‎/Transcript - 20250603-Christing_the_Last_Frontier
[search]
 SomaLibrary
 signin

Transcript: 20250603-Christing_the_Last_Frontier

Watch on YouTube  |  Readable transcript  |  Language: en
Show concatenated view
184 timestamped sections using the same paragraph analysis.
Section 1: 00:00:03,860 – 00:00:03,870
00:00:03,860 → 00:00:03,870 Sing
Section 2: 00:00:03,870 – 00:00:10,190
00:00:03,870 → 00:00:10,190 [Music]
Section 3: 00:00:18,189 – 00:00:31,269
00:00:18,189 → 00:00:18,199 drugs? Who brought that good
00:00:18,199 → 00:00:21,189 stuff? Who brought these drugs? Brought
00:00:21,199 → 00:00:22,269 the
00:00:22,279 → 00:00:26,269 drugs. And with the magic tune with the
00:00:26,279 → 00:00:31,269 magic, I was going back.
Section 4: 00:00:38,150 – 00:01:15,670
00:00:38,150 → 00:00:38,160 do. What kind of drugs is this? Zombies
00:00:38,160 → 00:00:42,150 out of it. Drugs on their face. Just a
00:00:42,160 → 00:00:45,430 little taste. Blood drinkers. Death in
00:00:45,440 → 00:00:47,950 love. What the [\h__\h] is going
00:00:47,960 → 00:00:51,150 on? These [\h__\h] they straight
00:00:51,160 → 00:00:54,310 gone. Snapping next. I'm cashing checks.
00:00:54,320 → 00:00:57,990 Lovely ladies know I'm in dancing over
00:00:58,000 → 00:00:58,910 with the
00:00:58,920 → 00:01:02,310 broomsticks. These moms passed out. The
00:01:02,320 → 00:01:04,070 [\h__\h] eyes roll back and they're out
00:01:04,080 → 00:01:06,630 of it. Baby, we're moving on through.
00:01:06,640 → 00:01:10,590 One, two, brought these drugs. The
00:01:10,600 → 00:01:15,670 drugs hit with the magic tune.
Section 5: 00:01:15,680 – 00:01:21,330
00:01:15,680 → 00:01:21,330 eyes rolling back.
Section 6: 00:01:22,430 – 00:01:22,440
00:01:22,430 → 00:01:22,440 [Music]
Section 7: 00:01:22,440 – 00:01:24,550
00:01:22,440 → 00:01:24,550 [Applause]
Section 8: 00:01:24,560 – 00:01:58,069
00:01:24,560 → 00:01:27,230 Welcome back to Lady
00:01:27,240 → 00:01:30,670 Babylon on this morning edition.
00:01:30,680 → 00:01:34,230 Fantastic. Oh, you know people, I knew I
00:01:34,240 → 00:01:36,310 knew that you'd want the good stuff and
00:01:36,320 → 00:01:38,149 I want to bring that to you. But I want
00:01:38,159 → 00:01:40,789 to tell you something as we get warmed
00:01:40,799 → 00:01:42,149 up here. I want to tell you something
00:01:42,159 → 00:01:44,390 important this week. I had the privilege
00:01:44,400 → 00:01:48,950 of reading two emails on the same day
00:01:48,960 → 00:01:52,310 back to back. The first one was one like
00:01:52,320 → 00:01:55,109 I've gotten from a number of people is
00:01:55,119 → 00:01:58,069 from one of you who said, "Look, I am
Section 9: 00:01:58,079 – 00:02:46,150
00:01:58,079 → 00:02:02,630 autistic as hell and I appreciate your
00:02:02,640 → 00:02:04,990 work because for some
00:02:05,000 → 00:02:08,990 reason for some reason I understand
00:02:09,000 → 00:02:12,790 you." Yeah. Fantastic. Fantastic. Now,
00:02:12,800 → 00:02:15,229 that's not the first one of those I've
00:02:15,239 → 00:02:18,470 gotten. After that, I got an email that
00:02:18,480 → 00:02:19,790 said,
00:02:19,800 → 00:02:23,309 "Hey, you ought to cut out the
00:02:23,319 → 00:02:26,110 theatrics." And I've gotten
00:02:26,120 → 00:02:29,830 numerous emails just like that. And I
00:02:29,840 → 00:02:31,470 want to tell you
00:02:31,480 → 00:02:35,550 something. I'm sticking with the autism
00:02:35,560 → 00:02:39,270 crowd. Do you understand? Dits out.
00:02:39,280 → 00:02:42,309 Let's do this thing. Now, these texts
00:02:42,319 → 00:02:44,309 are all that's important. These texts
00:02:44,319 → 00:02:46,150 are all that's important. Now, what am I
Section 10: 00:02:46,160 – 00:03:25,910
00:02:46,160 → 00:02:47,350 going to do today, people? I'm going to
00:02:47,360 → 00:02:48,869 do something a little bit different. I'm
00:02:48,879 → 00:02:49,949 just going
00:02:49,959 → 00:02:54,229 to work on some material with you. I'm
00:02:54,239 → 00:02:57,910 going to invite you into the workshop
00:02:57,920 → 00:03:00,790 and we're going to see how things, you
00:03:00,800 → 00:03:03,270 know, how things are run.
00:03:03,280 → 00:03:07,149 You have been listening for a couple of
00:03:07,159 → 00:03:09,869 years to me talk about
00:03:09,879 → 00:03:12,430 translation and what is the
00:03:12,440 → 00:03:15,190 process and how does a classist work?
00:03:15,200 → 00:03:18,149 Well, today we're just going to work as
00:03:18,159 → 00:03:20,229 a classist would work and we have
00:03:20,239 → 00:03:23,910 something very very special in front of
00:03:23,920 → 00:03:25,910 us. Very special in front of us. You can
Section 11: 00:03:25,920 – 00:03:54,110
00:03:25,920 → 00:03:28,309 make me small. We have something very
00:03:28,319 → 00:03:32,710 special in front of us today.
00:03:32,720 → 00:03:35,949 Today I want to bring
00:03:35,959 → 00:03:39,990 you to the seven. I want to bring you to
00:03:40,000 → 00:03:42,789 the seven. Are you ready for this
00:03:42,799 → 00:03:44,869 people? This text is going to blow your
00:03:44,879 → 00:03:46,509 mind. This is
00:03:46,519 → 00:03:49,630 no This is no
00:03:49,640 → 00:03:54,110 history. This is no lyric
Section 12: 00:03:54,120 – 00:04:17,870
00:03:54,120 → 00:03:56,910 poetry. This is no
00:03:56,920 → 00:04:01,190 tragedy drama. It's not funny.
00:04:01,200 → 00:04:03,470 What is this that we're going to look at
00:04:03,480 → 00:04:08,190 today? Today we're going to look at the
00:04:08,200 → 00:04:12,270 ritual. And today I am speaking
00:04:12,280 → 00:04:17,870 directly to an invisible son of
Section 13: 00:04:23,030 – 00:04:40,909
00:04:23,030 → 00:04:23,040 God. Yes. Yes. So we are just in the
00:04:23,040 → 00:04:25,350 workshop and I just want to proceed
00:04:25,360 → 00:04:27,590 accordingly. Now realize that this is a
00:04:27,600 → 00:04:28,510 special
00:04:28,520 → 00:04:31,030 special piece of meat that I've got to
00:04:31,040 → 00:04:33,430 serve you today. Do you understand? This
00:04:33,440 → 00:04:35,430 is a special piece of meat. What is
00:04:35,440 → 00:04:40,909 this? This is Greek magical papyrus. Oh
Section 14: 00:04:40,919 – 00:05:03,550
00:04:40,919 → 00:04:44,390 god. Christ meat, baby. Does it have
00:04:44,400 → 00:04:46,550 Christing in it? Of course. You know, I
00:04:46,560 → 00:04:48,710 wouldn't bring you anything with without
00:04:48,720 → 00:04:52,150 a Christing in it. And you know what's
00:04:52,160 → 00:04:54,950 hilarious? people, all of these Bible
00:04:54,960 → 00:04:57,189 scholars sit around and say, "Ah, we
00:04:57,199 → 00:04:59,189 don't know what the Christ thing is,
00:04:59,199 → 00:05:03,550 right? What's a woman? What's a
Section 15: 00:05:06,390 – 00:05:22,070
00:05:06,390 → 00:05:06,400 Christ? Woman's everything. A Christ,
00:05:06,400 → 00:05:08,590 it's a
00:05:08,600 → 00:05:11,510 drug." And we just keep hitting him with
00:05:11,520 → 00:05:13,830 it. And it makes us, those of us who are
00:05:13,840 → 00:05:17,070 sitting here watching this, it makes us
00:05:17,080 → 00:05:22,070 realize how in the dark those so-called
Section 16: 00:05:22,080 – 00:05:48,990
00:05:22,080 → 00:05:25,110 authorities are. Your preacher, your
00:05:25,120 → 00:05:27,390 pastor, your
00:05:27,400 → 00:05:31,070 priest, your theologian, your
00:05:31,080 → 00:05:34,390 seminarian, your your next door neighbor
00:05:34,400 → 00:05:37,270 who's screaming at you about how much
00:05:37,280 → 00:05:40,150 Jesus loves you. Now give back your
00:05:40,160 → 00:05:42,550 benefits.
00:05:42,560 → 00:05:44,670 that
00:05:44,680 → 00:05:48,990 person you're talking about, right?
Section 17: 00:05:49,000 – 00:06:31,350
00:05:49,000 → 00:05:51,510 Fantastic. Fantastic. Isn't that
00:05:51,520 → 00:05:53,749 something? Let them eat cake, right?
00:05:53,759 → 00:05:55,510 It's no longer let them eat cake. It's
00:05:55,520 → 00:05:56,749 well, everybody
00:05:56,759 → 00:05:58,430 dies,
00:05:58,440 → 00:06:00,749 right? The
00:06:00,759 → 00:06:05,070 starvation, the provation of the
00:06:05,080 → 00:06:08,230 nutrient of life. Do you know where she
00:06:08,240 → 00:06:09,990 needs to be? She needs to be in the
00:06:10,000 → 00:06:11,990 Garden of Eden creating the water of
00:06:12,000 → 00:06:15,150 life. Baby, you missed the
00:06:15,160 → 00:06:18,309 boat. You missed the boat, people. What
00:06:18,319 → 00:06:21,510 is this crazy thing? Make me small. You
00:06:21,520 → 00:06:24,629 put your images up there. They're nice.
00:06:24,639 → 00:06:28,390 What is this? Nobody came here to see my
00:06:28,400 → 00:06:31,350 bald head. Oh, yes, some of you did. I
Section 18: 00:06:31,360 – 00:06:46,350
00:06:31,360 → 00:06:33,270 know. I get those emails, too. All
00:06:33,280 → 00:06:36,070 right.
00:06:36,080 → 00:06:38,309 What is this document I'm about to give
00:06:38,319 → 00:06:40,749 you? It has a Christing in
00:06:40,759 → 00:06:46,350 it and it is an actual
Section 19: 00:06:46,360 – 00:07:06,189
00:06:46,360 → 00:06:51,230 ritual. It is a
00:06:51,240 → 00:06:55,590 mystery. It is the execution and
00:06:55,600 → 00:07:00,990 performance of a mystery. It is a
00:07:01,000 → 00:07:06,189 map. It is a map.
Section 20: 00:07:09,550 – 00:07:43,830
00:07:09,550 → 00:07:09,560 And it's a
00:07:09,560 → 00:07:12,670 score. It has a
00:07:12,680 → 00:07:15,150 chorus. And it has
00:07:15,160 → 00:07:19,870 music. And this is the earliest form of
00:07:19,880 → 00:07:22,749 music that is
00:07:22,759 → 00:07:24,510 recorded.
00:07:24,520 → 00:07:27,029 Period. Now, I know we've got some
00:07:27,039 → 00:07:29,189 Uripidian choruses and I know they put
00:07:29,199 → 00:07:33,070 some musical notation and figured out.
00:07:33,080 → 00:07:37,270 This is what that comes from. This is a
00:07:37,280 → 00:07:38,909 tradition of
00:07:38,919 → 00:07:43,830 music where notes are wandering planets.
Section 21: 00:07:43,840 – 00:08:31,630
00:07:43,840 → 00:07:45,830 Do you understand me? Put yourself back
00:07:45,840 → 00:07:47,150 into
00:07:47,160 → 00:07:49,309 their little
00:07:49,319 → 00:07:52,990 choosies. Okay. Wandering
00:07:53,000 → 00:07:54,749 planets,
00:07:54,759 → 00:07:56,430 right?
00:07:56,440 → 00:07:58,869 Okay. Do you understand? Do we need a
00:07:58,879 → 00:08:02,070 magician? Yeah, we do. But not the kind
00:08:02,080 → 00:08:05,710 that makes things disappear for $20
00:08:05,720 → 00:08:08,550 ahead. We need that kind of magician who
00:08:08,560 → 00:08:10,749 knows those
00:08:10,759 → 00:08:14,510 drugs, who knows how to trip the
00:08:14,520 → 00:08:17,189 rift. Wait a minute. There are
00:08:17,199 → 00:08:19,589 instructions for this people. The
00:08:19,599 → 00:08:21,309 mysteries
00:08:21,319 → 00:08:25,589 themselves are the process of executing
00:08:25,599 → 00:08:27,309 tripping the
00:08:27,319 → 00:08:31,630 rift causing the invisible to become
Section 22: 00:08:31,640 – 00:09:16,350
00:08:31,640 → 00:08:35,269 visible. And this is a map through it.
00:08:35,279 → 00:08:36,670 It is a
00:08:36,680 → 00:08:40,149 ritual. It is a ritual. Now people are
00:08:40,159 → 00:08:42,310 saying, "Oh my god, what kind of
00:08:42,320 → 00:08:45,110 craziness is this?" Right? You thought I
00:08:45,120 → 00:08:47,670 was saying hail Satan to be funny,
00:08:47,680 → 00:08:49,350 right?
00:08:49,360 → 00:08:52,389 No, my friend. No. Now, where are we
00:08:52,399 → 00:08:56,110 going to land? We're going to land in a
00:08:56,120 → 00:08:59,790 place where you and I can feel the
00:08:59,800 → 00:09:03,350 light. We are going to the praise place
00:09:03,360 → 00:09:05,790 of the
00:09:05,800 → 00:09:07,949 lightbringer. The
00:09:07,959 → 00:09:10,910 lightbringer. Are you ready for the
00:09:10,920 → 00:09:13,470 lightbringer? Oh god. Don't
00:09:13,480 → 00:09:16,350 assume. Don't assume.
Section 23: 00:09:16,360 – 00:09:36,829
00:09:16,360 → 00:09:19,550 Right. Yes.
00:09:19,560 → 00:09:22,389 foros. Yosphorus. We're going to the
00:09:22,399 → 00:09:25,509 place of the dawn right now. Why am I
00:09:25,519 → 00:09:27,310 saying that? Because it's creepy
00:09:27,320 → 00:09:30,150 sounding. No, because we have to start
00:09:30,160 → 00:09:33,829 with the dawn if we're going to find the
00:09:33,839 → 00:09:36,829 mystic
Section 24: 00:09:39,030 – 00:10:17,269
00:09:39,030 → 00:09:39,040 metal. I don't care if you understand
00:09:39,040 → 00:09:41,070 that or
00:09:41,080 → 00:09:44,470 not. This is them. These rights are
00:09:44,480 → 00:09:47,350 always dawn rights.
00:09:47,360 → 00:09:49,310 It's the
00:09:49,320 → 00:09:52,350 dawnbringers who facilitate these
00:09:52,360 → 00:09:55,550 rights. Lucifer herself,
00:09:55,560 → 00:09:58,790 baby. Do you understand? Oh god. Where
00:09:58,800 → 00:10:00,870 are we? We're with those hunters again,
00:10:00,880 → 00:10:04,310 aren't we? On horses and stuff with bows
00:10:04,320 → 00:10:06,710 and Yes. Oh, and by the way, people,
00:10:06,720 → 00:10:10,070 next time, next episode, I've got um a
00:10:10,080 → 00:10:12,389 fantastic new apocryphal Greek tax from
00:10:12,399 → 00:10:17,269 the second century. Oh, and people. No,
Section 25: 00:10:17,279 – 00:10:52,870
00:10:17,279 → 00:10:19,990 it's got everything. It's got the drugs.
00:10:20,000 → 00:10:21,430 It's got the right. It's got the
00:10:21,440 → 00:10:23,949 Christing. Oh, God. It's
00:10:23,959 → 00:10:29,110 got Oh, people. People, we are on fire.
00:10:29,120 → 00:10:30,710 Can you feel it? Are you making that
00:10:30,720 → 00:10:34,190 water of life yet? You know what I
00:10:34,200 → 00:10:37,590 mean? Bring it. I love it. Damn
00:10:37,600 → 00:10:40,790 straight. Okay. Now, um, pull up the
00:10:40,800 → 00:10:43,710 text. Pull up the text. Make me small,
00:10:43,720 → 00:10:47,190 please. I don't like to be so big. Make
00:10:47,200 → 00:10:48,870 me small. Fantastic. I want him to
00:10:48,880 → 00:10:50,790 focus. Now, you've got to blow this up
00:10:50,800 → 00:10:52,870 and I've got to be able Okay, people,
Section 26: 00:10:52,880 – 00:11:36,949
00:10:52,880 → 00:10:55,670 I'm There you go. People, what is this
00:10:55,680 → 00:10:57,670 text that you're looking at? Now, you're
00:10:57,680 → 00:10:59,910 going to have to pull out all all of
00:10:59,920 → 00:11:02,069 your stops now, linguistically. Do you
00:11:02,079 → 00:11:04,310 understand me? First of all, we just
00:11:04,320 → 00:11:06,949 have to explain the text. What kind of
00:11:06,959 → 00:11:09,030 text is this? This is not a normal text,
00:11:09,040 → 00:11:11,910 people. I want you to look down to about
00:11:11,920 → 00:11:16,470 line 490, right? What the hell is that?
00:11:16,480 → 00:11:18,670 Three P's,
00:11:18,680 → 00:11:23,430 right? What? Oh my god. Couple of
00:11:23,440 → 00:11:25,990 segments, some fees, row. What the hell
00:11:26,920 → 00:11:29,910 this? What kind of instruction is this
00:11:29,920 → 00:11:32,310 that we've got, people? This is a
00:11:32,320 → 00:11:36,949 compound text. It is a liturgy.
Section 27: 00:11:36,959 – 00:11:57,910
00:11:36,959 → 00:11:42,350 It is instructions to induce a
00:11:42,360 → 00:11:45,670 mystery. Okay people, that's all. That's
00:11:45,680 → 00:11:47,110 all. I want you to look at the first
00:11:47,120 → 00:11:49,389 line. The first line is a line of
00:11:49,399 → 00:11:57,910 address. A line of address.
Section 28: 00:12:05,150 – 00:12:19,310
00:12:05,150 → 00:12:05,160 please be
00:12:05,160 → 00:12:09,629 considerate to me. Proninoa
00:12:09,639 → 00:12:12,110 and who
00:12:12,120 → 00:12:14,269 is who
00:12:14,279 → 00:12:19,310 is? She is your
Section 29: 00:12:19,320 – 00:13:09,590
00:12:19,320 → 00:12:22,790 soul. She is your soul. Did you know
00:12:22,800 → 00:12:27,550 that? Did you know that? Yes. Oh,
00:12:27,560 → 00:12:30,470 God. God. And who is Pronoya that we're
00:12:30,480 → 00:12:33,030 talking about? Who is Proninoa at this
00:12:33,040 → 00:12:35,389 dawn ceremony that we're
00:12:35,399 → 00:12:37,750 performing, right? That we're Christing
00:12:37,760 → 00:12:40,269 in people, too. And guess what? I get
00:12:40,279 → 00:12:43,509 Christed. It's hilarious. It's gorgeous,
00:12:43,519 → 00:12:46,350 man. It's absolutely beautiful.
00:12:46,360 → 00:12:49,150 Proninoa. She's the
00:12:49,160 → 00:12:53,590 one who brings you everything that is
00:12:53,600 → 00:12:55,230 godamn
00:12:55,240 → 00:12:58,150 beautiful. She's that one who walks next
00:12:58,160 → 00:13:01,829 to you and writes your story. You didn't
00:13:01,839 → 00:13:03,829 know you had a muse that walked next to
00:13:03,839 → 00:13:09,590 you and wrote your story? Yes, you do.
Section 30: 00:13:12,629 – 00:13:36,949
00:13:12,629 → 00:13:12,639 There are seven stars the bringer of
00:13:12,639 → 00:13:15,389 dawn holds in his right
00:13:15,399 → 00:13:19,949 hand. Hear me son of
00:13:19,959 → 00:13:21,710 God.
00:13:21,720 → 00:13:23,790 Fantastic. Oh
00:13:23,800 → 00:13:26,350 godi right. Who is
00:13:26,360 → 00:13:29,470 psyche? Who is Oh just don't tell
00:13:29,480 → 00:13:31,949 anyone. Don't tell anyone. But she's
00:13:31,959 → 00:13:36,949 gorgeous and Hermes absolutely adores
Section 31: 00:13:36,959 – 00:14:14,430
00:13:36,959 → 00:13:38,069 her.
00:13:38,079 → 00:13:41,310 He does. He does. He
00:13:41,320 → 00:13:43,870 does. He knows that
00:13:43,880 → 00:13:46,190 Aeros is the
00:13:46,200 → 00:13:50,590 rightful rightful lover of the human
00:13:50,600 → 00:13:53,550 soul. Isn't that
00:13:53,560 → 00:13:56,470 cool? Okay. Now, do you understand where
00:13:56,480 → 00:13:58,310 we are in time and space? What's
00:13:58,320 → 00:14:00,870 quantumly going on? I don't care if you
00:14:00,880 → 00:14:03,829 don't like theatrics. I don't care
00:14:03,839 → 00:14:06,870 because this is pacus, right? And we
00:14:06,880 → 00:14:10,389 don't have time to deal with people who
00:14:10,399 → 00:14:14,430 don't care about
Section 32: 00:14:14,440 – 00:14:25,150
00:14:14,440 → 00:14:17,590 Jimmy. Oh, wow. There's nobody in the
00:14:17,600 → 00:14:20,910 back of my Falcon. Do you understand
00:14:20,920 → 00:14:25,150 this
Section 33: 00:14:27,509 – 00:14:30,670
00:14:27,509 → 00:14:27,519 people? It's too early in the morning
00:14:27,519 → 00:14:30,670 for
Section 34: 00:14:35,030 – 00:14:56,870
00:14:35,030 → 00:14:35,040 Timmy. Let's go. Please. Um, bring back
00:14:35,040 → 00:14:37,030 the text people. People, I just want to
00:14:37,040 → 00:14:38,470 share a little bit. Are you ready to get
00:14:38,480 → 00:14:40,269 ready? Are you ready for this ceremony,
00:14:40,279 → 00:14:42,870 Ryan? Are you ready? Look at the second
00:14:42,880 → 00:14:44,629 line. I just want you to look at the
00:14:44,639 → 00:14:47,030 first word in the second line. Everybody
00:14:47,040 → 00:14:49,030 who's learning Greek, help me pronounce
00:14:49,040 → 00:14:52,430 that. This is our word for the day.
00:14:52,440 → 00:14:56,870 Mustadia. Mustadia. Look at the gorgeous
Section 35: 00:14:56,880 – 00:15:38,670
00:14:56,880 → 00:14:59,230 accent over that. Ada
00:14:59,240 → 00:15:01,750 must. Now, they were pitching at people.
00:15:01,760 → 00:15:03,990 Remember, this is music and we're
00:15:04,000 → 00:15:07,269 talking about it like idiots. People
00:15:07,279 → 00:15:10,710 have been blown into the past, right? We
00:15:10,720 → 00:15:13,189 don't have this tech. English doesn't
00:15:13,199 → 00:15:15,790 employ this
00:15:15,800 → 00:15:18,310 tech. God, it's gorgeous. You got to
00:15:18,320 → 00:15:20,389 appreciate Mother Greek, baby. Right.
00:15:20,399 → 00:15:22,150 She go right in before you start taking
00:15:22,160 → 00:15:24,710 off taking off things and stripping her
00:15:24,720 → 00:15:27,590 down to her bare beauties. Right?
00:15:27,600 → 00:15:29,470 Appreciate her from a distance.
00:15:29,480 → 00:15:32,269 Mustadia. This is the
00:15:32,279 → 00:15:35,030 mystery. And who is worthy of this
00:15:35,040 → 00:15:36,110 stuff,
00:15:36,120 → 00:15:38,670 right? A child
Section 36: 00:15:38,680 – 00:15:59,230
00:15:38,680 → 00:15:41,670 is a child is what's going on here
00:15:41,680 → 00:15:44,750 people in this document? You are
00:15:44,760 → 00:15:48,550 bringing your daughter. Who Who are you?
00:15:48,560 → 00:15:50,590 You are a
00:15:50,600 → 00:15:52,790 father. And you say, "Well, wait a
00:15:52,800 → 00:15:54,870 minute. I got a sacred temple, not an
00:15:54,880 → 00:15:59,230 obelisk between my fritter fries."
Section 37: 00:15:59,240 – 00:16:50,949
00:15:59,240 → 00:16:03,030 No, doesn't matter. You're a father and
00:16:03,040 → 00:16:07,069 you are bringing your daughter to the
00:16:07,079 → 00:16:09,829 initiation. Why is she going to go
00:16:09,839 → 00:16:12,790 through an initiation? You are going to
00:16:12,800 → 00:16:13,710 push
00:16:13,720 → 00:16:18,230 her into the realm beyond.
00:16:18,240 → 00:16:19,629 She will
00:16:19,639 → 00:16:25,150 transfer her soul beyond the limits of
00:16:25,160 → 00:16:29,310 death in order to bring back a
00:16:29,320 → 00:16:32,670 vision that will guide her through her
00:16:32,680 → 00:16:36,269 life, a way of opening up
00:16:36,279 → 00:16:38,870 communications between you and me and
00:16:38,880 → 00:16:40,430 the
00:16:40,440 → 00:16:42,509 invisible. Do you
00:16:42,519 → 00:16:46,550 understand? This is the mystery. Do you
00:16:46,560 → 00:16:48,189 hear me, son of
00:16:48,199 → 00:16:50,949 God? Let's see what they missed. Now,
Section 38: 00:16:50,959 – 00:17:06,909
00:16:50,959 → 00:16:53,110 people, this text, go ahead and put the
00:16:53,120 → 00:16:56,310 text back up there. When is this text um
00:16:56,320 → 00:16:59,110 composed? This is edited. This text is
00:16:59,120 → 00:17:01,910 put together, right? And edited by some
00:17:01,920 → 00:17:06,909 fancy Nancy Germans in the 1900s
Section 39: 00:17:06,919 – 00:17:22,750
00:17:06,919 → 00:17:10,230 early, right? And what are they doing?
00:17:10,240 → 00:17:12,309 These linguists, oh god, they're so
00:17:12,319 → 00:17:14,230 good. But they're trying to figure out
00:17:14,240 → 00:17:16,949 what the hell does all this mean. This
00:17:16,959 → 00:17:22,750 is no ordinary tax,
Section 40: 00:17:25,909 – 00:18:00,669
00:17:25,909 → 00:17:25,919 people. One of the things that you've
00:17:25,919 → 00:17:28,270 got to
00:17:28,280 → 00:17:30,830 reckon is the
00:17:30,840 → 00:17:33,230 music that is in the
00:17:33,240 → 00:17:35,590 text, the instructions, right?
00:17:35,600 → 00:17:37,190 Everything's pretty clear. He even says
00:17:37,200 → 00:17:40,230 he's going to he's going to, you know,
00:17:40,240 → 00:17:42,789 hey, daughter, right? You got to take
00:17:42,799 → 00:17:45,110 this is line three. He says it's
00:17:45,120 → 00:17:48,029 necessary for you, my beloved sweetie
00:17:48,039 → 00:17:50,230 daughter. No, it doesn't say that. It
00:17:50,240 → 00:17:52,230 just says daughter, but I don't know. I
00:17:52,240 → 00:17:54,390 think it sounds like a nice guy. It's
00:17:54,400 → 00:17:57,630 necessary for you to partake of the
00:17:57,640 → 00:18:00,669 hool those juices
Section 41: 00:18:00,679 – 00:18:06,350
00:18:00,679 → 00:18:06,350 botanon of the
Section 42: 00:18:09,430 – 00:18:29,950
00:18:09,430 → 00:18:09,440 plants. Do you understand why? What is
00:18:09,440 → 00:18:12,950 he doing? He's initiating her, right?
00:18:12,960 → 00:18:14,870 Well, he isn't. He's just facilitating
00:18:14,880 → 00:18:18,150 it, right? Oh, God. Is it gorgeous? Now,
00:18:18,160 → 00:18:20,549 why are we doing all this? People, look
00:18:20,559 → 00:18:22,950 after the line for the fourth line down.
00:18:22,960 → 00:18:25,029 Look at the second half of the line.
00:18:25,039 → 00:18:26,430 Hey,
00:18:26,440 → 00:18:29,950 no. Helios
Section 43: 00:18:29,960 – 00:18:33,830
00:18:29,960 → 00:18:33,830 mitas mas.
Section 44: 00:18:33,840 – 00:18:46,190
00:18:33,840 → 00:18:36,510 Who are we
00:18:36,520 → 00:18:40,990 approaching in order to initiate the
00:18:41,000 → 00:18:46,190 mysteries? We are approaching
Section 45: 00:18:52,909 – 00:19:00,870
00:18:52,909 → 00:18:52,919 mitas.
00:18:52,919 → 00:18:55,150 Okay.
00:18:55,160 → 00:19:00,870 Mitra is the lucifera.
Section 46: 00:19:05,350 – 00:19:37,230
00:19:05,350 → 00:19:05,360 She is the one who brings the dawn. And
00:19:05,360 → 00:19:09,669 do you know what? We must enter the eye
00:19:11,880 → 00:19:13,390 Helios. All
00:19:13,400 → 00:19:17,270 right. All right. Fantastic. Now, for
00:19:17,280 → 00:19:21,710 the son of Apollo, I know that you know
00:19:21,720 → 00:19:24,990 well Helios and
00:19:25,000 → 00:19:27,870 Apollo are the
00:19:27,880 → 00:19:31,950 same. That ray of
00:19:31,960 → 00:19:37,230 light is a ray of
Section 47: 00:19:41,950 – 00:19:57,909
00:19:41,950 → 00:19:41,960 music. What is the quantum physics
00:19:41,960 → 00:19:45,750 behind going on? I don't know. I don't
00:19:45,760 → 00:19:47,870 know. Can we get to the Christing
00:19:47,880 → 00:19:51,029 No. Gorgeous. Absolutely gorgeous. The
00:19:51,039 → 00:19:53,990 rays of the sun. People, do you
00:19:54,000 → 00:19:57,909 understand the technology now?
Section 48: 00:19:57,919 – 00:20:02,190
00:19:57,919 → 00:20:02,190 Great God,
Section 49: 00:20:07,230 – 00:20:52,510
00:20:07,230 → 00:20:07,240 Helios. Yeah. What are we asking
00:20:07,240 → 00:20:12,630 for? We're asking for Hermes. We are the
00:20:12,640 → 00:20:16,870 human soul and we are asking for some
00:20:16,880 → 00:20:18,590 sort of
00:20:18,600 → 00:20:21,669 communication, some avenue to open up
00:20:21,679 → 00:20:24,710 people. Do you understand why it is when
00:20:24,720 → 00:20:27,870 you bring yourself to
00:20:27,880 → 00:20:32,830 climax in this quantum reality, it is a
00:20:32,840 → 00:20:36,110 line of
00:20:36,120 → 00:20:38,909 communication. This is the
00:20:38,919 → 00:20:43,750 tech, the bronze age drug tech that is
00:20:43,760 → 00:20:49,230 so powerful requires a religion that is
00:20:49,240 → 00:20:52,510 primarily
Section 50: 00:20:56,510 – 00:21:18,110
00:20:56,510 → 00:20:56,520 physical. It is rooted in your
00:20:56,520 → 00:20:59,149 physicality. And it turns
00:20:59,159 → 00:21:01,789 out the place we
00:21:01,799 → 00:21:05,149 start is with the
00:21:05,159 → 00:21:10,230 seven whom we hold in our right hand as
00:21:10,240 → 00:21:18,110 bringingers of
Section 51: 00:21:21,149 – 00:21:47,230
00:21:21,149 → 00:21:21,159 dawn. Yes. Do you have an image of the
00:21:21,159 → 00:21:22,830 seven?
00:21:22,840 → 00:21:24,990 Fantastic.
00:21:25,000 → 00:21:28,630 Fantastic. Okay, people. Now, I want you
00:21:28,640 → 00:21:31,909 to realize the father is going to tell
00:21:31,919 → 00:21:34,870 his daughter, "Hey,
00:21:34,880 → 00:21:37,830 um, you're going to take these drugs and
00:21:37,840 → 00:21:40,669 you're going to go through this process,
00:21:40,679 → 00:21:42,909 right? And you will
00:21:42,919 → 00:21:47,230 receive that
Section 52: 00:21:50,149 – 00:22:01,370
00:21:50,149 → 00:21:50,159 messenger." God. All right. All right.
00:21:50,159 → 00:21:51,669 All right. Bring back up more text.
00:21:51,679 → 00:21:53,830 Let's do a little more text. I remember
00:21:53,840 → 00:21:55,750 these Germans who are writing this all
00:21:55,760 → 00:21:58,270 out trying to figure out oh
00:21:58,280 → 00:22:01,370 god what is this Aryan
Section 53: 00:22:01,380 – 00:22:03,630
00:22:01,380 → 00:22:03,630 [Music]
Section 54: 00:22:03,640 – 00:22:11,430
00:22:03,640 → 00:22:07,549 queen? What is the force of the
00:22:07,559 → 00:22:11,430 mithraism? What is the power of the
Section 55: 00:22:11,440 – 00:22:12,830
00:22:11,440 → 00:22:12,830 [Music]
Section 56: 00:22:12,840 – 00:22:33,310
00:22:12,840 → 00:22:15,470 maida? This is what these texts are
00:22:15,480 → 00:22:18,710 people. You realize these are Christing
00:22:18,720 → 00:22:21,830 mysteries. And who is it that we know
00:22:21,840 → 00:22:25,029 was performing this? Was instigating,
00:22:25,039 → 00:22:26,590 initiating,
00:22:26,600 → 00:22:29,029 discovering this, right? According to
00:22:29,039 → 00:22:33,310 the historians, it was
Section 57: 00:22:38,669 – 00:23:09,870
00:22:38,669 → 00:22:38,679 media. You were looking at Mitra
00:22:38,679 → 00:22:41,430 herself and the first place that she
00:22:41,440 → 00:22:46,070 sends you is to the seven. Oh god. Okay.
00:22:46,080 → 00:22:48,310 Blow it up. Blow it up, people. Look at
00:22:48,320 → 00:22:50,430 this. First
00:22:50,440 → 00:22:54,710 Genesis. First genesis of my Genesis.
00:22:54,720 → 00:22:57,590 Wait, what? Oh god, I told you the metal
00:22:57,600 → 00:23:00,390 spellcraft is there, right people?
00:23:00,400 → 00:23:02,630 Right, remember who is it that's you
00:23:02,640 → 00:23:05,909 that's performing this, right? It's the
00:23:05,919 → 00:23:09,870 one who holds the
Section 58: 00:23:13,029 – 00:23:22,270
00:23:13,029 → 00:23:13,039 strings. Isn't that gorgeous? The one
00:23:13,039 → 00:23:16,870 who holds the strings. First Genesis of
00:23:16,880 → 00:23:19,350 my Genesis. And look what follows.
00:23:19,360 → 00:23:22,270 Genesis
Section 59: 00:23:25,750 – 00:23:54,029
00:23:25,750 → 00:23:25,760 proes. And look at what follows it.
00:23:25,760 → 00:23:28,990 Alpha, epsilon, ada, yoda, omocron,
00:23:29,000 → 00:23:31,789 oopsilon, and
00:23:31,799 → 00:23:38,190 omega. I am the alpha and the
00:23:38,200 → 00:23:44,310 omega. I am showing revealing to you the
00:23:44,320 → 00:23:46,190 seven
00:23:46,200 → 00:23:54,029 stars. The seven
Section 60: 00:23:57,230 – 00:24:27,990
00:23:57,230 → 00:23:57,240 wanderers for the
00:23:57,240 → 00:24:00,149 strings. This is the physics that will
00:24:00,159 → 00:24:02,270 cause the right to
00:24:02,280 → 00:24:07,750 work. This is the scale. Can you blow
00:24:07,760 → 00:24:09,430 this up, Chewy? Can I blow it up? Let me
00:24:09,440 → 00:24:12,549 see. Boom. A little bit. Maybe I can.
00:24:12,559 → 00:24:14,149 No, you can't highlight this up. Try it.
00:24:14,159 → 00:24:15,590 And if you click it, it'll switch the
00:24:15,600 → 00:24:17,750 page. Stop. If you click it, it'll
00:24:17,760 → 00:24:20,070 switch the page. Don't. No, no, it's
00:24:20,080 → 00:24:21,830 okay. Just leave it. People right Oh,
00:24:21,840 → 00:24:24,230 you mean like this? Look people right
00:24:24,240 → 00:24:27,990 here. Thanks. Look, people right here.
Section 61: 00:24:28,000 – 00:24:45,909
00:24:28,000 → 00:24:30,470 Alpha, epsilon, 80, Yoda, omocron,
00:24:30,480 → 00:24:33,430 oopsilon, omega. And what are those?
00:24:33,440 → 00:24:36,590 Those are the vowels of ancient
00:24:36,600 → 00:24:39,990 Greek. The vowels of ancient Greek.
00:24:40,000 → 00:24:45,909 Those are the seven wandering stars.
Section 62: 00:24:45,919 – 00:24:57,230
00:24:45,919 → 00:24:48,510 First beginning of my
00:24:48,520 → 00:24:51,350 beginning. Oh god. David, do you
00:24:51,360 → 00:24:53,669 understand what's going on? First
00:24:53,679 → 00:24:57,230 beginning of my
Section 63: 00:25:11,029 – 00:25:40,789
00:25:11,029 → 00:25:11,039 happens? No. What? Oh god. Did somebody
00:25:11,039 → 00:25:13,510 give that guy too much to drink? Now
00:25:13,520 → 00:25:16,870 people, I want to step back and say no.
00:25:16,880 → 00:25:18,310 People look at what I'm underlining
00:25:18,320 → 00:25:19,990 here. Look at what I'm circling. You see
00:25:20,000 → 00:25:21,990 these three Ps and these three sigas and
00:25:22,000 → 00:25:24,230 these this FE and this row. What the
00:25:24,240 → 00:25:28,350 hell is that? What the hell is that?
00:25:28,360 → 00:25:29,870 Huh?
00:25:29,880 → 00:25:33,269 Interesting, right? It tells us what
00:25:33,279 → 00:25:34,590 those
00:25:34,600 → 00:25:37,230 are. This is your
00:25:37,240 → 00:25:40,789 percussion, your civilation.
Section 64: 00:25:40,799 – 00:26:13,070
00:25:40,799 → 00:25:43,430 your percussion and your civilation.
00:25:43,440 → 00:25:46,310 Those are their terms, not mine. People,
00:25:46,320 → 00:25:50,269 do you understand? Okay. This is the
00:25:50,279 → 00:25:53,310 spirit of
00:25:53,320 → 00:25:55,310 spirits. Do you
00:25:55,320 → 00:25:58,149 understand? This is the first of the
00:25:58,159 → 00:26:01,750 spirit in me, right? We're pulling out
00:26:01,760 → 00:26:05,110 your your our daughter's c. And then
00:26:05,120 → 00:26:07,630 what follows it?
00:26:07,640 → 00:26:13,070 M. You see these three muse?
Section 65: 00:26:15,990 – 00:26:47,190
00:26:15,990 → 00:26:16,000 Ma, do you know what I did? Pete, make
00:26:16,000 → 00:26:19,110 it small. Make it small. I was like, "M,
00:26:19,120 → 00:26:21,070 what the hell's going
00:26:21,080 → 00:26:23,510 on?" I was like, "M, what the hell's
00:26:23,520 → 00:26:25,669 going on? There's this meow meow meow.
00:26:25,679 → 00:26:26,950 How the hell am I going to figure this
00:26:26,960 → 00:26:29,510 out? I can't. The son of God is
00:26:29,520 → 00:26:33,070 depending on this. How do I figure it
00:26:33,080 → 00:26:37,110 out? Can you show me?" I She did. I
00:26:37,120 → 00:26:40,310 would write to a a Scolia asked somebody
00:26:40,320 → 00:26:44,190 was commenting talking about it. Oh my
00:26:44,200 → 00:26:47,190 god. MW mew. You know what the mew
Section 66: 00:26:47,200 – 00:27:16,909
00:26:47,200 → 00:26:49,630 equals? It equals the
00:26:49,640 → 00:26:52,789 vocalization that the mystery initiates
00:26:52,799 → 00:26:54,190 make when
00:26:54,200 → 00:26:57,549 they when they what?
00:26:57,559 → 00:27:01,830 Mwell. What it's translated by the
00:27:01,840 → 00:27:03,630 English word
00:27:03,640 → 00:27:07,710 bellowing. Bellowing. It is the
00:27:07,720 → 00:27:11,190 sound. It is the sound that we make as
00:27:11,200 → 00:27:16,909 beasts when we
Section 67: 00:27:27,750 – 00:28:01,549
00:27:27,750 → 00:27:27,760 text. Fantastic. Let's keep going. It's
00:27:27,760 → 00:27:29,510 absolutely gorgeous. I want to get us to
00:27:29,520 → 00:27:31,750 the to the seven because I want you
00:27:31,760 → 00:27:34,789 people to see her. Oh god, she's so
00:27:34,799 → 00:27:38,789 gorgeous. People, right? All right. Um,
00:27:38,799 → 00:27:41,750 people, look, after the bellowing, uh, I
00:27:41,760 → 00:27:44,630 want to jump a little ahead, you know,
00:27:44,640 → 00:27:46,710 first I want to I want to see the first
00:27:46,720 → 00:27:51,750 of my fire, right? First of my fire. Now
00:27:51,760 → 00:27:54,830 look people again, we've got a set of
00:27:54,840 → 00:27:58,230 words that are not words, right? And all
00:27:58,240 → 00:28:01,549 the all the German classes were like,
Section 68: 00:28:01,559 – 00:28:40,789
00:28:01,559 → 00:28:03,630 "Oh,
00:28:03,640 → 00:28:07,669 oh my goodness." Right? What is this
00:28:07,679 → 00:28:10,870 doing? What is the text doing? Right?
00:28:10,880 → 00:28:14,549 Well, they often times put Wes Mikai,
00:28:14,559 → 00:28:16,710 they decided, hey, we'll just we'll come
00:28:16,720 → 00:28:19,830 up with some Latin, you know, like a lot
00:28:19,840 → 00:28:22,070 of classes do. We'll name this according
00:28:22,080 → 00:28:25,510 to Latin or Latin uh words roots and
00:28:25,520 → 00:28:29,630 we'll say this is I don't know magical
00:28:29,640 → 00:28:31,990 voices. Can you believe that people? Do
00:28:32,000 → 00:28:33,430 you know how helpful that is? That's
00:28:33,440 → 00:28:36,310 totally unhelpful. Now John Scarboro and
00:28:36,320 → 00:28:37,950 I go
00:28:37,960 → 00:28:40,789 ahead. Yeah. Uh take it take me back.
Section 69: 00:28:40,799 – 00:29:17,029
00:28:40,799 → 00:28:44,269 John Scarbor and I would sit and in a
00:28:44,279 → 00:28:47,950 tavern on campus at the University of
00:28:47,960 → 00:28:50,950 Wisconsin. Um, in the afternoons after
00:28:50,960 → 00:28:53,430 classes, I would meet him at tavern and
00:28:53,440 → 00:28:55,110 or his office and we'd walk to the
00:28:55,120 → 00:28:58,310 tavern and we would sit there with a
00:28:58,320 → 00:29:01,029 pint and these texts and he would talk
00:29:01,039 → 00:29:04,389 about how crappy the translations are
00:29:04,399 → 00:29:07,870 and you say, "Oh my god, no,
00:29:07,880 → 00:29:11,669 he's no wonder you're so such a gadfly.
00:29:11,679 → 00:29:14,389 No wonder you're No, no, no, people. He
00:29:14,399 → 00:29:17,029 He was involved in the translation. He
Section 70: 00:29:17,039 – 00:29:52,590
00:29:17,039 → 00:29:18,909 was doing some of the
00:29:18,919 → 00:29:20,870 translations. These they're published.
00:29:20,880 → 00:29:23,190 You can see them. If you look use the
00:29:23,200 → 00:29:25,830 Hans Steerbats text and you check it
00:29:25,840 → 00:29:28,710 out, you'll see that Scarbor was one of
00:29:28,720 → 00:29:31,710 the translators. So I sat there with him
00:29:31,720 → 00:29:34,830 drinking pints looking at these texts,
00:29:34,840 → 00:29:37,750 right? And uh he would talk about what
00:29:37,760 → 00:29:41,110 was so bad about them. And um they are
00:29:41,120 → 00:29:44,470 very difficult. These are master level
00:29:44,480 → 00:29:47,350 texts. You really are out of your league
00:29:47,360 → 00:29:49,590 just due to the fact that you are a
00:29:49,600 → 00:29:52,590 modern person. You're out of your
Section 71: 00:29:52,600 – 00:30:34,070
00:29:52,600 → 00:29:56,470 league. Yeah. Yeah. There's a lot that
00:29:56,480 → 00:29:59,029 this text demands of you and there's a
00:29:59,039 → 00:30:00,630 lot of work to be done on them. They
00:30:00,640 → 00:30:02,389 didn't realize, let's go back to the
00:30:02,399 → 00:30:05,070 text. They thought these were magical
00:30:05,080 → 00:30:07,750 voices and they didn't realize that they
00:30:07,760 → 00:30:09,950 are not. They're are musical
00:30:09,960 → 00:30:13,110 notation. These are notes, people,
00:30:13,120 → 00:30:16,350 combos of notes. I guess you call those
00:30:16,360 → 00:30:18,430 chords. Ada
00:30:18,440 → 00:30:21,310 oopsilon. Those are two
00:30:21,320 → 00:30:26,230 notes, right? Two different notes. And
00:30:26,240 → 00:30:28,389 now characteristically now notice
00:30:28,399 → 00:30:31,310 there's two and then three and then two,
00:30:31,320 → 00:30:34,070 right? Sometimes there will be three
Section 72: 00:30:34,080 – 00:30:56,350
00:30:34,080 → 00:30:37,070 with all the same
00:30:37,080 → 00:30:38,590 note.
00:30:38,600 → 00:30:41,669 Okay, gorgeous. How are we going to what
00:30:41,679 → 00:30:43,669 are we going to do with these notes?
00:30:43,679 → 00:30:47,389 We're gonna make that water of life,
00:30:47,399 → 00:30:50,909 baby. Right. That
00:30:50,919 → 00:30:56,350 essence, right? That first earth
Section 73: 00:30:56,360 – 00:31:38,389
00:30:56,360 → 00:30:58,590 essence.
00:30:58,600 → 00:31:00,710 Okay. What what are we going to get out
00:31:00,720 → 00:31:04,789 of this toon? Man, do you understand
00:31:04,799 → 00:31:08,230 that toon is the right you are going to
00:31:08,240 → 00:31:10,110 get an
00:31:10,120 → 00:31:12,710 initiated person.
00:31:12,720 → 00:31:15,110 Where is the 666? Now look at this
00:31:15,120 → 00:31:16,950 people. This is interesting. You see
00:31:16,960 → 00:31:19,669 this? The dude, one of the dudes that's
00:31:19,679 → 00:31:23,669 working on this long time ago is leaving
00:31:23,679 → 00:31:26,070 notes along with a little German
00:31:26,080 → 00:31:28,870 commentary every once in a while, right?
00:31:28,880 → 00:31:31,830 But he's telling you he's telling you
00:31:31,840 → 00:31:35,190 where all these um terms can be accessed
00:31:35,200 → 00:31:38,389 and literature and yeah, this fantastic
Section 74: 00:31:38,399 – 00:32:10,269
00:31:38,399 → 00:31:41,870 people. Look at this.
00:31:41,880 → 00:31:46,750 And right now he's going to
00:31:46,760 → 00:31:48,870 recognize. Wait a minute. What? You just
00:31:48,880 → 00:31:53,070 put a a P on the front of that word for
00:31:53,080 → 00:31:56,950 chance. Who is T? TK is chance, right?
00:31:56,960 → 00:31:58,630 Oh god. Let's jump through his. Look
00:31:58,640 → 00:32:00,630 here. He is more. Oh god, this guy is
00:32:00,640 → 00:32:04,149 loving it. Ryan, look at his notes. Oh,
00:32:04,159 → 00:32:06,310 is that the ANRW? It's probably I don't
00:32:06,320 → 00:32:10,269 know. Ashig and Nethergon right
Section 75: 00:32:10,279 – 00:32:44,190
00:32:10,279 → 00:32:15,029 1930 current reading 1930 fantastic you
00:32:15,039 → 00:32:17,909 people see where we are in time isn't
00:32:17,919 → 00:32:19,830 this gorgeous this isn't an argument
00:32:19,840 → 00:32:22,230 this isn't theology it's just you know
00:32:22,240 → 00:32:25,110 look at this okay let's keep going with
00:32:25,120 → 00:32:27,549 some text here people look here's the
00:32:27,559 → 00:32:31,590 German here's the Deutsch people is yeah
00:32:31,600 → 00:32:34,269 or I can zoom
00:32:34,279 → 00:32:37,669 out Okay, let's go back to the Greek.
00:32:37,679 → 00:32:39,710 The Greek is
00:32:39,720 → 00:32:44,190 gorgeous. Okay. Oh god,
Section 76: 00:32:44,200 – 00:32:54,990
00:32:44,200 → 00:32:48,909 people. Okay, now what I think I want to
00:32:48,919 → 00:32:51,590 do, I want you to jump down to this
00:32:51,600 → 00:32:54,990 middle
Section 77: 00:32:58,630 – 00:33:10,430
00:32:58,630 → 00:32:58,640 line. What am I looking for, people? I'm
00:32:58,640 → 00:33:00,350 looking
00:33:00,360 → 00:33:05,990 for I'm looking for that. Holy fire. I
00:33:06,000 → 00:33:10,430 want to
Section 78: 00:33:12,789 – 00:34:01,789
00:33:12,789 → 00:33:12,799 see. What are we looking in? We're
00:33:12,799 → 00:33:14,590 looking into the
00:33:14,600 → 00:33:18,509 abyss. We're looking into the abyss,
00:33:18,519 → 00:33:23,149 people. Right. We're looking at
00:33:23,159 → 00:33:26,470 ether, right? We're looking at that
00:33:26,480 → 00:33:28,990 which is
00:33:29,000 → 00:33:33,070 immortal. Oh, God. Now hang
00:33:33,080 → 00:33:35,750 on people. I want you to look in the
00:33:35,760 → 00:33:37,430 middle of the page. Look in the middle
00:33:37,440 → 00:33:39,509 of the page that I've got here. I've got
00:33:39,519 → 00:33:42,350 this concept of
00:33:42,360 → 00:33:45,950 octon, right? I've got some kind of
00:33:45,960 → 00:33:49,230 spirit that is coming from the
00:33:49,240 → 00:33:52,389 rays. Wait, what happened? Yeah, you
00:33:52,399 → 00:33:55,149 took your drugs like daddy
00:33:55,159 → 00:33:58,350 said. They played the
00:33:58,360 → 00:34:01,789 music and you're in the middle of your
Section 79: 00:34:01,799 – 00:34:37,990
00:34:01,799 → 00:34:04,470 initiation. And where people are we
00:34:04,480 → 00:34:07,669 always ending up? We're always ending up
00:34:07,679 → 00:34:11,109 as children of Uranos and Gaia. We're
00:34:11,119 → 00:34:14,909 always ending up with some kind of
00:34:14,919 → 00:34:18,389 Christing. Some kind of Christing. This
00:34:18,399 → 00:34:21,430 is that Leia, right? This is that
00:34:21,440 → 00:34:23,669 process that we've got. I'm I'm rushing
00:34:23,679 → 00:34:25,510 you to the virgins cuz I want you to see
00:34:25,520 → 00:34:28,069 them. Let's see. Do you have anything,
00:34:28,079 → 00:34:30,069 Scholar Man, that you want there for us
00:34:30,079 → 00:34:33,909 to notice? Nah, not really. Not really.
00:34:33,919 → 00:34:36,069 It's okay. I'll find him if he's there.
00:34:36,079 → 00:34:37,990 I got one for you coming up. Oh, some
Section 80: 00:34:38,000 – 00:34:49,629
00:34:38,000 → 00:34:42,190 more German. Fantastic. Okay,
00:34:42,200 → 00:34:45,069 now listen up,
00:34:45,079 → 00:34:49,629 people. Right. Okay.
Section 81: 00:34:49,639 – 00:35:12,510
00:34:49,639 → 00:34:53,829 Um, listen up and please notice our
00:34:53,839 → 00:34:56,790 invocation of silence. We've now entered
00:34:57,720 → 00:35:00,790 conversation between the invisible and
00:35:00,800 → 00:35:04,270 the visible. And there has to be
00:35:04,280 → 00:35:07,109 silence. There has to be silence. I want
00:35:07,119 → 00:35:08,910 you to pay
00:35:08,920 → 00:35:12,510 attention. Right.
Section 82: 00:35:12,520 – 00:35:51,510
00:35:12,520 → 00:35:17,030 Okay. I'm looking for the virgins.
00:35:17,040 → 00:35:18,109 Yeah, that's
00:35:18,119 → 00:35:20,550 okay. Here we go, people. I told you I'm
00:35:20,560 → 00:35:21,670 doing something different. I'm just
00:35:21,680 → 00:35:24,510 workshopping, right? So, I've been
00:35:24,520 → 00:35:27,270 working I've been working on this for a
00:35:27,280 → 00:35:28,950 few days. You know, I come back to it
00:35:28,960 → 00:35:31,109 every once in a while. This is the
00:35:31,119 → 00:35:35,510 famous uh this is the famous um what
00:35:35,520 → 00:35:37,190 they call and I hate that they do this,
00:35:37,200 → 00:35:41,750 but Mithraic liturgy, right? Um look at
00:35:41,760 → 00:35:44,150 the who we're invoking here people on
00:35:44,160 → 00:35:46,150 line 640.
00:35:46,160 → 00:35:48,310 Well, I'm looking for the seven because
00:35:48,320 → 00:35:51,510 that's really why we came today.
Section 83: 00:35:51,520 – 00:36:14,270
00:35:51,520 → 00:35:55,470 He's creating the curios the Lord who is
00:35:55,480 → 00:35:58,349 mealun who is
00:35:58,359 → 00:36:02,790 mealun right completely able in all ways
00:36:02,800 → 00:36:06,550 greatly enable right oh god that great
00:36:06,560 → 00:36:08,470 ruler that king you know I'm the best of
00:36:08,480 → 00:36:14,270 the gods
Section 84: 00:36:18,550 – 00:36:48,990
00:36:18,550 → 00:36:18,560 helasurio the lord of heaven and earth
00:36:18,560 → 00:36:21,430 in the beginning god created
00:36:21,440 → 00:36:24,750 The Uranos and
00:36:24,760 → 00:36:29,750 Gaia. This is their lord, the god of
00:36:29,760 → 00:36:32,870 gods. Do you understand me? This is the
00:36:32,880 → 00:36:35,550 guy who has all the power,
00:36:35,560 → 00:36:37,230 baby.
00:36:37,240 → 00:36:40,950 Right. Excellent. Okay, people. Look in
00:36:40,960 → 00:36:43,510 the middle. Look in the middle. I just
00:36:43,520 → 00:36:46,550 wanted to see the icor of the sperm.
00:36:46,560 → 00:36:48,990 Right.
Section 85: 00:36:49,000 – 00:37:31,550
00:36:49,000 → 00:36:51,109 Ehorospermaticu. Do you know what you
00:36:51,119 → 00:36:52,829 are as a
00:36:52,839 → 00:36:57,310 soul? You are an entity
00:36:57,320 → 00:37:00,510 trapped within a spermatic
00:37:00,520 → 00:37:04,630 icker. Okay, now don't don't try to
00:37:04,640 → 00:37:06,150 explain it. I mean, you sit there and
00:37:06,160 → 00:37:09,109 you think about it. Go home, right? Take
00:37:09,119 → 00:37:12,750 a shower, stare into the nozzle of the
00:37:12,760 → 00:37:16,470 shower, and ask yourself, what exactly
00:37:16,480 → 00:37:19,190 does he mean? Well, it's not me saying
00:37:19,200 → 00:37:21,790 it, people. It's them saying
00:37:21,800 → 00:37:25,310 it. Bring them on. Bring on the
00:37:25,320 → 00:37:29,550 seven people. Look here at line
00:37:29,560 → 00:37:31,550 six.
Section 86: 00:37:31,560 – 00:38:10,829
00:37:31,560 → 00:37:33,790 Six.
00:37:33,800 → 00:37:36,390 S6. Are you ready? I'm going to put my
00:37:36,400 → 00:37:39,270 little thingy underneath it. Are you
00:37:39,280 → 00:37:42,030 ready, people? Can you see the line?
00:37:42,040 → 00:37:47,430 666. Who is it? Who is it that we are
00:37:47,440 → 00:37:50,790 bringing through 666? Because that's
00:37:50,800 → 00:37:54,430 what this verse is. We're
00:37:54,440 → 00:37:58,109 bringing to the
00:37:58,119 → 00:38:00,750 chances. We are
00:38:00,760 → 00:38:05,790 bringing right those daughters of
00:38:05,800 → 00:38:10,829 Uranos. They are holy and good
Section 87: 00:38:10,839 – 00:38:27,069
00:38:10,839 → 00:38:13,349 pareno virgins.
00:38:13,359 → 00:38:17,270 They are hei. They're holy. Right. And
00:38:17,280 → 00:38:19,710 who what what are they? They are
00:38:19,720 → 00:38:21,910 homodiatory. They're those who
00:38:21,920 → 00:38:27,069 participate in the daily activity
Section 88: 00:38:27,079 – 00:38:57,260
00:38:29,800 → 00:38:32,670 many. Wait,
00:38:32,680 → 00:38:36,150 what? Look at line 670.
00:38:36,160 → 00:38:38,030 When the name
00:38:38,040 → 00:38:41,710 appears, that's the name that you
00:38:41,720 → 00:38:44,470 pronounce in the incantation. And
00:38:44,480 → 00:38:45,829 they're not pronouncing it like you and
00:38:45,839 → 00:38:49,470 I do. They're singing it.
00:38:51,910 → 00:38:51,920 Mini. Now, a lot of these are palen
00:38:51,920 → 00:38:53,990 drums, too. They're meant to be done
00:38:54,000 → 00:38:57,260 forwards and backgrounds.
Section 89: 00:38:57,270 – 00:38:59,310
00:38:57,270 → 00:38:59,310 [Music]
Section 90: 00:38:59,320 – 00:39:25,630
00:38:59,320 → 00:39:02,030 Backwards. Do you
00:39:02,040 → 00:39:05,030 understand? Remember, they're bellowing.
00:39:05,040 → 00:39:08,470 They're bellowing, right? And who are
00:39:08,480 → 00:39:11,030 the Oh, did you want to get What do
00:39:11,040 → 00:39:13,910 these What do these virgins do? Well,
00:39:13,920 → 00:39:17,670 first of all, I look at this people.
00:39:17,680 → 00:39:25,630 They rule. Look at line
Section 91: 00:39:28,950 – 00:39:35,710
00:39:28,950 → 00:39:28,960 665. What do they do? They rule with
00:39:28,960 → 00:39:30,190 golden
00:39:30,200 → 00:39:35,710 rods. And they have look
Section 92: 00:39:35,720 – 00:40:00,190
00:39:35,720 → 00:39:39,150 Donadu. Oh my god. Wait, where
00:39:39,160 → 00:39:42,069 did Where does it Oh, there it is. Hang
00:39:42,079 → 00:39:46,030 on. Before we do that, look up line
00:39:46,040 → 00:39:51,470 64. Parthnos. What are they in
00:39:51,480 → 00:39:55,030 Business? Business. Who are they? What
00:39:55,040 → 00:40:00,190 What is busos? It it's
Section 93: 00:40:02,270 – 00:40:18,670
00:40:02,270 → 00:40:02,280 uh the
00:40:02,280 → 00:40:06,030 finest of those linen strips that you
00:40:06,040 → 00:40:08,630 impregnate with the purple. If you look
00:40:08,640 → 00:40:11,510 it up in the LSJ, you'll find it that it
00:40:11,520 → 00:40:14,710 says this equals the poor fura, right?
00:40:14,720 → 00:40:18,670 This is that ding
Section 94: 00:40:18,680 – 00:40:28,829
00:40:18,680 → 00:40:20,270 injected
00:40:20,280 → 00:40:22,870 cloth. And what do they do? They're
00:40:22,880 → 00:40:28,829 wearing it. And what do their faces look
Section 95: 00:40:31,190 – 00:41:09,710
00:40:31,190 → 00:40:31,200 like? Did we just read this backwards
00:40:31,200 → 00:40:33,630 from 666? Yeah, we
00:40:33,640 → 00:40:36,270 did. They have
00:40:36,280 → 00:40:39,950 faces of
00:40:39,960 → 00:40:42,790 asps of serpents. Bring up the pictures,
00:40:42,800 → 00:40:45,109 Chewy. You have some pictures of that.
00:40:45,119 → 00:40:47,270 All right now, I want to talk about the
00:40:47,280 → 00:40:49,109 art with Chewy a little bit here for a
00:40:49,119 → 00:40:51,670 second, which we hardly ever do. But I
00:40:51,680 → 00:40:55,270 want you to realize what this is, what
00:40:55,280 → 00:40:59,349 she is, who she is, right? And when I
00:40:59,359 → 00:41:01,030 say what she is, I'm really talking
00:41:01,040 → 00:41:03,670 about what she is. What speciation are
00:41:03,680 → 00:41:09,710 we talking about, right? This
Section 96: 00:41:13,069 – 00:41:20,829
00:41:13,069 → 00:41:13,079 priestess, she has been
00:41:13,079 → 00:41:15,630 raised within the
00:41:15,640 → 00:41:20,829 right. She is the virgin
Section 97: 00:41:20,839 – 00:41:57,230
00:41:20,839 → 00:41:23,510 viper. What does that mean? Does that
00:41:23,520 → 00:41:25,750 mean she has the head of an actual
00:41:25,760 → 00:41:28,870 snake? Don't be stupid. These are
00:41:28,880 → 00:41:31,589 Greeks, man. They would laugh at your
00:41:31,599 → 00:41:32,910 stupid
00:41:32,920 → 00:41:37,390 ass, right? She has been under the
00:41:37,400 → 00:41:40,510 influence of the
00:41:40,520 → 00:41:43,550 communion from that developmental
00:41:43,560 → 00:41:47,030 preubital stage. The drugs that they
00:41:47,040 → 00:41:50,750 have been giving her have altered
00:41:50,760 → 00:41:53,589 her and they haven't altered her in a
00:41:53,599 → 00:41:57,230 way that you have
Section 98: 00:42:01,349 – 00:42:22,309
00:42:01,349 → 00:42:01,359 observed. What kind of species do we
00:42:01,359 → 00:42:03,790 have here? We have a
00:42:03,800 → 00:42:06,150 genetically enhanced and when I say
00:42:06,160 → 00:42:09,190 enhanced what I mean is they have given
00:42:09,200 → 00:42:12,670 drugs that have activated
00:42:12,680 → 00:42:15,270 genes. They have given drugs that have
00:42:15,280 → 00:42:22,309 affected tissue development hormonally.
Section 99: 00:42:25,710 – 00:42:37,710
00:42:25,710 → 00:42:25,720 This is the
00:42:25,720 → 00:42:28,109 viper, the
00:42:28,119 → 00:42:31,349 akidna, and she is all over the place in
00:42:31,359 → 00:42:37,710 our text
Section 100: 00:42:41,190 – 00:43:19,430
00:42:41,190 → 00:42:41,200 powerfully. God, the tech is gorgeous.
00:42:41,200 → 00:42:43,589 Now, if you want the mystery, this is
00:42:43,599 → 00:42:46,910 why you have to be
00:42:46,920 → 00:42:50,630 Christing. Do you understand?
00:42:50,640 → 00:42:54,109 Do you know who the people are who abuse
00:42:54,119 → 00:42:58,030 this? The generation of
00:42:58,040 → 00:43:00,630 vipers. Do you understand? Jesus wasn't
00:43:00,640 → 00:43:02,030 being
00:43:02,040 → 00:43:04,309 metaphoric. He's being straight up like
00:43:04,319 → 00:43:07,510 he always is. Straight up. And when he
00:43:07,520 → 00:43:10,230 says something, he means it. We are
00:43:10,240 → 00:43:11,710 going to get
00:43:11,720 → 00:43:15,270 scandalized. I am going to get arrested
00:43:15,280 → 00:43:19,430 and they are going to kill me.
Section 101: 00:43:21,109 – 00:43:28,270
00:43:21,109 → 00:43:21,119 Do you understand? He knew his market.
00:43:21,119 → 00:43:23,390 He knew what he was doing. He wasn't a
00:43:23,400 → 00:43:28,270 [\h__\h] Right? These
Section 102: 00:43:28,280 – 00:43:38,670
00:43:28,280 → 00:43:32,309 kidni are the ones that we open the door
00:43:32,319 → 00:43:34,109 to. That's what the text
00:43:34,119 → 00:43:38,670 says. They are the
Section 103: 00:43:44,069 – 00:44:03,790
00:43:44,069 → 00:43:44,079 seven for whom we open the door.
00:43:44,079 → 00:43:45,230 Now do you
00:43:45,240 → 00:43:49,630 see the daughter going through the
00:43:49,640 → 00:43:53,349 initiation through the dawn she is
00:43:53,359 → 00:43:57,309 calling the music of the
00:43:57,319 → 00:44:03,790 seven she is undergoing
Section 104: 00:44:06,109 – 00:44:45,349
00:44:06,109 → 00:44:06,119 initiation and it says right in the
00:44:06,119 → 00:44:08,270 beginning it's through the
00:44:08,280 → 00:44:11,309 drugs it's all through the
00:44:11,319 → 00:44:14,630 drugs right now what is this metal music
00:44:14,640 → 00:44:17,990 that comes from what is this metal music
00:44:18,000 → 00:44:19,870 that comes
00:44:19,880 → 00:44:23,190 from this experience? That's what this
00:44:23,200 → 00:44:26,790 text is hiding. That's the Let's go back
00:44:26,800 → 00:44:29,270 to it. Let's go back to it, people. And
00:44:29,280 → 00:44:32,390 I'm pulling it out. I am pulling it out
00:44:32,400 → 00:44:35,430 because the music is the is the key,
00:44:35,440 → 00:44:38,870 right? Oh, by the way, um, felactory
00:44:38,880 → 00:44:41,750 people people have heard with, uh, on
00:44:41,760 → 00:44:45,349 line 660 here, um, factadia, they're
Section 105: 00:44:45,359 – 00:45:02,069
00:44:45,359 → 00:44:47,750 using felactories in this. What is that?
00:44:47,760 → 00:44:50,710 You think that that's Jewish. It's not.
00:44:50,720 → 00:44:52,630 You think it's a Hebrew word. It's not.
00:44:52,640 → 00:44:54,950 You only think that because of what was
00:44:54,960 → 00:44:56,870 done in the first and second centuries
00:44:56,880 → 00:45:02,069 on odominy to create the false history
Section 106: 00:45:02,079 – 00:45:34,790
00:45:02,079 → 00:45:03,069 of the
00:45:03,079 → 00:45:05,349 Bible, right?
00:45:05,359 → 00:45:07,430 Look, it's a Greek word. The felactory
00:45:07,440 → 00:45:09,990 is a Greek word and it's a device that
00:45:10,000 → 00:45:13,670 is used in a magical ceremony with which
00:45:13,680 → 00:45:17,950 one communicates to with the
00:45:17,960 → 00:45:21,990 divine. Do you understand? Oh my god.
00:45:22,000 → 00:45:23,910 What are we doing people? We're opening.
00:45:23,920 → 00:45:25,270 You're going He says he says you're
00:45:25,280 → 00:45:27,829 going to see that open door, right? This
00:45:27,839 → 00:45:31,109 is where these virgins are dressed in
00:45:31,119 → 00:45:34,790 that injected cloth.
Section 107: 00:45:34,800 – 00:46:03,990
00:45:34,800 → 00:45:38,870 these daughters, right? Oh god. Okay.
00:45:38,880 → 00:45:41,109 What are they protecting people? This is
00:45:41,119 → 00:45:42,190 for the
00:45:42,200 → 00:45:44,550 esoteric community who wants to figure
00:45:44,560 → 00:45:46,910 this out. What are they
00:45:46,920 → 00:45:49,630 doing? They are
00:45:49,640 → 00:45:53,430 guardians, right? And by the way, viper
00:45:53,440 → 00:45:56,470 virgins are fierce, baby. That stuff
00:45:56,480 → 00:45:59,030 they give them over time makes them
00:45:59,040 → 00:46:01,230 fierce and like totally
00:46:01,240 → 00:46:03,990 fearless, right?
Section 108: 00:46:04,000 – 00:46:15,710
00:46:04,000 → 00:46:06,550 What are they guarding? They're guarding
00:46:06,560 → 00:46:09,790 the four
00:46:09,800 → 00:46:15,710 pillars. They're guarding the four
Section 109: 00:46:17,309 – 00:46:42,109
00:46:17,309 → 00:46:17,319 pillars.
00:46:17,319 → 00:46:20,550 Okay. Right. We're greeting them. Uh-oh.
00:46:20,560 → 00:46:22,910 Now look what this Are they watching
00:46:22,920 → 00:46:26,150 this people? Look at this. I want to
00:46:26,160 → 00:46:28,390 introduce you to something. This is
00:46:28,400 → 00:46:31,109 something the German who's going over
00:46:31,119 → 00:46:33,349 this and writing and trying to figure
00:46:33,359 → 00:46:35,790 out this text. He's putting in these
00:46:35,800 → 00:46:39,069 notes, right? And here's one. This is
00:46:39,079 → 00:46:42,109 note
Section 110: 00:46:45,390 – 00:46:50,910
00:46:45,390 → 00:46:45,400 666. 666. Right? He's referring to the
00:46:45,400 → 00:46:50,910 lines 666. Hi
Section 111: 00:46:52,910 – 00:47:21,870
00:46:52,910 → 00:46:52,920 epsilon. Hi
00:46:52,920 → 00:46:55,430 epsilon. Now the epsilon is a number.
00:46:55,440 → 00:46:58,230 It's the number five.
00:46:58,240 → 00:47:00,510 It's the number
00:47:00,520 → 00:47:03,670 five. And what are Tai? Well, notice
00:47:03,680 → 00:47:05,870 that's
00:47:05,880 → 00:47:07,470 Tai,
00:47:07,480 → 00:47:10,109 right? The
00:47:10,119 → 00:47:13,270 goddess who is giving us all of this
00:47:13,280 → 00:47:16,910 through her voice. It just it's affixing
00:47:16,920 → 00:47:21,870 a P to the front of her
Section 112: 00:47:21,880 – 00:48:02,650
00:47:21,880 → 00:47:25,750 name, right? To the front. So people,
00:47:25,760 → 00:47:29,030 what what is this crazy German doing
00:47:29,040 → 00:47:30,589 with
00:47:30,599 → 00:47:34,870 this? Now, you know, you realize I I
00:47:34,880 → 00:47:37,829 admire British scholars from 1850 and I
00:47:37,839 → 00:47:41,190 admire German classes from No, I'll
00:47:41,200 → 00:47:43,589 share it in a second. And German classes
00:47:43,599 → 00:47:46,270 from say 1910 to
00:47:46,280 → 00:47:48,870 1930ish. Um, that's when they dominated
00:47:48,880 → 00:47:50,710 with the good [\h__\h] That's when they
00:47:50,720 → 00:47:52,710 really did the scholarship, you know
00:47:52,720 → 00:47:54,270 what I mean?
00:47:54,280 → 00:47:57,270 Um, and I want to see what they were
00:47:57,280 → 00:47:58,990 talking about for line
00:47:59,000 → 00:48:02,650 666. So, I'm going to bring you this
Section 113: 00:48:02,660 – 00:48:04,270
00:48:02,660 → 00:48:04,270 [Music]
Section 114: 00:48:04,280 – 00:48:45,430
00:48:04,280 → 00:48:08,430 word and I'll share my
00:48:08,440 → 00:48:10,510 screen.
00:48:10,520 → 00:48:12,430 Yep.
00:48:12,440 → 00:48:16,470 Boom. Okay, people look at this. Where
00:48:16,480 → 00:48:19,030 where do your tukai come from? They come
00:48:19,040 → 00:48:23,230 from the nomative form. Pukes.
00:48:23,240 → 00:48:25,829 Dukes rise. Now notice they say the
00:48:25,839 → 00:48:28,710 nominative is only grammatical. Why?
00:48:28,720 → 00:48:29,829 Because you're not going to see it. Look
00:48:29,839 → 00:48:31,270 at all the forms that you see in below.
00:48:31,280 → 00:48:35,270 You see in different cases he das all
00:48:35,280 → 00:48:37,990 with the he, right? But if you know
00:48:38,000 → 00:48:39,510 Greek, ancient Greek, and you're
00:48:39,520 → 00:48:41,589 following, you know that he is wrapped
00:48:41,599 → 00:48:45,430 up um in that C, which is a combo when
Section 115: 00:48:45,440 – 00:49:30,750
00:48:45,440 → 00:48:49,390 you civilate it, right?
00:48:49,400 → 00:48:53,630 Fantastic. Fantastic. What is a
00:48:53,640 → 00:48:57,270 dukes? It is a layer. Most importantly,
00:48:57,280 → 00:48:59,990 it is a layer. Look, layer of what?
00:49:00,000 → 00:49:03,030 Layer of metal, layer of cloth, layer of
00:49:03,040 → 00:49:04,950 leather, they say here, and strong
00:49:04,960 → 00:49:07,349 shields. Talk about layers. You talk
00:49:07,359 → 00:49:10,309 about garments. You can talk about
00:49:10,319 → 00:49:14,190 writing tablets, layers within a within
00:49:14,200 → 00:49:18,950 the right. Okay. Cool. Cool. Cool. Look
00:49:18,960 → 00:49:21,990 at number two. Roman numeral tim folds
00:49:22,000 → 00:49:23,750 or glands. You can talk about folds of
00:49:23,760 → 00:49:26,790 land, right? It all makes sense. Now
00:49:26,800 → 00:49:30,750 look at number
Section 116: 00:49:34,910 – 00:49:43,430
00:49:34,910 → 00:49:34,920 three. These are folds of
00:49:34,920 → 00:49:36,510 song
00:49:38,119 → 00:49:43,430 sineuous songs.
Section 117: 00:49:46,910 – 00:49:57,630
00:49:46,910 → 00:49:46,920 These are the forms of the
00:49:46,920 → 00:49:52,030 seven that our scholar is saying.
00:49:52,040 → 00:49:57,630 Hey, please notice these seven are
Section 118: 00:49:57,640 – 00:50:07,349
00:49:57,640 → 00:50:01,990 associated with this song making in
00:50:02,000 → 00:50:07,349 lyric poets like Pendar.
Section 119: 00:50:08,870 – 00:50:28,670
00:50:08,870 → 00:50:08,880 You know, when you quote Pendar, you're
00:50:08,880 → 00:50:11,870 just you're quoting a rock and roll guy,
00:50:11,880 → 00:50:14,230 right? Right. That's all. You're just
00:50:14,240 → 00:50:16,470 quoting some rock star. You know, Jimmyi
00:50:16,480 → 00:50:19,390 Hendris once played,
00:50:19,400 → 00:50:21,790 right? That's all you're
00:50:21,800 → 00:50:23,870 doing. It's
00:50:23,880 → 00:50:28,670 fantastic. This is new music, people.
Section 120: 00:50:28,680 – 00:50:32,829
00:50:28,680 → 00:50:32,829 This is mystic
Section 121: 00:50:32,839 – 00:50:53,069
00:50:32,839 → 00:50:35,710 metal and it can only be
00:50:35,720 → 00:50:39,950 played by the ne of
00:50:39,960 → 00:50:43,270 Zeus. By the strings of Zeus that are
00:50:43,280 → 00:50:45,790 full of
00:50:45,800 → 00:50:48,829 lightning. Six.
00:50:48,839 → 00:50:53,069 Six.
Section 122: 00:50:53,079 – 00:51:09,309
00:50:53,079 → 00:50:55,750 God. God.
00:50:55,760 → 00:50:58,069 Some people ask sometimes they're like,
00:50:58,079 → 00:50:59,829 "I don't see where it means that." It's
00:50:59,839 → 00:51:01,270 because you don't read the stuff,
00:51:01,280 → 00:51:03,670 people. You don't read this. You don't
00:51:03,680 → 00:51:07,030 spend time reading it, right? You don't
00:51:07,040 → 00:51:09,309 know those
Section 123: 00:51:09,319 – 00:51:48,740
00:51:09,319 → 00:51:12,390 seven. Oh, it's why people, it's why
00:51:12,400 → 00:51:15,109 they can Where's the whip? God, it just
00:51:15,119 → 00:51:17,430 makes me want It's why that they can
00:51:17,440 → 00:51:21,109 say, "Son of a It's that it doesn't feel
00:51:21,119 → 00:51:24,870 as good. God, no. It's not working. How
00:51:24,880 → 00:51:32,349 am I going to let it
00:51:37,470 → 00:51:37,480 out? I better stop that. Hello. Good
00:51:37,480 → 00:51:40,349 morning. All right.
00:51:40,359 → 00:51:43,750 Fantastic. Oh, God. Where did I I was
00:51:43,760 → 00:51:45,710 with seven of the most
00:51:45,720 → 00:51:48,740 beautiful singers.
Section 124: 00:51:48,750 – 00:51:50,069
00:51:48,750 → 00:51:50,069 [Music]
Section 125: 00:51:50,079 – 00:52:11,470
00:51:50,079 → 00:51:53,230 Next thing you knew, I was hitting
00:51:53,240 → 00:51:56,270 Timmy. Give me
00:51:56,280 → 00:51:59,430 the I know. This poor person just pulled
00:51:59,440 → 00:52:02,950 up here trying to figure out what's
00:52:02,960 → 00:52:04,510 going
00:52:04,520 → 00:52:07,630 on. Shut up. He's
00:52:07,640 → 00:52:11,470 fine. Sits out.
Section 126: 00:52:14,150 – 00:52:48,010
00:52:14,150 → 00:52:14,160 Timmy, go. Give me the text one more
00:52:14,160 → 00:52:15,510 time. Okay, people. I just want to find
00:52:15,520 → 00:52:17,910 a Christ thing. Okay. I just want you to
00:52:17,920 → 00:52:19,910 find the Christ thinging in the song,
00:52:19,920 → 00:52:23,790 people. Now, those of you who want this
00:52:23,800 → 00:52:27,109 song that is in the text, what you're
00:52:27,119 → 00:52:29,390 going to find is something that hasn't
00:52:29,400 → 00:52:33,390 been called upon, invoked, created,
00:52:33,400 → 00:52:35,990 reproduced in thousands, several
00:52:36,000 → 00:52:37,549 thousand
00:52:37,559 → 00:52:40,750 years. This is a tech that you would be
00:52:40,760 → 00:52:42,430 reviving.
00:52:42,440 → 00:52:46,309 Right. Okay. Now I just want to see here
Section 127: 00:52:48,020 – 00:52:54,190
00:52:48,020 → 00:52:54,190 [Music]
Section 128: 00:52:56,030 – 00:53:03,150
00:52:56,030 → 00:52:56,040 are
00:52:56,040 → 00:52:57,790 right
00:52:57,800 → 00:53:03,150 here. Okay.
Section 129: 00:53:05,990 – 00:53:31,230
00:53:05,990 → 00:53:06,000 Um, who do we find here? Look who
00:53:06,000 → 00:53:07,910 wandered in. Dude, this is the
00:53:07,920 → 00:53:10,069 lightbringing god. Is everybody ready
00:53:10,079 → 00:53:13,829 for him? Ion. He has this gorgeous young
00:53:13,839 → 00:53:17,670 guy's face and he's got blonde hair.
00:53:17,680 → 00:53:20,190 He's wearing a white
00:53:20,200 → 00:53:23,950 kiton. Yeah. And he's got a golden
00:53:23,960 → 00:53:31,230 crown. Oh god.
Section 130: 00:53:34,309 – 00:53:45,790
00:53:34,309 → 00:53:34,319 What? What are we going to do? We're
00:53:34,319 → 00:53:36,950 going to figure out what the hell to do
00:53:36,960 → 00:53:39,109 with this world. Do you understand? It's
00:53:39,119 → 00:53:45,790 all right, lady. Just go bounce your
Section 131: 00:53:48,470 – 00:54:18,630
00:53:48,470 → 00:53:48,480 business. She had gorgeous white hair.
00:53:48,480 → 00:53:51,230 Look at that.
00:53:51,240 → 00:53:53,670 Fantastic. Um I'm looking for the
00:53:53,680 → 00:53:57,510 Christing people. Um looking for the
00:53:57,520 → 00:53:59,829 Christing in any sort of look. You know
00:53:59,839 → 00:54:01,510 what you do? I don't normally do this
00:54:01,520 → 00:54:04,230 people where I look where I look through
00:54:04,240 → 00:54:06,470 text like this. You know what I mean? Um
00:54:06,480 → 00:54:09,109 here's the notes. Here's the notes. But
00:54:09,119 → 00:54:11,829 this is fun. What is that? Festier he's
00:54:11,839 → 00:54:14,870 quoting. I don't know who that is. Okay.
00:54:14,880 → 00:54:16,390 I mean, I know Festoair, but I don't
00:54:16,400 → 00:54:18,630 know who the what publication he's
Section 132: 00:54:18,640 – 00:54:33,030
00:54:18,640 → 00:54:19,990 quoting there. But, you know, they're
00:54:20,000 → 00:54:21,589 they're obviously trying to do due
00:54:21,599 → 00:54:23,670 diligence, right? These German scholars,
00:54:23,680 → 00:54:25,549 I'm telling you,
00:54:25,559 → 00:54:28,750 fantastic. Here is the dedascalia of the
00:54:28,760 → 00:54:31,030 proxis, right? Look at this people. Line
00:54:31,040 → 00:54:33,030 751.
Section 133: 00:54:33,040 – 00:54:44,990
00:54:33,040 → 00:54:35,190 Now he's just going to write out he or
00:54:35,200 → 00:54:37,270 she is just going to write out what is
00:54:37,280 → 00:54:41,309 the actual way that you carry out the
00:54:41,319 → 00:54:44,990 right.
Section 134: 00:54:47,910 – 00:55:07,069
00:54:47,910 → 00:54:47,920 Right. Okay. And what is the first thing
00:54:47,920 → 00:54:52,190 they jump into? Drugs. Drugs.
00:54:52,200 → 00:54:54,990 People.
00:54:55,000 → 00:54:58,430 Drugs. This one is the sex drug. Now
00:54:58,440 → 00:55:01,349 people, this one is performed. I forgot
00:55:01,359 → 00:55:03,190 to say this. This is my last passage,
00:55:03,200 → 00:55:04,990 but I want to say this looking into your
00:55:05,000 → 00:55:07,069 faces.
Section 135: 00:55:07,079 – 00:55:29,630
00:55:07,079 → 00:55:10,390 Um, this is performed, this right is
00:55:10,400 → 00:55:12,910 performed with drugs that
00:55:12,920 → 00:55:16,510 include sexual stimulants. And when
00:55:16,520 → 00:55:19,829 I drugs that are meant for you to
00:55:19,839 → 00:55:24,430 achieve and maintain a state of
00:55:24,440 → 00:55:29,630 orgasm, physiological orgasm. These are
Section 136: 00:55:29,640 – 00:55:38,349
00:55:29,640 → 00:55:33,470 or these are orgies. These are religious
00:55:33,480 → 00:55:38,349 rights. You must be in a
Section 137: 00:55:41,630 – 00:56:00,789
00:55:41,630 → 00:55:41,640 place of
00:55:41,640 → 00:55:46,349 climax during your drug induced
00:55:46,359 → 00:55:49,990 Christed vision. Do you understand why
00:55:50,000 → 00:55:52,230 Jesus is standing there with Mary with
00:55:52,240 → 00:55:54,950 his hand full of his seed saying,
00:55:54,960 → 00:55:57,230 "You've got to eat this
00:55:57,240 → 00:56:00,789 now to have
Section 138: 00:56:00,799 – 00:56:38,789
00:56:00,799 → 00:56:01,789 ionic
00:56:01,799 → 00:56:03,870 life." Do you
00:56:03,880 → 00:56:06,630 understand people? The ion is the what
00:56:06,640 → 00:56:10,950 we just exposed. That's him, dude.
00:56:10,960 → 00:56:13,030 So, it's, you know, don't be surprised
00:56:13,040 → 00:56:14,870 that they have sex drugs that you're
00:56:14,880 → 00:56:16,470 under the influence of during the
00:56:16,480 → 00:56:17,990 process because they've got to take your
00:56:18,000 → 00:56:19,750 brain to a place of orgasm. Now, every
00:56:19,760 → 00:56:22,510 hippie out there is like,
00:56:22,520 → 00:56:24,549 "Huh?" Every hippie and every
00:56:24,559 → 00:56:26,829 billionaire is out there like, "Wait a
00:56:26,839 → 00:56:30,069 minute." No, you didn't understand,
00:56:30,079 → 00:56:32,470 right? Maybe you didn't. Maybe you had a
00:56:32,480 → 00:56:34,549 clue. Maybe you had a gut instinct.
00:56:34,559 → 00:56:36,069 Personally, I've I have a theory that
00:56:36,079 → 00:56:38,789 every woman who takes psychotropics
Section 139: 00:56:38,799 – 00:57:04,549
00:56:38,799 → 00:56:42,510 realizes that this is all keyed into her
00:56:42,520 → 00:56:45,270 body. Yeah. I I've got a feeling. I
00:56:45,280 → 00:56:47,430 don't know. It's something about it's a
00:56:47,440 → 00:56:48,750 pure
00:56:48,760 → 00:56:51,069 XX. It's not
00:56:51,079 → 00:56:54,109 ruined. It's not trashed into an
00:56:54,119 → 00:56:56,470 XY if you think about it. Very
00:56:56,480 → 00:56:59,789 superfluous, right? You know what I
00:56:59,799 → 00:57:04,549 mean? It's easy though, right?
Section 140: 00:57:04,559 – 00:57:41,950
00:57:04,559 → 00:57:07,190 Right. It's not mentally challenging
00:57:07,200 → 00:57:09,030 that. Why do you think I need a muse,
00:57:09,040 → 00:57:11,430 people? Oh, God. Without the muse, I
00:57:11,440 → 00:57:13,470 would I
00:57:13,480 → 00:57:16,630 don't I don't know. There would be bad
00:57:16,640 → 00:57:18,230 things, you know. I mean, it would just
00:57:18,240 → 00:57:21,589 it would just be complete loss. A loss
00:57:21,599 → 00:57:24,750 of any sort of coherent
00:57:24,760 → 00:57:27,870 theme, any narrative, any
00:57:27,880 → 00:57:31,510 reality. Go back. Yes. Okay. Now people,
00:57:31,520 → 00:57:33,589 what do I want to give you here to
00:57:33,599 → 00:57:37,270 finish off? We looked at those virgins
00:57:37,280 → 00:57:39,589 that step forward, right? We looked at
00:57:39,599 → 00:57:41,950 those virgins that step forward. Thank
Section 141: 00:57:41,960 – 00:58:07,990
00:57:41,960 → 00:57:45,030 you. Doors open to it. We looked at
00:57:45,040 → 00:57:48,349 those virgins that step forward.
00:57:48,359 → 00:57:51,670 Now the individual who's writing this
00:57:51,680 → 00:57:55,430 work is telling us at the top aon if you
00:57:55,440 → 00:57:56,750 really
00:57:56,760 → 00:58:02,109 want to use a sin must a
00:58:02,119 → 00:58:07,990 what a sun must somebody who can go
Section 142: 00:58:08,000 – 00:58:23,230
00:58:08,000 → 00:58:11,870 through the same mystery with
00:58:11,880 → 00:58:15,510 you. Do you understand? Somebody who
00:58:15,520 → 00:58:17,549 what does it
00:58:17,559 → 00:58:23,230 say? So
Section 143: 00:58:25,630 – 00:59:10,950
00:58:25,630 → 00:58:25,640 that so they can
00:58:25,640 → 00:58:29,430 hear those things that you hear when you
00:58:29,440 → 00:58:33,990 are in the mystery and see what you see.
00:58:34,000 → 00:58:35,870 Do you understand
00:58:35,880 → 00:58:40,109 me? Where are you? You are in a state of
00:58:40,119 → 00:58:43,390 cocasy. You look at line
00:58:43,400 → 00:58:46,910 739 in
00:58:46,920 → 00:58:48,589 ecstasy.
00:58:48,599 → 00:58:53,270 People, people, I am willing to bet not
00:58:53,280 → 00:58:56,870 a single one of you even thought this
00:58:56,880 → 00:58:58,510 was
00:58:58,520 → 00:59:02,549 possible. Did you know you can hook two
00:59:02,559 → 00:59:06,789 people together so that they see the
00:59:06,799 → 00:59:10,950 same invisible
Section 144: 00:59:16,109 – 00:59:50,950
00:59:16,109 → 00:59:16,119 This is the power of the ion. This is
00:59:16,119 → 00:59:18,589 ionic
00:59:18,599 → 00:59:21,910 life. Give it back to me. Give it back
00:59:21,920 → 00:59:24,069 to me. Passage. Oh god. I've got to
00:59:24,079 → 00:59:26,630 bring a table. This is climactic. You
00:59:26,640 → 00:59:29,030 know what I mean? Well, blow up. Blow it
00:59:29,040 → 00:59:30,589 up. Oh,
00:59:30,599 → 00:59:32,109 fantastic.
00:59:32,119 → 00:59:34,309 Right now, he says, you got to make sure
00:59:34,319 → 00:59:36,150 this is a decent person you want to do
00:59:36,160 → 00:59:38,390 this with. Right. and that this person
00:59:38,400 → 00:59:42,069 really deserves it. Right? You you don't
00:59:42,079 → 00:59:45,670 initiate um people who are people who
00:59:45,680 → 00:59:47,630 don't deserve it.
00:59:47,640 → 00:59:50,950 Right? Okay. Where is the Here we are.
Section 145: 00:59:50,960 – 00:59:57,950
00:59:50,960 → 00:59:52,710 People look at this line here. It's got
00:59:52,720 → 00:59:57,950 a three above it.
Section 146: 01:00:05,190 – 01:00:23,470
01:00:05,190 → 01:00:05,200 a right now. That doesn't that isn't
01:00:05,200 → 01:00:06,230 what that would have sounded like
01:00:06,240 → 01:00:08,390 because those are notes, right? But
01:00:08,400 → 01:00:11,030 first Genesis of my Genesis. Does that
01:00:11,040 → 01:00:13,109 sound familiar? Remember your children
01:00:13,119 → 01:00:16,750 of earth and sky. In the beginning, God
01:00:16,760 → 01:00:23,470 created Uronos and
Section 147: 01:00:26,109 – 01:00:45,430
01:00:26,109 → 01:00:26,119 Gaes. There's your
01:00:26,119 → 01:00:28,710 initiate, right? What are you going to
01:00:28,720 → 01:00:32,109 do? You're going to talk softly over his
01:00:32,119 → 01:00:35,470 head with your autooi
01:00:35,480 → 01:00:40,109 fungoy with your atonic voice. Now
01:00:40,119 → 01:00:45,430 people people um this is tech that we
Section 148: 01:00:45,440 – 01:01:03,549
01:00:45,440 → 01:00:47,510 I'm going to underline it here that let
01:00:47,520 → 01:00:50,069 me underline you. This is tech that we
01:00:50,079 → 01:00:51,470 do not
01:00:51,480 → 01:00:54,710 recognize. Right? There's got to be a
01:00:54,720 → 01:00:58,710 son of God out there somewhere. Right? a
01:00:58,720 → 01:01:03,549 priest of Apollo who knows the atonic
Section 149: 01:01:03,559 – 01:01:21,309
01:01:03,559 → 01:01:06,750 voice. And why are you doing this
01:01:06,760 → 01:01:10,349 people? You're doing this to create the
01:01:10,359 → 01:01:21,309 link. The link is only brought when
Section 150: 01:01:25,670 – 01:01:34,670
01:01:25,670 → 01:01:25,680 you when you what? When you Christ him
01:01:25,680 → 01:01:27,510 with where are you going to Christ him?
01:01:27,520 → 01:01:34,670 In his face. In his ops. In his
Section 151: 01:01:36,870 – 01:02:09,470
01:01:36,870 → 01:01:36,880 vision. And what are you going to Christ
01:01:36,880 → 01:01:39,950 his vision with? Toy
01:01:39,960 → 01:01:42,750 muster. The
01:01:42,760 → 01:01:47,750 mystery. The musterion is that vehicle.
01:01:47,760 → 01:01:50,750 It is that
01:01:50,760 → 01:01:54,230 pharmicon. You are Christing the eyes
01:01:54,240 → 01:01:56,190 with the
01:01:56,200 → 01:01:59,910 drug. This is the mystery, right? The
01:01:59,920 → 01:02:02,549 fact that modern Christians don't
01:02:02,559 → 01:02:06,030 recognize or know this is
01:02:06,040 → 01:02:09,470 proof they are
Section 152: 01:02:09,480 – 01:02:15,870
01:02:09,480 → 01:02:15,870 not followers of
Section 153: 01:02:17,789 – 01:02:44,030
01:02:17,789 → 01:02:17,799 Jesus.
01:02:17,799 → 01:02:20,470 Uhoh. Uhoh.
01:02:20,480 → 01:02:23,910 This is going to cause some problems. Do
01:02:23,920 → 01:02:25,910 you understand? Now, why is it that all
01:02:25,920 → 01:02:28,230 these biblical scholars don't know these
01:02:28,240 → 01:02:30,109 things? Cuz they don't read these tags,
01:02:30,119 → 01:02:33,109 people. They don't read these texts. And
01:02:33,119 → 01:02:35,829 when I watch them on YouTube or when I
01:02:35,839 → 01:02:38,549 watch some kind of podcasts with
01:02:38,559 → 01:02:40,750 religious experts, it's
01:02:40,760 → 01:02:44,030 hilarious at how
Section 154: 01:02:44,040 – 01:03:20,990
01:02:44,040 → 01:02:48,390 completely off in ignorance and darkness
01:02:48,400 → 01:02:50,710 they are.
01:02:50,720 → 01:02:52,109 It's
01:02:52,119 → 01:02:54,390 amazing. And it's only because of one
01:02:54,400 → 01:02:56,710 thing, people. It's because the muse
01:02:56,720 → 01:03:00,910 told me when I was a kid, hey, I got a
01:03:00,920 → 01:03:04,470 gorgeous mama to introduce you to. Her
01:03:04,480 → 01:03:07,430 name's Lady Greek. And I was like, give
01:03:07,440 → 01:03:10,309 me, you know what I mean? It's the only
01:03:10,319 → 01:03:11,990 way. It's the only way people are
01:03:12,000 → 01:03:13,829 sitting right there in the text. Did you
01:03:13,839 → 01:03:16,589 know that there was a
01:03:16,599 → 01:03:20,990 Christ mythraic liturgy? Of course you
Section 155: 01:03:21,000 – 01:03:40,970
01:03:21,000 → 01:03:24,710 didn't. Right? Because you listen to the
01:03:24,720 → 01:03:28,430 theologians. You listen to the
01:03:28,440 → 01:03:31,349 monists and you listen to the academics.
01:03:31,359 → 01:03:32,870 And what do the academics do? How many
01:03:32,880 → 01:03:34,630 academics do you think study this? Now,
01:03:34,640 → 01:03:37,190 I told you I did with John Scarboro who
01:03:37,200 → 01:03:38,750 translated some of
01:03:38,760 → 01:03:40,970 these. All right.
Section 156: 01:03:40,980 – 01:03:42,549
01:03:40,980 → 01:03:42,549 [Music]
Section 157: 01:03:42,559 – 01:04:09,069
01:03:42,559 → 01:03:46,549 He's one out of a lot. I never met
01:03:46,559 → 01:03:47,390 another
01:03:47,400 → 01:03:51,190 one who did the PGM. Now, I know there's
01:03:51,200 → 01:03:52,630 a guy in Chicago. I know there's a
01:03:52,640 → 01:03:54,710 couple other people, but right, what's
01:03:54,720 → 01:03:56,150 his name in Chicago? I'll think of his
01:03:56,160 → 01:03:59,270 name in a minute. Who does magic, right?
01:03:59,280 → 01:04:02,470 There's a few. Ferrron. Is he in
01:04:02,480 → 01:04:03,829 Chicago? I think he's in Chicago.
01:04:03,839 → 01:04:05,309 Christopher
01:04:05,319 → 01:04:09,069 Ferrron. Anyway,
Section 158: 01:04:09,079 – 01:04:36,510
01:04:09,079 → 01:04:13,510 um, academia has let you down, but the
01:04:13,520 → 01:04:17,029 real crime is with the monists who have
01:04:17,039 → 01:04:19,470 pushed this false
01:04:19,480 → 01:04:22,270 narrative, completely false narrative,
01:04:22,280 → 01:04:25,430 right? The none of this, right? A Christ
01:04:25,440 → 01:04:28,230 is a name for this dude who came along
01:04:28,240 → 01:04:31,190 and he was hung came through time and
01:04:31,200 → 01:04:36,510 [\h__\h] into the reality, right? piss out,
Section 159: 01:04:36,520 – 01:04:39,950
01:04:36,520 → 01:04:39,950 right? Not
Section 160: 01:04:42,789 – 01:05:28,390
01:04:42,789 → 01:04:42,799 right. Let's find out what the reality
01:04:42,799 → 01:04:44,309 is. And the only way we're going to do
01:04:44,319 → 01:04:47,230 that is from these
01:04:47,240 → 01:04:49,670 texts. Now, people, I'm going to end
01:04:49,680 → 01:04:51,309 with
01:04:51,319 → 01:04:54,150 this. We're going to do some more. You
01:04:54,160 → 01:04:55,750 want me to read some comments? Chewy
01:04:55,760 → 01:04:58,230 said, "Read some comments, old fool."
01:04:58,240 → 01:04:59,630 Right.
01:04:59,640 → 01:05:03,390 Um, uh, we're I'm gonna
01:05:03,400 → 01:05:04,990 continue
01:05:05,000 → 01:05:08,910 researching this text in every way I
01:05:08,920 → 01:05:12,150 can, right? Which includes a lot of
01:05:12,160 → 01:05:15,109 lexical. We have a lot of tools that we
01:05:15,119 → 01:05:17,670 can employ to really get down to the
01:05:17,680 → 01:05:19,549 surface. But I want everybody here to
01:05:19,559 → 01:05:24,309 realize this is a mystery, right? This
01:05:24,319 → 01:05:28,390 is meant to be performed.
Section 161: 01:05:28,400 – 01:05:34,349
01:05:28,400 → 01:05:34,349 It is meant to be administered to
Section 162: 01:05:36,670 – 01:06:02,430
01:05:36,670 → 01:05:36,680 people. And
01:05:36,680 → 01:05:41,069 now, now we need the
01:05:41,079 → 01:05:43,510 music cuz we can't go anywhere without
01:05:43,520 → 01:05:46,870 the music. Those seven virgins, those
01:05:46,880 → 01:05:49,309 seven
01:05:49,319 → 01:05:51,990 songs, they're everything. You didn't
01:05:52,000 → 01:05:54,190 realize that you have an
01:05:54,200 → 01:05:57,510 invisible girl who follows you around
01:05:57,520 → 01:06:02,430 and writes while you
Section 163: 01:06:03,950 – 01:06:34,670
01:06:03,950 → 01:06:03,960 live.
01:06:03,960 → 01:06:06,589 Welcome to the
01:06:06,599 → 01:06:10,230 cosmos. Let's do some Let's do some
01:06:10,240 → 01:06:11,910 couple of notes here, people. What do
01:06:11,920 → 01:06:14,950 you want us have some one-on-one time?
01:06:14,960 → 01:06:17,349 Let's Let's just do some randomness. Oh,
01:06:17,359 → 01:06:18,630 do you got to get the banner off there
01:06:18,640 → 01:06:22,309 or what? No. Go ahead. Okay. Oh, there's
01:06:22,319 → 01:06:24,789 a nice one. Look, I got a random love
01:06:24,799 → 01:06:27,829 message. Right. Still honest, right?
01:06:27,839 → 01:06:31,190 Fantastic. That's fantastic. I love you
01:06:31,200 → 01:06:34,670 too, man. Love you,
Section 164: 01:06:34,680 – 01:06:45,230
01:06:34,680 → 01:06:38,710 too. Seven bellows. Does that turn you
01:06:38,720 → 01:06:41,750 on right now? What is that? What are
01:06:41,760 → 01:06:45,230 those seven
Section 165: 01:06:48,390 – 01:07:22,630
01:06:48,390 → 01:06:48,400 bellows? We got percussion. We got m We
01:06:48,400 → 01:06:50,829 got strings. We got percussion, we got
01:06:50,839 → 01:06:53,430 bellowing, and we got sibilations, too.
01:06:53,440 → 01:06:55,029 I'm not quite sure how that all fits
01:06:55,039 → 01:06:57,589 together, right? But they're using it.
01:06:57,599 → 01:07:00,470 And why? I don't know. I don't know.
01:07:00,480 → 01:07:04,349 Right. It I I mean, we do know cuz it
01:07:04,359 → 01:07:08,069 obviously propels the the mystery
01:07:08,079 → 01:07:09,750 forward, allows you to perform the
01:07:09,760 → 01:07:13,750 mystery, right? But um yeah, the Greek
01:07:13,760 → 01:07:15,829 knew and felt the terror and horror of
01:07:15,839 → 01:07:18,309 existence. Hey, I quoted that. Who is
01:07:18,319 → 01:07:18,990 this?
01:07:19,000 → 01:07:22,630 Clarence. Clarence, I quoted that. Yes,
Section 166: 01:07:22,640 – 01:07:50,349
01:07:22,640 → 01:07:24,549 that's Nietze, right? And I quoted him
01:07:24,559 → 01:07:26,630 in the I put that right in the Chemical
01:07:26,640 → 01:07:27,829 Muse right up front because I thought
01:07:27,839 → 01:07:29,990 that captured it. Nze was a classicist,
01:07:30,000 → 01:07:31,829 people, right? Before you get mad at
01:07:31,839 → 01:07:36,630 Nietze and all the BS that got involved
01:07:36,640 → 01:07:38,549 with Nietze. Remember, remember he's a
01:07:38,559 → 01:07:40,630 classicist and his early work is all
01:07:40,640 → 01:07:42,870 about, you know, the birth of tragedy,
01:07:42,880 → 01:07:46,069 baby. He loved Dionis, right? He loved
01:07:46,079 → 01:07:48,270 Apollo. Oh
01:07:48,280 → 01:07:50,349 god.
Section 167: 01:07:50,359 – 01:08:26,149
01:07:50,359 → 01:07:52,789 Fantastic. I love Nietze. He got
01:07:52,799 → 01:07:54,630 headaches too a lot. I feel bad for him
01:07:54,640 → 01:07:56,870 that he was such a, you know, migraine
01:07:56,880 → 01:07:59,270 suffering dude. I got that from you. Oh,
01:07:59,280 → 01:08:00,910 you did?
01:08:00,920 → 01:08:04,309 Thanks. Fantastic. Now go read the birth
01:08:04,319 → 01:08:07,190 of tragedy, right? Go read it cuz it's
01:08:07,200 → 01:08:09,510 crazy and wonderful. Music sounds
01:08:09,520 → 01:08:12,230 different at night. Is that true? That
01:08:12,240 → 01:08:13,789 sounds like it should
01:08:13,799 → 01:08:16,910 be, you know, because under different
01:08:16,920 → 01:08:18,669 geographical
01:08:18,679 → 01:08:21,990 conditions, you know, uh, the Greeks
01:08:22,000 → 01:08:23,749 found that out, right? They're the By
01:08:23,759 → 01:08:26,149 the way, people, thank you very much,
Section 168: 01:08:26,159 – 01:08:57,829
01:08:26,159 → 01:08:29,269 Terry. Let's just do on Greek supremacy,
01:08:29,279 → 01:08:31,990 ancient Greek supremacy, right? People,
01:08:32,000 → 01:08:35,030 why don't we have What is a theater? You
01:08:35,040 → 01:08:37,189 realize a theater is a device? It's an
01:08:37,199 → 01:08:40,789 acoustic device. You realize that? First
01:08:40,799 → 01:08:43,269 time I went I never got that right all
01:08:43,279 → 01:08:45,590 my undergraduate until I went to Greece
01:08:45,600 → 01:08:47,430 and I sat in the theater right we I
01:08:47,440 → 01:08:49,030 studied about the acoustics of it and
01:08:49,040 → 01:08:50,390 all that kind of stuff like it didn't
01:08:50,400 → 01:08:51,950 hit me until I was
01:08:51,960 → 01:08:55,269 there right now why is it people that
01:08:55,279 → 01:08:57,829 this acoustic device that you can hear
Section 169: 01:08:57,839 – 01:09:19,229
01:08:57,839 → 01:09:00,269 the drop of a
01:09:00,279 → 01:09:02,709 coin all the way in the back seats at
01:09:02,719 → 01:09:05,910 the top you can hear that why is that
01:09:05,920 → 01:09:09,669 only an invention of the Greeks it's
01:09:09,679 → 01:09:12,149 because The language people, it's
01:09:12,159 → 01:09:15,030 because of the language. You do not
01:09:15,040 → 01:09:19,229 develop complex architecture without
Section 170: 01:09:19,239 – 01:09:46,829
01:09:19,239 → 01:09:22,030 complex
01:09:22,040 → 01:09:25,189 language. Oh god. You don't see any
01:09:25,199 → 01:09:26,870 Egyptian theaters. You don't see
01:09:26,880 → 01:09:29,269 Lugall's a gay with a [\h__\h] theater,
01:09:29,279 → 01:09:32,749 do you? No, you
01:09:32,759 → 01:09:36,789 don't. They got Jack cuz their languages
01:09:36,799 → 01:09:40,709 are Jack. Just like those Martians and
01:09:40,719 → 01:09:46,829 people in Italy, right? They got
Section 171: 01:09:46,839 – 01:10:28,870
01:09:46,839 → 01:09:49,749 Jack. Why people? I don't know. I don't
01:09:49,759 → 01:09:52,550 know. Why does the English not reach a
01:09:52,560 → 01:09:54,390 third of the peak that Mother Greek
01:09:54,400 → 01:09:57,110 says? I don't know, baby. It's something
01:09:57,120 → 01:09:59,030 in the air, something in the curve of
01:09:59,040 → 01:10:02,030 her of her hips. I don't
01:10:02,040 → 01:10:05,830 know. Oh god. But it's gorgeous. Will
01:10:05,840 → 01:10:08,669 you talk about the harpies?
01:10:08,679 → 01:10:11,270 Yeah. Yeah. Those grabbers, those
01:10:11,280 → 01:10:14,229 snatchers, dude. Right. I I think the
01:10:14,239 → 01:10:16,669 harpies get a get
01:10:16,679 → 01:10:21,350 a black eye. Black eye cuz I think I
01:10:21,360 → 01:10:25,350 haven't They're right. Imagine the
01:10:25,360 → 01:10:28,870 people who rip apart your soul, who tear
Section 172: 01:10:28,880 – 01:10:50,790
01:10:28,880 → 01:10:30,950 your soul, who take the connection of
01:10:30,960 → 01:10:32,669 your soul to your
01:10:32,679 → 01:10:37,590 body, the you and the meat, and they
01:10:37,600 → 01:10:40,910 wham, separate it, drag it
01:10:40,920 → 01:10:43,070 away. Oh
01:10:43,080 → 01:10:45,470 god, the
01:10:45,480 → 01:10:50,790 snatchers, right?
Section 173: 01:10:53,630 – 01:11:28,390
01:10:53,630 → 01:10:53,640 Do you ever see someone get
01:10:53,640 → 01:10:55,950 snatched? Do you ever see someone get
01:10:55,960 → 01:10:58,310 snatched? A lot of us go through life
01:10:58,320 → 01:11:01,350 and we have the opportunity to see the
01:11:01,360 → 01:11:04,550 harpies at work. Oh god. Give me the
01:11:04,560 → 01:11:05,709 next
01:11:05,719 → 01:11:09,750 one. Soul vampires. Do you like that? Do
01:11:09,760 → 01:11:11,590 you like that? Oh, one of the best soul
01:11:11,600 → 01:11:16,950 vampires there there were um in art was
01:11:16,960 → 01:11:21,350 uh oh that hot hot loss of Vu baby. Who
01:11:22,199 → 01:11:28,390 los? Oh god, she is Aphrodite of death.
Section 174: 01:11:28,400 – 01:12:05,990
01:11:28,400 → 01:11:31,590 Think of Aphrodite and death somehow got
01:11:31,600 → 01:11:34,870 together and made a child, right? That
01:11:34,880 → 01:11:38,229 is loss of au. And what does she do? She
01:11:38,239 → 01:11:40,709 shows up and smashes your brain. Wait,
01:11:40,719 → 01:11:43,510 what? Yeah, that's how they depicted it.
01:11:43,520 → 01:11:46,149 Some sexy, gorgeous. And she wears these
01:11:46,159 → 01:11:47,990 little these little skirt looking
01:11:48,000 → 01:11:50,470 things, right? Sexy, gorgeous black
01:11:50,480 → 01:11:54,149 skirt wearing death hammer wielding.
01:11:54,159 → 01:11:57,990 Holy god, I'm going to crap my pants. Do
01:11:58,000 → 01:12:01,030 you know what I mean? Oh god, now we're
01:12:01,040 → 01:12:03,510 getting into some Atruscan stuff. I love
01:12:03,520 → 01:12:05,990 these text deep dives. Oh, thank you.
Section 175: 01:12:06,000 – 01:12:38,950
01:12:06,000 → 01:12:09,390 Okay. Thanks, Lux. Hidden light. Oh,
01:12:09,400 → 01:12:12,550 beautiful. That's gorgeous. Um, thanks.
01:12:12,560 → 01:12:14,709 Okay, we'll do this some more, right? As
01:12:14,719 → 01:12:17,590 I find, you know, I've got the I've got
01:12:17,600 → 01:12:19,590 an a text from the second century. I
01:12:19,600 → 01:12:21,350 don't want to tell anybody what it is
01:12:21,360 → 01:12:22,630 because I don't want to spoil it because
01:12:22,640 → 01:12:25,030 it's so fun. But it has every it has the
01:12:25,040 → 01:12:26,870 right and the drugs and Christing. It's
01:12:26,880 → 01:12:31,189 got everything in it. Um, yeah. Uh, who?
01:12:31,199 → 01:12:35,790 Let's see. Almond what? No, his space.
01:12:35,800 → 01:12:38,950 My I can't read the Oh, here. What's
Section 176: 01:12:38,960 – 01:13:24,430
01:12:38,960 → 01:12:40,430 that say about the
01:12:40,440 → 01:12:42,350 whip? My
01:12:42,360 → 01:12:45,149 priest just crapped his
01:12:45,159 → 01:12:49,149 pants. When I ship,
01:12:49,159 → 01:12:51,990 Raul, Raul, were you whipping? Were you
01:12:52,000 → 01:12:54,709 Were you Were you out there spreading
01:12:54,719 → 01:12:59,030 the reality with the whip? My god, man.
01:12:59,040 → 01:13:01,189 I think pooping in the pants is a whole
01:13:01,199 → 01:13:03,430 part of the deal. You know what I mean?
01:13:03,440 → 01:13:06,550 I think it's all part of the deal. It's
01:13:06,560 → 01:13:09,470 difficult. Imagine the initiates people.
01:13:09,480 → 01:13:11,910 They're right. They're encountering
01:13:11,920 → 01:13:14,350 music that is
01:13:14,360 → 01:13:18,390 right. Mystic rock, right? Mystic metal.
01:13:18,400 → 01:13:20,149 They're under the influence and they're
01:13:20,159 → 01:13:24,430 getting whipped. Oh god. People are
Section 177: 01:13:24,440 – 01:13:39,670
01:13:24,440 → 01:13:27,990 screaming. H man. It's the place to go.
01:13:28,000 → 01:13:29,510 I'm just telling you. I'm just telling
01:13:29,520 → 01:13:33,030 you. You know, blessed be the Jesus who
01:13:33,040 → 01:13:35,350 is Christing and with the boys in the
01:13:35,360 → 01:13:37,189 park. You know what I mean? That's what
01:13:37,199 → 01:13:39,030 he's doing. Boys in the park. If Jesus
01:13:39,040 → 01:13:39,670 had a
Section 178: 01:13:39,680 – 01:13:45,709
01:13:39,680 → 01:13:45,709 [Laughter]
Section 179: 01:13:49,590 – 01:13:56,510
01:13:49,590 → 01:13:49,600 ban. Oh my god. What have I done? Boys
01:13:49,600 → 01:13:53,350 in the Park people. That's the band that
01:13:53,360 → 01:13:56,510 Jesus was
Section 180: 01:14:04,550 – 01:14:39,030
01:14:04,550 → 01:14:04,560 All right. Sorry. Thank you. Oh, okay.
01:14:04,560 → 01:14:05,990 Thank you for this comment. Where's the
01:14:06,000 → 01:14:07,990 Australia? Bring that one up. Thank you
01:14:08,000 → 01:14:10,070 from Australia. Praise Danny for
01:14:10,080 → 01:14:12,870 introducing you to a whole new audience.
01:14:12,880 → 01:14:15,430 Yes. Yeah. Good point. Good point. Thank
01:14:15,440 → 01:14:18,229 you, Danny Jones, Ryan, for spreading
01:14:18,239 → 01:14:20,790 the, you know, the opportunity for us to
01:14:20,800 → 01:14:22,870 get together. It's you coming. It's
01:14:22,880 → 01:14:24,950 coming through you. Now, I'll stop
01:14:24,960 → 01:14:27,990 there, but I want to say about classes.
01:14:28,000 → 01:14:30,470 I'm this close to a format that
01:14:30,480 → 01:14:34,229 everybody will love and that will change
01:14:34,239 → 01:14:35,229 the
01:14:35,239 → 01:14:39,030 world in a way that's beautiful. And I'm
Section 181: 01:14:39,040 – 01:15:13,189
01:14:39,040 → 01:14:41,030 I'm this close probably this week. I'm
01:14:41,040 → 01:14:42,470 going to surprise it on you. Bring it
01:14:42,480 → 01:14:45,270 up. Um but I told you give me two weeks
01:14:45,280 → 01:14:47,350 and I'm right there. So, uh, for
01:14:47,360 → 01:14:49,630 everybody who wants to be taught ancient
01:14:49,640 → 01:14:51,990 Greek, for everybody who wants to be
01:14:52,000 → 01:14:53,149 taught, and
01:14:53,159 → 01:14:56,630 I'm filtering out the people who will
01:14:56,640 → 01:15:00,070 come in just for the sake of making
01:15:00,080 → 01:15:02,229 videos and crap like that and saying
01:15:02,239 → 01:15:05,790 stuff about you, you know, it's like
01:15:05,800 → 01:15:09,830 spies, right? I've create I'm creating a
01:15:09,840 → 01:15:13,189 way to bring you those those of you who
Section 182: 01:15:13,199 – 01:15:47,750
01:15:13,199 → 01:15:15,910 are pure, you know what I mean? to bring
01:15:15,920 → 01:15:16,910 you that
01:15:16,920 → 01:15:19,750 material and it's an honor and it's a
01:15:19,760 → 01:15:23,030 pleasure to do so and I'll keep doing so
01:15:23,040 → 01:15:27,229 as long as I can right
01:15:27,239 → 01:15:30,270 and for us to come
01:15:30,280 → 01:15:33,950 to that state where those doors are
01:15:33,960 → 01:15:37,830 opened right there is a goal there is
01:15:37,840 → 01:15:40,870 beginning and an end there is an alpha
01:15:40,880 → 01:15:45,189 and omega welcome welcome to the dawn
01:15:45,199 → 01:15:47,750 Hail Satan.
Section 183: 01:15:47,760 – 01:16:35,070
01:15:47,760 → 01:15:50,229 They roll around like a zombie do. Eyes
01:15:50,239 → 01:15:52,390 roll in the back of the head. Eating the
01:15:52,400 → 01:15:55,669 dead. Blood drinkers stone blind again
01:15:55,679 → 01:15:58,630 on the microphone. One, two, or harmony
01:15:58,640 → 01:16:01,910 on the harp. It's Donnie Darko milking
01:16:01,920 → 01:16:04,390 these [\h__\h] bricks out. Teddy
01:16:04,400 → 01:16:06,709 face putting in more work. We're
01:16:06,719 → 01:16:09,270 politicians pulling your skirts. Just
01:16:09,280 → 01:16:11,990 dance a little bit. Working. Two shoes
01:16:12,000 → 01:16:14,790 at the party. dressed to kill these
01:16:14,800 → 01:16:17,669 moving drugs got them ill. Baby, I'm a
01:16:17,679 → 01:16:20,470 de switch with the prick who brought
01:16:20,480 → 01:16:23,229 these drugs the
01:16:23,239 → 01:16:25,310 drugs with the
01:16:25,320 → 01:16:35,070 magic with the
Section 184: 01:16:42,870 – 01:16:53,280
01:16:42,870 → 01:16:42,880 Hit with the magic dune.
01:16:42,880 → 01:16:53,280 Mag.