:45,770 Matthias is able to
00:35:45,780 → 00:35:48,470 to bring life to her he moves her around
00:35:48,480 → 00:35:51,170 and you see you can see he's able to
00:35:51,180 → 00:35:53,270 bring out because he has that art he's
00:35:53,280 → 00:35:56,210 able to bring out that emotion that
00:35:56,220 → 00:35:58,490 image that feeling
00:35:58,500 → 00:36:01,069 um this is why we need artists man to
00:36:01,079 → 00:36:04,490 make our idols right thank you this is
00:36:04,500 → 00:36:07,910 antiquity bruh it's gorgeous gorgeous
00:36:07,920 → 00:36:10,370 um what is after dracana bring up
00:36:10,380 → 00:36:12,770 drakina again what is after jakaina
Section 67: 00:36:12,780 – 00:36:51,650
00:36:12,780 → 00:36:16,069 she's not only the serp the the serpent
00:36:16,079 → 00:36:19,970 Queen she is also feel
00:36:19,980 → 00:36:23,030 and Dr rock those of you who know Dr
00:36:23,040 → 00:36:25,190 Rock will like it by the way I saw some
00:36:25,200 → 00:36:28,250 people posting some stuff about Dr Rock
00:36:28,260 → 00:36:30,890 um and uh like it they like his work
00:36:30,900 → 00:36:33,109 fantastic phenomenal
00:36:33,119 → 00:36:34,849 um he was the one that I stood with in
00:36:34,859 → 00:36:36,650 Boston when we were talking about
00:36:36,660 → 00:36:38,030 Harvard
00:36:38,040 → 00:36:40,790 um and uh his research is of course
00:36:40,800 → 00:36:42,770 outstanding because he works with the
00:36:42,780 → 00:36:44,990 sources right he doesn't you can't you
00:36:45,000 → 00:36:47,569 can't get by anything with him he's a
00:36:47,579 → 00:36:49,430 scientist right he brings you the
00:36:49,440 → 00:36:51,650 sources anyway
Section 68: 00:36:51,660 – 00:37:31,370
00:36:51,660 → 00:36:55,430 um uh Dr Rock coined the word
00:36:55,440 → 00:36:57,050 um entheogen
00:36:57,060 → 00:37:01,609 right in being in Theos being the God
00:37:01,619 → 00:37:04,490 and Jinn producing right so what is an
00:37:04,500 → 00:37:06,730 entheogen and entheogen is a substance
00:37:06,740 → 00:37:11,450 that produces the God within now this is
00:37:11,460 → 00:37:12,530 not
00:37:12,540 → 00:37:14,569 this is it's not like he just said oh
00:37:14,579 → 00:37:16,730 I'm gonna I'm gonna cram some bases
00:37:16,740 → 00:37:20,150 together and coin a word haha good for
00:37:20,160 → 00:37:22,550 me right now he didn't do that right
00:37:22,560 → 00:37:26,390 this concept of in theosis right
00:37:26,400 → 00:37:28,430 um in our text here
00:37:28,440 → 00:37:31,370 in our text
Section 69: 00:37:31,380 – 00:38:07,430
00:37:31,380 → 00:37:36,050 right feeling she loves that infilling
00:37:36,060 → 00:37:39,130 she loves it when the god
00:37:39,140 → 00:37:42,410 becomes one with you of course that
00:37:42,420 → 00:37:44,390 makes sense because that's what the
00:37:44,400 → 00:37:46,550 Priestess is doing
00:37:46,560 → 00:37:50,750 she is becoming Athena so that when she
00:37:50,760 → 00:37:53,750 has you under her spell and she's got
00:37:53,760 → 00:37:57,890 you bound and drugged and she is singing
00:37:57,900 → 00:37:59,450 in your ear
00:37:59,460 → 00:38:02,829 with that
00:38:02,839 → 00:38:07,430 thundering powerful powerful voice
Section 70: 00:38:07,440 – 00:38:40,190
00:38:07,440 → 00:38:11,750 yeah um she is the atene she is the
00:38:11,760 → 00:38:14,870 atene right Wow all I knew all we knew
00:38:14,880 → 00:38:16,670 about Athena was she's on the top of
00:38:16,680 → 00:38:19,790 this Acropolis it's the woman symbol of
00:38:19,800 → 00:38:22,970 the Athens in her freedom
00:38:22,980 → 00:38:25,609 yes yeah that's what we thought but wait
00:38:25,619 → 00:38:27,109 a minute where are all the snakes and
00:38:27,119 → 00:38:28,790 where all the what is all the ritual
00:38:28,800 → 00:38:31,190 right and what is what what is she doing
00:38:31,200 → 00:38:33,829 she's inspiring us right she's the
00:38:33,839 → 00:38:37,250 mother of the Arts the virgin mother of
00:38:37,260 → 00:38:38,569 the Arts
00:38:38,579 → 00:38:40,190 the virgin mother of the earth that's
Section 71: 00:38:40,200 – 00:39:23,150
00:38:40,200 → 00:38:42,349 why she hangs around the Temple of the
00:38:42,359 → 00:38:43,550 muse
00:38:43,560 → 00:38:46,069 right Temple of the Muse perfect okay
00:38:46,079 → 00:38:49,569 and that last word
00:38:49,579 → 00:38:51,650 Altera I'm gonna take you down to the
00:38:51,660 → 00:38:55,010 giganton she's the fighter of the Giants
00:38:55,020 → 00:38:57,589 right the dispeller of the Giants she's
00:38:57,599 → 00:38:58,810 the horse
00:38:58,820 → 00:39:01,670 motivator the horse completer the horse
00:39:01,680 → 00:39:03,050 driver
00:39:03,060 → 00:39:05,690 she's that tritogenea she's the
00:39:05,700 → 00:39:08,810 destroyer of the Cocoon or the the
00:39:08,820 → 00:39:12,410 dissolver of the Cocoon no no such thing
00:39:12,420 → 00:39:15,710 as pollution around this
00:39:15,720 → 00:39:19,430 around this only born there's no
00:39:19,440 → 00:39:21,410 pollution you can't she can't stand in
00:39:21,420 → 00:39:23,150 the presence of it right
Section 72: 00:39:23,160 – 00:39:52,010
00:39:23,160 → 00:39:25,670 she's in that antrum she's in that
00:39:25,680 → 00:39:29,030 Center of that Temple good and then
00:39:29,040 → 00:39:30,050 finally
00:39:30,060 → 00:39:31,849 um yes she's the victory bringing
00:39:31,859 → 00:39:34,849 Diamond Victory bringing diamond or
00:39:34,859 → 00:39:37,609 Athena Nikkei they call her right the
00:39:37,619 → 00:39:40,670 bringer of the victory that's her and
00:39:40,680 → 00:39:44,450 finally um she's nocturnal and uh day of
00:39:44,460 → 00:39:46,970 the day she's both of day and nights
00:39:46,980 → 00:39:52,010 serving the orice serving the hours what
Section 73: 00:39:52,020 – 00:40:27,829
00:39:52,020 → 00:39:53,870 does that mean when you say serving the
00:39:53,880 → 00:39:55,609 hours all of a sudden you project
00:39:55,619 → 00:39:58,910 yourself back into the Bronze Age with
00:39:58,920 → 00:40:02,329 the worship of the aura the Ori is the
00:40:02,339 → 00:40:05,569 sun and the moon and the stars
00:40:05,579 → 00:40:08,870 it is the sun and the moon and the stars
00:40:08,880 → 00:40:12,050 you should see in her this Royal
00:40:12,060 → 00:40:15,530 beginning the sun and moon and stars
00:40:15,540 → 00:40:18,170 finally the last three lines
00:40:18,180 → 00:40:21,410 um cluthie moo cluthie moo cluthie moo
00:40:21,420 → 00:40:23,030 El homino
00:40:23,040 → 00:40:26,089 um listen to me hear me praying now this
00:40:26,099 → 00:40:27,829 is in the voice of the initiates right
Section 74: 00:40:27,839 – 00:40:33,849
00:40:27,839 → 00:40:33,849 as they're singing hear me praying give
Section 75: 00:40:33,859 – 00:40:58,310
00:40:33,859 → 00:40:36,050 the peace
00:40:36,060 → 00:40:40,490 provide the peace provide the Quran and
00:40:40,500 → 00:40:42,349 people will translate this is wealth
00:40:42,359 → 00:40:45,550 it's not it's satiety
00:40:45,560 → 00:40:49,310 corros is satiety
00:40:49,320 → 00:40:52,910 okay yes the sufficiency give the
00:40:52,920 → 00:40:58,310 sufficiency peace sufficiency health
Section 76: 00:40:58,320 – 00:41:29,450
00:40:58,320 → 00:41:04,069 yes and in these blessed Oris in these
00:41:04,079 → 00:41:05,210 hours
00:41:05,220 → 00:41:08,510 right at these times what is he she's
00:41:08,520 → 00:41:11,750 glauc off she has that it's often
00:41:11,760 → 00:41:14,210 described as steel blue or gray they
00:41:14,220 → 00:41:15,950 don't really understand
00:41:15,960 → 00:41:17,930 um what this word means the steel blue
00:41:17,940 → 00:41:20,690 or gray Ops eyes so they call her the
00:41:20,700 → 00:41:21,950 gray eyed
00:41:21,960 → 00:41:25,010 the gray eyed but that gray-eyed that
00:41:25,020 → 00:41:27,650 epithet the gray eyed belongs to that
00:41:27,660 → 00:41:29,450 gorgophonic
Section 77: 00:41:29,460 – 00:42:04,490
00:41:29,460 → 00:41:30,829 group
00:41:30,839 → 00:41:34,130 right the ones that bring that magic
00:41:34,140 → 00:41:38,270 that's their gray-eyed appearance gray
00:41:38,280 → 00:41:39,470 eyed
00:41:39,480 → 00:41:43,370 thing the Ops is what you look you look
00:41:43,380 → 00:41:47,870 in my the Ops is what you look into when
00:41:47,880 → 00:41:50,270 you confront the goddess when you stand
00:41:50,280 → 00:41:54,530 before her you are in her Ops
00:41:54,540 → 00:41:58,190 and her Ops is gray
00:41:58,200 → 00:41:59,750 steel blue
00:41:59,760 → 00:42:04,490 yes okay wonderful wonderful how about
Section 78: 00:42:04,500 – 00:42:40,609
00:42:04,500 → 00:42:06,770 the um yeah she's the one who knows all
00:42:06,780 → 00:42:09,170 the skill man she's gone on skill if you
00:42:09,180 → 00:42:11,569 want the skill you go into her and she's
00:42:11,579 → 00:42:15,829 the pololiste Basile the queen who is
00:42:15,839 → 00:42:17,270 most
00:42:17,280 → 00:42:21,230 prayed to the one who is the really
00:42:21,240 → 00:42:24,950 accepts those that form of communication
00:42:24,960 → 00:42:27,470 right that prayer
00:42:27,480 → 00:42:31,370 she's the one that you can bind that you
00:42:31,380 → 00:42:33,530 can work with if you know her secret
00:42:33,540 → 00:42:34,609 name
00:42:34,619 → 00:42:36,890 yes the half
00:42:36,900 → 00:42:40,609 girl or virgin half virgin
Section 79: 00:42:40,619 – 00:43:25,130
00:42:40,619 → 00:42:45,170 half Viper and if you get 12 of these
00:42:45,180 → 00:42:47,210 together in a group
00:42:47,220 → 00:42:49,250 you're invincible
00:42:49,260 → 00:42:51,290 you're absolutely Invincible 12
00:42:51,300 → 00:42:54,770 archerouses with poison bows who use
00:42:54,780 → 00:42:57,050 Venoms not only do they use Venoms but
00:42:57,060 → 00:42:59,329 as you can see from our sculpture she
00:42:59,339 → 00:43:02,210 was raised on Venom
00:43:02,220 → 00:43:04,970 she was raised on Venom so she is a
00:43:04,980 → 00:43:07,730 different form you didn't know Humanity
00:43:07,740 → 00:43:11,329 was capable of this form did you now you
00:43:11,339 → 00:43:13,550 maybe you understand why they worshiped
00:43:13,560 → 00:43:16,430 her why they worshiped her why they
00:43:16,440 → 00:43:20,270 brought her out why they took the
00:43:20,280 → 00:43:25,130 children of the aristocracy why they put
Section 80: 00:43:25,140 – 00:44:12,109
00:43:25,140 → 00:43:27,050 them through if they had the perfect
00:43:27,060 → 00:43:29,750 qualifications why they put them through
00:43:29,760 → 00:43:32,030 this regimen
00:43:32,040 → 00:43:37,609 in order to reach this process of the
00:43:37,619 → 00:43:39,829 of the virgin
00:43:39,839 → 00:43:43,190 yeah the virgin lamia
00:43:43,200 → 00:43:47,990 yeah it's um absolutely absolutely the
00:43:48,000 → 00:43:52,970 Pinnacle of the combo of drugs and cult
00:43:52,980 → 00:43:55,910 and it is the mystery if you talk about
00:43:55,920 → 00:43:58,790 Christianity as a mystery and you fail
00:43:58,800 → 00:44:02,089 to recognize what a mystery is you have
00:44:02,099 → 00:44:05,390 no clue you're believing the fairy tale
00:44:05,400 → 00:44:07,609 right you're following the fairy tales
00:44:07,619 → 00:44:09,170 you're not looking at history and reason
00:44:09,180 → 00:44:12,109 you're looking at the fairy tale
Section 81: 00:44:12,119 – 00:44:57,650
00:44:12,119 → 00:44:14,930 your faith will lead you to the fairy
00:44:14,940 → 00:44:18,710 tale to accept it reason will lead you
00:44:18,720 → 00:44:20,569 to the reality
00:44:20,579 → 00:44:22,550 right and there's no question whether or
00:44:22,560 → 00:44:23,870 not you want to accept the reality
00:44:23,880 → 00:44:26,089 because the reality doesn't care
00:44:26,099 → 00:44:29,809 Judaism and Christianity are the
00:44:29,819 → 00:44:33,950 offshoot or the offshoot of this
00:44:33,960 → 00:44:38,329 oracular mystery she is Bronze Age she
00:44:38,339 → 00:44:42,250 is before you and she manifests herself
00:44:42,260 → 00:44:44,809 in the queen
00:44:44,819 → 00:44:47,210 yes in the queen all of this
00:44:47,220 → 00:44:50,630 pharmacology goes back somewhere and
00:44:50,640 → 00:44:53,329 every signpost that I've seen points
00:44:53,339 → 00:44:57,650 directly to caucus to the witch Medea
Section 82: 00:44:57,660 – 00:45:23,150
00:44:57,660 → 00:45:02,030 who is developing the Echidna she alone
00:45:02,040 → 00:45:07,450 we know she alone can breathe that fire
00:45:07,460 → 00:45:10,730 yes gorgeous gorgeous give me the
00:45:10,740 → 00:45:12,609 ability iason
00:45:12,619 → 00:45:15,230 iason people will tell you okay I'm
00:45:15,240 → 00:45:17,089 gonna I'm gonna say one more thing and
00:45:17,099 → 00:45:18,950 then I'm gonna check back in with Rob
00:45:18,960 → 00:45:21,109 because I want to see the magic is is
00:45:21,119 → 00:45:23,150 happening
Section 83: 00:45:23,160 – 00:45:56,569
00:45:23,160 → 00:45:27,530 we we want to see that image
00:45:27,540 → 00:45:30,530 um and we don't want to get lost
00:45:30,540 → 00:45:33,170 in the fairy tale we just want to know
00:45:33,180 → 00:45:35,150 what those people were doing we want to
00:45:35,160 → 00:45:37,130 we want to push it and we want to say
00:45:37,140 → 00:45:38,809 who who is she what does she look like
00:45:38,819 → 00:45:42,050 where does she stand what does she do
00:45:42,060 → 00:45:44,270 um how did she affect history and when
00:45:44,280 → 00:45:46,490 you follow when you
00:45:46,500 → 00:45:49,430 um when you follow the language through
00:45:49,440 → 00:45:52,730 the medwa right medwa and Medusa are the
00:45:52,740 → 00:45:53,990 same root
00:45:54,000 → 00:45:56,569 they're the same root medicine where we
Section 84: 00:45:56,579 – 00:46:19,430
00:45:56,579 → 00:45:59,809 get our word medicine it's the same root
00:45:59,819 → 00:46:02,390 and you you look at lexicographers and
00:46:02,400 → 00:46:04,130 they'll they'll argue about
00:46:04,140 → 00:46:06,950 um Maga and Mada and where those
00:46:06,960 → 00:46:08,690 ultimately come from and just long story
00:46:08,700 → 00:46:11,809 short the Mada is the moistness it is
00:46:11,819 → 00:46:15,770 the do it is the manna that you reap
00:46:15,780 → 00:46:19,430 from between her legs
Section 85: 00:46:19,440 – 00:46:53,930
00:46:19,440 → 00:46:22,430 yeah they were using these chemicals
00:46:22,440 → 00:46:25,190 they were using them in rights and if
00:46:25,200 → 00:46:29,450 you were a Christian you are not part of
00:46:29,460 → 00:46:31,430 a mystery
00:46:31,440 → 00:46:34,430 for any reason you are part of a mystery
00:46:34,440 → 00:46:37,910 because that is the history that your
00:46:37,920 → 00:46:41,329 religion and its practices developed and
00:46:41,339 → 00:46:44,450 Jesus stood there and said I am the
00:46:44,460 → 00:46:46,069 monogamous
00:46:46,079 → 00:46:49,550 when he did that when his Apostles wrote
00:46:49,560 → 00:46:53,930 that he was the mono Guinness
Section 86: 00:46:53,940 – 00:47:30,589
00:46:53,940 → 00:46:58,190 they were claiming a right to a throne
00:46:58,200 → 00:47:00,829 to the throne of God
00:47:00,839 → 00:47:03,230 and now you understand now you
00:47:03,240 → 00:47:05,270 understand let's look at let's look at
00:47:05,280 → 00:47:06,290 the image
00:47:06,300 → 00:47:07,970 um tell us a couple of words here
00:47:07,980 → 00:47:10,970 Mathias tell give us a couple of words
00:47:10,980 → 00:47:14,630 about how you're feeling as you make as
00:47:14,640 → 00:47:17,750 you as you bring bring to life what kind
00:47:17,760 → 00:47:20,390 of um tell us about her that you're that
00:47:20,400 → 00:47:21,710 you're making for a couple of minutes
00:47:21,720 → 00:47:24,410 just you know free form
00:47:24,420 → 00:47:27,109 yeah sure I kind of want her to be a
00:47:27,119 → 00:47:30,589 little bit like she's like she's
Section 87: 00:47:30,599 – 00:48:07,130
00:47:30,599 → 00:47:34,490 doing some kind of interrogation so a
00:47:34,500 → 00:47:35,809 lot of the times when I'm playing around
00:47:35,819 → 00:47:41,210 with her I'm sort of seeing
00:47:41,220 → 00:47:44,569 how how like somebody if she was huge
00:47:44,579 → 00:47:47,089 right she was like six foot tall how she
00:47:47,099 → 00:47:49,550 would look to somebody if they walked up
00:47:49,560 → 00:47:52,190 to her like if she's asking a question
00:47:52,200 → 00:47:54,950 or if she's about to attack or something
00:47:54,960 → 00:47:57,050 because right now she's just standing
00:47:57,060 → 00:47:59,510 there but I'm wondering like
00:47:59,520 → 00:48:01,910 when somebody looks at her how should
00:48:01,920 → 00:48:07,130 they feel
Section 88: 00:48:07,140 – 00:48:42,650
00:48:07,140 → 00:48:10,430 no that power of the thing that you're
00:48:10,440 → 00:48:12,770 using there with the S curve tell us a
00:48:12,780 → 00:48:16,010 little bit about that
00:48:16,020 → 00:48:18,770 oh the S curve yeah so the S curve is
00:48:18,780 → 00:48:21,770 something that like
00:48:21,780 → 00:48:23,990 it gives it a really like interesting
00:48:24,000 → 00:48:25,190 shape
00:48:25,200 → 00:48:27,650 it puts your hips forward your shoulders
00:48:27,660 → 00:48:29,329 back this is like what you'll see what
00:48:29,339 → 00:48:30,829 models will do
00:48:30,839 → 00:48:32,930 so they'll walk like this
00:48:32,940 → 00:48:35,210 and it just elongates the body and it
00:48:35,220 → 00:48:37,670 gives it a lot of like expression so it
00:48:37,680 → 00:48:39,470 gives it a really
00:48:39,480 → 00:48:42,650 sort of elegant expression to the body
Section 89: 00:48:42,660 – 00:49:05,829
00:48:42,660 → 00:48:47,050 instead of her just being standing
00:48:47,060 → 00:48:48,829 regularly
00:48:48,839 → 00:48:51,410 she sort of loses a little bit of
00:48:51,420 → 00:48:55,069 the intensity of her body
00:48:55,079 → 00:48:58,430 I noticed that you've captured the
00:48:58,440 → 00:49:01,370 combination of her masculinity and
00:49:01,380 → 00:49:05,829 femininity she's supposed to be female
Section 90: 00:49:05,839 – 00:49:35,630
00:49:05,839 → 00:49:08,690 possessing masculine traits which I
00:49:08,700 → 00:49:10,730 think is a reflection of her coreic
00:49:10,740 → 00:49:13,670 status and you have captured that you
00:49:13,680 → 00:49:15,890 have really you have wrote Bravo you've
00:49:15,900 → 00:49:17,510 really captured that because I look at
00:49:17,520 → 00:49:20,089 different parts of her and I'm trying to
00:49:20,099 → 00:49:24,050 identify masculine feminine age and I
00:49:24,060 → 00:49:26,270 see that you've you've honed in you've
00:49:26,280 → 00:49:30,230 you've honed in on that power of that of
00:49:30,240 → 00:49:33,349 that perfect combination right that
00:49:33,359 → 00:49:35,630 perfect combination
Section 91: 00:49:35,640 – 00:50:09,790
00:49:35,640 → 00:49:38,030 um yeah why don't you tell me about
00:49:38,040 → 00:49:40,210 um why don't you tell me about the
00:49:40,220 → 00:49:43,190 snakes and
00:49:43,200 → 00:49:45,770 um yeah that by the way Matthias look at
00:49:45,780 → 00:49:47,930 that hand everyone look at that left
00:49:47,940 → 00:49:52,910 hand I mean uh wow I mean that says a
00:49:52,920 → 00:49:54,650 lot and it says different things from
00:49:54,660 → 00:49:57,109 different angles I want to bring up I
00:49:57,119 → 00:49:59,690 said before we're going to talk about Mr
00:49:59,700 → 00:50:02,750 Ferrari Atari Ferrari right Ferrari
00:50:02,760 → 00:50:05,089 right and his
00:50:05,099 → 00:50:07,670 um here he is watch how he did the same
00:50:07,680 → 00:50:09,790 thing like when you look at her head
Section 92: 00:50:09,800 – 00:50:45,650
00:50:09,800 → 00:50:13,130 when you look at the angle that it is if
00:50:13,140 → 00:50:15,829 you rotate the angle of her head you'll
00:50:15,839 → 00:50:18,530 see different positions of power you'll
00:50:18,540 → 00:50:22,069 see different poses in her and
00:50:22,079 → 00:50:25,250 um for example if we got under her head
00:50:25,260 → 00:50:27,530 and we're looking at her from from the
00:50:27,540 → 00:50:29,870 ground up as if she is looking at us
00:50:29,880 → 00:50:33,290 with you see how as as Mateus changes
00:50:33,300 → 00:50:34,609 his shape all of a sudden the new
00:50:34,619 → 00:50:38,870 emotion comes comes into the face let's
00:50:38,880 → 00:50:41,630 see let's see if he's meeting up with
00:50:41,640 → 00:50:43,550 his ancestor
00:50:43,560 → 00:50:45,650 um let's see if you're an ancestor let's
Section 93: 00:50:45,660 – 00:51:19,309
00:50:45,660 → 00:50:48,589 see if we can call you the seed uh of
00:50:48,599 → 00:50:50,930 Ferrari um can we show Giordano Bruno
00:50:50,940 → 00:50:54,349 that for who Ferrari made yeah you see
00:50:54,359 → 00:50:55,730 that
00:50:55,740 → 00:50:59,390 um what about that what about that angle
00:50:59,400 → 00:51:01,609 there isn't that lovely does that do
00:51:01,619 → 00:51:03,589 anything for you that's that's the
00:51:03,599 → 00:51:06,950 particular statue matteus yeah of course
00:51:06,960 → 00:51:09,530 it's pretty it's interrogating you right
00:51:09,540 → 00:51:11,329 so you're looking up at him and he's
00:51:11,339 → 00:51:13,910 looking down at you and I'm sure that
00:51:13,920 → 00:51:16,430 the sun positions itself behind him so
00:51:16,440 → 00:51:19,309 it's like he's backlit and it looks holy
Section 94: 00:51:19,319 – 00:51:55,549
00:51:19,319 → 00:51:22,430 you know
00:51:22,440 → 00:51:24,829 you see and he's he's in this like dark
00:51:24,839 → 00:51:27,349 Hood he looks down at you he's sort of
00:51:27,359 → 00:51:29,270 it's almost like he's asking you a
00:51:29,280 → 00:51:31,490 question he's interrogating you I really
00:51:31,500 → 00:51:34,069 like that about this this
00:51:34,079 → 00:51:37,549 um this statue especially because I
00:51:37,559 → 00:51:38,990 don't know much about Jordan and Bruno
00:51:39,000 → 00:51:43,190 but I know he was a pretty intense guy
00:51:43,200 → 00:51:45,470 um so I think that this is like it does
00:51:45,480 → 00:51:48,410 a lot of like just in terms of the
00:51:48,420 → 00:51:50,390 intensity of the
00:51:50,400 → 00:51:53,630 of the pose and the intensity of the of
00:51:53,640 → 00:51:55,549 the look and the intensity of the angle
Section 95: 00:51:55,559 – 00:52:33,049
00:51:55,559 → 00:51:57,589 that this hope that this
00:51:57,599 → 00:52:01,309 um statues positioned is like really
00:52:01,319 → 00:52:04,309 speaking to his like nature
00:52:04,319 → 00:52:07,250 and where did where did Ferrari
00:52:07,260 → 00:52:09,890 um or or you know he made the Statue but
00:52:09,900 → 00:52:12,470 they placed it in a specific Square
00:52:12,480 → 00:52:14,569 wasn't it the square where they burned
00:52:14,579 → 00:52:15,770 him alive
00:52:15,780 → 00:52:18,589 yep it's in Rome so I'm not sure what
00:52:18,599 → 00:52:20,329 the name of the square is but yeah it's
00:52:20,339 → 00:52:23,450 the exact place and um the the Catholic
00:52:23,460 → 00:52:25,309 Church you know wasn't really happy
00:52:25,319 → 00:52:28,670 about that but um there wasn't much they
00:52:28,680 → 00:52:33,049 could do
Section 96: 00:52:33,059 – 00:53:08,990
00:52:33,059 → 00:52:36,049 and from what I hear and from what I
00:52:36,059 → 00:52:37,069 hear
00:52:37,079 → 00:52:40,790 um poor poor G Bruno we'll just call him
00:52:40,800 → 00:52:44,329 G Bruno poor G Bruno was um brought up
00:52:44,339 → 00:52:47,510 on some kind of impiety some kind of
00:52:47,520 → 00:52:49,730 charge against the church
00:52:49,740 → 00:52:51,650 um he was he was who knows what it was
00:52:51,660 → 00:52:55,010 you know actually for right but he was
00:52:55,020 → 00:52:56,390 saying he was saying things about
00:52:56,400 → 00:52:59,390 planets about other planets and about
00:52:59,400 → 00:53:01,910 the life that was on those other planets
00:53:01,920 → 00:53:05,690 out there and we know that that angered
00:53:05,700 → 00:53:08,990 the church because it com it throws off
Section 97: 00:53:09,000 – 00:53:42,109
00:53:09,000 → 00:53:11,270 um their cosmogony right we don't their
00:53:11,280 → 00:53:13,490 cosmography is suddenly incomplete and
00:53:13,500 → 00:53:15,109 I'm not talking about the church's
00:53:15,119 → 00:53:17,329 cosmogony isn't the orphic cosmogony
00:53:17,339 → 00:53:20,450 right they have that they created their
00:53:20,460 → 00:53:23,329 own in the Middle Ages because the
00:53:23,339 → 00:53:25,430 orphan cosmogony that started the
00:53:25,440 → 00:53:26,750 mystery
00:53:26,760 → 00:53:29,870 um was Pagan and they wanted to re to
00:53:29,880 → 00:53:31,490 assert some sort of
00:53:31,500 → 00:53:33,890 um hey no this is originally our days of
00:53:33,900 → 00:53:36,049 creation or our days of creation right
00:53:36,059 → 00:53:38,450 and even though we're starting with the
00:53:38,460 → 00:53:42,109 Earth and uranos right
Section 98: 00:53:42,119 – 00:54:14,870
00:53:42,119 → 00:53:43,790 um we're going to give you a new
00:53:43,800 → 00:53:46,609 impression of that cosmogony so
00:53:46,619 → 00:53:48,530 um it didn't fit it didn't fit all the
00:53:48,540 → 00:53:50,329 planets those of you who are out there
00:53:50,339 → 00:53:52,970 and there are a lot of educated
00:53:52,980 → 00:53:56,510 um people on this um Channel and those
00:53:56,520 → 00:53:58,970 of you are educated and who who know
00:53:58,980 → 00:54:00,950 some Bruno and I know that there are
00:54:00,960 → 00:54:02,569 those of you who are out there
00:54:02,579 → 00:54:06,230 um uh you may be able to appreciate this
00:54:06,240 → 00:54:08,150 um a little bit with I don't know I may
00:54:08,160 → 00:54:11,089 just throw out an ass a golden ass to
00:54:11,099 → 00:54:14,870 you and um who knows maybe the Ferrari
Section 99: 00:54:14,880 – 00:54:42,790
00:54:14,880 → 00:54:17,390 you think the Ferrari image was an ass a
00:54:17,400 → 00:54:19,010 golden ass first what do you think
00:54:19,020 → 00:54:21,410 Matthias
00:54:21,420 → 00:54:24,890 a golden ass verse the fiery image of
00:54:24,900 → 00:54:27,950 what exactly like the JoJo the Jordana
00:54:27,960 → 00:54:30,829 Bruno sculpture no I'm talking about the
00:54:30,839 → 00:54:32,870 horse on the
00:54:32,880 → 00:54:35,690 um golden background yeah
00:54:35,700 → 00:54:37,430 um the horse on the golden background
00:54:37,440 → 00:54:42,790 with the modern Ferrari yeah
Section 100: 00:54:42,800 – 00:55:02,690
00:54:42,800 → 00:54:46,490 the cars right yeah yeah
00:54:46,500 → 00:54:49,490 um yeah it's a black horse on a golden
00:54:49,500 → 00:54:54,049 field and I'm not exactly sure
00:54:54,059 → 00:54:56,270 um what the history of it is like
00:54:56,280 → 00:54:58,790 entirely but I do know or if it's like a
00:54:58,800 → 00:54:59,870 legitimate
00:54:59,880 → 00:55:02,690 um like uh
Section 101: 00:55:02,700 – 00:55:41,930
00:55:02,700 → 00:55:05,510 what's it called like um a coat of arms
00:55:05,520 → 00:55:07,670 but I do know that it used to be a
00:55:07,680 → 00:55:09,170 donkey before
00:55:09,180 → 00:55:12,589 so a black donkey and a golden field
00:55:12,599 → 00:55:15,650 nice nice perhaps we don't know perhaps
00:55:15,660 → 00:55:18,349 they're using some of the same imagery
00:55:18,359 → 00:55:20,390 yeah yeah
00:55:21,599 → 00:55:23,630 I'm talking by the way I'm talking about
00:55:23,640 → 00:55:26,150 the the logo the Ferrari the card the
00:55:26,160 → 00:55:29,270 logo right the The Black Stallion
00:55:29,280 → 00:55:34,549 um I also do know that uh the um
00:55:34,559 → 00:55:38,030 that uh one of the nicknames for um Enzo
00:55:38,040 → 00:55:41,930 fari was a a drag so they used to call
Section 102: 00:55:41,940 – 00:56:23,030
00:55:41,940 → 00:55:44,349 him the Dragon
00:55:44,359 → 00:55:48,770 ah those those old those old European
00:55:48,780 → 00:55:53,150 families that preserve all of the all of
00:55:53,160 → 00:55:56,450 the old medieval symbols that ultimately
00:55:56,460 → 00:55:58,190 are derived
00:55:58,200 → 00:56:01,370 um from the roots of Hellenistic culture
00:56:01,380 → 00:56:03,829 from Greek culture that's gorgeous I
00:56:03,839 → 00:56:06,170 love that I love that tonight has
00:56:06,180 → 00:56:08,750 tonight has been outstanding I could sit
00:56:08,760 → 00:56:10,970 here and look at her she's mesmerizing
00:56:10,980 → 00:56:14,030 and um I I can't thank you enough
00:56:14,040 → 00:56:18,170 Matthias for for participating and for
00:56:18,180 → 00:56:20,870 allowing us to be in a part of your
00:56:20,880 → 00:56:23,030 process
Section 103: 00:56:23,040 – 00:56:58,730
00:56:23,040 → 00:56:25,250 um I think that we have the makings here
00:56:25,260 → 00:56:29,089 of a real salon and it's an honor Mateus
00:56:29,099 → 00:56:32,990 to be able to to participate with you
00:56:33,000 → 00:56:35,089 yeah thank you this has been really fun
00:56:35,099 → 00:56:38,210 it's it's uh it's really fun and it's
00:56:38,220 → 00:56:39,770 really great to get to do stuff like
00:56:39,780 → 00:56:42,290 this and also it's good to do something
00:56:42,300 → 00:56:44,630 like this while you're
00:56:44,640 → 00:56:47,450 you know when you're reading
00:56:47,460 → 00:56:49,670 um while you're making your presentation
00:56:49,680 → 00:56:52,910 it inspires so it's like well you can
00:56:52,920 → 00:56:54,230 have multiple things happening together
00:56:54,240 → 00:56:56,450 and I know I'm not the only one in the
00:56:56,460 → 00:56:58,730 group who has artistic ability to some
Section 104: 00:56:58,740 – 00:57:37,150
00:56:58,740 → 00:57:00,589 extent so
00:57:00,599 → 00:57:02,270 um I'd be interesting to see more people
00:57:02,280 → 00:57:04,309 come out and like do
00:57:04,319 → 00:57:05,690 more
00:57:05,700 → 00:57:08,270 um artwork for the community
00:57:08,280 → 00:57:09,710 um I know a lot of people are writers
00:57:09,720 → 00:57:12,049 also which is um
00:57:12,059 → 00:57:14,270 there's really great stuff on the
00:57:14,280 → 00:57:15,470 Discord
00:57:15,480 → 00:57:17,089 people have been writing especially
00:57:17,099 → 00:57:19,730 doing research so
00:57:19,740 → 00:57:22,849 so an encouragement and the templum
00:57:22,859 → 00:57:25,910 right encouragement in the in the Sacred
00:57:25,920 → 00:57:29,210 Space of Saturn for us to bring out this
00:57:29,220 → 00:57:32,270 art yeah we'll do a pose for her she'll
00:57:32,280 → 00:57:34,910 she'll Point At You like I want you
00:57:34,920 → 00:57:37,150 to uh
Section 105: 00:57:37,160 – 00:58:12,290
00:57:37,160 → 00:57:39,890 fantastic like an Uncle Sam thing you
00:57:39,900 → 00:57:43,130 know like I want you to contribute yeah
00:57:43,140 → 00:57:44,809 you're scaring me I don't know whether
00:57:44,819 → 00:57:47,450 to be scared or to be excited I don't
00:57:47,460 → 00:57:50,270 know I don't know calling on all artists
00:57:50,280 → 00:57:52,130 out there you see
00:57:52,140 → 00:57:54,770 um the Virgin wants you
00:57:54,780 → 00:57:57,290 the Virgin wants you to enlisting you
00:57:57,300 → 00:58:00,710 for some dope artwork yes
00:58:00,720 → 00:58:02,870 thank you Matthias and thank you
00:58:02,880 → 00:58:05,270 everybody for coming tonight and we'll
00:58:05,280 → 00:58:07,849 see you we'll see you Friday uh Friday
00:58:07,859 → 00:58:12,290 at Sabbat and um wow uh I can't I can't
Section 106: 00:58:12,300 – 00:58:27,410
00:58:12,300 → 00:58:13,490 say
00:58:13,500 → 00:58:15,589 um look at look at look at just take one
00:58:15,599 → 00:58:18,109 one yeah give us one more whole oh just
00:58:18,119 → 00:58:19,670 like that angle look at that look at
00:58:19,680 → 00:58:22,670 that hand people oh my God okay I love
00:58:22,680 → 00:58:25,069 it hail Satan
00:58:25,079 → 00:58:27,410 good
Section 107: 00:58:27,420 – 00:58:31,720
00:58:27,420 → 00:58:31,720 morning
Section 108: 00:58:31,730 – 00:58:44,980
00:58:31,730 → 00:58:44,980 [Music]