‎/Transcript - Ithyphallic Song Basic Training AU-15
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Transcript: Ithyphallic Song: Basic Training AU-15

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187 timestamped sections using the same paragraph analysis.
Section 1: 00:00:01,319 – 00:00:03,960
00:00:01,319 → 00:00:03,960 Warrior
Section 2: 00:00:03,970 – 00:00:07,589
00:00:03,970 → 00:00:07,589 [Music]
Section 3: 00:00:07,599 – 00:00:41,410
00:00:07,599 → 00:00:11,190 poet fresh Liquid Smoke they got that
00:00:11,200 → 00:00:13,829 derangement
00:00:13,839 → 00:00:17,269 syndrome I can see it clearly
00:00:17,279 → 00:00:21,950 now I took the anti
00:00:21,960 → 00:00:25,390 Christos the anti
00:00:25,400 → 00:00:30,349 venom my eyes are clear
00:00:30,359 → 00:00:33,910 the stars are shining
00:00:33,920 → 00:00:36,350 near
00:00:36,360 → 00:00:41,410 hak Med the goddess of death make your
Section 4: 00:00:41,420 – 00:00:43,389
00:00:41,420 → 00:00:43,389 [Music]
Section 5: 00:00:43,399 – 00:01:06,310
00:00:43,399 → 00:00:46,709 portions and pluck your
00:00:46,719 → 00:00:50,510 strings I have the key of
00:00:50,520 → 00:00:53,510 death I have the key to
00:00:53,520 → 00:00:57,630 Hell give me quickly the Water of Life I
00:00:57,640 → 00:01:00,069 am that drug
00:01:00,079 → 00:01:01,430 the death
00:01:01,440 → 00:01:06,310 inducer Hallelujah toxicology Pharma
Section 6: 00:01:06,320 – 00:01:33,080
00:01:06,320 → 00:01:10,670 doya Liquid Smoke keep it moving lady
00:01:10,680 → 00:01:12,990 Babylon Elder
00:01:13,000 → 00:01:17,910 Amazon blow your mind on Spanish Fly
00:01:17,920 → 00:01:22,149 shining bright stars in the sky consume
00:01:22,159 → 00:01:26,550 the Thea the Venom dragon's
00:01:26,560 → 00:01:33,080 head you sexual Venus
Section 7: 00:01:33,090 – 00:01:34,789
00:01:33,090 → 00:01:34,789 [Music]
Section 8: 00:01:34,799 – 00:02:00,469
00:01:34,799 → 00:01:38,550 welcome back to Lady Babylon this is Al
00:01:38,560 → 00:01:44,190 and youu and I am bringing you some
00:01:44,200 → 00:01:47,550 instruction tonight it's going to Thrill
00:01:47,560 → 00:01:50,069 you it's gonna get inside you and it's
00:01:50,079 → 00:01:53,030 gonna turn you into something that you
00:01:53,040 → 00:01:56,109 were never thinking you could
00:01:56,119 → 00:02:00,469 become oh God it's wonderful absolutely
Section 9: 00:02:00,479 – 00:02:15,270
00:02:00,479 → 00:02:01,709 wonderful I think we have an
00:02:01,719 → 00:02:03,709 announcement too but I'm going to wait
00:02:03,719 → 00:02:06,029 for that announcement I'm going to wait
00:02:06,039 → 00:02:10,589 right and by the way you know um little
00:02:10,599 → 00:02:15,270 variety never hurt right fantastic let's
Section 10: 00:02:15,280 – 00:02:50,290
00:02:15,280 → 00:02:16,949 I'm going to take you somewhere tonight
00:02:16,959 → 00:02:19,509 what exactly are we going to do I'm
00:02:19,519 → 00:02:24,229 going to resurrect for you
00:02:24,239 → 00:02:28,070 arilus I'm going to resurrect for you a
00:02:28,080 → 00:02:31,350 dude who's going to tell us who he is in
00:02:31,360 → 00:02:34,470 his own words but I can tell you what it
00:02:34,480 → 00:02:36,630 says it is
00:02:36,640 → 00:02:38,869 grave oh
00:02:38,879 → 00:02:42,869 God this is the
00:02:42,879 → 00:02:46,790 person who baptized The
00:02:46,800 → 00:02:50,290 Muse into the Viper
Section 11: 00:02:50,300 – 00:02:51,910
00:02:50,300 → 00:02:51,910 [Music]
Section 12: 00:02:51,920 – 00:03:28,190
00:02:51,920 → 00:02:54,550 Venom this is the seventh century I have
00:02:54,560 → 00:02:56,910 a real treat for you tonight I have a
00:02:56,920 → 00:03:00,509 real treat tonight we are going to the
00:03:00,519 → 00:03:02,710 7th Century
00:03:02,720 → 00:03:05,390 BC and everybody's excited because we've
00:03:05,400 → 00:03:07,110 been hitting the second and the first so
00:03:07,120 → 00:03:09,589 many times we got to stop we're going
00:03:09,599 → 00:03:13,309 way back we're going back to the one of
00:03:13,319 → 00:03:16,229 the three people that
00:03:16,239 → 00:03:19,949 the civilization that produced democracy
00:03:19,959 → 00:03:22,229 said these are the three
00:03:22,239 → 00:03:28,190 greats one of them is arilus a warrior
Section 13: 00:03:28,200 – 00:04:12,789
00:03:28,200 → 00:03:33,270 poet what is the Warrior poet there to
00:03:33,280 → 00:03:38,229 do the warrior poet is there to
00:03:38,239 → 00:03:42,750 avenge the warrior poet serves
00:03:42,760 → 00:03:45,949 Mars and the
00:03:45,959 → 00:03:48,429 muses
00:03:48,439 → 00:03:53,229 imagine having the power to kill with
00:03:53,239 → 00:03:54,949 your
00:03:54,959 → 00:03:57,869 words this is
00:03:57,879 → 00:04:00,270 arilus and I'm going to show you
00:04:00,280 → 00:04:02,429 tonight I'm going to show you you mean
00:04:02,439 → 00:04:06,710 he killed with his poetry yes he did yes
00:04:06,720 → 00:04:12,789 he did he killed people with his
Section 14: 00:04:12,799 – 00:04:32,590
00:04:12,799 → 00:04:16,789 Muse oh God so gorgeous I'm going to
00:04:16,799 → 00:04:18,830 give you that then after that we're
00:04:18,840 → 00:04:21,670 going to jump into a little bit of
00:04:21,680 → 00:04:24,310 passivity a little bit of passivity
00:04:24,320 → 00:04:27,310 tonight so those of you nerds who have
00:04:27,320 → 00:04:30,110 come for a beating the drill sergeant is
00:04:30,120 → 00:04:32,590 waiting he's
Section 15: 00:04:32,600 – 00:05:07,189
00:04:32,600 → 00:04:38,150 waiting before we even get to my part I
00:04:38,160 → 00:04:41,070 want to tell you it's such a pleasure I
00:04:41,080 → 00:04:44,469 believe that we have found chewy this is
00:04:44,479 → 00:04:48,430 verifiable right I believe we have found
00:04:48,440 → 00:04:51,070 that boy that was with Jesus in a public
00:04:51,080 → 00:04:52,749 park at 4:00
00:04:52,759 → 00:04:55,230 A.M in Mark
00:04:55,240 → 00:04:58,790 145152 I think we found him I think we
00:04:58,800 → 00:05:00,469 found him
00:05:00,479 → 00:05:02,790 turns out he was with P
00:05:02,800 → 00:05:07,189 Diddy the whole time the whole
Section 16: 00:05:07,199 – 00:05:13,189
00:05:07,199 → 00:05:13,189 time right under our noses like some
Section 17: 00:05:13,199 – 00:05:48,309
00:05:13,199 → 00:05:16,070 kind of Bic
00:05:16,080 → 00:05:18,550 tragedy ah are you ready for the
00:05:18,560 → 00:05:20,870 cleansing are you ready people for the
00:05:20,880 → 00:05:23,830 cleansing Can you feel it oh God turn it
00:05:23,840 → 00:05:26,590 up on and turn up turn up the
00:05:26,600 → 00:05:29,790 heat we're going to do that tonight okay
00:05:29,800 → 00:05:32,309 let's get started bring them in bring
00:05:32,319 → 00:05:34,270 him in here let's do what we always do
00:05:34,280 → 00:05:36,710 and bring him in give me that first give
00:05:36,720 → 00:05:39,230 me that very first first reference look
00:05:39,240 → 00:05:42,909 people look the Spartans ordered the
00:05:42,919 → 00:05:46,629 books of arilus who well let's find out
00:05:46,639 → 00:05:48,309 they ordered that his books should be
Section 18: 00:05:48,319 – 00:06:30,309
00:05:48,319 → 00:05:50,870 removed from their state because they
00:05:50,880 → 00:05:53,189 considered them
00:05:53,199 → 00:05:56,270 indecent and would not have their
00:05:56,280 → 00:05:59,110 children indoctrinated Florida with
00:05:59,120 → 00:06:02,270 writing which might do more harm to
00:06:02,280 → 00:06:07,029 their morals than good to their wits
00:06:07,039 → 00:06:08,589 thank you Valerius
00:06:08,599 → 00:06:11,350 Maximus for telling us that isn't that
00:06:11,360 → 00:06:13,710 nice who are we dealing with tonight
00:06:13,720 → 00:06:16,070 we're dealing with the warrior poet
00:06:16,080 → 00:06:17,710 whose Works were
00:06:17,720 → 00:06:21,670 banned they were banned in
00:06:21,680 → 00:06:25,950 Sparta he like Stephen King is
00:06:25,960 → 00:06:30,309 corrupting the youth
Section 19: 00:06:30,319 – 00:06:51,070
00:06:30,319 → 00:06:32,189 are you ready you know what's happening
00:06:32,199 → 00:06:36,350 here I just want to say this last uh
00:06:36,360 → 00:06:37,790 time that we all met together
00:06:37,800 → 00:06:41,189 congregation we talked about selling the
00:06:41,199 → 00:06:44,390 Muse and we
00:06:44,400 → 00:06:48,029 ended with songs that talked about
00:06:48,039 → 00:06:51,070 throwing these pirates from the
Section 20: 00:06:51,080 – 00:06:52,629
00:06:51,080 → 00:06:52,629 [Music]
Section 21: 00:06:52,639 – 00:07:24,510
00:06:52,639 → 00:06:54,589 bridges you know what we're going to see
00:06:54,599 → 00:06:56,790 tonight we're going to see the warrior
00:06:56,800 → 00:06:59,909 poet who did just that when you
00:06:59,919 → 00:07:02,990 prostitute The Muse do you know what
00:07:03,000 → 00:07:05,990 happens to you we're going to see
00:07:06,000 → 00:07:08,430 tonight we're going to see tonight oh
00:07:08,440 → 00:07:11,909 God this is so lovely it's like a giant
00:07:11,919 → 00:07:14,990 Justice party give me the next one give
00:07:15,000 → 00:07:16,790 me oh did we finish all that I think we
00:07:16,800 → 00:07:19,110 finished all of that one here moreover
00:07:19,120 → 00:07:21,909 if we may believe pendar yeah what's
00:07:21,919 → 00:07:24,510 wrong with pendar we let's believe
Section 22: 00:07:24,520 – 00:07:50,869
00:07:24,520 → 00:07:28,029 Pender Tander was the originator of
00:07:28,039 → 00:07:31,110 drinking songs so wait a minute drinking
00:07:31,120 → 00:07:33,670 songs what is it drinking song but it
00:07:33,680 → 00:07:35,589 must be remembered that further
00:07:35,599 → 00:07:39,189 Innovations were made by arilus now wait
00:07:39,199 → 00:07:41,950 wait the people Nancy you love music
00:07:41,960 → 00:07:44,629 look at this it's gorgeous the trimeter
00:07:44,639 → 00:07:46,749 the combination of unlike
00:07:46,759 → 00:07:50,869 measures the recitative or rhythmical
Section 23: 00:07:50,879 – 00:08:41,909
00:07:50,879 → 00:07:53,909 recitation of poetry to music oh that
00:07:53,919 → 00:07:56,749 was his doing do you understand what
00:07:56,759 → 00:08:00,749 you're watching here every everybody
00:08:00,759 → 00:08:04,029 who's ever had any
00:08:04,039 → 00:08:06,070 interest in
00:08:06,080 → 00:08:10,110 rap ought to be watching the master
00:08:10,120 → 00:08:12,589 himself this dude look what he's look
00:08:12,599 → 00:08:14,430 what the dude brings look what the dude
00:08:14,440 → 00:08:17,710 brings and he's a warrior poet man he's
00:08:17,720 → 00:08:22,629 a warrior poet right he's a Greek from
00:08:22,639 → 00:08:24,270 the island of
00:08:24,280 → 00:08:27,309 paros right and his
00:08:27,319 → 00:08:31,070 family have been setting down colonies
00:08:31,080 → 00:08:37,029 and building temples to demer and
00:08:37,039 → 00:08:38,589 dionis
00:08:38,599 → 00:08:41,909 okay look what we did people we stepped
Section 24: 00:08:41,919 – 00:09:09,949
00:08:41,919 → 00:08:45,829 out of the spaceship tonight here we are
00:08:45,839 → 00:08:49,389 back in the sth century remember for
00:08:49,399 → 00:08:53,190 those of you who are catching up this
00:08:55,120 → 00:08:59,590 about 4 to 500 years
00:08:59,600 → 00:09:00,990 before
00:09:01,000 → 00:09:03,230 Judaism
00:09:03,240 → 00:09:06,630 developed and what is happening the
00:09:06,640 → 00:09:09,949 world is being
Section 25: 00:09:09,959 – 00:09:57,230
00:09:09,959 → 00:09:13,069 saturated with
00:09:13,079 → 00:09:17,069 poets we've got libraries now we've got
00:09:17,079 → 00:09:19,310 libraries people we're going
00:09:19,320 → 00:09:22,790 forward we're going forward do you see
00:09:22,800 → 00:09:25,030 what's happening okay so we're back
00:09:25,040 → 00:09:28,509 there in the 7th century and we're
00:09:28,519 → 00:09:31,310 making drinking songs drinking songs
00:09:31,320 → 00:09:33,509 nice we'll find out what those are give
00:09:33,519 → 00:09:35,790 me the next one chewy or give me that
00:09:35,800 → 00:09:38,949 one let me finish it yeah to him also
00:09:38,959 → 00:09:42,750 are ascribed the epode oh have you
00:09:42,760 → 00:09:45,350 invented those of you sitting out there
00:09:45,360 → 00:09:49,350 artists have you invented a genre no you
00:09:49,360 → 00:09:51,829 haven't this person did not only that
00:09:51,839 → 00:09:53,590 but a whole bunch of stuff look at the
00:09:53,600 → 00:09:57,230 tetrameter the ktic right how many of
Section 26: 00:09:57,240 – 00:10:20,310
00:09:57,240 → 00:10:00,110 these different meters the heroic Ry
00:10:00,120 → 00:10:01,990 version of the daic
00:10:02,000 → 00:10:04,550 hexamer some authorities would say the
00:10:04,560 → 00:10:06,630 elic excuse
00:10:06,640 → 00:10:08,550 me this
00:10:08,560 → 00:10:10,990 person is
00:10:11,000 → 00:10:13,269 inspired this person and you know what
00:10:13,279 → 00:10:16,190 they did to him when he got to Sparta
00:10:16,200 → 00:10:20,310 they wouldn't let him
Section 27: 00:10:20,320 – 00:10:27,949
00:10:20,320 → 00:10:22,870 in they exiled
00:10:22,880 → 00:10:27,949 him they exiled
Section 28: 00:10:27,959 – 00:10:55,590
00:10:27,959 → 00:10:30,750 him what did
00:10:30,760 → 00:10:33,350 arilus
00:10:33,360 → 00:10:36,150 create in addition to everything that we
00:10:36,160 → 00:10:40,389 just looked at the I
00:10:40,399 → 00:10:43,750 Amic I
00:10:43,760 → 00:10:48,230 Amic what is I Amic poetry it's the
00:10:48,240 → 00:10:50,629 Poetry of the
00:10:50,639 → 00:10:55,590 insult the insult that makes you kill
Section 29: 00:10:55,600 – 00:11:31,470
00:10:55,600 → 00:10:59,550 yourself it is the deepest darkest truth
00:10:59,560 → 00:11:02,110 that the poet can hit upon it's when the
00:11:02,120 → 00:11:04,790 poet's Muse becomes
00:11:04,800 → 00:11:08,590 baptized in a kid as Venom that's how
00:11:08,600 → 00:11:11,629 they said it not
00:11:11,639 → 00:11:14,269 me you
00:11:14,279 → 00:11:19,389 hear the rituals you see elus this is to
00:11:19,399 → 00:11:22,629 demer and
00:11:22,639 → 00:11:27,550 dionis what is arilus he is an
00:11:27,560 → 00:11:31,470 author of I Amic
Section 30: 00:11:31,480 – 00:12:00,710
00:11:31,480 → 00:11:34,389 poetry I Amic
00:11:34,399 → 00:11:37,990 poetry ith phallic
00:11:38,000 → 00:11:40,509 poetry who out there wants to know what
00:11:40,519 → 00:11:43,629 if he F like this Mr Rogers come here Mr
00:11:43,639 → 00:11:46,150 Rogers I don't mean to do this I know
00:11:46,160 → 00:11:49,269 it's not polite Mr Rogers I said I would
00:11:49,279 → 00:11:52,949 never spank you but tonight's word is
00:11:52,959 → 00:12:00,710 ethic naughty language from a naughty
Section 31: 00:12:00,720 – 00:12:22,300
00:12:00,720 → 00:12:03,990 ethic it's Greek people right of course
00:12:04,000 → 00:12:06,990 it is every of course it is right and
00:12:07,000 → 00:12:10,110 what does it mean comes from two words
00:12:10,120 → 00:12:12,470 being put together put yourself in the
00:12:12,480 → 00:12:13,829 native
00:12:13,839 → 00:12:16,389 mind
00:12:16,399 → 00:12:20,430 straight straight
00:12:20,440 → 00:12:22,300 straight what's the other
Section 32: 00:12:22,310 – 00:12:25,670
00:12:22,310 → 00:12:25,670 [Music]
Section 33: 00:12:25,680 – 00:12:32,389
00:12:25,680 → 00:12:32,389 one verile member
Section 34: 00:12:32,399 – 00:12:35,629
00:12:32,399 → 00:12:35,629 AKA
Section 35: 00:12:35,639 – 00:12:46,590
00:12:35,639 → 00:12:37,509 Johnson
00:12:37,519 → 00:12:40,110 this is what is
00:12:40,120 → 00:12:46,590 straight when ethic procession takes
Section 36: 00:12:46,600 – 00:13:20,550
00:12:46,600 → 00:12:50,069 place do you want by the way everybody
00:12:50,079 → 00:12:52,030 these pots these Greek pots that's
00:12:52,040 → 00:12:55,310 original stuff do you understand do you
00:12:55,320 → 00:12:57,910 see the minad and you see the Seder why
00:12:57,920 → 00:13:00,550 does the Seder have a horse's tail if
00:13:00,560 → 00:13:04,230 you've ever wanted to know why the Sader
00:13:04,240 → 00:13:06,150 has a horse's
00:13:06,160 → 00:13:08,870 tail I'm G to show you tonight you're
00:13:08,880 → 00:13:10,150 gonna find out for the first time
00:13:10,160 → 00:13:13,670 classicists have debated this right what
00:13:13,680 → 00:13:15,870 what the heck some of them are kind of
00:13:15,880 → 00:13:18,389 horse you know what I mean what the
00:13:18,399 → 00:13:20,550 changes almost looks like donkey ears
Section 37: 00:13:20,560 – 00:14:00,590
00:13:20,560 → 00:13:23,310 growing on that guy what's going on I'm
00:13:23,320 → 00:13:25,430 going to show you and it's going to have
00:13:25,440 → 00:13:30,189 to do with licking the head of a horse
00:13:30,199 → 00:13:33,710 let's do it I love this stuff get them
00:13:33,720 → 00:13:36,750 out of there come back later give me the
00:13:36,760 → 00:13:39,269 next yeah uh did we finish yeah no we
00:13:39,279 → 00:13:42,710 finished keep going um yeah had a
00:13:42,720 → 00:13:44,829 costume of his day that's fine next one
00:13:44,839 → 00:13:46,990 next one what else a foot less than it
00:13:47,000 → 00:13:50,389 will be the ethic now when they say foot
00:13:50,399 → 00:13:54,629 they mean metric foot right this is
00:13:54,639 → 00:13:57,550 Marius again right thank you which was
00:13:57,560 → 00:14:00,590 invented by arilus consists of three
Section 38: 00:14:00,600 – 00:14:30,590
00:14:00,600 → 00:14:02,870 trokies and then he gives an example in
00:14:02,880 → 00:14:06,670 Latin a rhythm composed they say by the
00:14:06,680 → 00:14:10,509 poet in honor of the god herein
00:14:10,519 → 00:14:13,629 addressed who do you think who do you
00:14:13,639 → 00:14:17,389 think you address with iic poetry it's
00:14:17,399 → 00:14:19,389 people who are getting
00:14:19,399 → 00:14:21,949 christed christed do you know what makes
00:14:23,120 → 00:14:30,590 ethic you know what makes us sialic
Section 39: 00:14:30,600 – 00:14:36,110
00:14:30,600 → 00:14:36,110 last time we met we resurrected
Section 40: 00:14:36,120 – 00:15:00,310
00:14:36,120 → 00:14:38,749 meatman did we have meatman did he come
00:14:38,759 → 00:14:40,910 with us tonight people he's a people
00:14:40,920 → 00:14:44,870 love meatman we resurrected meatman and
00:14:44,880 → 00:14:48,710 one one of the things that St Thomas
00:14:48,720 → 00:14:51,110 here
00:14:51,120 → 00:14:53,749 depicted one thing about him that I
00:14:53,759 → 00:14:56,470 failed to tell you that I had in my
00:14:56,480 → 00:15:00,310 notes but I rushed
Section 41: 00:15:00,320 – 00:15:29,150
00:15:00,320 → 00:15:02,910 is that he says
00:15:02,920 → 00:15:05,230 explicitly his
00:15:05,240 → 00:15:07,910 medicine is the
00:15:07,920 → 00:15:10,629 mystery his
00:15:10,639 → 00:15:13,269 medicine is the
00:15:13,279 → 00:15:16,030 mystery I've been telling
00:15:16,040 → 00:15:22,350 you all of this only because we have
00:15:22,360 → 00:15:26,470 sources none of idea meatman is a
00:15:26,480 → 00:15:29,150 reality meatman
Section 42: 00:15:29,160 – 00:16:05,230
00:15:29,160 → 00:15:32,790 what does he taste like right they put
00:15:32,800 → 00:15:35,309 salt and vinegar no I'm serious because
00:15:35,319 → 00:15:38,710 it says in the acts of Thomas it says
00:15:38,720 → 00:15:40,629 they put salt and vinegar all over them
00:15:40,639 → 00:15:43,470 too which is probably a great exercise
00:15:43,480 → 00:15:45,749 because you're kind of trying to
00:15:45,759 → 00:15:48,269 sterilize you know it's like curing if
00:15:48,279 → 00:15:50,629 your meat is all out there because
00:15:50,639 → 00:15:53,749 somebody took your skin off right what
00:15:53,759 → 00:15:56,910 do you do Cur
00:15:56,920 → 00:16:00,150 yourself right right I love it thank you
00:16:00,160 → 00:16:03,550 meatman you may go now give us give us
00:16:03,560 → 00:16:05,230 the next meatman will make more
Section 43: 00:16:05,240 – 00:16:59,470
00:16:05,240 → 00:16:07,309 appearances I don't know why people like
00:16:07,319 → 00:16:11,030 me meatman people look at the Greek for
00:16:11,040 → 00:16:14,309 ethic what is ethic worship now watch
00:16:14,319 → 00:16:18,030 this look at the
00:16:18,040 → 00:16:21,509 Brits in
00:16:21,519 → 00:16:24,790 the um 1850
00:16:24,800 → 00:16:27,870 is right look at the Brits these are
00:16:27,880 → 00:16:30,189 victorians how are they going to Define
00:16:30,199 → 00:16:34,470 for us the straight male member fosin
00:16:34,480 → 00:16:37,590 erectum they give us some Latin they
00:16:37,600 → 00:16:40,350 give us some Latin the
00:16:40,360 → 00:16:43,710 fallos carried in the festivals of bakus
00:16:43,720 → 00:16:46,749 there it is there it is everybody knows
00:16:46,759 → 00:16:50,749 what a fallace is right it's a are you
00:16:50,759 → 00:16:54,910 ready Mr Rogers a
00:16:54,920 → 00:16:59,470 fallace is a penis
Section 44: 00:16:59,480 – 00:17:08,710
00:16:59,480 → 00:17:03,110 yeah yeah an iy
00:17:03,120 → 00:17:08,710 phus is a straight
Section 45: 00:17:08,720 – 00:17:35,350
00:17:08,720 → 00:17:13,029 one do you understand when you are
00:17:13,039 → 00:17:17,549 initiated you must you must be in a
00:17:17,559 → 00:17:20,990 sexual state of
00:17:21,000 → 00:17:24,549 arousal it doesn't work otherwise you
00:17:24,559 → 00:17:26,630 can see it in the
00:17:26,640 → 00:17:29,470 men right you can see it at
00:17:29,480 → 00:17:33,549 you can hear it they said in the
00:17:33,559 → 00:17:35,350 women
Section 46: 00:17:35,360 – 00:17:56,590
00:17:35,360 → 00:17:38,549 oh God isn't that gorgeous where do you
00:17:38,559 → 00:17:40,990 think songs come from where do you think
00:17:41,000 → 00:17:43,029 singing comes from the dude that I'm
00:17:43,039 → 00:17:46,669 showing you tonight is inventing
00:17:46,679 → 00:17:50,789 everything right right he's inventing
00:17:50,799 → 00:17:53,190 everything and how is he doing it
00:17:53,200 → 00:17:56,590 through saders through
Section 47: 00:17:56,600 – 00:18:31,350
00:17:56,600 → 00:17:59,590 saders what are you looking for for the
00:17:59,600 → 00:18:01,190 Dark
00:18:01,200 → 00:18:03,630 Harbor do you
00:18:03,640 → 00:18:06,630 understand do you have ears to hear give
00:18:06,640 → 00:18:08,070 me the next one people are going to love
00:18:08,080 → 00:18:10,029 this watch this people I swear you're
00:18:10,039 → 00:18:13,510 going to love it um yeah follow so here
00:18:13,520 → 00:18:16,830 we go look I told you before look look
00:18:16,840 → 00:18:18,669 they're they're they're chased they're
00:18:18,679 → 00:18:21,669 running away from those Brits they ran
00:18:21,679 → 00:18:24,870 in a second from the fallace just hold
00:18:24,880 → 00:18:28,270 up do you want people to run from you
00:18:28,280 → 00:18:31,350 yeah hold up a fallace hold up a fallace
Section 48: 00:18:31,360 – 00:18:59,590
00:18:31,360 → 00:18:33,470 shake it this is what they did in the
00:18:33,480 → 00:18:34,590 bonic
00:18:34,600 → 00:18:38,110 procession this is why I had my students
00:18:38,120 → 00:18:41,430 at St Mary's University process a
00:18:41,440 → 00:18:45,909 six-foot erection into the
00:18:45,919 → 00:18:48,190 theater because it's part of the
00:18:48,200 → 00:18:49,310 religious
00:18:49,320 → 00:18:52,070 worship that sets the
00:18:52,080 → 00:18:55,350 stage that sets the
00:18:55,360 → 00:18:59,590 stage yeah yeah do you understand
Section 49: 00:18:59,600 – 00:19:32,029
00:18:59,600 → 00:19:01,350 it's gorgeousness now watch now let's
00:19:01,360 → 00:19:04,070 get back to arilus because I want people
00:19:04,080 → 00:19:06,830 to have somebody to to look up to for so
00:19:06,840 → 00:19:09,830 long we've been looking down on Jesus
00:19:09,840 → 00:19:12,669 Christ who was arrested in a public park
00:19:12,679 → 00:19:15,630 with a naked kid there's stuff going on
00:19:15,640 → 00:19:18,750 P Diddy is in the background giving us a
00:19:18,760 → 00:19:22,110 show it's like there are you sure are
00:19:22,120 → 00:19:24,510 you sure this thing is not scripted is
00:19:24,520 → 00:19:27,470 it of course it is that's how all
00:19:27,480 → 00:19:29,390 reality is
00:19:29,400 → 00:19:32,029 right what do you think what do you
Section 50: 00:19:32,039 – 00:20:17,350
00:19:32,039 → 00:19:33,549 think programming they looked at
00:19:33,559 → 00:19:35,430 language and programming then you'd
00:19:35,440 → 00:19:38,190 think they would get it give me the next
00:19:38,200 → 00:19:40,990 one watch this people stand and look at
00:19:41,000 → 00:19:44,669 arilus the old maker of I Amic verse
00:19:44,679 → 00:19:48,870 whose infinite Renown has spread both to
00:19:48,880 → 00:19:53,350 utmost East and furthest west sure the
00:19:53,360 → 00:19:56,870 muses and de and Paulo liked him well
00:19:56,880 → 00:19:59,310 such taste and skill had he to bring
00:19:59,320 → 00:20:02,830 both to the framing of the words and to
00:20:02,840 → 00:20:07,350 the singing of them to the liar every
00:20:07,360 → 00:20:09,230 take it down every
00:20:09,240 → 00:20:13,070 musician every musician on the
00:20:13,080 → 00:20:17,350 planet this is your guy this is your
Section 51: 00:20:17,360 – 00:20:48,950
00:20:17,360 → 00:20:21,710 guy right step forward step forward
00:20:21,720 → 00:20:24,390 arilus and tell us tell us about
00:20:24,400 → 00:20:27,070 yourself okay let's hear it in his own
00:20:27,080 → 00:20:29,990 let's hear it in the poet's own words
00:20:30,000 → 00:20:32,390 let's hear who he said he
00:20:32,400 → 00:20:34,830 was and
00:20:34,840 → 00:20:36,789 remember this
00:20:36,799 → 00:20:39,950 dude ended up affecting a lot of
00:20:39,960 → 00:20:41,029 people's
00:20:41,039 → 00:20:45,149 lives right lot of them very
00:20:45,159 → 00:20:48,950 positively many of them very
Section 52: 00:20:48,960 – 00:21:36,870
00:20:48,960 → 00:20:52,350 negatively that's the power do you
00:20:52,360 → 00:20:56,029 understand oh God warrior poets let's
00:20:56,039 → 00:20:58,110 bring them back let's bring back that
00:20:58,120 → 00:21:01,830 Amazon poetes shall we give it to me
00:21:01,840 → 00:21:04,590 give it to me right oh by here's a
00:21:04,600 → 00:21:07,230 little saying by the way from the
00:21:07,240 → 00:21:08,950 Palatine
00:21:08,960 → 00:21:12,510 Anthology right Gula supposedly this
00:21:12,520 → 00:21:15,669 tomb by the sea is the grave of arilus
00:21:15,679 → 00:21:18,310 who first dipped a bitter Muse and snake
00:21:18,320 → 00:21:22,789 venom and stained gentle Helicon with
00:21:22,799 → 00:21:25,710 blood Helicon is where the
00:21:25,720 → 00:21:30,350 muses sing and he stay the place with
00:21:30,360 → 00:21:34,310 blood witness like kmy bewailing the
00:21:34,320 → 00:21:36,870 hanging of daughters
Section 53: 00:21:36,880 – 00:22:23,750
00:21:36,880 → 00:21:40,830 three pass Softly by good Wayfair or
00:21:40,840 → 00:21:43,470 you'll Rouse the wasps that settle on
00:21:43,480 → 00:21:46,630 his tip who is did we find her did we
00:21:46,640 → 00:21:49,870 find her who who where are the hanging
00:21:49,880 → 00:21:52,470 people were were there things were there
00:21:52,480 → 00:21:53,830 were there
00:21:53,840 → 00:21:57,110 intimations yes we have illustrations go
00:21:57,120 → 00:22:00,830 ahead go head who are we talking about
00:22:00,840 → 00:22:03,950 are we talking what what happened give
00:22:03,960 → 00:22:04,990 me the
00:22:05,000 → 00:22:08,350 scoop um before you know um something
00:22:08,360 → 00:22:11,110 bad happens give me the scoop the scoop
00:22:13,200 → 00:22:16,909 arilus fell in
00:22:16,919 → 00:22:20,590 love and he asked the girl that he was
00:22:20,600 → 00:22:23,750 in love with he asked her father um can
Section 54: 00:22:23,760 – 00:22:59,750
00:22:23,760 → 00:22:26,789 I marry her you know and her father was
00:22:26,799 → 00:22:29,110 like yeah bro here he is leave that
00:22:29,120 → 00:22:33,070 picture up here he is he said sure right
00:22:33,080 → 00:22:34,750 this is history I'm talking about I'm
00:22:34,760 → 00:22:38,830 not talking about any sort of religious
00:22:38,840 → 00:22:43,029 Legend and so he's gonna get married to
00:22:43,039 → 00:22:44,029 his
00:22:44,039 → 00:22:48,510 daughter and
00:22:48,520 → 00:22:50,710 um the
00:22:50,720 → 00:22:53,029 politics of
00:22:53,039 → 00:22:56,870 colonization got in the way and
00:22:56,880 → 00:22:59,750 daddy realized
Section 55: 00:22:59,760 – 00:23:56,390
00:22:59,760 → 00:23:04,269 that it was more profitable for him
00:23:04,279 → 00:23:08,590 would make him more popular to have his
00:23:08,600 → 00:23:13,310 daughter marry somebody else who was in
00:23:13,320 → 00:23:16,669 the political scheme
00:23:16,679 → 00:23:21,710 right okay so what did arilus do he
00:23:21,720 → 00:23:24,789 simply wrote a song about it he wrote a
00:23:24,799 → 00:23:29,830 song about it and he was so famous in
00:23:29,840 → 00:23:31,190 his own
00:23:31,200 → 00:23:36,310 lifetime that everybody got a hold of it
00:23:36,320 → 00:23:39,269 everybody and do you know what
00:23:39,279 → 00:23:42,710 happened the daughter that was engaged
00:23:42,720 → 00:23:47,990 to him and her father and in some some
00:23:48,000 → 00:23:51,190 accounts his mother also her mother uh
00:23:51,200 → 00:23:56,390 his wife right the girl's yeah neul's
Section 56: 00:23:56,400 – 00:24:20,510
00:23:56,400 → 00:23:59,110 mother what did they do
00:23:59,120 → 00:24:02,470 they killed themselves
00:24:02,480 → 00:24:05,789 why you have to realize this is we're
00:24:05,799 → 00:24:08,710 still operating within that late Bronze
00:24:08,720 → 00:24:09,669 Age
00:24:09,679 → 00:24:12,990 mentality of the shame
00:24:13,000 → 00:24:15,390 culture it's a huge
00:24:15,400 → 00:24:20,510 deal and arilus Muse ruthlessly murdered
Section 57: 00:24:20,520 – 00:24:45,230
00:24:20,520 → 00:24:21,470 those
00:24:21,480 → 00:24:25,110 people they couldn't live after that
00:24:25,120 → 00:24:27,430 they couldn't live after that now if you
00:24:27,440 → 00:24:29,950 think that's OD if you think that's odd
00:24:29,960 → 00:24:32,310 let me tell you let me fast forward and
00:24:32,320 → 00:24:34,909 tell you about the death of arilus
00:24:34,919 → 00:24:38,310 arilus died in
00:24:38,320 → 00:24:41,350 battle he died in
00:24:41,360 → 00:24:45,230 battle the person who killed
Section 58: 00:24:45,240 – 00:24:55,789
00:24:45,240 → 00:24:48,990 him was at
00:24:49,000 → 00:24:51,029 delie the
00:24:51,039 → 00:24:55,789 Priestess Oracle saw him
Section 59: 00:24:55,799 – 00:25:29,830
00:24:55,799 → 00:25:00,430 enter and told him get
00:25:00,440 → 00:25:02,470 out get
00:25:02,480 → 00:25:07,950 out you murdered the servant of the Muse
00:25:07,960 → 00:25:08,950 get
00:25:08,960 → 00:25:13,950 out now that's a sounds like a wonderful
00:25:13,960 → 00:25:16,750 drama but it means a lot more than you
00:25:16,760 → 00:25:19,190 think because this is the Oracle at
00:25:19,200 → 00:25:22,149 delie telling a dude remember Socrates
00:25:22,159 → 00:25:24,549 is only famous because of the
00:25:24,559 → 00:25:29,830 Oracle okay and the same Oracle
Section 60: 00:25:29,840 – 00:26:09,830
00:25:29,840 → 00:25:34,190 right the same position tells this dude
00:25:34,200 → 00:25:37,029 who killed arilus in
00:25:37,039 → 00:25:39,950 battle you don't get any approach you're
00:25:39,960 → 00:25:42,870 filthy you're polluted how many other
00:25:42,880 → 00:25:44,630 the temples do you think this dude gets
00:25:44,640 → 00:25:48,710 to go be a part of how much of ancient
00:25:48,720 → 00:25:51,310 Society how much of ancient Greek
00:25:51,320 → 00:25:54,430 society does this cut him out of oh just
00:25:54,440 → 00:25:56,909 about everything because guess what
00:25:56,919 → 00:26:00,990 everybody finds out about it in the end
00:26:01,000 → 00:26:03,149 everybody and that's what he's got to
00:26:03,159 → 00:26:06,870 walk around now he appealed the decision
00:26:06,880 → 00:26:09,830 he appealed the decision and claimed
Section 61: 00:26:09,840 – 00:26:29,950
00:26:09,840 → 00:26:12,750 that it was under the service of
00:26:12,760 → 00:26:16,149 Mars right and was therefore
00:26:16,159 → 00:26:18,510 protected and the response from the
00:26:18,520 → 00:26:22,950 Oracle again was just one
00:26:22,960 → 00:26:29,950 thing he was a servant of the muse
Section 62: 00:26:29,960 – 00:26:43,830
00:26:29,960 → 00:26:32,950 now we fast forward all the way to his
00:26:32,960 → 00:26:35,230 death I want you to sit there and hold
00:26:35,240 → 00:26:37,230 his death in one hand I want you to hold
00:26:37,240 → 00:26:40,789 his birth in the other because at the
00:26:40,799 → 00:26:43,830 time of his
Section 63: 00:26:43,840 – 00:27:04,710
00:26:43,840 → 00:26:45,750 birth his
00:26:45,760 → 00:26:49,389 father right who works for the
00:26:49,399 → 00:26:51,950 priesthoods of demer and
00:26:51,960 → 00:26:56,350 bacus he goes to the to dely and he asks
00:26:56,360 → 00:26:59,269 the Oracle um what about my child child
00:26:59,279 → 00:27:02,149 tell me about my child she said he will
00:27:02,159 → 00:27:04,710 become
Section 64: 00:27:04,720 – 00:27:54,950
00:27:04,720 → 00:27:08,750 immortal he will become
00:27:08,760 → 00:27:12,230 immortal when he was a little boy his
00:27:12,240 → 00:27:14,470 father told him go out and get the cow
00:27:14,480 → 00:27:16,230 he went out and get the cow he got the
00:27:16,240 → 00:27:19,190 cow and while he was bringing the cow
00:27:19,200 → 00:27:23,710 back ladies showed up and these ladies
00:27:23,720 → 00:27:26,350 had a liar they gave it to him and he
00:27:26,360 → 00:27:29,430 said thank you right that's our
00:27:29,440 → 00:27:32,070 kilus they say give us a cow we'll deal
00:27:32,080 → 00:27:34,870 with a cow you take the
00:27:34,880 → 00:27:40,990 liar right now this
00:27:41,000 → 00:27:44,909 Vision was verified to be that of the
00:27:44,919 → 00:27:49,149 muses appearing to arilus when he was
00:27:49,159 → 00:27:50,430 just a
00:27:50,440 → 00:27:54,950 kid when he was just a kid you mean
Section 65: 00:27:54,960 – 00:28:41,430
00:27:54,960 → 00:27:57,110 we're talking about an eight or nyear
00:27:57,120 → 00:28:01,430 old yes P Diddy we
00:28:01,440 → 00:28:03,230 are
00:28:03,240 → 00:28:08,509 uhhuh all right all right I think I get
00:28:08,519 → 00:28:12,669 it I think I get it now it was verified
00:28:12,679 → 00:28:15,470 in his lifetime as a legitimate
00:28:15,480 → 00:28:17,710 appearance right the Oracle said those
00:28:17,720 → 00:28:20,389 were the
00:28:20,399 → 00:28:25,149 muses so for this [\h__\h] to have killed
00:28:25,159 → 00:28:26,909 arilus in
00:28:26,919 → 00:28:28,830 battle Yeah
00:28:28,840 → 00:28:31,669 he was killing the
00:28:31,679 → 00:28:35,230 Divine he was killing it he was stopping
00:28:35,240 → 00:28:39,029 the music and that's why Florida we have
00:28:39,039 → 00:28:41,430 to burn
Section 66: 00:28:41,440 – 00:28:59,990
00:28:41,440 → 00:28:44,789 books do you understand let's all go to
00:28:44,799 → 00:28:47,190 the bonic rry give me the next one chewy
00:28:47,200 → 00:28:48,549 I want to pull it out and I want people
00:28:48,559 → 00:28:50,789 to see it this is good this is good I
00:28:50,799 → 00:28:54,110 want people to see it look here's what
00:28:54,120 → 00:28:56,549 does this say oh the dude that killed
00:28:56,559 → 00:28:59,990 arilus was called
Section 67: 00:29:00,000 – 00:29:25,149
00:29:00,000 → 00:29:02,230 right and here are the words I just
00:29:02,240 → 00:29:04,909 wanted you to see the words on the
00:29:04,919 → 00:29:07,710 second line
00:29:07,720 → 00:29:12,350 ex that's what she says to him get out
00:29:12,360 → 00:29:15,750 of the temple get
00:29:15,760 → 00:29:20,149 out what did the peran do what did the
00:29:20,159 → 00:29:25,149 peran do they honored
Section 68: 00:29:25,159 – 00:30:05,710
00:29:25,159 → 00:29:31,029 arilus despite the fact that he was a
00:29:31,039 → 00:29:33,830 supreme
00:29:33,840 → 00:29:36,789 blason Blas
00:29:36,799 → 00:29:40,830 fer do you know what arilus was someone
00:29:40,840 → 00:29:44,350 whose words could curse you you could
00:29:44,360 → 00:29:48,029 listen to the words and be
00:29:48,039 → 00:29:51,430 cursed that is blasphemy give me the
00:29:51,440 → 00:29:53,430 next one I think is BL did we bring in
00:29:53,440 → 00:29:56,630 blossomy I think we did here we did look
00:29:56,640 → 00:29:59,310 speaking ill omened words words is that
00:29:59,320 → 00:30:03,389 what we're doing are we now speaking ill
00:30:03,399 → 00:30:05,710 omened
Section 69: 00:30:05,720 – 00:30:28,750
00:30:05,720 → 00:30:09,310 words as the
00:30:09,320 → 00:30:14,190 cororo oh right oh have you heard that
00:30:14,200 → 00:30:17,470 thing that thing can she can talk like a
00:30:17,480 → 00:30:19,710 toad man I never heard that she did that
00:30:19,720 → 00:30:21,509 right over my head the other day I
00:30:21,519 → 00:30:23,230 thought I was going to fall over it's
00:30:23,240 → 00:30:26,630 amazing what those Ravens can do um
00:30:26,640 → 00:30:28,750 slanderous
Section 70: 00:30:28,760 – 00:31:13,430
00:30:28,760 → 00:30:33,950 lialis who is arilus he is the king of
00:30:33,960 → 00:30:38,269 slander do you hear me do you hear me
00:30:38,279 → 00:30:41,870 yet do you hear me yes I know you do
00:30:41,880 → 00:30:43,509 where'd it go oh I took it somewhere
00:30:43,519 → 00:30:45,909 else I need more I need more space too
00:30:45,919 → 00:30:49,630 where's it do you hear me do you hear me
00:30:49,640 → 00:30:52,269 I'm gonna let it sink in I'm going to
00:30:52,279 → 00:30:55,789 let it sink in can you hear it listen
00:30:55,799 → 00:31:00,110 slander who tell me now okay tell me who
00:31:00,120 → 00:31:03,470 is the king of
00:31:03,480 → 00:31:07,629 slander tell me you want it you want me
00:31:07,639 → 00:31:11,669 to slander you don't you who do you want
00:31:11,679 → 00:31:13,430 you want the devil don't
Section 71: 00:31:13,440 – 00:31:15,110
00:31:13,440 → 00:31:15,110 [Music]
Section 72: 00:31:15,120 – 00:32:04,990
00:31:15,120 → 00:31:18,310 you that's exactly the way it is
00:31:18,320 → 00:31:21,950 literarily you just bring it out you
00:31:21,960 → 00:31:23,430 bring out that
00:31:23,440 → 00:31:25,950 demon right
00:31:25,960 → 00:31:29,990 slander slander imagine mention that the
00:31:30,000 → 00:31:35,149 Gent who invented the sharpest slander
00:31:35,159 → 00:31:38,350 that's ever existed how sharp is it alen
00:31:38,360 → 00:31:40,549 sharp enough to
00:31:40,559 → 00:31:45,549 kill sharp enough to
00:31:45,559 → 00:31:48,950 kill give me the next one give me the
00:31:48,960 → 00:31:51,509 next one aren't there any we gotta bring
00:31:51,519 → 00:31:53,830 in the good comments right we got bring
00:31:53,840 → 00:31:56,789 in the good comments right um this is
00:31:56,799 → 00:31:59,909 more this is more was about the appeal
00:31:59,919 → 00:32:02,190 right it doesn't matter get next one the
00:32:02,200 → 00:32:04,990 appeal doesn't matter right it doesn't
Section 73: 00:32:05,000 – 00:32:34,590
00:32:05,000 → 00:32:08,470 matter you he was a servant of the
00:32:08,480 → 00:32:11,269 Muse right what what were you thinking
00:32:11,279 → 00:32:14,070 man what were you thinking oh look
00:32:14,080 → 00:32:16,750 what's happening um I just wanted you to
00:32:16,760 → 00:32:18,470 see a couple of words I just wanted you
00:32:18,480 → 00:32:20,909 to see this is that you know really
00:32:20,919 → 00:32:23,990 bitterness right that thing that really
00:32:24,000 → 00:32:26,549 bites I guess is a better
00:32:26,559 → 00:32:28,509 pross it's
00:32:28,519 → 00:32:30,789 biting right it's biting look at the
00:32:30,799 → 00:32:34,590 metaphors is bitter bitter right
Section 74: 00:32:34,600 – 00:33:15,990
00:32:34,600 → 00:32:37,269 Relentless
00:32:37,279 → 00:32:39,389 Relentless okay just keep bear that in
00:32:39,399 → 00:32:41,350 mind give me the next one give me the
00:32:41,360 → 00:32:43,909 next one I think I put the that was the
00:32:43,919 → 00:32:46,230 cart we'll find the horse don't worry I
00:32:46,240 → 00:32:50,029 think oh here it is okay that word look
00:32:50,039 → 00:32:51,789 at the first into the first line look at
00:32:51,799 → 00:32:56,070 the last part of that last word right p
00:32:56,080 → 00:32:59,070 i want you to see how this fits in in
00:32:59,080 → 00:33:04,110 right so here people we're at the
00:33:04,120 → 00:33:08,669 tomb the seaside tomb of
00:33:08,679 → 00:33:12,870 arilus right and I want you to see that
00:33:12,880 → 00:33:15,990 he is baptizing look at the second line
Section 75: 00:33:16,000 – 00:33:40,509
00:33:16,000 → 00:33:18,190 I just want you to see this this was
00:33:18,200 → 00:33:19,950 quoted above but I wanted you to see the
00:33:19,960 → 00:33:22,470 Greek protos
00:33:22,480 → 00:33:25,269 e he is the
00:33:25,279 → 00:33:29,509 first right he B IES as the first one to
00:33:30,960 → 00:33:35,509 so the Muse what kind of
00:33:35,519 → 00:33:37,509 muse the
00:33:37,519 → 00:33:40,509 bitter the bitter
Section 76: 00:33:40,519 – 00:33:59,870
00:33:40,519 → 00:33:45,669 Muse and what does he baptize her
00:33:45,679 → 00:33:49,470 with you know what H is it's venom do
00:33:49,480 → 00:33:51,549 you know what happens when you take the
00:33:51,559 → 00:33:54,669 Aida who's the Akida you know who she is
00:33:54,679 → 00:33:57,029 she's the mother of that girl who is
00:33:57,039 → 00:33:59,870 half singer half
Section 77: 00:33:59,880 – 00:34:13,629
00:33:59,880 → 00:34:02,149 Viper that's what they called her I am
00:34:02,159 → 00:34:04,509 telling you that's what they called her
00:34:04,519 → 00:34:07,789 historically please find her she's in
00:34:07,799 → 00:34:08,669 the
00:34:08,679 → 00:34:13,629 Greek yeah
Section 78: 00:34:13,639 – 00:34:28,069
00:34:13,639 → 00:34:16,149 arilus
00:34:16,159 → 00:34:19,389 creates a
00:34:19,399 → 00:34:22,950 muse who is the
00:34:22,960 → 00:34:28,069 joining of the song
Section 79: 00:34:28,079 – 00:35:04,349
00:34:28,079 → 00:34:30,430 with
00:34:30,440 → 00:34:33,829 death remember this is
00:34:33,839 → 00:34:38,829 bakic the mystery is US entering into a
00:34:38,839 → 00:34:43,109 state of sexual ecstasy followed by
00:34:43,119 → 00:34:47,430 death and
00:34:47,440 → 00:34:49,990 Resurrection
00:34:50,000 → 00:34:51,990 arilus
00:34:52,000 → 00:34:54,069 knows the
00:34:54,079 → 00:34:56,470 drugs are you going to be surprised if I
00:34:56,480 → 00:34:58,310 tell you he knows the drugs and I show
00:34:58,320 → 00:35:04,349 you oh god
Section 80: 00:35:04,359 – 00:35:43,030
00:35:04,359 → 00:35:07,829 oh thank of where you are now think of
00:35:07,839 → 00:35:09,710 where you could have
00:35:09,720 → 00:35:13,910 been right shame on you I'm going to
00:35:13,920 → 00:35:16,550 show you a poem of arilus that's going
00:35:16,560 → 00:35:18,870 to blow out your eard
00:35:18,880 → 00:35:23,589 drums everything in it is the
00:35:23,599 → 00:35:26,510 naughtiest it is the sharpest naughtiest
00:35:26,520 → 00:35:28,950 knife you'll ever come
00:35:28,960 → 00:35:32,470 across give it to me next one next one
00:35:32,480 → 00:35:36,230 what is this oh here arilus just tell us
00:35:36,240 → 00:35:43,030 for yourself who are you
Section 81: 00:35:43,040 – 00:35:59,870
00:35:43,040 → 00:35:44,750 buddy
00:35:44,760 → 00:35:50,349 knos who who are you I am the
00:35:50,359 → 00:35:53,349 servant of the God of
00:35:53,359 → 00:35:59,870 War the great Lord in alos
Section 82: 00:35:59,880 – 00:36:45,309
00:35:59,880 → 00:36:02,510 and I
00:36:02,520 → 00:36:08,550 know that desired gift of the
00:36:08,560 → 00:36:12,309 muses I know their
00:36:12,319 → 00:36:15,430 gift I know their
00:36:15,440 → 00:36:18,750 gift who now you have to remember um
00:36:18,760 → 00:36:20,270 he's not just saying that because he's
00:36:20,280 → 00:36:23,030 sitting down on his porch say how can I
00:36:23,040 → 00:36:26,510 be you know let's throw in some metaphor
00:36:26,520 → 00:36:28,230 there what
00:36:28,240 → 00:36:30,829 you know what I mean he's not doing that
00:36:30,839 → 00:36:33,870 he's not doing that at all he's talking
00:36:33,880 → 00:36:35,430 about his
00:36:35,440 → 00:36:40,349 God and who is his God in Alias who's
00:36:40,359 → 00:36:45,309 that old Myan stuff baby it's old
Section 83: 00:36:45,319 – 00:37:19,309
00:36:45,319 → 00:36:47,870 Aries oh
00:36:47,880 → 00:36:50,950 god oh sometimes classes just get it
00:36:50,960 → 00:36:53,670 backwards because they'll tell you Aries
00:36:53,680 → 00:36:56,750 is the older version no I've seen it in
00:36:56,760 → 00:36:59,510 the m bra I've seen it and I don't
00:36:59,520 → 00:37:02,829 believe that okay but it's out there why
00:37:02,839 → 00:37:06,750 is the tree on which hangs the skin on
00:37:06,760 → 00:37:10,790 which is printed the song of media why
00:37:10,800 → 00:37:15,349 is that in the Grove of
00:37:15,359 → 00:37:16,990 Aries
00:37:17,000 → 00:37:19,309 Warrior
Section 84: 00:37:19,319 – 00:37:28,790
00:37:19,319 → 00:37:23,030 poet where do you think poetry came from
00:37:23,040 → 00:37:28,790 comes from the worship of Aries
Section 85: 00:37:28,800 – 00:38:04,790
00:37:28,800 → 00:37:31,630 do you know who knows more than the man
00:37:33,560 → 00:37:37,150 woman who has been a servant to the war
00:37:37,160 → 00:37:39,390 god do you know who knows more about
00:37:39,400 → 00:37:40,910 life
00:37:40,920 → 00:37:43,670 nobody
00:37:43,680 → 00:37:48,349 nobody fantastic there's one Mission
00:37:48,359 → 00:37:51,870 guard the song guard the song it's the
00:37:51,880 → 00:37:55,030 one Mission you thought the temple you
00:37:55,040 → 00:37:56,990 thought the Grove of Aries what did you
00:37:57,000 → 00:37:57,950 think
00:37:57,960 → 00:38:00,430 it's going to have a bunch of bunch of
00:38:00,440 → 00:38:04,790 Steely big bronny cartoonish
Section 86: 00:38:04,800 – 00:38:34,670
00:38:04,800 → 00:38:08,829 men maybe they're sitting there
00:38:08,839 → 00:38:12,150 wrestling no it's got a tree and on the
00:38:12,160 → 00:38:15,870 tree is a song written on a
00:38:15,880 → 00:38:18,510 fleece and it's
00:38:18,520 → 00:38:22,630 hers this is the same song the
00:38:22,640 → 00:38:25,710 Christians tried to
00:38:25,720 → 00:38:29,870 abuse and ended up with their faith this
00:38:29,880 → 00:38:34,670 is the song that brings Christian
Section 87: 00:38:34,680 – 00:39:11,870
00:38:34,680 → 00:38:37,829 faith God I love it give me the next one
00:38:37,839 → 00:38:40,790 who um yeah yeah give me the next one oh
00:38:40,800 → 00:38:42,950 I just wanted you where are the drugs
00:38:42,960 → 00:38:45,390 look people I just want you to see this
00:38:45,400 → 00:38:49,349 reference it's scolia on theocritus 248
00:38:49,359 → 00:38:52,430 talks about heo manes right they're
00:38:52,440 → 00:38:54,390 interested in hippo Mones and the
00:38:54,400 → 00:38:57,630 terminology surrounding it and it's an
00:38:57,640 → 00:39:00,470 it's a cure for something right the
00:39:00,480 → 00:39:02,829 drugs that are involved what is this and
00:39:02,839 → 00:39:04,910 they they're mentioning arilus in this
00:39:04,920 → 00:39:08,069 context to look at specific technical
00:39:08,079 → 00:39:11,870 vocabulary and they're doing this um
Section 88: 00:39:11,880 – 00:39:57,510
00:39:11,880 → 00:39:13,829 they're doing this long before there's
00:39:13,839 → 00:39:15,309 you know what other languages are around
00:39:15,319 → 00:39:20,270 the time uh not much right not much that
00:39:20,280 → 00:39:22,750 really is producing anything you know
00:39:22,760 → 00:39:25,829 there were 60,000 to 200,000 they
00:39:25,839 → 00:39:29,230 estimate works in the library at
00:39:29,240 → 00:39:32,470 Alexandria you know what I mean you know
00:39:32,480 → 00:39:35,230 what I mean how many languages do you
00:39:35,240 → 00:39:39,990 think those were in
00:39:40,000 → 00:39:43,829 right yeah it just doesn't matter until
00:39:43,839 → 00:39:45,550 you get to
00:39:45,560 → 00:39:48,470 climax in a
00:39:48,480 → 00:39:51,510 language yeah you haven't been there you
00:39:51,520 → 00:39:54,069 go back Romans go back to your huts with
00:39:54,079 → 00:39:57,510 that Latin just go back to it by the way
Section 89: 00:39:57,520 – 00:40:29,270
00:39:57,520 → 00:39:59,950 I love Latin and I work on Latin sources
00:39:59,960 → 00:40:01,190 all the time because I'm a classical
00:40:01,200 → 00:40:05,470 philologist so um but I do like to give
00:40:05,480 → 00:40:08,349 ltin hard time anyway give me the next
00:40:08,359 → 00:40:10,950 one it's okay if you you know if you
00:40:10,960 → 00:40:13,230 like a limited vocabulary you're okay
00:40:13,240 → 00:40:16,190 what is heo manes people are you ready I
00:40:16,200 → 00:40:18,750 promised you this this is the gross part
00:40:18,760 → 00:40:21,190 that may certain people may like this
00:40:21,200 → 00:40:22,950 they may like dig it you know what I
00:40:22,960 → 00:40:26,109 mean hio manes abounding in or swarming
00:40:26,119 → 00:40:29,270 with horses right this is an adjective
Section 90: 00:40:29,280 – 00:40:48,030
00:40:29,280 → 00:40:34,030 right um what are we doing H well if we
00:40:34,040 → 00:40:36,150 turn it into a noun right we've got an
00:40:36,160 → 00:40:39,109 Arcadian plant called The Thorn Apple or
00:40:39,119 → 00:40:42,550 detur stramonium of which horses are
00:40:42,560 → 00:40:43,510 madly
00:40:43,520 → 00:40:48,030 fond or which makes them
Section 91: 00:40:48,040 – 00:41:29,829
00:40:48,040 → 00:40:52,390 mad did you know horses get
00:40:52,400 → 00:40:55,030 stoned of course they do every animal
00:40:55,040 → 00:40:58,109 gets stoned right
00:40:58,119 → 00:41:02,109 wow surprise surprise look look what's
00:41:02,119 → 00:41:03,829 happening here and I know because people
00:41:03,839 → 00:41:05,670 have mentioned this before this is a big
00:41:05,680 → 00:41:08,270 deal right what are the hippo Manis all
00:41:08,280 → 00:41:10,790 about look what happens in number
00:41:10,800 → 00:41:14,829 two it's a small in this case in this
00:41:14,839 → 00:41:17,150 reference it's small black fleshy
00:41:17,160 → 00:41:20,309 substances on the forehead of a newborn
00:41:20,319 → 00:41:24,470 fo then that make you hungry which if
00:41:24,480 → 00:41:27,390 procured right before it was eaten by
00:41:27,400 → 00:41:29,829 the dam because you know those horses
Section 92: 00:41:29,839 – 00:42:06,790
00:41:29,839 → 00:41:33,349 want to get so high right you know they
00:41:33,359 → 00:41:35,750 do you know they do you see people
00:41:35,760 → 00:41:39,109 shouting about adren chrom oh my God you
00:41:39,119 → 00:41:41,910 don't know the half of it you don't know
00:41:41,920 → 00:41:45,390 the half of it where are your horses man
00:41:45,400 → 00:41:46,750 let's watch one
00:41:46,760 → 00:41:50,230 full oh God have a big party have a big
00:41:50,240 → 00:41:54,870 party b b you know what I mean um horses
00:41:54,880 → 00:41:57,309 right can you get Rico for horses I
00:41:57,319 → 00:41:59,829 don't know I don't know but here it is
00:41:59,839 → 00:42:03,829 um yeah so what happens um it was a
00:42:03,839 → 00:42:06,790 powerful why did people do this why do
Section 93: 00:42:06,800 – 00:42:55,549
00:42:06,800 → 00:42:09,910 you eat this thing ah because they turn
00:42:09,920 → 00:42:12,270 it into an
00:42:12,280 → 00:42:16,550 filon those are those things that you
00:42:16,560 → 00:42:20,190 take in order to make
00:42:20,200 → 00:42:22,349 yourself a
00:42:22,359 → 00:42:25,349 Sader right or a
00:42:25,359 → 00:42:28,910 mead a
00:42:28,920 → 00:42:33,870 Mead a moaning Mead now um the
00:42:33,880 → 00:42:36,190 processing of it is really what matters
00:42:36,200 → 00:42:37,549 right what they're doing with it to
00:42:37,559 → 00:42:38,950 process it and apparently you got to get
00:42:38,960 → 00:42:41,549 it quick because the you know you lose
00:42:41,559 → 00:42:45,790 it so look where where are we notice
00:42:45,800 → 00:42:48,990 that we're still heavily in horse
00:42:49,000 → 00:42:52,309 culture there's a reason that Athena R
00:42:52,319 → 00:42:55,549 is depicted in connection with horses
Section 94: 00:42:55,559 – 00:43:39,069
00:42:55,559 → 00:42:58,670 there's a reason for that right um all
00:42:58,680 → 00:43:01,829 of that calal lithic background is
00:43:01,839 → 00:43:04,270 tribes of
00:43:04,280 → 00:43:07,309 migratory horse
00:43:07,319 → 00:43:10,549 people so much so their fingers are bent
00:43:10,559 → 00:43:14,309 to the bows that they use their hips
00:43:14,319 → 00:43:17,470 sped out because of all the time they
00:43:17,480 → 00:43:19,190 spend on
00:43:19,200 → 00:43:23,990 Horseback love it love it oh God why
00:43:24,000 → 00:43:27,309 does nobody want that part of the drama
00:43:27,319 → 00:43:29,710 give me the next one um by the way the
00:43:29,720 → 00:43:32,549 hipatrik is involved here um that's a
00:43:32,559 → 00:43:34,349 book on
00:43:34,359 → 00:43:37,270 medicine uh horse medicine can you
00:43:37,280 → 00:43:39,069 believe in Antiquity look look look you
Section 95: 00:43:39,079 – 00:43:55,430
00:43:39,079 → 00:43:42,790 can ask somebody um hey you know you
00:43:42,800 → 00:43:45,710 talk about Bible times do this to a do
00:43:45,720 → 00:43:48,109 this to a smarty right here's a little
00:43:48,119 → 00:43:50,870 trick for you tonight walk up to a
00:43:50,880 → 00:43:55,430 theologian or a pastor
Section 96: 00:43:55,440 – 00:44:18,430
00:43:55,440 → 00:43:58,430 right oh God now it just fled my mind
00:43:58,440 → 00:44:01,030 look at that never mind we'll get it a
00:44:01,040 → 00:44:03,190 horse had something to do with hores we
00:44:03,200 → 00:44:05,430 were getting high with horses oh that's
00:44:05,440 → 00:44:07,829 what I was goingon to say your
00:44:07,839 → 00:44:11,390 Hebrew Bible that you sit and study in
00:44:11,400 → 00:44:13,950 your Seminary that thing that is
00:44:13,960 → 00:44:18,430 actually something created in a thousand
Section 97: 00:44:18,440 – 00:44:40,750
00:44:18,440 → 00:44:21,109 a by a religious sect trying to
00:44:21,119 → 00:44:24,109 establish a Matic
00:44:24,119 → 00:44:27,270 text right you look at that you look at
00:44:27,280 → 00:44:28,750 the language in
00:44:28,760 → 00:44:30,990 it look at the
00:44:31,000 → 00:44:34,589 level the level of performance with s to
00:44:34,599 → 00:44:40,750 8,000 words unique words not much at all
Section 98: 00:44:40,760 – 00:45:13,380
00:44:40,760 → 00:44:44,910 Greek has so many unique words that you
00:44:44,920 → 00:44:49,270 have Subs speci Specialties within
00:44:49,280 → 00:44:52,670 Specialties and you see it coming out in
00:44:52,680 → 00:44:55,549 this vocabulary these Temple practices
00:44:55,559 → 00:44:57,950 they are not simple
00:44:57,960 → 00:45:01,270 right they're built on an basis of
00:45:01,280 → 00:45:03,710 reason that is just you know which makes
00:45:03,720 → 00:45:05,589 sense because you walk up to the look at
00:45:05,599 → 00:45:07,589 look at how perfect it is stand in front
00:45:07,599 → 00:45:10,309 of a greek temple someday please and
00:45:10,319 → 00:45:11,670 you'll feel the difference in the
00:45:11,680 → 00:45:13,380 language what do you get with
Section 99: 00:45:13,390 – 00:45:14,510
00:45:13,390 → 00:45:14,510 [Music]
Section 100: 00:45:14,520 – 00:45:42,910
00:45:14,520 → 00:45:17,710 Egyptian straight up look boom boom
00:45:17,720 → 00:45:21,549 looks like a giant rock that somebody
00:45:21,559 → 00:45:23,750 chisled what happens when you stand in
00:45:23,760 → 00:45:25,270 front of a greek temple you know I'm
00:45:25,280 → 00:45:27,430 telling the truth people you know I am
00:45:27,440 → 00:45:29,309 all you Scholars out there all you Egypt
00:45:29,319 → 00:45:31,190 you know I'm telling the truth you stand
00:45:31,200 → 00:45:33,349 in front of a great Temple and you
00:45:33,359 → 00:45:36,349 defecate in your britches just from
00:45:36,359 → 00:45:39,790 sheer awe of the
00:45:39,800 → 00:45:42,910 mathematical calculations it
Section 101: 00:45:42,920 – 00:46:22,109
00:45:42,920 → 00:45:46,349 took to put this
00:45:46,359 → 00:45:50,589 beauty together it's Beauty and you see
00:45:50,599 → 00:45:52,270 these sculptures you're like ah you know
00:45:52,280 → 00:45:54,470 what you feel when you see an Egyptian
00:45:54,480 → 00:45:55,549 sculpture everybody's given the
00:45:55,559 → 00:45:57,630 Egyptians way too much credit
00:45:57,640 → 00:45:59,589 everybody's giving him way too much
00:45:59,599 → 00:46:02,030 credit way too much
00:46:02,040 → 00:46:05,430 credit Gilgamesh too that stuff was
00:46:05,440 → 00:46:08,910 worthless right what a Gilgamesh git you
00:46:08,920 → 00:46:11,589 built okay people people like it when I
00:46:11,599 → 00:46:14,549 do this but so I'm gonna indulge let me
00:46:14,559 → 00:46:17,390 ask the people out there what did
00:46:17,400 → 00:46:22,109 Gilgamesh get you built in history you
Section 102: 00:46:22,119 – 00:46:34,670
00:46:22,119 → 00:46:25,790 know what it got mud Huts that's what it
00:46:25,800 → 00:46:27,430 got mud
00:46:27,440 → 00:46:29,150 brick
00:46:29,160 → 00:46:34,670 brilliant
Section 103: 00:46:34,680 – 00:46:48,270
00:46:34,680 → 00:46:38,150 check out a temple check out a
00:46:38,150 → 00:46:38,160 brilliant check out a temple check out a
00:46:38,160 → 00:46:41,390 temple try one in Athens sometime go to
00:46:41,400 → 00:46:43,390 Turkey look up look up and down the
00:46:43,400 → 00:46:45,069 coast of
00:46:45,079 → 00:46:48,270 turkey
Section 104: 00:46:48,280 – 00:47:25,190
00:46:48,280 → 00:46:52,150 God love it absolutely love it give me
00:46:52,160 → 00:46:54,549 the next one did you have you ever seen
00:46:54,559 → 00:46:57,230 them they're frozen man they're frozen I
00:46:57,240 → 00:46:59,510 don't know why the Greeks make him alive
00:46:59,520 → 00:47:01,510 I wanted to give you the actual teaching
00:47:01,520 → 00:47:03,510 so that you can see here's our kilus our
00:47:03,520 → 00:47:08,589 Warrior poet what does he say oh God the
00:47:08,599 → 00:47:12,870 Father ruler of Heaven you look at the
00:47:12,880 → 00:47:16,349 Deeds of people and you know the ones
00:47:16,359 → 00:47:18,870 that are unjust and the ones that are
00:47:18,880 → 00:47:25,190 just you judge the huus of all these
Section 105: 00:47:25,200 – 00:47:48,109
00:47:25,200 → 00:47:27,910 beasts what does that say sound like to
00:47:27,920 → 00:47:30,829 you what does that sound like to you
00:47:30,839 → 00:47:33,670 does that sound biting it's a little bit
00:47:33,680 → 00:47:35,349 biting right it's a little bit on the
00:47:35,359 → 00:47:37,349 side of uhoh somebody's going to pull
00:47:37,359 → 00:47:39,589 out some stuff that they know they've
00:47:39,599 → 00:47:41,470 got documents and a lot of people are
00:47:41,480 → 00:47:42,870 going to get
00:47:42,880 → 00:47:48,109 implicated right that is our kilus give
Section 106: 00:47:48,119 – 00:48:23,470
00:47:48,119 → 00:47:50,190 me the next one give me the next one
00:47:50,200 → 00:47:52,190 I'll give you that one for free what
00:47:52,200 → 00:47:55,349 else there's yobak key that are going on
00:47:55,359 → 00:47:57,589 what are these there's is another
00:47:57,599 → 00:48:00,030 unconnectable meter oh God it's more
00:48:00,040 → 00:48:03,390 meter with the first antipathy oh quick
00:48:03,400 → 00:48:06,150 my music people I'm already lost or
00:48:06,160 → 00:48:09,230 opposition consisting of an i Amic
00:48:09,240 → 00:48:11,549 dimiter a
00:48:11,559 → 00:48:14,349 catalectic and a three and a half foot
00:48:14,359 → 00:48:18,670 trochaic oh God that guy arilus has a
00:48:18,680 → 00:48:20,150 three and a half foot
00:48:20,160 → 00:48:23,470 trochaic right
Section 107: 00:48:23,480 – 00:49:03,800
00:48:23,480 → 00:48:26,829 there no wonder they worship priapus now
00:48:26,839 → 00:48:29,870 known as the Edan oh look at that ID's
00:48:29,880 → 00:48:32,990 managed to get his name in there right
00:48:33,000 → 00:48:35,990 he had fans too you know what I mean
00:48:36,000 → 00:48:39,710 yeah kind of swifties he had him too um
00:48:39,720 → 00:48:41,349 although somebody said he got into a
00:48:41,359 → 00:48:45,470 competition with sof over some boy P
00:48:45,480 → 00:48:49,630 Diddy thanks some boy who was out there
00:48:49,640 → 00:48:52,710 um prostituting outside of the city
00:48:52,720 → 00:48:55,670 limits yeah they had some thing going on
00:48:55,680 → 00:48:58,230 that now it's probably just made up it's
00:48:58,240 → 00:49:00,349 probably just like you know scandal from
00:49:00,359 → 00:49:03,800 Antiquity just to sell I don't know
Section 108: 00:49:03,810 – 00:49:05,789
00:49:03,810 → 00:49:05,789 [Music]
Section 109: 00:49:05,799 – 00:49:34,710
00:49:05,799 → 00:49:09,589 Scrolls right um as for instance in the
00:49:09,599 → 00:49:13,470 ioba ascribed to our kilus and here's an
00:49:13,480 → 00:49:15,390 example celebrating the Feast of the
00:49:15,400 → 00:49:19,230 Holy demer and Kora I wanted you to see
00:49:19,240 → 00:49:21,030 all the mystery that we've been talking
00:49:21,040 → 00:49:24,789 about for quite a while now um this is
00:49:24,799 → 00:49:27,150 all a part
00:49:30,680 → 00:49:34,710 society's creation of literature it's
Section 110: 00:49:34,720 – 00:50:17,549
00:49:34,720 → 00:49:38,349 all a part of it you don't get this
00:49:38,359 → 00:49:42,190 literature without the mystery Cults you
00:49:42,200 → 00:49:44,349 don't get
00:49:44,359 → 00:49:47,589 it otherwise you got gilgames and
00:49:47,599 → 00:49:50,150 ziggurats gilgames and zigurat you know
00:49:50,160 → 00:49:51,990 what they've got in Hell they've got
00:49:52,000 → 00:49:55,150 Gilgamesh text for you to read in hell
00:49:55,160 → 00:49:57,150 right CIA form
00:49:57,160 → 00:49:58,430 read that
00:49:58,440 → 00:50:01,270 stuff look at it it looks like it was
00:50:01,280 → 00:50:05,270 programmed by somebody who is you know
00:50:05,280 → 00:50:07,710 into pain you know what I mean that's
00:50:07,720 → 00:50:10,309 not art looks like a chicken walked on
00:50:10,319 → 00:50:13,990 that clay right what is that ah John
00:50:14,000 → 00:50:15,670 scarber would find that funny he used to
00:50:15,680 → 00:50:17,549 call it chicken scratch give me the next
Section 111: 00:50:17,559 – 00:50:49,670
00:50:17,559 → 00:50:19,470 one give me the next one hurry these
00:50:19,480 → 00:50:21,230 people we're about to get it we're gonna
00:50:21,240 → 00:50:23,150 take a break in a minute but here's the
00:50:23,160 → 00:50:25,829 are you ready to get back to the climax
00:50:25,839 → 00:50:29,030 here here's more tetrameters oh god look
00:50:29,040 → 00:50:31,789 here's a whole bunch stuff look ethic
00:50:31,799 → 00:50:34,309 right ethic what is ethic give me the
00:50:34,319 → 00:50:36,349 next one whole bunch more oh look at the
00:50:36,359 → 00:50:39,670 term right to lead off peculiar to the
00:50:39,680 → 00:50:42,470 liar thus he see it says in arilus quote
00:50:42,480 → 00:50:45,270 my sou leading off the lesbian pean to
00:50:45,280 → 00:50:47,510 the sound of the flute and I want you to
00:50:47,520 → 00:50:49,670 see
Section 112: 00:50:49,680 – 00:51:15,589
00:50:49,680 → 00:50:53,950 lesbian lesbian pan what's a pan it's an
00:50:53,960 → 00:50:57,150 hymn In Praise of Pion
00:50:57,160 → 00:51:00,430 who is Apollo the leader of the
00:51:00,440 → 00:51:04,109 muses okay so this is a
00:51:04,119 → 00:51:08,710 lesbian pan a lesbian pan when you say
00:51:08,720 → 00:51:10,630 Lesbos and you're talking about this
00:51:10,640 → 00:51:13,750 time period you're talking about huge
00:51:13,760 → 00:51:15,589 Amazonian
Section 113: 00:51:15,599 – 00:52:03,829
00:51:15,599 → 00:51:17,710 influence you're talking about the
00:51:17,720 → 00:51:21,670 ground that ultimately produced
00:51:21,680 → 00:51:25,109 safo okay I want you to realize that why
00:51:25,119 → 00:51:29,270 would this dude respect those Amazonian
00:51:29,280 → 00:51:31,990 Traditions I'll give you one
00:51:32,000 → 00:51:34,670 word
00:51:34,680 → 00:51:38,630 Warriors it was Warrior culture and they
00:51:38,640 → 00:51:40,910 understood you know who doesn't
00:51:40,920 → 00:51:43,670 understand people who are not
00:51:43,680 → 00:51:47,150 Warriors right yeah you know where we
00:51:47,160 → 00:51:50,349 can hang we can hang in the Groves of
00:51:50,359 → 00:51:53,950 Mars and we can hang with the bachans
00:51:53,960 → 00:51:56,789 because they will go to the hunters and
00:51:56,799 → 00:51:57,990 the hunters
00:51:58,000 → 00:52:01,069 know CU they live that life and death
00:52:01,079 → 00:52:03,829 struggle right rest of those bread
Section 114: 00:52:03,839 – 00:52:45,030
00:52:03,839 → 00:52:05,950 eaters what good are they what good are
00:52:05,960 → 00:52:08,750 they the bread eaters what good do you
00:52:08,760 → 00:52:13,270 see do you see that heroic Bronze Age
00:52:13,280 → 00:52:16,870 mentality right it's when women kicked
00:52:16,880 → 00:52:18,549 ass man I'm telling you somebody's going
00:52:18,559 → 00:52:20,549 to write a history someday right and
00:52:20,559 → 00:52:22,390 they're going to look at all of the
00:52:22,400 → 00:52:25,510 influence of the cian
00:52:25,520 → 00:52:28,150 ladies I want to tell you right now
00:52:28,160 → 00:52:31,630 right now all joking aside nothing
00:52:31,640 → 00:52:35,109 nothing so historically sexy as these
00:52:35,119 → 00:52:36,670 syian
00:52:36,680 → 00:52:38,950 women they took
00:52:38,960 → 00:52:43,230 Jack they took Jack from anyone they
00:52:43,240 → 00:52:45,030 will take your
Section 115: 00:52:45,040 – 00:53:05,980
00:52:45,040 → 00:52:49,069 scalp they'll take your scalp yeah
00:52:49,079 → 00:52:51,470 they'll suspend you they'll beat you
00:52:51,480 → 00:52:54,030 they'll drug
00:52:54,040 → 00:52:59,150 you they'll hunt and they will kill you
00:52:59,160 → 00:53:02,990 do you think they needed a me too no
00:53:03,000 → 00:53:05,980 they expressed that in their
Section 116: 00:53:05,990 – 00:53:07,630
00:53:05,990 → 00:53:07,630 [Music]
Section 117: 00:53:07,640 – 00:53:49,270
00:53:07,640 → 00:53:10,789 life isn't it gorgeous and you thought
00:53:10,799 → 00:53:12,870 you were so Advanced no you're not
00:53:12,880 → 00:53:15,789 you've been made passive you've been
00:53:15,799 → 00:53:18,430 made passive because the classical well
00:53:18,440 → 00:53:21,910 dried up because
00:53:21,920 → 00:53:25,109 Christianity Judaism Islam came along
00:53:25,119 → 00:53:27,390 and piled up
00:53:27,400 → 00:53:30,270 concrete closed up the well now you and
00:53:30,280 → 00:53:33,589 I got nothing to drink we got nothing to
00:53:33,599 → 00:53:36,069 drink you know what I want I want a tall
00:53:36,079 → 00:53:38,630 dark drink of Amazonian Queen that's
00:53:38,640 → 00:53:43,670 what I want that's what I want somebody
00:53:43,680 → 00:53:46,950 nerds I commissioned thee at once build
00:53:46,960 → 00:53:49,270 me a time machine I want to bring back
Section 118: 00:53:49,280 – 00:54:21,750
00:53:49,280 → 00:53:52,670 an Amazonian woman make it so give me
00:53:52,680 → 00:53:54,990 the next one let's read the dirtiest now
00:53:55,000 → 00:53:57,109 I told you I told you told you people to
00:53:57,119 → 00:54:00,190 hold on I told you people to hold on
00:54:00,200 → 00:54:02,990 this is not the dirty one but um yeah it
00:54:03,000 → 00:54:07,309 just says the E ethic song is the praise
00:54:07,319 → 00:54:10,230 is written in Praise of dionis right
00:54:10,240 → 00:54:12,470 this is the kind of stuff that arilus
00:54:12,480 → 00:54:14,789 authored that's all that says and thank
00:54:14,799 → 00:54:17,710 you very much Siris in
00:54:17,720 → 00:54:20,390 hermogenes what you mean we have so many
00:54:20,400 → 00:54:21,750 references we don't even know who these
Section 119: 00:54:21,760 – 00:55:06,589
00:54:21,760 → 00:54:24,870 people are exactly give me the next one
00:54:24,880 → 00:54:29,270 boom okay this is the this is the piece
00:54:30,599 → 00:54:32,870 resistance right here are you ready for
00:54:32,880 → 00:54:35,069 this this is our kilus and I want AR
00:54:35,079 → 00:54:36,510 kilus I'm going to translate this
00:54:36,520 → 00:54:39,150 quickly it's two slides and I'm just
00:54:39,160 → 00:54:40,510 going to translate it for you and I want
00:54:40,520 → 00:54:42,630 you to listen to the
00:54:42,640 → 00:54:46,670 wisdom the wisdom of arilus and his I
00:54:46,680 → 00:54:49,510 Amic poetry are you
00:54:49,520 → 00:54:52,390 ready the
00:54:52,400 → 00:54:54,950 mind of the
00:54:54,960 → 00:54:58,030 kitis and the bad
00:54:58,040 → 00:55:01,990 prostitute are exactly the
00:55:02,000 → 00:55:06,589 same both of them are really
Section 120: 00:55:06,599 – 00:55:43,309
00:55:06,599 → 00:55:08,270 happy
00:55:08,280 → 00:55:10,950 taking
00:55:10,960 → 00:55:14,710 coin okay I'm gonna say that again the
00:55:14,720 → 00:55:17,870 mind of the kitis who's the kitis for
00:55:17,880 → 00:55:20,190 those of you who weren't here this in
00:55:20,200 → 00:55:24,349 Greek is technically the rump dancer the
00:55:24,359 → 00:55:28,109 hoody toot toot of the buttocks
00:55:28,119 → 00:55:32,270 the jiggly Wiggly of the Piggly do you
00:55:32,280 → 00:55:35,630 understand there is an art to those who
00:55:35,640 → 00:55:40,390 have the itch that's how they said it
00:55:40,400 → 00:55:43,309 okay the booty
Section 121: 00:55:43,319 – 00:56:11,069
00:55:43,319 → 00:55:48,990 dancing is a central part of all of this
00:55:49,000 → 00:55:49,789 you
00:55:49,799 → 00:55:55,069 mean you mean dude you know
00:55:55,079 → 00:55:57,470 nine-year-old right
00:55:57,480 → 00:55:59,470 nine-year-old what are we going to find
00:55:59,480 → 00:56:02,309 next I don't know send a swan team out
00:56:02,319 → 00:56:04,990 send a Roman SWAT team out get that guy
00:56:05,000 → 00:56:06,549 look we got a kid here he's gonna
00:56:06,559 → 00:56:11,069 testify next day he falls over
Section 122: 00:56:11,079 – 00:56:54,950
00:56:11,079 → 00:56:14,870 dead described symptomatically from a
00:56:14,880 → 00:56:18,390 drug that induces sexuality and
00:56:18,400 → 00:56:22,589 aphrodesiac doo much Spanish Fly Judas
00:56:22,599 → 00:56:25,670 too much Spanish fly if you ask me it
00:56:25,680 → 00:56:30,109 was Merc merciful it was
00:56:30,119 → 00:56:32,950 merciful give me the next one give me
00:56:32,960 → 00:56:35,870 the next one okay oh no we got to go
00:56:35,880 → 00:56:37,270 back I'm not finished with Translating
00:56:37,280 → 00:56:39,910 that one look that's the kitis so the
00:56:39,920 → 00:56:43,390 mind of the C pores what is a bad
00:56:43,400 → 00:56:45,270 prostitute you thought you hear
00:56:45,280 → 00:56:47,029 prostitute and you think
00:56:47,039 → 00:56:51,230 bad right no no for the
00:56:51,240 → 00:56:54,950 Greek bad prostitutes good prostitutes
Section 123: 00:56:54,960 – 00:57:49,750
00:56:54,960 → 00:56:58,670 bad doctors good back good doctors bad
00:56:58,680 → 00:57:01,230 priests good
00:57:01,240 → 00:57:06,829 priests yeah it's a technical art why do
00:57:06,839 → 00:57:10,349 you think they have Temple
00:57:10,359 → 00:57:13,870 prostitutes right right oh God where
00:57:13,880 → 00:57:15,870 have these people been this civilization
00:57:15,880 → 00:57:19,670 has not reached us he says the kitis and
00:57:19,680 → 00:57:22,109 a bad prostitute their minds are the
00:57:22,119 → 00:57:23,950 same thing they
00:57:23,960 → 00:57:28,309 enjoy taking cash they enjoy the
00:57:28,319 → 00:57:31,390 movement through their backsides they
00:57:31,400 → 00:57:34,549 enjoy the dowels being driven in and
00:57:34,559 → 00:57:36,630 banging they love the banging the
00:57:36,640 → 00:57:40,309 banging the
00:57:40,319 → 00:57:43,510 banging give me the next one that's what
00:57:43,520 → 00:57:45,990 it says okay I'm going to show you the
00:57:46,000 → 00:57:49,750 Greek just so you you know just so you
Section 124: 00:57:49,760 – 00:58:14,950
00:57:49,760 → 00:57:53,470 know um what else do they do they make
00:57:53,480 → 00:57:55,870 sausage wait what okay here's little
00:57:55,880 → 00:57:56,870 it's
00:57:56,880 → 00:57:59,430 colloquial right think of it this way
00:57:59,440 → 00:58:02,230 dolling out the sausage right mixing all
00:58:02,240 → 00:58:04,150 those mats together and doing them out
00:58:04,160 → 00:58:07,870 one little yeah okay picture picture
00:58:07,880 → 00:58:10,910 that right right what else they like the
00:58:10,920 → 00:58:14,950 tumbling in their
Section 125: 00:58:14,960 – 00:58:56,270
00:58:14,960 → 00:58:17,109 innards and
00:58:17,119 → 00:58:20,549 one pummeling is never
00:58:20,559 → 00:58:24,150 enough they like a lot and they swallow
00:58:24,160 → 00:58:25,870 down what do the people do who like the
00:58:25,880 → 00:58:27,990 cat cash what are you supposed to be
00:58:28,000 → 00:58:30,069 doing people you're supposed to be
00:58:30,079 → 00:58:31,789 looking at the people around you who
00:58:31,799 → 00:58:34,109 like the cash you're supposed to be
00:58:34,119 → 00:58:36,910 looking at them oh maybe into yourself a
00:58:36,920 → 00:58:38,150 wee bit
00:58:38,160 → 00:58:40,589 too and what
00:58:40,599 → 00:58:42,630 happens what are you looking at you're
00:58:42,640 → 00:58:44,990 looking at somebody who loves it loves
00:58:45,000 → 00:58:48,069 it give it to me give it to
00:58:48,079 → 00:58:51,230 me what do they say what do they say in
00:58:51,240 → 00:58:56,270 second line remember right remember
Section 126: 00:58:56,280 – 00:59:17,230
00:58:56,280 → 00:58:57,870 who this is we're talking about who's
00:58:57,880 → 00:59:02,950 writing this right one one lover is
00:59:02,960 → 00:59:07,069 never enough they swallow down one male
00:59:07,079 → 00:59:10,990 member after another into their deep
00:59:11,000 → 00:59:13,789 throats and they hunger for the bigger
00:59:13,799 → 00:59:17,230 ones and the thicker
Section 127: 00:59:17,240 – 00:59:43,430
00:59:17,240 → 00:59:20,069 ones and you know what those male
00:59:20,079 → 00:59:23,870 members do they punch around in their
00:59:23,880 → 00:59:27,829 guts that giant cat M all the way
00:59:27,839 → 00:59:30,910 penetrates to the belly
00:59:30,920 → 00:59:35,390 button this is what people are who love
00:59:35,400 → 00:59:38,029 the
00:59:38,039 → 00:59:43,430 money 800 years right excuse me
Section 128: 00:59:43,440 – 00:59:48,910
00:59:43,440 → 00:59:45,069 650
00:59:45,079 → 00:59:48,910 years pre
Section 129: 00:59:48,920 – 01:00:16,549
00:59:48,920 → 00:59:50,990 Jesus
00:59:51,000 → 00:59:55,069 right okay do you see where the mystery
00:59:55,079 → 00:59:59,069 comes from Judaism and Christianity both
00:59:59,079 → 01:00:03,349 originate from this bakic
01:00:03,359 → 01:00:06,870 mystery and it's all over the language
01:00:06,880 → 01:00:10,549 and the boobs the boobs who have been
01:00:10,559 → 01:00:13,549 teaching you theology as if it were
01:00:13,559 → 01:00:16,549 history they're
Section 130: 01:00:16,559 – 01:00:19,990
01:00:16,559 → 01:00:19,990 boobs
Section 131: 01:00:20,000 – 01:00:57,309
01:00:20,000 → 01:00:23,190 give it to me what happens to
01:00:23,190 → 01:00:23,200 boobs give it to me what happens to
01:00:23,200 → 01:00:25,109 these people let's give it to them that
01:00:25,119 → 01:00:27,309 same one I said okay where were we we
01:00:27,319 → 01:00:29,309 were in the guts we were stabbing the
01:00:29,319 → 01:00:32,510 guts in this great Chasm of your giant
01:00:32,520 → 01:00:36,510 what what does he say look at line
01:00:36,520 → 01:00:41,630 15 a to hell with the person who's all
01:00:41,640 → 01:00:45,309 worked up over sex to hell with that
01:00:45,319 → 01:00:48,589 person who has an itch in their
01:00:48,599 → 01:00:51,870 bottom who loves that bottom
01:00:51,880 → 01:00:57,309 dance who has that El proon
Section 132: 01:00:57,319 – 01:01:21,190
01:00:57,319 → 01:00:58,950 what is an
01:00:58,960 → 01:01:03,510 apron this is what you get according to
01:01:03,520 → 01:01:06,990 arilus when you crave
01:01:07,000 → 01:01:10,349 money what is it that you get an elu it
01:01:10,359 → 01:01:12,789 means wide and a
01:01:12,799 → 01:01:16,230 proos is what the
01:01:16,240 → 01:01:18,069 Proctologist
01:01:18,079 → 01:01:21,190 examines do you
Section 133: 01:01:21,200 – 01:01:53,710
01:01:21,200 → 01:01:24,510 understand yes okay now did the
01:01:24,520 → 01:01:27,349 victorians try to Define this no way man
01:01:27,359 → 01:01:29,990 no way right there's got to be an
01:01:30,000 → 01:01:32,670 excellent way to do this in English but
01:01:32,680 → 01:01:35,789 there you go um so he says you know to H
01:01:35,799 → 01:01:37,430 with all this stuff you know what's
01:01:37,440 → 01:01:40,190 important let this thing be important to
01:01:40,200 → 01:01:43,789 us what the
01:01:43,799 → 01:01:47,990 muses and a life that is dedicated
01:01:48,000 → 01:01:49,829 solely to
01:01:49,839 → 01:01:53,710 them right knowing
Section 134: 01:01:53,720 – 01:02:02,150
01:01:53,720 → 01:01:56,710 this that this kind of life is what
01:01:56,720 → 01:02:02,150 gives real Joy real tangible
Section 135: 01:02:02,160 – 01:02:22,430
01:02:02,160 → 01:02:05,870 happiness real Pro pleasure and it can
01:02:05,880 → 01:02:08,150 all be summed up I'm still trans can all
01:02:08,160 → 01:02:11,589 be summed up in one expression let's
01:02:11,599 → 01:02:14,029 never keep
01:02:14,039 → 01:02:16,109 company with
01:02:16,119 → 01:02:18,349 those whose
01:02:18,359 → 01:02:22,430 Pleasures are
Section 136: 01:02:22,440 – 01:02:27,630
01:02:22,440 → 01:02:27,630 Shameless those who crave
Section 137: 01:02:27,640 – 01:02:30,910
01:02:27,640 → 01:02:30,910 money
Section 138: 01:02:30,920 – 01:02:52,230
01:02:30,920 → 01:02:33,109 Fame
01:02:33,119 → 01:02:36,910 power yeah do you understand this is
01:02:36,920 → 01:02:38,309 what the warrior
01:02:38,319 → 01:02:41,990 says and it's he's considered one of the
01:02:42,000 → 01:02:52,230 three greats of all time Homer heian
Section 139: 01:02:52,240 – 01:03:31,309
01:02:52,240 → 01:02:56,549 arilus thank you for allowing me to
01:02:56,559 → 01:02:59,589 present to you the
01:02:59,599 → 01:03:03,230 curse the
01:03:03,240 → 01:03:07,069 blasphemy you know who I'm talking
01:03:07,079 → 01:03:11,510 to now we're going to end our time and
01:03:11,520 → 01:03:16,430 I'm going to run the final exit but I'm
01:03:16,440 → 01:03:18,510 GNA go get your drill sergeant because I
01:03:18,520 → 01:03:23,589 want to talk about unit five so go ahead
01:03:23,599 → 01:03:25,870 and hit it thank you for coming tonight
01:03:25,880 → 01:03:28,269 if you're not coming back hell Satan but
01:03:28,279 → 01:03:31,309 the derangement
Section 140: 01:03:31,319 – 01:03:53,930
01:03:31,319 → 01:03:34,829 syndrome has them hooding the kids as
01:03:34,839 → 01:03:36,309 you
01:03:36,319 → 01:03:39,190 know for you die
01:03:39,200 → 01:03:43,950 too I'm fashion
01:03:43,960 → 01:03:46,109 gibbets
01:03:46,119 → 01:03:50,109 crucify the child rapist on the
01:03:50,119 → 01:03:53,930 cross throwing Christians to the Lions
Section 141: 01:03:53,940 – 01:03:56,029
01:03:53,940 → 01:03:56,029 [Music]
Section 142: 01:03:56,039 – 01:04:16,470
01:03:56,039 → 01:03:59,109 throwing all the
01:03:59,119 → 01:04:01,910 pedophiles off the
01:04:01,920 → 01:04:04,150 bridge fish
01:04:04,160 → 01:04:07,069 food have a nice
01:04:07,079 → 01:04:11,870 swim for your derangement
01:04:11,880 → 01:04:16,470 syndrome this is the
Section 143: 01:04:16,480 – 01:04:17,670
01:04:16,480 → 01:04:17,670 [Music]
Section 144: 01:04:17,680 – 01:04:21,500
01:04:17,680 → 01:04:21,500 prescription wreak like
Section 145: 01:04:21,510 – 01:04:22,630
01:04:21,510 → 01:04:22,630 [Music]
Section 146: 01:04:22,640 – 01:04:32,789
01:04:22,640 → 01:04:26,589 Indica puffing the death Bubba
01:04:26,599 → 01:04:32,789 Black Water
Section 147: 01:04:32,799 – 01:05:05,829
01:04:32,799 → 01:04:38,269 Freshies all right here we go so the uh
01:04:38,279 → 01:04:40,910 those of you who are here for the Greek
01:04:40,920 → 01:04:42,390 lessons I know that you've worked
01:04:42,400 → 01:04:46,230 through through units one two three four
01:04:46,240 → 01:04:49,269 right we've got to get you five and six
01:04:49,279 → 01:04:52,470 and seven we'll top it off as what we
01:04:52,480 → 01:04:54,109 need before we have to take our next
01:04:54,119 → 01:04:55,750 exam
01:04:55,760 → 01:04:58,230 so I'm going to be spending a little
01:04:58,240 → 01:04:59,990 extra time with you over the next few
01:05:00,000 → 01:05:02,670 days over the next few sessions that we
01:05:02,680 → 01:05:04,069 meet I'm going to spit be spending a
01:05:04,079 → 01:05:05,829 little extra time with you because I
Section 148: 01:05:05,839 – 01:05:34,750
01:05:05,839 → 01:05:07,349 want you to have this material and I
01:05:07,359 → 01:05:09,750 want you to be able to press ahead with
01:05:09,760 → 01:05:13,269 the Tas right remember you can go to
01:05:13,279 → 01:05:14,230 these
01:05:14,240 → 01:05:17,470 sessions through the link that will be
01:05:17,480 → 01:05:20,349 provided to you to talk to people who
01:05:20,359 → 01:05:21,829 have already been
01:05:21,839 → 01:05:25,390 through this course and have gotten to
01:05:25,400 → 01:05:27,549 the point that they're in my reading
01:05:27,559 → 01:05:31,430 course where we're reading uh Lucian and
01:05:31,440 → 01:05:32,269 the
01:05:32,279 → 01:05:34,750 ass
Section 149: 01:05:34,760 – 01:06:07,829
01:05:34,760 → 01:05:38,109 yes okay let's go let's get to it give
01:05:38,119 → 01:05:40,870 me the first one chewy um again this is
01:05:40,880 → 01:05:43,230 unit five so if you're coming back to
01:05:43,240 → 01:05:45,029 this you know people one of the things
01:05:45,039 → 01:05:47,269 people have been doing is doing just the
01:05:47,279 → 01:05:49,910 short om andu segments to see what is
01:05:49,920 → 01:05:51,910 important in each of the chapters and
01:05:51,920 → 01:05:54,029 then proceeding I think it's a great
01:05:54,039 → 01:05:57,349 idea look we're talking about the
01:05:57,359 → 01:06:00,670 passive voice in unit 5 if you get one
01:06:00,680 → 01:06:03,829 thing out of unit 5 I want you to know
01:06:03,839 → 01:06:07,829 what the passive voice is passive voice
Section 150: 01:06:07,839 – 01:06:31,589
01:06:07,839 → 01:06:11,630 verbs have voice what are the voices
01:06:11,640 → 01:06:15,349 that verbs can have in Greek ancient
01:06:15,359 → 01:06:19,309 number one active number two middle
01:06:19,319 → 01:06:23,750 number three passive active middle
01:06:23,760 → 01:06:26,990 passive so far you have only learned the
01:06:27,000 → 01:06:28,109 active
01:06:28,119 → 01:06:31,589 voice I educate my
Section 151: 01:06:31,599 – 01:07:17,470
01:06:31,599 → 01:06:35,109 son right there is a direct object my
01:06:35,119 → 01:06:38,029 son he is the one who is being acted on
01:06:38,039 → 01:06:41,190 by the verb I is the subject I'm doing
01:06:41,200 → 01:06:45,029 the verb I am not having it done to me
01:06:45,039 → 01:06:46,710 that would be
01:06:46,720 → 01:06:49,630 passive you're talking about the erastes
01:06:49,640 → 01:06:50,510 and the
01:06:50,520 → 01:06:53,230 aromos right the lover and the one who
01:06:53,240 → 01:06:56,549 receives the love right it's the same
01:06:56,559 → 01:06:59,470 thing in the active and the passive and
01:06:59,480 → 01:07:01,390 believe it or not this is exactly as
01:07:01,400 → 01:07:04,309 they thought about it right active
01:07:04,319 → 01:07:05,789 versus passive
01:07:05,799 → 01:07:10,430 rules right okay fantastic what is an
01:07:10,440 → 01:07:13,910 active verb kick I kick the
01:07:13,920 → 01:07:17,470 ball turn it into a passive
Section 152: 01:07:17,480 – 01:07:57,789
01:07:17,480 → 01:07:23,950 form I am kicked by the soccer player I
01:07:23,960 → 01:07:26,430 am kicked now the subject is not doing
01:07:26,440 → 01:07:31,470 the action the subject is receiving the
01:07:31,480 → 01:07:35,190 action right the direction of the verb
01:07:35,200 → 01:07:36,950 is turned around in the passive
01:07:36,960 → 01:07:39,269 fantastic here are the endings that you
01:07:39,279 → 01:07:42,069 need for the present indicative what
01:07:42,079 → 01:07:43,910 what do we have to do we're going to
01:07:43,920 → 01:07:45,910 have to cap off all the verbs that you
01:07:45,920 → 01:07:49,150 have learned so far now with passive
01:07:49,160 → 01:07:53,990 forms so that you can say both I educate
01:07:54,000 → 01:07:57,789 and I was or am
Section 153: 01:07:57,799 – 01:08:22,430
01:07:57,799 → 01:08:00,630 educated good here are the endings that
01:08:00,640 → 01:08:04,789 we you need to memorize these oh my
01:08:07,400 → 01:08:10,470 my please notice the second person
01:08:10,480 → 01:08:13,950 singular can be either a to Yoda or
01:08:13,960 → 01:08:16,709 Epsilon eoda don't let that freak you
01:08:16,719 → 01:08:20,110 out memorize om my a
Section 154: 01:08:22,440 – 01:08:26,990
01:08:22,440 → 01:08:26,990 p I am being
Section 155: 01:08:27,000 – 01:09:02,019
01:08:27,000 → 01:08:29,990 educated present
01:08:30,000 → 01:08:31,630 indicative
01:08:31,640 → 01:08:34,910 passive present indicative passive good
01:08:34,920 → 01:08:38,749 hit the next one JY
01:08:38,759 → 01:08:42,789 boom okay now pay attention the next
01:08:42,799 → 01:08:45,030 tense we've got to work is the
01:08:45,040 → 01:08:47,070 imperfect the
01:08:47,080 → 01:08:50,430 imperfect the imperfect okay we're gonna
01:08:50,440 → 01:08:54,590 form it just like the imperfect active
01:08:54,600 → 01:09:02,019 but here we're gonna have different
Section 156: 01:09:02,029 – 01:09:07,390
01:09:02,029 → 01:09:07,390 [Music]
Section 157: 01:09:07,400 – 01:09:50,669
01:09:07,400 → 01:09:11,510 endings please chant that to yourself
01:09:11,520 → 01:09:14,870 those are the imperfect passive
01:09:14,880 → 01:09:19,669 endings good good good and what are we
01:09:19,679 → 01:09:20,789 going to how are we going to use the
01:09:20,799 → 01:09:25,709 imperfect passive I was being kicked
01:09:25,719 → 01:09:28,550 right I am kicked in the present passive
01:09:28,560 → 01:09:31,550 in the imperfect I was being kicked good
01:09:31,560 → 01:09:34,950 hit me with the next one beautiful
01:09:34,960 → 01:09:39,470 beautiful what else what other well look
01:09:39,480 → 01:09:41,709 if we can have a present indicative
01:09:41,719 → 01:09:45,149 passive we can also have a present
01:09:45,159 → 01:09:46,829 subjunctive
01:09:46,839 → 01:09:50,669 passive right present subjunctive
Section 158: 01:09:50,679 – 01:10:31,229
01:09:50,679 → 01:09:55,790 passive oh my a
01:09:55,800 → 01:09:59,070 a the look at how long that initial
01:09:59,080 → 01:10:01,470 vowel is in each case you've got just
01:10:01,480 → 01:10:04,709 long vowels there Omega and Ada don't
01:10:04,719 → 01:10:07,070 you love that Omega and Ada just like
01:10:07,080 → 01:10:08,229 any
01:10:08,239 → 01:10:10,590 subjunctive right you're gonna deepen
01:10:10,600 → 01:10:11,790 your
01:10:11,800 → 01:10:14,750 vowels vowels deepen your vowels now
01:10:14,760 → 01:10:16,430 talk to a linguist about that over
01:10:16,440 → 01:10:18,790 candelight dinner you know what I mean
01:10:18,800 → 01:10:21,390 show me how to deepen your
01:10:21,400 → 01:10:24,390 vowels maybe it'll make sense hit next
01:10:24,400 → 01:10:26,910 one give me the next one here's the
01:10:26,920 → 01:10:27,950 present
01:10:27,960 → 01:10:31,229 optative passive form right just like we
Section 159: 01:10:31,239 – 01:10:35,990
01:10:31,239 → 01:10:35,990 have present optative active
Section 160: 01:10:36,000 – 01:10:48,510
01:10:36,000 → 01:10:38,390 remember well here's the passive forms
01:10:42,239 → 01:10:44,990 it memorize
Section 161: 01:10:48,520 – 01:11:27,550
01:10:48,520 → 01:10:52,390 o oo let your spouse hear you saying
01:10:52,400 → 01:10:56,870 that on the toilet please chanting put
01:10:56,880 → 01:10:59,189 it into your system when you're not when
01:10:59,199 → 01:11:01,270 you're not otherwise occupied with
01:11:01,280 → 01:11:02,350 something
01:11:02,360 → 01:11:05,390 automatic right do something do
01:11:05,400 → 01:11:08,630 something that is you know
01:11:08,640 → 01:11:11,709 normal right set it in your brain give
01:11:11,719 → 01:11:13,189 me the next
01:11:13,199 → 01:11:16,990 one what else from this chapter well I
01:11:17,000 → 01:11:19,470 wanted you to see a future passive I
01:11:19,480 → 01:11:21,070 didn't put it at the top here this is
01:11:21,080 → 01:11:23,510 the future passive look at what the
01:11:23,520 → 01:11:27,550 translation is I will be educated I will
Section 162: 01:11:27,560 – 01:11:54,030
01:11:27,560 → 01:11:29,270 be educated in the future look at this
01:11:29,280 → 01:11:31,270 form people I love this form this is one
01:11:31,280 → 01:11:33,750 of my favorites look at it how do you
01:11:33,760 → 01:11:35,470 form the future passive I know you're
01:11:35,480 → 01:11:36,910 going to raise your hands because you've
01:11:36,920 → 01:11:39,229 been through the first four units you're
01:11:39,239 → 01:11:41,270 G to raise your hand you say oh just
01:11:41,280 → 01:11:43,510 slap a passive ending onto the future
01:11:43,520 → 01:11:46,390 form now that would be logical you could
01:11:46,400 → 01:11:48,950 just use the second principal part and
01:11:48,960 → 01:11:51,189 you could slap one of these passive
01:11:51,199 → 01:11:54,030 forms on it sorry no that's not what you
Section 163: 01:11:54,040 – 01:12:37,070
01:11:54,040 → 01:11:56,350 do remember remember I told you there's
01:11:56,360 → 01:11:58,590 this illicit relationship between the
01:11:58,600 → 01:12:01,790 aist and the future I told you well
01:12:01,800 → 01:12:05,149 here's the Motel 6 right let's go talk
01:12:05,159 → 01:12:07,709 to the person in the front office and
01:12:07,719 → 01:12:09,950 see how many people checked in are you
01:12:09,960 → 01:12:15,629 ready p face my look what we did we took
01:12:15,639 → 01:12:19,790 that sixth principal part we clipped its
01:12:19,800 → 01:12:23,990 ending and then we added an ADA and a
01:12:24,000 → 01:12:27,590 sigma and then the ending okay so you
01:12:27,600 → 01:12:29,629 take the sixth principal part clip off
01:12:29,639 → 01:12:32,629 its ending add an ADA and a sigma and
01:12:32,639 → 01:12:37,070 then you can add
Section 164: 01:12:37,080 – 01:12:51,950
01:12:37,080 → 01:12:42,870 your right P I will be educated P you
01:12:42,880 → 01:12:45,310 will be educated
01:12:45,320 → 01:12:51,950 P he it will be
Section 165: 01:12:51,960 – 01:13:34,590
01:12:51,960 → 01:12:55,229 educated oh my a
01:12:55,239 → 01:12:57,229 that's the onti see why you got to be
01:12:57,239 → 01:12:59,550 sitting on the toilet chanting that you
01:12:59,560 → 01:13:01,950 know what I mean right make the people
01:13:01,960 → 01:13:04,189 around you really uncomfortable like
01:13:04,199 → 01:13:06,910 there's some kind of culty thing going
01:13:06,920 → 01:13:09,350 on your brain right they won't realize
01:13:09,360 → 01:13:11,830 it but you're working out on the toilet
01:13:11,840 → 01:13:14,550 right you're actually working out right
01:13:14,560 → 01:13:15,790 good
01:13:15,800 → 01:13:19,229 fantastic um give me the next one here
01:13:19,239 → 01:13:22,030 is the perfect passive look look at the
01:13:22,040 → 01:13:23,430 endings I just want you to see the
01:13:23,440 → 01:13:26,910 endings it's just my S top meth the
01:13:26,920 → 01:13:31,510 UN right oh God off of the
01:13:31,520 → 01:13:34,590 fifth love it principle part no problem
Section 166: 01:13:34,600 – 01:14:05,189
01:13:34,600 → 01:13:36,550 no problem and then you
01:13:36,560 → 01:13:40,270 can logically jump to this one whoops up
01:13:40,280 → 01:13:43,990 up yep that one there we go you can
01:13:44,000 → 01:13:46,669 logically jump to the pl perfect
01:13:46,679 → 01:13:50,709 passive right when you had right when
01:13:50,719 → 01:13:55,189 you have been something right or you had
01:13:55,199 → 01:13:57,910 been something we had the perfect before
01:13:57,920 → 01:14:00,390 have been something now we're getting
01:14:00,400 → 01:14:05,189 the pl perfect had had extra perfect
Section 167: 01:14:05,199 – 01:14:39,310
01:14:05,199 → 01:14:07,430 it's extra perfect
01:14:07,440 → 01:14:11,070 PL love it to turn Okay anyway here the
01:14:11,080 → 01:14:13,750 endings main so to surprise they look
01:14:13,760 → 01:14:15,790 just like the endings in the imperfect
01:14:15,800 → 01:14:19,950 without the vowels main so to meth unto
01:14:19,960 → 01:14:23,669 they are right the myai Thai and the
01:14:23,679 → 01:14:26,270 main so to
01:14:26,280 → 01:14:29,110 get these down get these down if you
01:14:29,120 → 01:14:30,669 want to progress and you want to be able
01:14:30,679 → 01:14:32,669 to go through you want to go through
01:14:32,679 → 01:14:36,350 these um units progressing like this
01:14:36,360 → 01:14:39,310 please
Section 168: 01:14:39,320 – 01:15:16,430
01:14:39,320 → 01:14:43,590 please what we need is for you to see
01:14:43,600 → 01:14:46,790 things in the exercises pull up those
01:14:46,800 → 01:14:49,149 exercises and I just want people to see
01:14:49,159 → 01:14:51,990 a couple of things these exercises in
01:14:52,000 → 01:14:54,709 this chapter right what are they talking
01:14:54,719 → 01:14:56,629 off about right right from the beginning
01:14:56,639 → 01:14:58,110 now notice people are starting to get
01:14:58,120 → 01:15:00,470 long you're like holy mackerel for
01:15:00,480 → 01:15:03,270 everybody who's not in the Greek right
01:15:03,280 → 01:15:05,590 they look at this like geez what are you
01:15:05,600 → 01:15:07,149 people doing there's actually a whole
01:15:07,159 → 01:15:09,470 bunch of Greek there right good so you
01:15:09,480 → 01:15:12,350 got both that gold and that silver in
01:15:12,360 → 01:15:16,430 this one right now you run into a hooton
Section 169: 01:15:16,440 – 01:16:03,910
01:15:16,440 → 01:15:19,270 polyone after that right you're like oh
01:15:19,280 → 01:15:21,629 wait a minute the way that I express
01:15:21,639 → 01:15:23,950 agency they told me is with
01:15:23,960 → 01:15:31,350 hoop what is agency I was kicked by a
01:15:31,360 → 01:15:36,709 mule I was kicked that's passive I was
01:15:36,719 → 01:15:39,950 kicked you got to tell me now that I am
01:15:39,960 → 01:15:44,910 not the subject anymore right um you got
01:15:44,920 → 01:15:46,910 to tell me who is actually doing the
01:15:46,920 → 01:15:50,550 verb and how do you do that
01:15:50,560 → 01:15:54,669 agency you express that you express that
01:15:54,679 → 01:15:57,310 in Greek in a couple of ways one of the
01:15:57,320 → 01:15:59,990 ways they told you is with hoop the
01:16:00,000 → 01:16:03,910 preposition by right who is this stuff
Section 170: 01:16:03,920 – 01:16:43,189
01:16:03,920 → 01:16:05,430 what what is the stuff that's being
01:16:05,440 → 01:16:06,950 acted upon who's the one who's actually
01:16:06,960 → 01:16:09,790 doing oh it's by the
01:16:09,800 → 01:16:13,629 citizens right look at the verb look at
01:16:13,639 → 01:16:15,790 the main verb here at
01:16:15,800 → 01:16:18,669 pimpan people tell me what that is it's
01:16:18,679 → 01:16:22,110 from pimpa right it's an aist passive
01:16:22,120 → 01:16:24,470 why are we we're translate we're trying
01:16:24,480 → 01:16:27,350 to practice these passive forms right
01:16:27,360 → 01:16:29,390 here's your aist
01:16:29,400 → 01:16:32,790 passive right the silver and the gold
01:16:32,800 → 01:16:35,910 and the silver were what they were sent
01:16:35,920 → 01:16:37,189 by the
01:16:37,199 → 01:16:40,350 citizens that's where your agency is
01:16:40,360 → 01:16:43,189 hoop tone
Section 171: 01:16:43,199 – 01:17:21,790
01:16:43,199 → 01:16:45,510 poone okay I want you to see that then
01:16:45,520 → 01:16:49,070 they give you a purpose Clause hor hor
01:16:49,080 → 01:16:51,229 jump to the end of that line and you get
01:16:51,239 → 01:16:54,950 thus Sayan there's your verb
01:16:54,960 → 01:16:57,430 why do we have an optative there in our
01:16:57,440 → 01:17:00,110 purpose clause in order that they might
01:17:00,120 → 01:17:02,149 sacrifice why do we have that because
01:17:02,159 → 01:17:07,629 our main Clause its verb a pimpon is a
01:17:07,639 → 01:17:14,070 secondary tense it's an arist an arys or
01:17:14,080 → 01:17:16,189 secondaries so it's got to use an
01:17:16,199 → 01:17:18,990 optative form right you people knew that
01:17:19,000 → 01:17:21,790 you saw that coming you saw that coming
Section 172: 01:17:21,800 – 01:18:00,830
01:17:21,800 → 01:17:25,870 right okay um look at number number
01:17:25,880 → 01:17:28,830 two look at number
01:17:28,840 → 01:17:31,870 two what what is the what is the real
01:17:31,880 → 01:17:34,550 swallower here look at the very last
01:17:34,560 → 01:17:36,550 word
01:17:36,560 → 01:17:40,550 gpai gpai it's gonna shift you they're
01:17:40,560 → 01:17:42,910 just trying to shift you from an active
01:17:42,920 → 01:17:45,629 voice to a passive voice so when you're
01:17:45,639 → 01:17:47,510 going through these
01:17:47,520 → 01:17:51,990 exercises I want you to be sure to
01:17:52,000 → 01:17:54,229 consider that there are some things
01:17:54,239 → 01:17:56,590 they're trying trying to point out to
01:17:56,600 → 01:17:58,430 you you should see like you've gone over
01:17:58,440 → 01:18:00,830 this obstacle course right and you know
Section 173: 01:18:00,840 – 01:18:39,870
01:18:00,840 → 01:18:02,390 oh they taught us chin-ups here so
01:18:02,400 → 01:18:03,790 they're going to make us do chin-ups
01:18:03,800 → 01:18:05,189 we're going to do that right and you see
01:18:05,199 → 01:18:07,350 them you're out on the course guess what
01:18:07,360 → 01:18:11,110 purpose Clause that's chin up right main
01:18:11,120 → 01:18:13,430 clause and a secondary oh that's you
01:18:13,440 → 01:18:17,390 know doing push-ups fantastic um I want
01:18:17,400 → 01:18:20,310 you to look at number three now this is
01:18:20,320 → 01:18:22,709 an exercise I do with individual
01:18:22,719 → 01:18:25,550 students that I don't so I have not done
01:18:25,560 → 01:18:28,910 it with you mostly what we do is when we
01:18:28,920 → 01:18:31,430 translate these exercises I'll tell the
01:18:31,440 → 01:18:33,790 student read it they will read it in
01:18:33,800 → 01:18:39,870 Greek number three
Section 174: 01:18:39,880 – 01:19:13,990
01:18:39,880 → 01:18:42,750 a etc
01:18:42,760 → 01:18:45,830 etc um you read it in Greek first and
01:18:45,840 → 01:18:48,310 then you translate it but an exercise I
01:18:48,320 → 01:18:50,870 do is I tell students
01:18:50,880 → 01:18:52,830 stop
01:18:52,840 → 01:18:56,030 stop first thing you do if you see that
01:18:56,040 → 01:18:58,709 a it's a conditional sentence I want you
01:18:58,719 → 01:19:01,110 to identify it I want you to tell me
01:19:01,120 → 01:19:03,110 what kind of conditional this
01:19:03,120 → 01:19:05,669 is and how am I going to do that I've
01:19:05,679 → 01:19:07,629 got to break it down and analyze it and
01:19:07,639 → 01:19:09,790 go back to that chart that's in unit
01:19:09,800 → 01:19:11,990 four and I've got to say which one is
01:19:12,000 → 01:19:13,990 this future more Vivid less Vivid
Section 175: 01:19:14,000 – 01:19:56,669
01:19:14,000 → 01:19:16,910 present General past general present
01:19:16,920 → 01:19:19,709 Contra uh factual past contrafactual
01:19:19,719 → 01:19:22,070 which one is it what is this one look
01:19:22,080 → 01:19:24,430 it's got an A and what is the verb in
01:19:24,440 → 01:19:27,790 the pris what is the verb in the picis
01:19:27,800 → 01:19:29,030 it's in the
01:19:29,040 → 01:19:32,030 optative right what is the verb what
01:19:32,040 → 01:19:33,629 what do we have in the apothesis we''ve
01:19:33,639 → 01:19:37,550 got an on plus an
01:19:37,560 → 01:19:41,430 optative A plus optative optative plus
01:19:41,440 → 01:19:46,629 on right what is that it's a future less
01:19:46,639 → 01:19:49,229 Vivid sh how what's the translation
01:19:49,239 → 01:19:52,270 formula for the future less Vivid should
01:19:52,280 → 01:19:56,669 would should would fantastic a plus
Section 176: 01:19:56,679 – 01:20:39,430
01:19:56,679 → 01:19:59,990 optative optative plus on now you should
01:20:00,000 → 01:20:02,110 be able to translate that whole sentence
01:20:02,120 → 01:20:05,390 if somebody should then somebody would
01:20:05,400 → 01:20:07,590 right we're just following the rules of
01:20:07,600 → 01:20:10,310 the grammar that's all that's all
01:20:10,320 → 01:20:13,870 fantastic okay fantastic I just want to
01:20:13,880 → 01:20:17,070 make sure yeah well notice by the way at
01:20:17,080 → 01:20:21,270 number three there's also there's also a
01:20:21,280 → 01:20:23,270 an infinitive right I want to make sure
01:20:23,280 → 01:20:24,990 there's two of them actually I want you
01:20:25,000 → 01:20:28,149 to make sure and pick up those right
01:20:28,159 → 01:20:31,149 okay good excellent okay so as you're
01:20:31,159 → 01:20:34,070 doing the exercises please learn that
01:20:34,080 → 01:20:37,149 you need to pay attention to what the
01:20:37,159 → 01:20:39,430 unit is actually trying to teach you so
Section 177: 01:20:39,440 – 01:21:02,110
01:20:39,440 → 01:20:42,149 and I know you do that I know um that's
01:20:42,159 → 01:20:44,070 not hard to pick up right I mean it's
01:20:44,080 → 01:20:45,310 natural you should feel that way as
01:20:45,320 → 01:20:46,669 you're doing the exercise what the hell
01:20:46,679 → 01:20:50,510 are they oh it's a it's a purpose Clause
01:20:50,520 → 01:20:52,470 right that not I know that's not going
01:20:52,480 → 01:20:54,830 to strike you a strange it's not gonna
01:20:54,840 → 01:20:57,470 go over your you know head like you're
01:20:57,480 → 01:21:02,110 [\h__\h] or something right no keep
Section 178: 01:21:02,120 – 01:21:40,229
01:21:02,120 → 01:21:07,070 studying if at all possible attend one
01:21:07,080 → 01:21:09,990 of the sessions that are on the weekends
01:21:10,000 → 01:21:13,550 that the inid Tas are working where
01:21:13,560 → 01:21:15,830 they're working with the students please
01:21:15,840 → 01:21:19,270 you can go through individual exercises
01:21:19,280 → 01:21:22,310 together you can practice and they are
01:21:22,320 → 01:21:24,910 dedicating their time to this why
01:21:24,920 → 01:21:28,430 because they see the value in training
01:21:28,440 → 01:21:30,470 they see it giving people that freedom
01:21:30,480 → 01:21:32,350 to be able to look at those texts for
01:21:32,360 → 01:21:34,950 themselves right instead of take my word
01:21:34,960 → 01:21:40,229 for it that is precious is precious GS
Section 179: 01:21:40,239 – 01:22:14,790
01:21:40,239 → 01:21:43,270 okay thank you for coming tonight I want
01:21:43,280 → 01:21:47,229 to um I want to say a special thanks to
01:21:47,239 → 01:21:49,950 Teddy for getting us all this lovely
01:21:49,960 → 01:21:53,110 music and you know um bringing those
01:21:53,120 → 01:21:55,229 images oh thank you Teddy I truly
01:21:55,239 → 01:21:57,189 appreciate it everybody look check out
01:21:57,199 → 01:21:59,270 and go to Teddy I also want to say thank
01:21:59,280 → 01:22:02,470 you again to old boy who is putting
01:22:02,480 → 01:22:05,229 together marvelous videos and they're
01:22:05,239 → 01:22:08,270 not long- winded like I am he's putting
01:22:08,280 → 01:22:10,709 a whole bunch of concise information
01:22:10,719 → 01:22:13,110 very short tight little area just
01:22:13,120 → 01:22:14,790 getting it out there where you can just
Section 180: 01:22:14,800 – 01:22:31,709
01:22:14,800 → 01:22:17,590 bam pop it in your mouth and go I love
01:22:17,600 → 01:22:20,550 it I love it it's good stuff um also
01:22:20,560 → 01:22:22,830 thank you to everybody I hope that the
01:22:22,840 → 01:22:25,149 we got lots of feedback
01:22:25,159 → 01:22:28,110 um I appreciate everything that people
01:22:28,120 → 01:22:31,709 have been saying about
Section 181: 01:22:31,719 – 01:22:55,270
01:22:31,719 → 01:22:34,750 the constructive nature of what we're
01:22:34,760 → 01:22:38,430 doing right the constructive nature
01:22:38,440 → 01:22:42,110 right um and in the mean time know that
01:22:42,120 → 01:22:44,870 I'm training that I'm training and I'll
01:22:44,880 → 01:22:46,950 bring something to you that's
01:22:46,960 → 01:22:49,590 gorgeous thank you very much for coming
01:22:49,600 → 01:22:52,430 tonight H see with the derangement
01:22:52,440 → 01:22:55,270 syndrome
Section 182: 01:22:55,280 – 01:23:06,990
01:22:55,280 → 01:22:59,310 has them hooding the kids as you
01:22:59,320 → 01:23:02,189 know for you die
01:23:02,199 → 01:23:06,990 too I'm fashion
Section 183: 01:23:07,000 – 01:23:39,460
01:23:07,000 → 01:23:09,110 gibbets
01:23:09,120 → 01:23:13,149 crucify the child rapist on the
01:23:13,159 → 01:23:18,070 cross throwing Christians to the
01:23:18,080 → 01:23:22,110 Lions throwing all the
01:23:22,120 → 01:23:25,990 pedophiles off the bridge
01:23:26,000 → 01:23:27,149 fish
01:23:27,159 → 01:23:30,110 food have a nice
01:23:30,120 → 01:23:34,910 swim for your derangement
01:23:34,920 → 01:23:39,460 syndrome this is the
Section 184: 01:23:39,470 – 01:23:40,669
01:23:39,470 → 01:23:40,669 [Music]
Section 185: 01:23:40,679 – 01:23:44,500
01:23:40,679 → 01:23:44,500 prescription re like
Section 186: 01:23:44,510 – 01:23:45,669
01:23:44,510 → 01:23:45,669 [Music]
Section 187: 01:23:45,679 – 01:23:53,520
01:23:45,679 → 01:23:48,590 Indica puffing the death
01:23:48,600 → 01:23:53,520 Bubba black water freshy