‎/Transcript - Followers of Dracula Wednesday Night Bible Studies Season 2 - Episode II
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Transcript: Followers of Dracula: Wednesday Night Bible Studies Season 2 - Episode II

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Show concatenated view
81 timestamped sections using the same paragraph analysis.
Section 1: 00:00:00,780 – 00:00:09,129
00:00:00,780 → 00:00:02,290 foreign
00:00:02,300 → 00:00:09,129 take me to that happy hour I never had
Section 2: 00:00:09,139 – 00:00:49,010
00:00:09,139 → 00:00:14,030 show me the girl I never met I want it
00:00:14,040 → 00:00:16,810 so bad
00:00:16,820 → 00:00:21,590 where is that Golden Palace where is
00:00:21,600 → 00:00:25,849 that [\h__\h] called Destiny I think she
00:00:25,859 → 00:00:30,130 ran off without me
00:00:30,140 → 00:00:32,530 thank you
00:00:32,540 → 00:00:35,150 hey thanks for coming back to Lady
00:00:35,160 → 00:00:37,130 Babylon we have our Wednesday night
00:00:37,140 → 00:00:40,970 bible study and tonight's topic will be
00:00:40,980 → 00:00:43,729 a little bit dark and spooky we're going
00:00:43,739 → 00:00:46,970 to look at some coded language within
00:00:46,980 → 00:00:49,010 myth
Section 3: 00:00:49,020 – 00:01:00,150
00:00:49,020 → 00:01:00,150 that is used in cult Cults with vampires
Section 4: 00:01:00,160 – 00:01:08,390
00:01:00,160 → 00:01:08,390 [Music]
Section 5: 00:01:08,400 – 00:01:12,250
00:01:08,400 → 00:01:12,250 foreign
Section 6: 00:01:12,260 – 00:01:52,290
00:01:12,260 → 00:01:15,890 in order to warm up tonight I thought I
00:01:15,900 → 00:01:18,050 would introduce a new segment
00:01:18,060 → 00:01:21,710 it's called testimonials and I am so
00:01:21,720 → 00:01:24,170 humbled at the responses that people
00:01:24,180 → 00:01:27,950 have had to the material that I thought
00:01:27,960 → 00:01:29,810 it would be important for you to hear
00:01:29,820 → 00:01:33,590 their voices or to hear your voices I'm
00:01:33,600 → 00:01:36,950 going to ask these people all the same
00:01:36,960 → 00:01:38,450 questions and if I didn't get you in
00:01:38,460 → 00:01:41,330 tonight don't worry it's because the
00:01:41,340 → 00:01:44,210 question wasn't yours but the question
00:01:44,220 → 00:01:47,469 that we have tonight is how has reason
00:01:47,479 → 00:01:52,290 freed you from a cold
Section 7: 00:01:52,300 – 00:02:01,149
00:01:52,300 → 00:02:01,149 [Music]
Section 8: 00:02:01,159 – 00:02:23,200
00:02:01,159 → 00:02:07,490 but reason got me out of the of the web
00:02:07,500 → 00:02:10,790 of the churchianity that had been strung
00:02:10,800 → 00:02:15,290 around it so I reasoned out of that
00:02:16,500 → 00:02:19,369 I just saw saw the flaws in it and
00:02:19,379 → 00:02:21,050 understood that
Section 9: 00:02:23,210 – 00:02:24,470
00:02:23,210 → 00:02:24,470 [Music]
Section 10: 00:02:24,480 – 00:02:55,130
00:02:24,480 → 00:02:26,930 worship of the Bible which is what
00:02:26,940 → 00:02:28,550 Christianity is
00:02:28,560 → 00:02:30,589 it's the false god
00:02:30,599 → 00:02:33,290 all right because they they want every
00:02:33,300 → 00:02:35,210 word to be true they want
00:02:35,220 → 00:02:38,630 somehow gold is exonerated because the
00:02:38,640 → 00:02:40,790 Bible is true and when you realize all
00:02:40,800 → 00:02:43,430 the holes in that that is reasonable and
00:02:43,440 → 00:02:47,270 that got rid of got rid of that side
00:02:47,280 → 00:02:50,210 so I was left on my own to discover this
00:02:50,220 → 00:02:52,070 and so my family encouraged me they're
00:02:52,080 → 00:02:53,089 like well we ain't going to tell you
00:02:53,099 → 00:02:55,130 what to do but try to go to a church
Section 11: 00:02:55,140 – 00:03:08,890
00:02:55,140 → 00:02:58,190 and so I went to some several churches
00:02:58,200 → 00:03:00,229 and I had a bad experience at a Catholic
00:03:00,239 → 00:03:01,550 Church I remember where they wanted to
00:03:01,560 → 00:03:03,830 baptize me it took me in a bathroom a
00:03:03,840 → 00:03:05,630 back room and I ran out I remember being
00:03:05,640 → 00:03:08,890 like 12 years old
Section 12: 00:03:08,900 – 00:03:37,610
00:03:08,900 → 00:03:12,229 and it was some years later that you
00:03:12,239 → 00:03:13,910 know once the family situation got
00:03:13,920 → 00:03:16,070 cleaned up and all the bad kids the
00:03:16,080 → 00:03:18,890 older siblings were in jail and have you
00:03:18,900 → 00:03:22,610 my father converted to Jehovah Witness
00:03:22,620 → 00:03:24,850 and they would come over to the house
00:03:24,860 → 00:03:27,410 and you know I had long hair then
00:03:27,420 → 00:03:29,690 because I was rock and roll and they
00:03:29,700 → 00:03:31,190 used to tell me you got to cut your hair
00:03:31,200 → 00:03:32,630 you got to shave your head you got to
00:03:32,640 → 00:03:35,690 cut your hair and I showed them the the
00:03:35,700 → 00:03:37,610 magazine the Watchtower track Society
Section 13: 00:03:37,620 – 00:04:06,949
00:03:37,620 → 00:03:39,350 you know they would have these little
00:03:39,360 → 00:03:40,729 magazines they'd bring the Jehovah
00:03:40,739 → 00:03:42,710 Witness and I said well Jesus had long
00:03:42,720 → 00:03:43,670 hair
00:03:43,680 → 00:03:45,410 and I showed him the picture and I go
00:03:45,420 → 00:03:46,850 why can't I be like that and they said
00:03:46,860 → 00:03:48,289 well that was different
00:03:48,299 → 00:03:50,270 and that's what set me off on my study
00:03:50,280 → 00:03:53,809 of what is Christianity who is Jesus in
00:03:53,819 → 00:03:55,970 in where do these books come from so
00:03:55,980 → 00:03:58,430 yeah basically what happened with me is
00:03:58,440 → 00:04:00,170 um as a young person in high school I
00:04:00,180 → 00:04:02,149 got involved with uh Evangelical
00:04:02,159 → 00:04:04,729 Christianity through youth groups and
00:04:04,739 → 00:04:06,949 through friends and I became very
Section 14: 00:04:06,959 – 00:04:35,990
00:04:06,959 → 00:04:10,309 heavily involved into that uh religion
00:04:10,319 → 00:04:12,530 and way of thinking and it became quite
00:04:12,540 → 00:04:16,849 abusive and even after I left because of
00:04:16,859 → 00:04:18,650 um abuse that was happening I was still
00:04:18,660 → 00:04:20,750 in that kind of mindset for a long time
00:04:20,760 → 00:04:22,850 and it wasn't until I got into Academia
00:04:22,860 → 00:04:25,790 and I went to the roots of these texts
00:04:25,800 → 00:04:27,290 like in the Bible and I realized what
00:04:27,300 → 00:04:28,790 these people were telling me was wrong
00:04:28,800 → 00:04:31,189 and that they were lying and I started
00:04:31,199 → 00:04:34,010 to embrace this reason approach and I
00:04:34,020 → 00:04:35,990 started to think about and face reality
Section 15: 00:04:36,000 – 00:05:08,830
00:04:36,000 → 00:04:39,230 as it is and I realized that for me uh
00:04:39,240 → 00:04:41,030 the reason why I fell into this trap of
00:04:41,040 → 00:04:43,249 abusive religion is because I was
00:04:43,259 → 00:04:45,170 looking for some kind of magical answer
00:04:45,180 → 00:04:48,230 you know I was denying the reality that
00:04:48,240 → 00:04:51,590 was staring me in the face so I I think
00:04:51,600 → 00:04:53,749 it's a huge important thing that we we
00:04:53,759 → 00:04:55,730 Embrace reason and we think about and
00:04:55,740 → 00:04:58,249 approach the world from from that
00:04:58,259 → 00:05:00,110 perspective like we're looking at things
00:05:00,120 → 00:05:02,330 as they really truly are because if you
00:05:02,340 → 00:05:05,450 don't you open yourself up to be lied to
00:05:05,460 → 00:05:08,830 and exploited you know
Section 16: 00:05:08,840 – 00:05:27,890
00:05:08,840 → 00:05:11,330 thank you so much everybody who
00:05:11,340 → 00:05:13,390 participated in that round of questions
00:05:13,400 → 00:05:16,670 we'll have more to come in the future
00:05:16,680 → 00:05:21,770 tonight I want to start by turning to
00:05:21,780 → 00:05:23,810 the friend
00:05:23,820 → 00:05:27,890 poet Warrior
Section 17: 00:05:27,900 – 00:06:17,170
00:05:27,900 → 00:05:31,310 who created the
00:05:31,320 → 00:05:34,150 hymns that were used
00:05:34,160 → 00:05:37,730 and at a period of time in history when
00:05:37,740 → 00:05:41,749 Vlad the Impaler was doing his thing
00:05:41,759 → 00:05:44,210 this is Mike morulis
00:05:44,220 → 00:05:46,490 Mike morulis I want to bring in tonight
00:05:46,500 → 00:05:49,370 he's the first ghost that we bring Mike
00:05:49,380 → 00:05:51,590 can you tell me
00:05:51,600 → 00:05:52,850 from
00:05:52,860 → 00:05:56,510 your Century can you tell me Mike where
00:05:56,520 → 00:05:58,930 is she Where is the
00:05:58,940 → 00:06:00,529 Minerva
00:06:00,539 → 00:06:03,170 I wanted to go with a little bit of the
00:06:03,180 → 00:06:06,230 Etruscan tonight because we're going to
00:06:06,240 → 00:06:10,850 be looking at some coded language and I
00:06:10,860 → 00:06:12,650 want you to be able to absorb that from
00:06:12,660 → 00:06:17,170 the Etruscan so let's go to Dracula's
Section 18: 00:06:17,180 – 00:06:36,409
00:06:17,180 → 00:06:21,230 poet Warrior let's go to Dracula's poet
00:06:21,240 → 00:06:24,650 Warrior this is Mike morulis his hymn to
00:06:24,660 → 00:06:25,909 the Palace
00:06:25,919 → 00:06:27,830 his hymn to the Palace if we can bring
00:06:27,840 → 00:06:30,170 that up that first reading please
00:06:30,180 → 00:06:32,529 thank you oh it's gorgeous
00:06:32,539 → 00:06:36,409 suprema maximiproles
Section 19: 00:06:36,419 – 00:06:40,070
00:06:36,419 → 00:06:40,070 in woko
Section 20: 00:06:40,080 – 00:07:01,330
00:06:40,080 → 00:06:42,650 let me take my position here
00:06:42,660 → 00:06:46,749 uh uh inupta Palace in Wok or hasta
00:06:46,759 → 00:07:01,330 potenti Nobles
Section 21: 00:07:01,340 – 00:07:31,010
00:07:01,340 → 00:07:04,689 and with those words
00:07:04,699 → 00:07:09,170 the orphic way is begun with
00:07:09,180 → 00:07:10,670 purification
00:07:10,680 → 00:07:15,830 she stands there this Minerva she stands
00:07:15,840 → 00:07:20,029 there with her many languages
00:07:20,039 → 00:07:23,110 in civilizations just
00:07:23,120 → 00:07:26,330 bringing out this tone that causes all
00:07:26,340 → 00:07:31,010 of us to be purified it prevents
Section 22: 00:07:31,020 – 00:07:59,409
00:07:31,020 → 00:07:34,010 it prevents the arrival of what they
00:07:34,020 → 00:07:35,809 call the profane
00:07:35,819 → 00:07:39,650 the profane fantastic I want you to go
00:07:39,660 → 00:07:42,950 to the next page of this then
00:07:42,960 → 00:07:45,469 um this is the end near the end of the
00:07:45,479 → 00:07:47,749 in of the invocation
00:07:47,759 → 00:07:50,870 this is I just wanted you to read this
00:07:50,880 → 00:07:52,390 is around line
00:07:52,400 → 00:07:55,189 64. I want you to just look at line 64
00:07:55,199 → 00:07:59,409 and see the Latin word faneta
Section 23: 00:07:59,419 – 00:08:15,290
00:07:59,419 → 00:08:02,210 faneta that should sound familiar to
00:08:02,220 → 00:08:04,850 those of you who have ears to hear wait
00:08:04,860 → 00:08:07,670 a minute he's calling Minerva fanata no
00:08:07,680 → 00:08:10,249 he's not just calling Minerva fanata or
00:08:10,259 → 00:08:11,450 fanes
00:08:11,460 → 00:08:15,290 he is invoking the lightbringer
Section 24: 00:08:15,300 – 00:08:31,010
00:08:15,300 → 00:08:19,909 yes he is fantastic fantastic
00:08:19,919 → 00:08:31,010 um where to go weirago excuse me
Section 25: 00:08:31,020 – 00:09:21,009
00:08:31,020 → 00:08:34,550 she is the we're ago
00:08:34,560 → 00:08:38,290 she is that masculine
00:08:38,300 → 00:08:42,350 feminine form in its Perfection with
00:08:42,360 → 00:08:45,350 complete sapientia
00:08:45,360 → 00:08:47,930 with that wisdom
00:08:47,940 → 00:08:52,490 that's her this is the person that we if
00:08:52,500 → 00:08:56,210 we are with Vlad that we are approaching
00:08:56,220 → 00:08:59,269 to bring a cleansing to bring us to the
00:08:59,279 → 00:09:01,610 place that we can establish our templum
00:09:01,620 → 00:09:05,630 and its practice yes and
00:09:05,640 → 00:09:08,090 um if did anybody smell the Etruscan
00:09:08,100 → 00:09:10,610 connections and by the way there's
00:09:10,620 → 00:09:13,190 Etruscan bits and pieces all over being
00:09:13,200 → 00:09:16,310 spread with the mirrors looking through
00:09:16,320 → 00:09:21,009 the mirrors into both the Asia Minor
Section 26: 00:09:21,019 – 00:10:05,389
00:09:21,019 → 00:09:24,230 influence the influence within modern
00:09:24,240 → 00:09:28,329 day what you call Ukraine
00:09:28,339 → 00:09:31,490 Thrace down into just following the
00:09:31,500 → 00:09:33,949 coast right and down into this all
00:09:33,959 → 00:09:36,590 starts with those people in the
00:09:36,600 → 00:09:39,110 on those horses it's all those people on
00:09:39,120 → 00:09:42,110 those horses yeah yeah wonderful
00:09:42,120 → 00:09:45,590 wonderful stuff and it ends up it ends
00:09:45,600 → 00:09:47,870 up in Romania
00:09:47,880 → 00:09:50,509 yes it ends up in Romania after years
00:09:50,519 → 00:09:53,449 just blossoming blossoming under Vlad
00:09:53,459 → 00:09:57,050 well done well done Vlad and I might
00:09:57,060 → 00:09:59,150 remind you for those of you who can't
00:09:59,160 → 00:10:01,910 taste the difference this is wonderfully
00:10:01,920 → 00:10:05,389 classical Latin wonderfully the Latin
Section 27: 00:10:05,399 – 00:10:43,790
00:10:05,399 → 00:10:07,490 surrounding that came before this is
00:10:07,500 → 00:10:10,490 terrible it's terrible it's oh God
00:10:10,500 → 00:10:12,769 medieval Latin sorry medieval is out
00:10:12,779 → 00:10:15,230 there but I'm a class assistant you're
00:10:15,240 → 00:10:18,110 Latin is terrible yes
00:10:18,120 → 00:10:20,329 um you you might be good at it don't get
00:10:20,339 → 00:10:21,650 me wrong you might be good at that
00:10:21,660 → 00:10:23,449 terrible Latin
00:10:23,459 → 00:10:24,470 um okay
00:10:24,480 → 00:10:27,650 I'd like to go to the next hymn we're
00:10:27,660 → 00:10:29,630 going to continue on and bring Dawn
00:10:29,640 → 00:10:33,350 right this is eos de Don and I just want
00:10:33,360 → 00:10:35,750 you to see that in the first two lines
00:10:35,760 → 00:10:38,449 cluthie Thea remember the images that
00:10:38,459 → 00:10:41,150 we're putting into your mind are the
00:10:41,160 → 00:10:43,790 images of the thesmaphoria
Section 28: 00:10:43,800 – 00:10:59,460
00:10:43,800 → 00:10:45,949 right you're here if you're a man you're
00:10:45,959 → 00:10:47,630 dressed like a woman so you don't get
00:10:47,640 → 00:10:50,150 kicked out if you're a woman you're here
00:10:50,160 → 00:10:53,389 because your rights are the oldest oh
00:10:53,399 → 00:10:56,449 and that makes it makes me want to make
00:10:56,459 → 00:10:58,610 the goddess dance like every mysterog
00:10:58,620 → 00:10:59,460 does
Section 29: 00:10:59,470 – 00:11:13,269
00:10:59,470 → 00:11:13,269 [Music]
Section 30: 00:11:13,279 – 00:11:29,750
00:11:13,279 → 00:11:16,550 thank you
00:11:16,560 → 00:11:19,730 and that brings us back to the hymn to
00:11:19,740 → 00:11:22,370 Dawn and here she is in these first two
00:11:22,380 → 00:11:23,990 lines I just want to read them for you
00:11:24,000 → 00:11:29,750 cluthie they ask Nate toys
Section 31: 00:11:29,760 – 00:12:11,990
00:11:29,760 → 00:11:32,690 oh isn't that isn't that beautiful
00:11:32,700 → 00:11:36,490 um yes what is it about
00:11:36,500 → 00:11:42,050 Dawn that we must enter into her Worship
00:11:42,060 → 00:11:44,030 in order to perform this mystery it's
00:11:44,040 → 00:11:46,610 because she is bringing the mystery
00:11:46,620 → 00:11:49,069 itself she is that one that brings that
00:11:49,079 → 00:11:50,030 light
00:11:50,040 → 00:11:52,190 she is the one
00:11:52,200 → 00:11:56,210 um let's go to who follows her who
00:11:56,220 → 00:11:57,710 follows light well since we're in the
00:11:57,720 → 00:12:00,530 thes before you next text please we're
00:12:00,540 → 00:12:02,329 going to be looking at Themis because
00:12:02,339 → 00:12:04,430 the thes before is all about Themis you
00:12:04,440 → 00:12:06,650 thought this was Bible studies it is
00:12:06,660 → 00:12:08,930 Bible studies because you're here to
00:12:08,940 → 00:12:11,990 watch you're here to witness an actual
Section 32: 00:12:12,000 – 00:12:41,990
00:12:12,000 → 00:12:14,269 mystery if you don't understand what a
00:12:14,279 → 00:12:16,970 mystery is how can you possibly ever
00:12:16,980 → 00:12:18,410 read the Bible
00:12:18,420 → 00:12:19,970 think about it
00:12:19,980 → 00:12:22,790 yeah how can you ever read the Bible how
00:12:22,800 → 00:12:24,290 can you pretend to read the Bible I've
00:12:24,300 → 00:12:27,230 had seminarians tell me I was right you
00:12:27,240 → 00:12:27,949 can't
00:12:27,959 → 00:12:31,310 you can't you have to you have to jump
00:12:31,320 → 00:12:33,410 into the crime scene you have to look
00:12:33,420 → 00:12:35,810 around you have to take things there are
00:12:35,820 → 00:12:37,069 Clues here I'm going to give you the
00:12:37,079 → 00:12:38,870 clues now let's look at the clues and
00:12:38,880 → 00:12:41,990 follow it let's go to thimis why are we
Section 33: 00:12:42,000 – 00:12:53,090
00:12:42,000 → 00:12:44,930 at the thesma for it to honor Themis
00:12:44,940 → 00:12:53,090 famous and if you'll notice
Section 34: 00:12:53,100 – 00:13:06,410
00:12:53,100 → 00:13:06,410 faced
Section 35: 00:13:06,420 – 00:13:48,050
00:13:06,420 → 00:13:07,790 Cora
00:13:07,800 → 00:13:09,889 is who we're talking about with Phyllis
00:13:09,899 → 00:13:12,730 who is Themis famous is what we bring
00:13:12,740 → 00:13:17,569 women in the rights of the thesmaphoria
00:13:17,579 → 00:13:19,850 yeah remember we've beaten all the men
00:13:19,860 → 00:13:23,030 away with sticks right can't come
00:13:23,040 → 00:13:25,670 right why I don't know maybe it's
00:13:25,680 → 00:13:28,129 because only you can do it this is Lady
00:13:28,139 → 00:13:30,410 Babylon after all right so we're all
00:13:30,420 → 00:13:33,769 here and we're looking at these uh we're
00:13:33,779 → 00:13:35,509 looking at these
00:13:35,519 → 00:13:40,430 bringing her thimis into a reality and I
00:13:40,440 → 00:13:41,930 just want you to notice
00:13:41,940 → 00:13:45,230 in that second line that calicopa that
00:13:45,240 → 00:13:48,050 that face what is her face what is her
Section 36: 00:13:48,060 – 00:14:17,949
00:13:48,060 → 00:13:51,790 Ops it is the face of the bud the calyx
00:13:51,800 → 00:13:56,269 protecting that bud right the new fresh
00:13:56,279 → 00:13:58,009 thymus
00:13:58,019 → 00:14:02,810 the Corey right here it's Kure
00:14:02,820 → 00:14:06,590 um uh do the dialect right yeah and why
00:14:06,600 → 00:14:07,850 is this so important bring up the text
00:14:07,860 → 00:14:09,230 one more time I just want you guys to
00:14:09,240 → 00:14:10,910 see this you have to see this look at
00:14:10,920 → 00:14:17,949 that third line hey protein
Section 37: 00:14:17,959 – 00:14:55,189
00:14:17,959 → 00:14:20,150 isn't that nice
00:14:20,160 → 00:14:23,389 isn't that nice she is the first to show
00:14:23,399 → 00:14:25,850 to Mortals what
00:14:25,860 → 00:14:28,790 the Mantic holy
00:14:28,800 → 00:14:30,170 right
00:14:30,180 → 00:14:34,009 yes next next page of her and what else
00:14:34,019 → 00:14:35,629 is she going to bring us she's going to
00:14:35,639 → 00:14:38,509 bring us the actual Mysteries right she
00:14:42,199 → 00:14:45,050 she is that one who rules by the power
00:14:45,060 → 00:14:49,250 of Nyx she brings that she is the one
00:14:49,260 → 00:14:50,750 look at the third line from the bottom
00:14:50,760 → 00:14:55,189 except
Section 38: 00:14:55,199 – 00:14:59,889
00:14:55,199 → 00:14:59,889 foreign
Section 39: 00:14:59,899 – 00:15:25,610
00:14:59,899 → 00:15:04,310 yeah notice the word musteria there you
00:15:04,320 → 00:15:07,129 see that word musteria she is the one
00:15:07,139 → 00:15:09,710 who brings the honors
00:15:09,720 → 00:15:11,990 she's the one who brings the holy
00:15:12,000 → 00:15:16,490 mystery you can't have it without this
00:15:16,500 → 00:15:20,750 Korah you cannot have the mystery the
00:15:20,760 → 00:15:25,610 mystery operates around her
Section 40: 00:15:25,620 – 00:16:05,750
00:15:25,620 → 00:15:27,470 yeah
00:15:27,480 → 00:15:30,889 yeah makes you wonder why
00:15:30,899 → 00:15:32,990 Mary
00:15:33,000 → 00:15:35,949 didn't jump in before it was too late
00:15:35,959 → 00:15:39,610 let's go to
00:15:39,620 → 00:15:41,990 Hephaestus because I want to show you
00:15:42,000 → 00:15:46,009 the key to opening up the head
00:15:46,019 → 00:15:49,069 um of the
00:15:49,079 → 00:15:52,910 of the god of Jehovah opening up the
00:15:52,920 → 00:15:55,910 head of Jehovah to bring her out how do
00:15:55,920 → 00:15:57,710 we do that we do that through Hephaestus
00:15:57,720 → 00:15:59,389 and who is Hephaestus just look at the
00:15:59,399 → 00:16:00,670 bottom line here
00:16:00,680 → 00:16:03,009 phosphorae you know who else they call
00:16:03,019 → 00:16:05,750 phosphorae the devil
Section 41: 00:16:05,760 – 00:16:26,170
00:16:05,760 → 00:16:12,350 all right he is the bringer of that Foss
00:16:12,360 → 00:16:14,810 yeah Lucifer
00:16:14,820 → 00:16:17,810 or lucifera
00:16:17,820 → 00:16:20,650 the male female
00:16:20,660 → 00:16:26,170 Minerva is the devil
Section 42: 00:16:26,180 – 00:16:51,090
00:16:26,180 → 00:16:28,009 wonderful
00:16:28,019 → 00:16:29,750 take us to the
00:16:29,760 → 00:16:33,650 take us to the um
00:16:33,660 → 00:16:37,129 to melinoy please
00:16:37,139 → 00:16:51,090 foreign
Section 43: 00:16:51,100 – 00:17:02,050
00:16:51,100 → 00:17:02,050 [Music]
Section 44: 00:17:02,060 – 00:17:25,150
00:17:02,060 → 00:17:05,150 look at the very bottom line who is she
00:17:05,160 → 00:17:07,610 on the top first of all for those of you
00:17:07,620 → 00:17:11,770 who want to know melinoy
00:17:11,780 → 00:17:16,549 Malinois is the cathonian numfer
00:17:16,559 → 00:17:20,110 what is that numfae it is that stage
00:17:20,120 → 00:17:25,150 immediately preceding marriage
Section 45: 00:17:25,160 – 00:18:06,830
00:17:25,160 → 00:17:30,350 she's not just any known she's the Sonia
00:17:30,360 → 00:17:33,350 right she is that sonian
00:17:33,360 → 00:17:36,110 nymph and
00:17:36,120 → 00:17:38,930 um where was she born and who was she
00:17:38,940 → 00:17:42,049 born to Persephone excuse me
00:17:42,059 → 00:17:44,390 you're not supposed to say that
00:17:44,400 → 00:17:46,850 you're supposed to say Cora
00:17:46,860 → 00:17:49,490 or courtois if you're coming from my
00:17:49,500 → 00:17:51,470 city inside you're never supposed to
00:17:51,480 → 00:17:53,630 pronounce her name
00:17:53,640 → 00:17:55,610 yes interesting
00:17:55,620 → 00:17:57,950 um look at the last line in that very
00:17:57,960 → 00:18:00,350 same hymn right there look at this
00:18:00,360 → 00:18:02,270 um this has caused I usually don't bring
00:18:02,280 → 00:18:04,370 up translators personal translator
00:18:04,380 → 00:18:06,830 because they try they try to do their
Section 46: 00:18:06,840 – 00:18:55,970
00:18:06,840 → 00:18:08,570 job but this time I'm going to bring up
00:18:08,580 → 00:18:11,210 the most excellent translator of the
00:18:11,220 → 00:18:15,289 orphic hymns who is athanasakius and he
00:18:15,299 → 00:18:18,049 does a fantastic job typically
00:18:18,059 → 00:18:29,390 except here in this last line is
00:18:29,400 → 00:18:32,810 oh the translation here he translated
00:18:32,820 → 00:18:35,930 the somaton's Dual bodied or double
00:18:35,940 → 00:18:37,190 fleshed
00:18:37,200 → 00:18:40,490 which would be great if it was dies plus
00:18:40,500 → 00:18:44,690 omatone but we know the root Soma is in
00:18:44,700 → 00:18:45,950 there
00:18:45,960 → 00:18:50,090 so the prefix really here is D not D's d
00:18:50,100 → 00:18:51,590 means twice
00:18:51,600 → 00:18:55,970 but d as lactances tells us
Section 47: 00:18:55,980 – 00:19:35,570
00:18:55,980 → 00:18:57,830 is the beginning
00:18:57,840 → 00:19:01,330 of the word
00:19:01,340 → 00:19:06,070 who is this
00:19:06,080 → 00:19:10,850 she is the one who brings the bullet the
00:19:10,860 → 00:19:14,150 council the rule
00:19:14,160 → 00:19:19,430 of the sea or as we're told d
00:19:19,440 → 00:19:21,830 through an Etruscan Loop
00:19:21,840 → 00:19:24,230 we get to the Sea
00:19:24,240 → 00:19:26,510 wait a minute are we in Northern Italy
00:19:26,520 → 00:19:27,710 yes
00:19:27,720 → 00:19:31,549 are we in modern day Turkey yes
00:19:31,559 → 00:19:35,570 are we in Ukraine yes
Section 48: 00:19:35,580 – 00:20:19,549
00:19:35,580 → 00:19:36,890 yeah
00:19:36,900 → 00:19:40,130 wow wow
00:19:41,940 → 00:19:43,970 remember I warned you about getting
00:19:43,980 → 00:19:46,490 taken out back a lot of a lot of the
00:19:46,500 → 00:19:48,350 stuff that they have in academics is
00:19:48,360 → 00:19:50,750 meant to kind of you know come here come
00:19:50,760 → 00:19:52,390 here little person
00:19:52,400 → 00:19:55,909 and um one of those big things that's
00:19:55,919 → 00:19:58,730 used is a lure big candy for the kitties
00:19:58,740 → 00:20:01,310 is the Indo-European and the
00:20:01,320 → 00:20:03,650 Indo-European the proto-indo-european
00:20:03,660 → 00:20:06,370 that do not exist
00:20:06,380 → 00:20:10,010 tend to obscure our understanding of the
00:20:10,020 → 00:20:12,830 Linguistics of antiquity what do we know
00:20:12,840 → 00:20:14,810 from the Greeks that they're this group
00:20:14,820 → 00:20:17,090 there's this group this ethnic group The
00:20:17,100 → 00:20:19,549 pulaskians and there's some of the old
Section 49: 00:20:19,559 – 00:21:00,590
00:20:19,559 → 00:20:23,750 old generation that comes that are that
00:20:23,760 → 00:20:25,669 is is part of these Bronze Age
00:20:25,679 → 00:20:27,409 migrations
00:20:27,419 → 00:20:31,850 so um we get their groups scattered in
00:20:31,860 → 00:20:33,169 different places with different people
00:20:33,179 → 00:20:35,690 claiming to be the ancestors of that
00:20:35,700 → 00:20:39,409 original group of pulaskians and
00:20:39,419 → 00:20:41,570 um you can you can put your connection
00:20:41,580 → 00:20:45,770 to the Etruscans right there so um what
00:20:45,780 → 00:20:48,169 is happening in the language what is
00:20:48,179 → 00:20:50,870 happening in the language the um bring
00:20:50,880 → 00:20:53,690 us up that last hymn line again
00:20:53,700 → 00:20:54,950 dude
00:20:54,960 → 00:20:57,710 thank you Chewie yeah um how is this
00:20:57,720 → 00:21:00,590 translated yeah it well it's translated
Section 50: 00:21:00,600 – 00:21:36,110
00:21:00,600 → 00:21:03,110 terribly here I'll just read to you I'm
00:21:03,120 → 00:21:06,289 sorry Dr athanasakis but you know you
00:21:06,299 → 00:21:08,810 can take it you can take it
00:21:08,820 → 00:21:11,029 um yeah here's his translation whose
00:21:11,039 → 00:21:13,909 skin when she was pregnant he mangled in
00:21:13,919 → 00:21:17,390 Anger yeah he's trying to form this but
00:21:17,400 → 00:21:19,909 wait he's trying to I'm sorry but he's
00:21:19,919 → 00:21:22,669 trying to form this to his preconceived
00:21:22,679 → 00:21:25,430 notion of the myth you know this is done
00:21:25,440 → 00:21:27,049 all the time don't worry about it it's
00:21:27,059 → 00:21:29,090 translators have to try to make sense of
00:21:29,100 → 00:21:31,610 things but if this is desomatone from
00:21:31,620 → 00:21:34,130 the Etruscan side and it's leaking in
00:21:34,140 → 00:21:36,110 here then what which makes sense in the
Section 51: 00:21:36,120 – 00:21:59,770
00:21:36,120 → 00:21:38,570 right right it's right for the quora
00:21:38,580 → 00:21:39,950 then
00:21:39,960 → 00:21:42,529 um what is
00:21:42,539 → 00:21:45,770 um that really is the word for drawing
00:21:45,780 → 00:21:50,149 yes yes for drawing or sucking drawing
00:21:50,159 → 00:21:51,130 out
00:21:51,140 → 00:21:54,529 drying out what what's happening someone
00:21:54,539 → 00:21:57,070 is drawing out the
00:21:57,080 → 00:21:59,770 God bodied
Section 52: 00:21:59,780 – 00:22:07,669
00:21:59,780 → 00:22:02,110 sus uh
00:22:02,120 → 00:22:07,669 sustained flesh the god-sustained flesh
Section 53: 00:22:07,679 – 00:22:47,810
00:22:07,679 → 00:22:10,669 and it's whose flesh it's the chorus
00:22:10,679 → 00:22:13,789 flesh and where is this flesh going it's
00:22:13,799 → 00:22:16,130 going sumoy
00:22:16,140 → 00:22:20,210 it's going into the into the breath
00:22:20,220 → 00:22:23,450 into the understanding
00:22:23,460 → 00:22:24,830 yeah
00:22:24,840 → 00:22:27,770 yeah so here we have a reference to some
00:22:27,780 → 00:22:30,590 kind of consumption of something some
00:22:30,600 → 00:22:32,330 kind of well here's the fun thing about
00:22:32,340 → 00:22:34,789 Classics if we know that we're in the
00:22:34,799 → 00:22:37,010 context of him and we know that this
00:22:37,020 → 00:22:39,950 hymn is being sung during performance
00:22:39,960 → 00:22:42,830 during cult performance and we know
00:22:42,840 → 00:22:46,070 these Mysteries and we can get just a
00:22:46,080 → 00:22:47,810 little tiny look inside the Mysteries
Section 54: 00:22:47,820 – 00:23:01,789
00:22:47,820 → 00:22:49,070 you thought you guys were getting the
00:22:49,080 → 00:22:51,490 Mysteries right weren't you for 55
00:22:51,500 → 00:22:54,409 95 that's not how it works or if you go
00:22:54,419 → 00:22:56,750 into Harvard Japan you guys are paying
00:22:56,760 → 00:23:01,789 60 000 a year right anyway
Section 55: 00:23:01,799 – 00:23:23,870
00:23:01,799 → 00:23:03,350 um you can't sell it
00:23:03,360 → 00:23:06,770 so let's look inside let's look inside
00:23:06,780 → 00:23:09,470 just for a moment inside this and this
00:23:09,480 → 00:23:11,210 hymn that we've got that's opening up
00:23:11,220 → 00:23:13,730 for us what is the background of what's
00:23:13,740 → 00:23:15,770 being performed in the song what's
00:23:15,780 → 00:23:17,330 happening
00:23:17,340 → 00:23:20,090 um and when we get there we find that
00:23:20,100 → 00:23:23,870 somebody is consuming the flesh
Section 56: 00:23:23,880 – 00:24:00,830
00:23:23,880 → 00:23:26,090 of the god
00:23:26,100 → 00:23:28,310 okay everybody cool
00:23:28,320 → 00:23:30,649 everybody cool with that all you
00:23:30,659 → 00:23:32,990 Bargains all you mean AD women who got
00:23:33,000 → 00:23:35,810 together you have this thing where you
00:23:35,820 → 00:23:37,610 Sin from the
00:23:37,620 → 00:23:40,010 mountains and you take out
00:23:40,020 → 00:23:42,890 human beings you maraud through Villages
00:23:42,900 → 00:23:45,710 and you tear apart men who shouldn't be
00:23:45,720 → 00:23:49,130 messing with you and you consume the
00:23:49,140 → 00:23:50,270 flesh
00:23:50,280 → 00:23:51,710 you you
00:23:51,720 → 00:23:55,130 um you go into the homophagy yeah those
00:23:55,140 → 00:23:57,350 you guys won't be offended by any of
00:23:57,360 → 00:23:59,510 this but let's look at the let's look at
00:23:59,520 → 00:24:00,830 the language and we'll give you a chance
Section 57: 00:24:00,840 – 00:24:16,430
00:24:00,840 → 00:24:02,930 to look right into the religion now so
00:24:02,940 → 00:24:05,270 what is what happens he's um we're
00:24:05,280 → 00:24:07,490 drawing the Flesh of this we're socking
00:24:07,500 → 00:24:09,230 the Flesh of this where else do we see
00:24:09,240 → 00:24:12,409 this draw we see this drawing askless go
00:24:12,419 → 00:24:16,430 to the last text here
Section 58: 00:24:16,440 – 00:24:52,909
00:24:16,440 → 00:24:17,870 um not that one
00:24:17,880 → 00:24:22,310 yep oops here we go without this here is
00:24:22,320 → 00:24:25,430 the translation by Smythe I just want
00:24:25,440 → 00:24:28,510 you to see it's uh an engagement in the
00:24:28,520 → 00:24:30,770 libation bearers
00:24:30,780 → 00:24:34,549 um to the cooperoi two between orestes
00:24:34,559 → 00:24:36,169 and the chorus and you can see the top
00:24:36,179 → 00:24:38,750 he says and where does the tail end and
00:24:38,760 → 00:24:41,870 what is its consummation and the chorus
00:24:41,880 → 00:24:44,690 says she laid it to rest as if it were a
00:24:44,700 → 00:24:47,330 child in swaddling clothes oh I forget
00:24:47,340 → 00:24:49,549 to tell you this is Clyde of nestro and
00:24:49,559 → 00:24:52,909 she dreams she gave birth to a serpent
Section 59: 00:24:52,919 – 00:25:24,710
00:24:52,919 → 00:24:56,330 okay she dreamed she gave birth to a
00:24:56,340 → 00:24:58,669 serpent and what does she do she put it
00:24:58,679 → 00:25:01,370 in swaddling clothes yeah
00:25:01,380 → 00:25:04,970 um what uh what food did it crave the
00:25:04,980 → 00:25:07,250 newborn Viper and of course is in her
00:25:07,260 → 00:25:10,490 dreams she offered it her own breast and
00:25:10,500 → 00:25:13,010 the rest he says surely her nipple was
00:25:13,020 → 00:25:15,890 not wounded by the lust and Beast and
00:25:15,900 → 00:25:18,529 the chorus says the line relevant to us
00:25:18,539 → 00:25:21,430 in our hymn no it drew the clotted blood
00:25:21,440 → 00:25:24,710 with the milk
Section 60: 00:25:24,720 – 00:25:35,390
00:25:24,720 → 00:25:27,590 it drew the clotted blood with the milk
00:25:27,600 → 00:25:30,830 and this is the last line at the bottom
00:25:30,840 → 00:25:35,390 yeah and it says
Section 61: 00:25:35,400 – 00:25:55,909
00:25:35,400 → 00:25:37,190 fasai
00:25:37,200 → 00:25:39,710 she's drawing up she's sucking that
00:25:39,720 → 00:25:43,730 excuse me that serpent is sucking up
00:25:43,740 → 00:25:46,850 this clotted
00:25:46,860 → 00:25:49,690 blood
00:25:49,700 → 00:25:51,649 congealed with
00:25:51,659 → 00:25:55,909 in the milk
Section 62: 00:25:55,919 – 00:26:32,210
00:25:55,919 → 00:25:57,830 that's fine you can take it off
00:25:57,840 → 00:26:00,950 in the milk yes
00:26:00,960 → 00:26:03,409 um drying up this clotted blood in the
00:26:03,419 → 00:26:05,810 milk in this act
00:26:05,820 → 00:26:07,430 yeah
00:26:07,440 → 00:26:09,110 um gorgeous what is happening we know
00:26:09,120 → 00:26:12,169 the Galena is drawn from the breast
00:26:12,179 → 00:26:16,190 so there we have a uh there we have a
00:26:16,200 → 00:26:19,070 reference a balancing of our doubt and
00:26:19,080 → 00:26:20,390 our antidote
00:26:20,400 → 00:26:23,149 I'm right into him it's nice that it's
00:26:23,159 → 00:26:26,330 right there snug and in the context of
00:26:26,340 → 00:26:29,750 the drugs great now how do we take this
00:26:29,760 → 00:26:32,210 and apply it one step more outwards so
Section 63: 00:26:32,220 – 00:26:51,169
00:26:32,220 → 00:26:34,610 that what's the utility of this so that
00:26:34,620 → 00:26:37,430 we can see our own reality look here at
00:26:37,440 → 00:26:40,909 the top it says Adam said this is now
00:26:40,919 → 00:26:45,110 bone of my bones and sarks of my sarks
00:26:45,120 → 00:26:48,830 flashing My Flesh right she will be
00:26:48,840 → 00:26:51,169 called gunay
Section 64: 00:26:51,179 – 00:27:29,090
00:26:51,179 → 00:26:55,789 she will be called gunay because from
00:26:55,799 → 00:26:57,590 the man
00:26:57,600 → 00:27:00,110 she was taken
00:27:00,120 → 00:27:02,690 yeah yeah
00:27:02,700 → 00:27:05,930 from the man she was taken from elephant
00:27:05,940 → 00:27:08,750 is the Greek here and people will say
00:27:08,760 → 00:27:10,970 wait a minute wait a minute I thought
00:27:10,980 → 00:27:13,190 the the Old Testament was written in
00:27:13,200 → 00:27:15,409 Hebrew right you've been paying those
00:27:15,419 → 00:27:18,169 guys in Harvard too much
00:27:18,179 → 00:27:20,630 um you you saw it was written in Hebrew
00:27:20,640 → 00:27:23,210 right okay well let's see if it was
00:27:23,220 → 00:27:27,049 because in the Greek the idiom doesn't
00:27:27,059 → 00:27:29,090 work
Section 65: 00:27:29,100 – 00:28:08,090
00:27:29,100 → 00:27:31,430 she'll be called gunay
00:27:31,440 → 00:27:34,310 because she was taken from the man but
00:27:34,320 → 00:27:36,289 the man's name doesn't have anything to
00:27:36,299 → 00:27:40,010 do with gunay so why is it saying she'll
00:27:42,000 → 00:27:45,010 um she'd be called this because she was
00:27:45,020 → 00:27:47,330 taken from man
00:27:47,340 → 00:27:49,909 how linguistically doesn't work out
00:27:49,919 → 00:27:52,970 right okay must not be written in Greek
00:27:52,980 → 00:27:55,250 must a Greek must be a translation
00:27:55,260 → 00:27:56,870 that's what we've all thought for so
00:27:56,880 → 00:27:59,990 long the problem is the Hebrew is ishin
00:28:00,000 → 00:28:03,470 Isha the ah on the Isha it's just a
00:28:03,480 → 00:28:06,230 feminization it has nothing to do with
00:28:06,240 → 00:28:08,090 the verb for pulling out of or coming
Section 66: 00:28:08,100 – 00:28:46,669
00:28:08,100 → 00:28:09,649 from
00:28:09,659 → 00:28:13,549 so once again it doesn't make sense
00:28:13,559 → 00:28:17,029 the only language that makes sense
00:28:17,039 → 00:28:20,810 is the Latin that uses the
00:28:20,820 → 00:28:22,430 etruscu
00:28:22,440 → 00:28:25,190 old words we find old words in Latin
00:28:25,200 → 00:28:27,529 that from a trust from etruscum like
00:28:27,539 → 00:28:30,529 parkolum that special cup that you drain
00:28:30,539 → 00:28:32,990 the drink the ceremonial potion is
00:28:33,000 → 00:28:35,450 that's a Pokemon
00:28:35,460 → 00:28:40,130 yeah and um here we have one as well we
00:28:40,140 → 00:28:42,890 have a word that's coming through the
00:28:42,900 → 00:28:46,669 Etruscan tradition here
Section 67: 00:28:46,679 – 00:28:53,950
00:28:46,679 → 00:28:53,950 yeah and that is weirago and it means
Section 68: 00:28:53,960 – 00:29:26,029
00:28:53,960 → 00:28:59,169 from lead from man where is man and ago
00:28:59,179 → 00:29:02,510 the ah Groot in Latin is the the word
00:29:02,520 → 00:29:05,090 for leading or driving
00:29:05,100 → 00:29:08,630 so what's funny is this statement Shall
00:29:08,640 → 00:29:11,210 be Called woman because she was taken
00:29:11,220 → 00:29:15,350 from man makes perfect sense if the word
00:29:15,360 → 00:29:18,889 weirago is used but it makes no sense
00:29:18,899 → 00:29:20,889 either way
00:29:20,899 → 00:29:26,029 in Native Greek or in Hebrew now there's
Section 69: 00:29:26,039 – 00:29:52,490
00:29:26,039 → 00:29:29,750 no way this Etruscan tradition is coming
00:29:29,760 → 00:29:31,190 through the Hebrew the words are
00:29:31,200 → 00:29:33,590 different but the words overlap The
00:29:33,600 → 00:29:36,430 Roots overlap in Greek
00:29:36,440 → 00:29:40,610 so what is likely to be happening your
00:29:40,620 → 00:29:43,730 Septuagint your Greek Old Testament is
00:29:43,740 → 00:29:47,389 the original and it is conveying as
00:29:47,399 → 00:29:49,669 Greek does aptly
00:29:49,679 → 00:29:52,490 Etruscan ideas
Section 70: 00:29:52,500 – 00:30:30,470
00:29:52,500 → 00:29:55,250 okay that's as close as we can get to
00:29:55,260 → 00:29:57,950 that original source now you were told
00:29:57,960 → 00:29:59,570 that this doesn't this isn't how the
00:29:59,580 → 00:30:01,730 world is put together and you will have
00:30:01,740 → 00:30:03,710 somebody come to you a submitic study
00:30:03,720 → 00:30:06,649 scholar and they will throw the 10th
00:30:06,659 → 00:30:09,049 Century at you
00:30:09,059 → 00:30:12,830 yes and you can tell them you can tell
00:30:12,840 → 00:30:14,690 them that you're looking for that
00:30:14,700 → 00:30:17,810 original that original is the secret of
00:30:17,820 → 00:30:19,430 the vampires
00:30:19,440 → 00:30:23,690 yes it's the secret of those who sunk
00:30:23,700 → 00:30:25,730 the Hyma
00:30:25,740 → 00:30:26,870 yeah
00:30:26,880 → 00:30:30,470 it's the secret that is both Medical
Section 71: 00:30:30,480 – 00:30:38,690
00:30:30,480 → 00:30:33,590 and individual and personal
00:30:33,600 → 00:30:38,690 their secret is a woman
Section 72: 00:30:38,700 – 00:30:48,490
00:30:38,700 → 00:30:40,370 yeah
00:30:40,380 → 00:30:42,470 and that makes me
00:30:42,480 → 00:30:48,490 want to make statues dance
Section 73: 00:30:48,500 – 00:31:04,870
00:30:48,500 → 00:31:04,870 [Music]
Section 74: 00:31:04,880 – 00:31:48,430
00:31:04,880 → 00:31:07,570 thank you for coming tonight
00:31:07,580 → 00:31:10,789 now that we know the secret
00:31:10,799 → 00:31:14,690 of the vampires is
00:31:14,700 → 00:31:17,149 a woman
00:31:17,159 → 00:31:18,470 um let's
00:31:18,480 → 00:31:20,149 um next time we meet we're going to
00:31:20,159 → 00:31:21,950 traipse through in the Bible study we're
00:31:21,960 → 00:31:24,830 going to traips through the Renaissance
00:31:24,840 → 00:31:27,830 and we're going to follow those
00:31:27,840 → 00:31:30,769 who also followed her
00:31:30,779 → 00:31:33,830 isn't this nice I want you to see the
00:31:33,840 → 00:31:35,810 saturnian rights
00:31:35,820 → 00:31:38,930 through time I want you to see the
00:31:38,940 → 00:31:40,070 dragons
00:31:40,080 → 00:31:43,130 who protected those rights
00:31:43,140 → 00:31:45,649 I want you to see the order
00:31:45,659 → 00:31:48,430 that was established
Section 75: 00:31:48,440 – 00:31:53,529
00:31:48,440 → 00:31:53,529 and what exactly the vampires
Section 76: 00:31:53,539 – 00:32:14,330
00:31:53,539 → 00:31:57,529 moved into what they became and what
00:31:57,539 → 00:32:01,850 they did and how your history is not a
00:32:01,860 → 00:32:06,950 history of of bran writing about a guy
00:32:06,960 → 00:32:08,470 in a box
00:32:08,480 → 00:32:10,970 there are real
00:32:10,980 → 00:32:14,330 real
Section 77: 00:32:14,340 – 00:32:31,310
00:32:14,340 → 00:32:17,930 um roots of Dracula out there and these
00:32:17,940 → 00:32:20,930 are um preserved for us thanks to the
00:32:20,940 → 00:32:24,350 thanks to the People Like Mike you know
00:32:24,360 → 00:32:26,389 who was able to write down
00:32:26,399 → 00:32:31,310 perfect possessed orphic Latin hymn
Section 78: 00:32:31,320 – 00:33:14,750
00:32:31,320 → 00:32:33,649 was able to write down
00:32:33,659 → 00:32:36,049 um exactly for you
00:32:36,059 → 00:32:39,590 um the description of her
00:32:39,600 → 00:32:42,409 yes beautiful beautiful
00:32:42,419 → 00:32:44,090 um have a good night thank you for
00:32:44,100 → 00:32:47,149 coming tonight and for all of you who
00:32:47,159 → 00:32:50,090 are asking me questions I'm getting to
00:32:50,100 → 00:32:52,549 my emails I'm getting to them as quickly
00:32:52,559 → 00:32:55,850 as I possibly can but I uh
00:32:55,860 → 00:32:58,070 I just want you to know again how nice
00:32:58,080 → 00:33:02,210 it is to be conversing with people who
00:33:02,220 → 00:33:03,830 are stepping up and who are saying oh
00:33:03,840 → 00:33:05,510 well you know what let's go investigate
00:33:05,520 → 00:33:08,990 this let's go look at this and using
00:33:09,000 → 00:33:10,730 their reasons so thank you thank you and
00:33:10,740 → 00:33:13,009 thank you for your time tonight everyone
00:33:13,019 → 00:33:14,750 show me the girl I
Section 79: 00:33:14,760 – 00:33:19,120
00:33:14,760 → 00:33:19,120 [Applause]
Section 80: 00:33:19,130 – 00:33:20,690
00:33:19,130 → 00:33:20,690 [Music]
Section 81: 00:33:20,700 – 00:33:33,440
00:33:20,700 → 00:33:24,950 like where is that Golden Palace where
00:33:24,960 → 00:33:29,389 is that horse called Destiny I think she
00:33:29,399 → 00:33:33,440 ran off without me