‎/Transcript - 20250329-Sing Muse
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Transcript: 20250329-Sing Muse!

Watch on YouTube  |  Readable transcript  |  Language: en
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168 timestamped sections using the same paragraph analysis.
Section 1: 00:00:02,360 – 00:00:08,120
00:00:02,360 → 00:00:08,120 it's going to be humbling for
Section 2: 00:00:08,130 – 00:00:13,829
00:00:08,130 → 00:00:13,829 [Music]
Section 3: 00:00:13,839 – 00:01:01,229
00:00:13,839 → 00:00:16,710 me the
00:00:16,720 → 00:00:20,109 M Amazon Sugar
00:00:20,119 → 00:00:23,470 Queen Nikki with the high
00:00:23,480 → 00:00:28,429 purple 1,000 names Palace Athena Nick
00:00:28,439 → 00:00:32,389 you with the dragon mist
00:00:32,399 → 00:00:34,270 possession
00:00:34,280 → 00:00:37,549 zombified off in the
00:00:37,559 → 00:00:41,389 drift the ritual is sacred I smell like
00:00:41,399 → 00:00:44,670 Indica bodies you can bag up you eat
00:00:44,680 → 00:00:47,470 some dead babies soing Green in your
00:00:47,480 → 00:00:50,670 eyes rub the purple in it's no surprise
00:00:50,680 → 00:00:54,110 they will do in heroin snipping on The
00:00:54,120 → 00:00:58,590 Caine the dragon Gods the Beast Bears up
00:00:58,600 → 00:01:01,229 lady Babylon
Section 4: 00:01:01,239 – 00:01:20,910
00:01:01,239 → 00:01:05,710 Rain Man Rain Man on the S serenate them
00:01:05,720 → 00:01:08,950 in the dragon Mist the arrow just hit
00:01:08,960 → 00:01:12,350 them a little bit twisting on this
00:01:12,360 → 00:01:16,310 [\h__\h] SU game hot purple lady
00:01:16,320 → 00:01:20,910 Babylon make it
Section 5: 00:01:20,920 – 00:01:23,590
00:01:20,920 → 00:01:23,590 [Music]
Section 6: 00:01:23,600 – 00:01:35,590
00:01:23,600 → 00:01:27,190 right fro of the
00:01:27,200 → 00:01:35,590 mouth Amazon Sugar Queen
Section 7: 00:01:35,600 – 00:02:14,949
00:01:35,600 → 00:01:40,950 n welcome back to Lady Babylon this is
00:01:40,960 → 00:01:42,389 initiating
00:01:42,399 → 00:01:44,709 apocalypse and I want to thank you for
00:01:44,719 → 00:01:47,910 coming tonight because tonight we have
00:01:47,920 → 00:01:51,789 something very very special and I know I
00:01:51,799 → 00:01:56,310 tell you that a lot maybe you know maybe
00:01:56,320 → 00:01:57,749 I don't know maybe it says something
00:01:57,759 → 00:02:00,230 maybe it's I spoil you too much you know
00:02:00,240 → 00:02:02,469 what I mean you know what I mean no you
00:02:02,479 → 00:02:04,590 can't I can't spoil you too much
00:02:04,600 → 00:02:08,029 congregation right right you deserve
00:02:08,039 → 00:02:13,070 it you know you do if you weren't so hot
00:02:13,080 → 00:02:14,949 I wouldn't bring you these gifts and you
Section 8: 00:02:14,959 – 00:02:57,070
00:02:14,959 → 00:02:17,949 know it tonight I've got a special gift
00:02:17,959 → 00:02:20,949 this one tonight is very humbling for me
00:02:20,959 → 00:02:25,070 because it is the most difficult Greek
00:02:25,080 → 00:02:28,710 that I have yet to bring you that I have
00:02:28,720 → 00:02:32,830 yet to bring you okay this is level 10
00:02:32,840 → 00:02:37,229 tonight people we're only going to do 15
00:02:37,239 → 00:02:41,990 lines and from those 15 lines I am going
00:02:42,000 → 00:02:46,229 to show to
00:02:46,239 → 00:02:50,990 you the voice yeah I'm GNA show to you
00:02:51,000 → 00:02:57,070 the voice oh God this prophetic
Section 9: 00:02:57,080 – 00:03:26,830
00:02:57,080 → 00:03:00,869 song is absolutely over
00:03:00,879 → 00:03:03,470 overwhelming it is
00:03:03,480 → 00:03:08,390 thetic it is not just enoic it is
00:03:08,400 → 00:03:13,270 thetic hyperth Matic if you ask me oh
00:03:13,280 → 00:03:15,149 God just an ounce of this stuff do you
00:03:15,159 → 00:03:17,350 know how much this goes for in
00:03:17,360 → 00:03:21,750 neighboring galaxies my God this is the
00:03:21,760 → 00:03:26,830 Quantum dope baby I've got for you
Section 10: 00:03:26,840 – 00:04:08,980
00:03:26,840 → 00:03:30,309 tonight you're gonna love it oh God
00:03:30,319 → 00:03:33,990 how is everybody doing hail the serpents
00:03:34,000 → 00:03:40,190 yeah no why not right the arular voice
00:03:40,200 → 00:03:43,630 oh that's the same thing isn't it isn't
00:03:43,640 → 00:03:47,910 that a kidna the same thing oh God
00:03:47,920 → 00:03:50,229 they're closing in on us let's get it
00:03:50,239 → 00:03:53,589 right let's get it exactly right so we
00:03:53,599 → 00:03:55,630 can just stand here when they show up
00:03:55,640 → 00:03:56,990 and we don't have to say anything we
00:03:57,000 → 00:03:58,990 just it's all laid out there you know
00:03:59,000 → 00:04:02,509 what I mean it's for the future anyway
00:04:02,519 → 00:04:04,789 it's for the future that's why we're
00:04:04,799 → 00:04:06,949 working with
00:04:06,959 → 00:04:08,980 1980s
Section 11: 00:04:08,990 – 00:04:11,309
00:04:08,990 → 00:04:11,309 [Laughter]
Section 12: 00:04:11,319 – 00:04:55,950
00:04:11,319 → 00:04:14,869 internet right it's nostalgic does
00:04:14,879 → 00:04:20,509 anybody else feel nostalgic dope and
00:04:20,519 → 00:04:25,629 Tacos yeah sounds like a recipe for good
00:04:25,639 → 00:04:28,150 evening
00:04:28,160 → 00:04:32,390 bro let's do do it let's do it this
00:04:32,400 → 00:04:35,749 mental dope that I'm about to Pedal to
00:04:35,759 → 00:04:39,430 you comes from the most difficult of the
00:04:39,440 → 00:04:41,510 difficult Greek oh by the way we're
00:04:41,520 → 00:04:43,629 going to choke the pope
00:04:43,639 → 00:04:46,909 too we'll get to that later um that's
00:04:46,919 → 00:04:48,469 more something you know you don't do
00:04:48,479 → 00:04:50,790 that right off the bat with people you
00:04:50,800 → 00:04:52,189 know what I
00:04:52,199 → 00:04:55,950 mean right um here's what I want to do I
Section 13: 00:04:55,960 – 00:05:18,629
00:04:55,960 → 00:04:57,990 want to bring you so you don't have to
00:04:58,000 → 00:05:01,029 take my word for it right
00:05:01,039 → 00:05:03,510 I want you to know this considering this
00:05:03,520 → 00:05:06,310 work one and this is just people it's
00:05:06,320 → 00:05:10,230 from Wiki this is from Wiki one modern
00:05:10,240 → 00:05:13,870 scholar says the Alexandra may be the
00:05:13,880 → 00:05:18,629 most illegible piece of classical
Section 14: 00:05:18,639 – 00:05:34,550
00:05:18,639 → 00:05:21,990 literature one which nobody can read
00:05:22,000 → 00:05:25,830 without a proper commentary and which
00:05:25,840 → 00:05:34,550 even then makes very difficult reading
Section 15: 00:05:34,560 – 00:06:14,710
00:05:34,560 → 00:05:36,110 right
00:05:36,120 → 00:05:42,029 this is the helenistic Poetry at its
00:05:42,039 → 00:05:44,070 dactic
00:05:44,080 → 00:05:48,390 best and this stuff each of these words
00:05:48,400 → 00:05:51,590 goes so deep so deep that you're going
00:05:51,600 → 00:05:54,029 to find in our attempts to translate
00:05:54,039 → 00:05:56,749 into English we're going to have to
00:05:56,759 → 00:06:00,189 resort to words over and over again
00:06:00,199 → 00:06:01,710 same word wait a minute is that the same
00:06:01,720 → 00:06:04,110 word you use that word five times but I
00:06:04,120 → 00:06:06,029 only see it appears
00:06:06,039 → 00:06:07,550 once
00:06:07,560 → 00:06:11,790 yeah because of the pity of your crappy
00:06:11,800 → 00:06:14,710 bog trotting
Section 16: 00:06:14,720 – 00:06:48,629
00:06:14,720 → 00:06:17,870 English you can't convey this stuff it's
00:06:17,880 → 00:06:20,629 very difficult people this is Mother
00:06:20,639 → 00:06:23,909 Greek oh isn't she sexy you know who
00:06:23,919 → 00:06:28,029 smells like mother Greek nobody nobody
00:06:28,039 → 00:06:31,670 that's the point that is the point hands
00:06:31,680 → 00:06:35,830 down baby who's the fairest of them all
00:06:35,840 → 00:06:37,909 where did that little oh where did that
00:06:37,919 → 00:06:40,270 little that was from that fairy tale who
00:06:40,280 → 00:06:44,189 was that was that fat little German
00:06:44,199 → 00:06:48,629 brother
Section 17: 00:06:48,639 – 00:07:41,029
00:06:48,639 → 00:06:50,510 set Grim
00:06:50,520 → 00:06:53,710 Brothers shame on you you know what I
00:06:53,720 → 00:06:57,189 mean they're all thieves and yes it was
00:06:57,199 → 00:07:00,350 Shakespeare it was Shakespeare who stole
00:07:00,360 → 00:07:04,189 from the dude who wrote the what is it
00:07:04,199 → 00:07:07,309 called the Zodiac of
00:07:07,319 → 00:07:09,990 life right all the world's a stage and
00:07:10,000 → 00:07:11,670 all that you think Shakespeare made that
00:07:11,680 → 00:07:15,869 up no he was a thief he was a thief you
00:07:15,879 → 00:07:18,950 have thieves on your
00:07:18,960 → 00:07:22,510 Island okay people you see how this is
00:07:22,520 → 00:07:25,309 concentrated material tonight what am I
00:07:25,319 → 00:07:28,589 bringing I'm bringing you the
00:07:28,599 → 00:07:32,790 introduction to the voice of the
00:07:32,800 → 00:07:35,230 prophetes are you ready for this the
00:07:35,240 → 00:07:38,309 voice of the
00:07:38,319 → 00:07:41,029 prophetes can we choke the pope yet no
Section 18: 00:07:41,039 – 00:08:09,029
00:07:41,039 → 00:07:43,510 not yet hold
00:07:43,520 → 00:07:47,350 off right you have to build you have to
00:07:47,360 → 00:07:51,390 build what is he talking about right
00:07:51,400 → 00:07:54,070 what is he talking about can you feel it
00:07:54,080 → 00:07:57,550 can you feel the oppression it's like a
00:07:57,560 → 00:08:01,629 sphinx it's like somebody strangling you
00:08:01,639 → 00:08:04,990 you know when you are in a position to
00:08:05,000 → 00:08:09,029 be strangled you perceive
Section 19: 00:08:09,039 – 00:08:49,750
00:08:09,039 → 00:08:15,510 reality with renewed Vigor and
00:08:15,520 → 00:08:18,149 vision depending on how much the devil
00:08:18,159 → 00:08:21,909 lets them strangle
00:08:21,919 → 00:08:25,230 you sometimes you don't come
00:08:25,240 → 00:08:26,869 back
00:08:26,879 → 00:08:31,309 right wow it's who's in charge here a
00:08:31,319 → 00:08:33,829 lot of prayers going on in the world can
00:08:33,839 → 00:08:37,149 you see them right people what do we do
00:08:37,159 → 00:08:40,870 in the mystery we open our eyes what is
00:08:40,880 → 00:08:43,110 the difference between us congregation
00:08:43,120 → 00:08:47,150 and everybody else their eyes have not
00:08:47,160 → 00:08:49,750 been
Section 20: 00:08:49,760 – 00:09:30,790
00:08:49,760 → 00:08:53,790 opened yeah yeah they are still
00:08:53,800 → 00:08:56,670 following an
00:08:56,680 → 00:08:59,190 unreality what does it take to wake them
00:09:00,680 → 00:09:04,710 oh that what we're finding here on lady
00:09:04,720 → 00:09:07,509 Babylon and thanks for coming prayer
00:09:07,519 → 00:09:09,670 portals does everybody see them the
00:09:09,680 → 00:09:11,389 invisible because our eyes have been
00:09:11,399 → 00:09:14,509 open we see them now we see them now
00:09:14,519 → 00:09:16,190 right and the prayers they're there and
00:09:16,200 → 00:09:18,310 who are they coming for oh they're
00:09:18,320 → 00:09:22,190 coming for the pope to make him well
00:09:22,200 → 00:09:25,590 give him life oh God last thing we want
00:09:25,600 → 00:09:30,790 to do is send him off to Yahoo
Section 21: 00:09:30,800 – 00:09:34,949
00:09:30,800 → 00:09:34,949 H quick people
Section 22: 00:09:34,959 – 00:10:21,150
00:09:34,959 → 00:09:37,269 your
00:09:37,279 → 00:09:40,630 hypocrisy is so
00:09:40,640 → 00:09:42,949 visible that it gives me the great
00:09:42,959 → 00:09:45,350 pleasure to say the devil has given us
00:09:45,360 → 00:09:49,190 the right to choke the pope did he say
00:09:49,200 → 00:09:52,190 what I think he did shut up
00:09:52,200 → 00:09:57,389 Timmy people are asking who is
00:09:57,399 → 00:10:01,550 Timmy let's take Timmy out tonight and
00:10:01,560 → 00:10:04,829 look at him give me the next one is this
00:10:04,839 → 00:10:08,069 guy possessed yes we already know
00:10:08,079 → 00:10:11,310 that right it's not a big deal here
00:10:11,320 → 00:10:14,590 people everybody Feast your eyes on what
00:10:14,600 → 00:10:17,829 is the most difficult Greek that you and
00:10:17,839 → 00:10:21,150 I have ever intimately exchanged for all
Section 23: 00:10:21,160 – 00:10:52,550
00:10:21,160 → 00:10:24,870 of you blow that up please thank you
00:10:24,880 → 00:10:28,870 chewy for all of you who are perhaps I
00:10:28,880 → 00:10:30,990 don't know
00:10:31,000 → 00:10:35,829 nerds of magic and esoteric phenomenon
00:10:35,839 → 00:10:38,470 linguistic science the science nerds and
00:10:38,480 → 00:10:40,829 the engineers out there this will
00:10:40,839 → 00:10:44,509 impress you this is the curve on the
00:10:44,519 → 00:10:48,829 cheek of the bonics of mother
00:10:48,839 → 00:10:52,550 Greek oh
Section 24: 00:10:52,560 – 00:11:35,910
00:10:52,560 → 00:10:56,949 God the prophetesses words
00:10:56,959 → 00:11:01,310 yeah I'm going to tell you
00:11:01,320 → 00:11:04,230 everything you ask
00:11:04,240 → 00:11:08,389 me and I'm going to do it with pinpoint
00:11:08,399 → 00:11:12,190 accuracy from the
00:11:12,200 → 00:11:14,430 beginning and
00:11:14,440 → 00:11:16,590 if my
00:11:16,600 → 00:11:19,870 speech gets spun out at
00:11:19,880 → 00:11:22,910 length hang in there with
00:11:22,920 → 00:11:25,350 me in
00:11:25,360 → 00:11:35,910 KN these words master
Section 25: 00:11:35,920 – 00:12:11,269
00:11:35,920 → 00:11:38,230 now just to get that much just to
00:11:38,240 → 00:11:41,110 squeeze that much I don't think you have
00:11:41,120 → 00:11:46,629 you realize how much I we um how much is
00:11:46,639 → 00:11:48,990 packed people just look at that first
00:11:49,000 → 00:11:50,710 line
00:11:50,720 → 00:11:56,190 yeah right um what am I doing n is how
00:11:56,200 → 00:11:58,430 I'm doing it how am I going to approach
00:11:58,440 → 00:12:00,710 this
00:12:00,720 → 00:12:03,590 inquiry I'm going to give you an answer
00:12:03,600 → 00:12:04,590 says the
00:12:04,600 → 00:12:08,790 Oracle and that answer is going to be
00:12:08,800 → 00:12:11,269 accurate deadly
Section 26: 00:12:11,279 – 00:12:26,389
00:12:11,279 → 00:12:12,870 accurate
00:12:12,880 → 00:12:14,470 right
00:12:14,480 → 00:12:18,069 yeah okay look at the third line who is
00:12:18,079 → 00:12:21,389 the person we're talking to congregation
00:12:21,399 → 00:12:26,389 Oracle Oracle
Section 27: 00:12:26,399 – 00:12:46,750
00:12:26,399 → 00:12:28,269 congregation and everybody's sitting
00:12:28,279 → 00:12:33,069 there goes oh I know I know the Kora did
00:12:33,079 → 00:12:36,670 we bring the Kora tonight the K right in
00:12:36,680 → 00:12:39,710 the old Myan Greek it's
00:12:39,720 → 00:12:42,590 cor
00:12:42,600 → 00:12:46,750 cor right
Section 28: 00:12:46,760 – 00:13:16,829
00:12:46,760 → 00:12:51,550 cor how is she here because she is the
00:12:51,560 → 00:12:53,750 Oracle if you hadn't figured that one
00:12:53,760 → 00:12:55,430 out right everybody I'm sorry satanic
00:12:55,440 → 00:12:56,670 congregation everybody knows that right
00:12:56,680 → 00:12:58,310 but let me keep going we're going to
00:12:58,320 → 00:13:00,230 look at some individ ual passages but I
00:13:00,240 → 00:13:02,790 want to tell you what happens
00:13:02,800 → 00:13:06,150 here this performance is not
00:13:06,160 → 00:13:11,350 like that Kora of old do you understand
00:13:11,360 → 00:13:16,829 right bringing out that from that eolian
Section 29: 00:13:16,839 – 00:13:52,350
00:13:16,839 → 00:13:20,710 mouth those oracles the eolian mouth
00:13:20,720 → 00:13:23,470 what the oh
00:13:23,480 → 00:13:26,430 God okay one concept I'm going to show
00:13:26,440 → 00:13:28,150 you but I want you to I want to keep I
00:13:28,160 → 00:13:29,629 want to give you kind of a bigger
00:13:29,639 → 00:13:31,870 picture the whole thing before we jump
00:13:31,880 → 00:13:33,829 into it blow it up against
00:13:33,839 → 00:13:37,910 Tre oh it's a live picture fantastic
00:13:37,920 → 00:13:41,430 right Yoli and mouse there they
00:13:41,440 → 00:13:44,870 are right where's our virge and chorus
00:13:44,880 → 00:13:47,470 by the way by the way we need a virgin
00:13:47,480 → 00:13:52,350 chorus
Section 30: 00:13:52,360 – 00:14:35,790
00:13:54,639 → 00:13:56,509 people an
00:13:56,519 → 00:13:59,269 entire genre
00:14:00,600 → 00:14:05,870 Music stifled to history covered up oh
00:14:05,880 → 00:14:09,870 God take your burkers off ladies this is
00:14:09,880 → 00:14:12,829 fantastic um give give me back to the
00:14:12,839 → 00:14:14,230 original I want to
00:14:14,240 → 00:14:17,590 finish I want to finish this oh are we
00:14:17,600 → 00:14:20,910 fantastic JY I want to finish this and
00:14:20,920 → 00:14:23,910 and we'll go kind of closer but I want
00:14:23,920 → 00:14:27,069 to just kind of translate for you at
00:14:27,079 → 00:14:29,629 ease here right
00:14:29,639 → 00:14:32,870 what does this Oracle do she pours out
00:14:32,880 → 00:14:35,790 this completely mixed
Section 31: 00:14:35,800 – 00:15:13,470
00:14:35,800 → 00:14:39,749 shout that is Asos and when I show you
00:14:39,759 → 00:14:41,629 what that is that'll give you the Crepes
00:14:41,639 → 00:14:46,670 what is she doing she is D NE F on
00:14:46,680 → 00:14:50,269 people she is chewing
00:14:50,279 → 00:14:53,189 on the bay
00:14:53,199 → 00:14:57,509 leaves okay love it love it she's
00:14:57,519 → 00:14:59,710 chewing on the bay leaves and what is
00:14:59,720 → 00:15:03,790 she doing while she's cheing Floy bson
00:15:03,800 → 00:15:06,189 oh my god do you realize who is in this
00:15:06,199 → 00:15:08,350 this is the one two three four five six
00:15:08,360 → 00:15:10,269 line people look at the very middle
00:15:10,279 → 00:15:13,470 center of the line what does it say Foy
Section 32: 00:15:13,480 – 00:16:05,590
00:15:13,480 → 00:15:18,590 bodson do you know who this Oracle is a
00:15:18,600 → 00:15:23,550 priestess of she's a priestess of
00:15:23,560 → 00:15:28,309 febus feus Apollo you mean the guitar
00:15:28,319 → 00:15:29,710 playing
00:15:29,720 → 00:15:31,790 yeah you know what I'm talking about
00:15:31,800 → 00:15:34,990 everybody's seen him he's got that long
00:15:35,000 → 00:15:38,870 blonde hair he possesses all of the
00:15:38,880 → 00:15:41,550 priestesses you know what I mean he
00:15:41,560 → 00:15:44,350 comes in with his long blonde hair and
00:15:44,360 → 00:15:47,629 his guitar and it's curly curly long
00:15:47,639 → 00:15:51,470 blonde hair and his skin is golden like
00:15:51,480 → 00:15:53,150 the
00:15:53,160 → 00:15:58,309 sun yes there he is and he carries
00:15:58,319 → 00:16:02,189 around his KRA he's always got that
00:16:02,199 → 00:16:05,590 guitar with him right he's got a lot
Section 33: 00:16:05,600 – 00:16:39,870
00:16:05,600 → 00:16:07,870 right but he's always pictured with one
00:16:08,639 → 00:16:13,389 them bringing us that music he's got the
00:16:13,399 → 00:16:15,350 Virgin
00:16:15,360 → 00:16:18,990 chorus trained by his
00:16:19,000 → 00:16:23,309 sister the
00:16:23,319 → 00:16:27,910 huntress and that
00:16:27,920 → 00:16:31,389 people is
00:16:31,399 → 00:16:33,910 rock that is
00:16:33,920 → 00:16:39,870 rock on this rock I build my assembly
Section 34: 00:16:39,880 – 00:16:53,710
00:16:39,880 → 00:16:44,309 and from the caves came the
00:16:44,319 → 00:16:48,550 oracles under the guidance of
00:16:48,560 → 00:16:53,710 Apollo and his
Section 35: 00:16:53,720 – 00:17:24,630
00:16:53,720 → 00:16:58,910 guitar God all right all right fantastic
00:16:58,920 → 00:17:00,670 believe that isn't that a gorgeous map
00:17:00,680 → 00:17:04,230 people uh uh everybody hand out you know
00:17:04,240 → 00:17:07,710 Hil Satan and and you know chewy give
00:17:07,720 → 00:17:12,110 chewy a little yeah right oh God sun and
00:17:12,120 → 00:17:15,870 moon people are into the planets why
00:17:15,880 → 00:17:18,510 because everybody knows those are the
00:17:18,520 → 00:17:24,630 seven the seven what the seven sacred
Section 36: 00:17:24,640 – 00:17:55,110
00:17:24,640 → 00:17:28,029 notes you know you can determine space
00:17:28,039 → 00:17:33,070 and time with those things oh
00:17:33,080 → 00:17:36,350 God Hil Satan and chewy okay one more
00:17:36,360 → 00:17:38,390 time to the first I just want to kind of
00:17:38,400 → 00:17:39,870 finish this off then I'm going to give
00:17:39,880 → 00:17:44,590 you um um madly going through this
00:17:44,600 → 00:17:49,029 right people look at the look at the
00:17:49,039 → 00:17:52,630 uh what is she doing she's forbing
00:17:52,640 → 00:17:55,110 something these
Section 37: 00:17:55,120 – 00:18:24,149
00:17:55,120 → 00:17:59,350 OPP these songs from her
00:17:59,360 → 00:18:02,310 throat she is look at the next line the
00:18:02,320 → 00:18:04,430 SOS
00:18:04,440 → 00:18:09,310 kin right or at least she is the one
00:18:09,320 → 00:18:13,390 who who is able to completely
00:18:13,400 → 00:18:15,270 mimic
00:18:15,280 → 00:18:17,590 copy the
00:18:17,600 → 00:18:21,470 gun The Voice the particular voice with
00:18:21,480 → 00:18:24,149 its
Section 38: 00:18:24,159 – 00:18:44,870
00:18:24,159 → 00:18:27,190 particular accent
00:18:27,200 → 00:18:29,789 inflection thingy tone I'm going to show
00:18:29,799 → 00:18:33,350 you oh God it's so I told you see you're
00:18:33,360 → 00:18:35,470 going to see how dumb I am tonight right
00:18:35,480 → 00:18:40,630 it's over my limit right of the
00:18:40,640 → 00:18:44,870 Sphinx the black
Section 39: 00:18:44,880 – 00:19:02,149
00:18:44,880 → 00:18:47,669 Sphinx
00:18:47,679 → 00:18:50,230 understand when they told you the Sphinx
00:18:50,240 → 00:18:52,549 came down to thieves and was like give
00:18:52,559 → 00:18:55,669 me a dozen virgin girls and a dozen
00:18:55,679 → 00:18:57,270 virgin
00:18:57,280 → 00:19:02,149 boys right
Section 40: 00:19:02,159 – 00:19:42,669
00:19:02,159 → 00:19:06,549 or bring an answer to my
00:19:06,559 → 00:19:08,830 Enigma did you even know you had an
00:19:08,840 → 00:19:10,470 enigma who's out there satanic
00:19:10,480 → 00:19:12,510 congregation anybody got an
00:19:12,520 → 00:19:15,029 enigma
00:19:15,039 → 00:19:18,669 anybody here Hil hail the black
00:19:18,679 → 00:19:21,870 Sun fantastic that's right that's how
00:19:21,880 → 00:19:24,549 you transport they said through the
00:19:24,559 → 00:19:27,750 black sun is how you put yourself into
00:19:27,760 → 00:19:31,430 an apple lony and envelope and that goes
00:19:31,440 → 00:19:33,590 through to the Reel which is on the
00:19:33,600 → 00:19:36,149 other side cuz you're the reflection
00:19:36,159 → 00:19:39,350 right fantastic physics make me dizzy I
00:19:39,360 → 00:19:42,669 don't get
Section 41: 00:19:42,679 – 00:20:19,830
00:19:42,679 → 00:19:45,750 it um give me the the top Source one
00:19:45,760 → 00:19:47,990 more time we'll finish up and then I'll
00:19:48,000 → 00:19:50,710 get you into particulars people that're
00:19:50,720 → 00:19:53,230 just kind of sexy oh what else okay
00:19:53,240 → 00:19:54,750 listen
00:19:54,760 → 00:19:57,549 people this is going to be coming to us
00:19:57,559 → 00:19:59,510 for memory
00:19:59,520 → 00:20:02,470 okay and I just want to point out that
00:20:02,480 → 00:20:05,230 it is up to you with your big brains
00:20:05,240 → 00:20:07,430 it's saying to go ahead and figure out
00:20:07,440 → 00:20:12,950 look at 910 the anaton at the end the
00:20:12,960 → 00:20:16,710 anig son what are those
00:20:16,720 → 00:20:19,830 anigma what are those Enigma that are
Section 42: 00:20:19,840 – 00:20:42,390
00:20:19,840 → 00:20:22,350 twisted well those Enigma that are
00:20:22,360 → 00:20:25,070 twisted that are coming from her mouth
00:20:25,080 → 00:20:26,350 have an
00:20:26,360 → 00:20:28,789 oos right or they have this plural they
00:20:28,799 → 00:20:30,350 have
00:20:30,360 → 00:20:33,990 ways they have ways you mean there is
00:20:34,000 → 00:20:37,950 something to the science of this
00:20:37,960 → 00:20:42,390 oracular
Section 43: 00:20:42,400 – 00:21:06,950
00:20:42,400 → 00:20:46,350 voice that can be charted and that you
00:20:46,360 → 00:20:49,310 can mathematically plow your way through
00:20:49,320 → 00:20:52,310 it yes yes people this is science you
00:20:52,320 → 00:20:54,110 didn't know you had an enigma and that
00:20:54,120 → 00:20:59,310 there are ways through it did you no you
00:20:59,320 → 00:21:01,870 didn't so choke the
00:21:01,880 → 00:21:06,950 pope right everybody I command
Section 44: 00:21:06,960 – 00:21:29,430
00:21:06,960 → 00:21:10,470 it many prayers people I'm telling you
00:21:10,480 → 00:21:13,870 nobody said it doesn't say look in our
00:21:13,880 → 00:21:16,870 jurisdiction it doesn't say anything
00:21:16,880 → 00:21:18,710 about
00:21:18,720 → 00:21:21,990 prayers positive versus negative you
00:21:22,000 → 00:21:24,230 know what I mean positive versus
00:21:24,240 → 00:21:29,430 negative choke the Pope
Section 45: 00:21:29,440 – 00:21:55,710
00:21:29,440 → 00:21:32,149 God he loves it you know what it does
00:21:32,159 → 00:21:35,350 when you choke the pope it puts the pope
00:21:35,360 → 00:21:39,350 into a position where he's losing
00:21:39,360 → 00:21:43,149 oxygen and when he does so when he does
00:21:43,159 → 00:21:44,830 so you
00:21:44,840 → 00:21:47,430 trust the Marquee
00:21:47,440 → 00:21:50,549 dead do you understand me he will
00:21:50,559 → 00:21:55,710 Elevate himself his very nura will cry
Section 46: 00:21:55,720 – 00:22:00,190
00:21:55,720 → 00:22:00,190 out for self
Section 47: 00:22:00,200 – 00:22:09,269
00:22:00,200 → 00:22:02,430 awareness yes
00:22:02,440 → 00:22:05,669 fantastic right where's the whip
00:22:05,679 → 00:22:09,269 somebody let
Section 48: 00:22:09,279 – 00:22:45,720
00:22:09,279 → 00:22:12,950 me here we go people how does he how
00:22:12,960 → 00:22:14,830 does he do this okay now I was gonna say
00:22:14,840 → 00:22:17,630 for all of you who are savants and stuff
00:22:17,640 → 00:22:19,110 like that out there I want you to
00:22:19,120 → 00:22:21,830 realize um as I'm translating this Greek
00:22:21,840 → 00:22:24,350 quickly just to give you a a general
00:22:24,360 → 00:22:26,350 feel of where we're
00:22:26,360 → 00:22:29,710 going um there's three different levels
00:22:29,720 → 00:22:32,390 that I'm doing it at and it's only
00:22:32,400 → 00:22:35,909 because of the way it's written right
00:22:35,919 → 00:22:39,029 this author that they think was like a
00:22:39,039 → 00:22:42,269 fron but they don't know they don't know
00:22:42,279 → 00:22:45,720 um this author is is
Section 49: 00:22:45,730 – 00:22:49,190
00:22:45,730 → 00:22:49,190 [Music]
Section 50: 00:22:49,200 – 00:23:25,630
00:22:49,200 → 00:22:54,590 uh first of all just a genius
00:22:54,600 → 00:22:56,549 gymnastic
00:22:56,559 → 00:22:59,190 logician just amazing
00:22:59,200 → 00:23:01,750 and the fact that they're able to sculpt
00:23:01,760 → 00:23:04,029 this in words is just oh it's gorgeous
00:23:04,039 → 00:23:06,070 anyway okay let's get back to it one
00:23:06,080 → 00:23:08,310 more look at the whole thing couple of
00:23:08,320 → 00:23:11,669 points I wanted to point out um I want
00:23:11,679 → 00:23:14,350 you to think about the race people I
00:23:14,360 → 00:23:16,190 want you to think about the race and
00:23:16,200 → 00:23:19,830 this is what she says the prophetess
00:23:19,840 → 00:23:25,630 says I will be that rapid Runner right
Section 51: 00:23:25,640 – 00:23:35,549
00:23:25,640 → 00:23:27,269 the one with the
00:23:27,279 → 00:23:30,430 wings the can fly do you know why the
00:23:30,440 → 00:23:35,549 Oracle Sphinx has
Section 52: 00:23:35,559 – 00:24:06,190
00:23:35,559 → 00:23:38,870 wings you thought that those were Wings
00:23:38,880 → 00:23:42,350 on her back and you depicted it that way
00:23:42,360 → 00:23:44,470 as they did in their
00:23:44,480 → 00:23:48,669 art no what is the language say because
00:23:48,679 → 00:23:51,950 you thought you thought the image was
00:23:51,960 → 00:23:54,029 the
00:23:54,039 → 00:23:55,789 reality
00:23:55,799 → 00:23:58,590 right no do you understand what we're
00:23:58,600 → 00:24:01,149 talking about what's
00:24:01,159 → 00:24:06,190 beyond the space's wings come from her
Section 53: 00:24:06,200 – 00:24:44,549
00:24:06,200 → 00:24:08,470 peculiar
00:24:08,480 → 00:24:12,990 voice and the way she uses it oh God
00:24:13,000 → 00:24:15,430 would you enlist in her Army I would if
00:24:15,440 → 00:24:19,669 I be back to Antiquity and she was there
00:24:19,679 → 00:24:21,830 put it bring her back bring it that last
00:24:21,840 → 00:24:25,350 one if I being back to Antiquity right
00:24:25,360 → 00:24:28,549 people right which I just may figure out
00:24:28,559 → 00:24:31,549 one of these days who knows maybe I
00:24:31,559 → 00:24:34,029 already did maybe I'm from the future
00:24:34,039 → 00:24:35,909 somebody said that alen's from the
00:24:35,919 → 00:24:38,269 future and he's bringing us right it's
00:24:38,279 → 00:24:41,750 history class from the future it's just
00:24:41,760 → 00:24:44,549 a being projected now how would you know
Section 54: 00:24:44,559 – 00:25:05,750
00:24:44,559 → 00:24:46,510 that right how would you know how would
00:24:46,520 → 00:24:50,630 you verify it right God do you want to
00:24:50,640 → 00:24:52,830 join her Army that's the thing look at
00:24:52,840 → 00:24:56,310 her do you understand what I'm proposing
00:24:56,320 → 00:25:00,269 to you I'm proposing you study and learn
00:25:00,279 → 00:25:05,750 her song that will be
Section 55: 00:25:05,760 – 00:25:09,070
00:25:05,760 → 00:25:09,070 twisted
Section 56: 00:25:09,080 – 00:25:14,269
00:25:09,080 → 00:25:14,269 confusing perhaps even offputting
Section 57: 00:25:14,279 – 00:25:49,269
00:25:14,279 → 00:25:19,909 but you will find a way in
00:25:19,919 → 00:25:22,310 it to the
00:25:22,320 → 00:25:24,830 beauty the real
00:25:24,840 → 00:25:29,630 beauty that brings that climactic know
00:25:29,640 → 00:25:32,710 yourself orgasm in the
00:25:32,720 → 00:25:35,470 brain do you
00:25:35,480 → 00:25:38,710 understand it's mystery at its best she
00:25:38,720 → 00:25:41,029 is a priestess after all saying this who
00:25:41,039 → 00:25:43,990 is purportedly saying these things that
00:25:44,000 → 00:25:47,029 we're going to be looking at this is the
00:25:47,039 → 00:25:49,269 Priestess
Section 58: 00:25:49,279 – 00:26:34,510
00:25:49,279 → 00:25:53,549 Cassandra she is sacrificed as a captive
00:25:53,559 → 00:26:00,630 her voice was so potent that she was
00:26:00,640 → 00:26:02,549 stolen she was
00:26:02,559 → 00:26:05,590 stolen yeah War
00:26:05,600 → 00:26:10,470 prize right oh God sacrifice virgin
00:26:10,480 → 00:26:13,310 sacrifice people I'm telling you do you
00:26:13,320 → 00:26:15,789 understand do you night do tonight do
00:26:15,799 → 00:26:18,630 you see the wings of the Sphinx oh give
00:26:18,640 → 00:26:21,230 me the next give me the next slide this
00:26:21,240 → 00:26:25,630 one boom no boom people take a look at
00:26:25,640 → 00:26:28,310 I'm just GNA very reverently go through
00:26:28,320 → 00:26:32,669 some of this uh Greek and we're also
00:26:32,679 → 00:26:34,510 going to look at who is here I showed
Section 59: 00:26:34,520 – 00:27:08,230
00:26:34,520 → 00:26:36,870 you febus Apollo there in the middle of
00:26:36,880 → 00:26:38,470 that if you read any translation of this
00:26:38,480 → 00:26:39,870 in English you're not going to catch
00:26:39,880 → 00:26:42,430 that you're not going to catch that
00:26:42,440 → 00:26:44,710 right you're also not going to catch at
00:26:44,720 → 00:26:48,310 the end of this first line is the verb
00:26:48,320 → 00:26:52,549 his right and what is that what is that
00:26:52,559 → 00:26:55,870 go ahead people what are we doing with
00:26:55,880 → 00:26:56,669 the
00:26:56,679 → 00:26:58,950 Oracle all right
00:26:58,960 → 00:26:59,870 is this
00:26:59,880 → 00:27:03,110 one what are we doing with the Oracle
00:27:03,120 → 00:27:05,950 we're giving her an inquiry we're
00:27:05,960 → 00:27:08,230 looking into something wait a minute I
Section 60: 00:27:08,240 – 00:27:51,360
00:27:08,240 → 00:27:09,710 thought we're just sitting here
00:27:09,720 → 00:27:11,470 passively listening to the music
00:27:11,480 → 00:27:14,590 entertainingly no people no you didn't
00:27:14,600 → 00:27:17,029 come into this whole procedure to be
00:27:17,039 → 00:27:22,510 initiated into the mystery without a
00:27:22,520 → 00:27:26,110 way I am the
00:27:26,120 → 00:27:29,110 way says the Christ
00:27:29,120 → 00:27:31,149 and the
00:27:31,159 → 00:27:36,710 Antichrist I am the way we are going to
00:27:36,720 → 00:27:41,350 examine and observe from the soul of the
00:27:41,360 → 00:27:47,389 universe we are going to
00:27:47,399 → 00:27:51,360 inquire when it says know
Section 61: 00:27:51,370 – 00:27:53,870
00:27:51,370 → 00:27:53,870 [Music]
Section 62: 00:27:53,880 – 00:27:59,990
00:27:53,880 → 00:27:59,990 yourself that phrase that built Greek
Section 63: 00:28:00,000 – 00:28:24,310
00:28:00,000 → 00:28:02,549 civilization was brought to you by these
00:28:02,559 → 00:28:05,430 drug-using Mysteries that we're showing
00:28:05,440 → 00:28:07,190 you right
00:28:07,200 → 00:28:10,190 now people one of the things I want to
00:28:10,200 → 00:28:12,990 repeat emphasize tonight is the Christ
00:28:13,000 → 00:28:15,509 go and change it is the
00:28:15,519 → 00:28:18,470 Christ right the Christ is the drug
00:28:18,480 → 00:28:22,350 people the Christ is a drug there is no
00:28:22,360 → 00:28:24,310 Christian
Section 64: 00:28:24,320 – 00:28:52,190
00:28:24,320 → 00:28:28,710 scholar who can disprove that the Christ
00:28:28,720 → 00:28:31,149 is a
00:28:31,159 → 00:28:33,149 drug okay
00:28:33,159 → 00:28:35,470 fantastic and most of the time it's a
00:28:35,480 → 00:28:40,269 sex drug meant to
00:28:40,279 → 00:28:44,870 facilitate the activities of child
00:28:44,880 → 00:28:52,190 traffickers who use children as not only
Section 65: 00:28:52,200 – 00:29:39,110
00:28:52,200 → 00:28:54,070 sexual
00:28:54,080 → 00:28:56,350 gratification
00:28:56,360 → 00:28:59,350 machines but
00:28:59,360 → 00:29:03,230 as producers of drugs themselves isn't
00:29:03,240 → 00:29:06,389 that nice the mystery can be sold the
00:29:06,399 → 00:29:08,789 mystery can be sold right well not with
00:29:08,799 → 00:29:11,909 your virgin chorus it can't if your
00:29:11,919 → 00:29:13,470 virgin
00:29:13,480 → 00:29:17,549 chorus is protected and we're going to
00:29:17,559 → 00:29:19,470 do that by putting that statue of the
00:29:19,480 → 00:29:21,230 Virgin on the top of the hill right
00:29:21,240 → 00:29:24,990 everybody knows right you can't do
00:29:25,000 → 00:29:28,909 anything to these girls they are protect
00:29:28,919 → 00:29:32,149 Ed why for the sake of their
00:29:32,159 → 00:29:36,149 voice and they talk about it as um don't
00:29:36,159 → 00:29:39,110 you want them to be possessed by Apollo
Section 66: 00:29:39,120 – 00:30:27,950
00:29:39,120 → 00:29:42,509 in his
00:29:42,519 → 00:29:46,310 guitar do you think of that because
00:29:46,320 → 00:29:49,909 something happens to
00:29:49,919 → 00:29:54,950 them yeah when they are not
00:29:54,960 → 00:29:57,029 virgins and you'll say well wait a
00:29:57,039 → 00:29:59,509 minute that sounds kind of hokey doesn't
00:29:59,519 → 00:30:00,389 it I
00:30:00,399 → 00:30:03,669 mean sounds kind of strange doesn't it
00:30:03,679 → 00:30:06,070 it's kind of virgin's going to have
00:30:06,080 → 00:30:09,389 chorus full of virgins A Chorus full of
00:30:09,399 → 00:30:13,029 virgins yeah is there something about it
00:30:13,039 → 00:30:14,909 is it for some other reason than just
00:30:14,919 → 00:30:15,750 the
00:30:15,760 → 00:30:19,029 protection of the individual chorus
00:30:19,039 → 00:30:22,269 member who's singing that Oracle right
00:30:22,279 → 00:30:24,470 besides just for their protection sake
00:30:24,480 → 00:30:25,789 right which they come up with that's an
00:30:25,799 → 00:30:27,950 issue in Antiquity right cuz some
Section 67: 00:30:27,960 – 00:31:05,669
00:30:27,960 → 00:30:30,070 somebody very famously raped one of the
00:30:30,080 → 00:30:32,870 well-known oracles and it was a huge
00:30:32,880 → 00:30:38,269 deal what do we do right they must
00:30:38,279 → 00:30:43,830 be the virgins remember the ages 1 to 10
00:30:43,840 → 00:30:45,830 they divided it into three decades the
00:30:45,840 → 00:30:48,230 service of the oracles the first 10
00:30:48,240 → 00:30:50,990 years are education the second 10 years
00:30:51,000 → 00:30:54,190 are performance the third 10 years are
00:30:54,200 → 00:30:55,870 instruction it's when you teach
00:30:55,880 → 00:30:58,070 everybody else
00:30:58,080 → 00:30:59,710 right when are they performing between
00:30:59,720 → 00:31:02,389 the ages of 10 and
00:31:02,399 → 00:31:05,669 20 okay all
Section 68: 00:31:05,679 – 00:31:28,669
00:31:05,679 → 00:31:09,149 right fantastic and why is this because
00:31:09,159 → 00:31:12,470 this is the virin voice people this is
00:31:12,480 → 00:31:15,950 the Virgin voice that you are
00:31:15,960 → 00:31:18,950 harvesting yes people isn't do you mind
00:31:18,960 → 00:31:20,389 that they are the ancient Greeks the
00:31:20,399 → 00:31:22,230 people who thought up
00:31:22,240 → 00:31:25,870 democracy right which is a Greek
00:31:25,880 → 00:31:28,669 word right
Section 69: 00:31:28,679 – 00:31:37,149
00:31:28,679 → 00:31:31,310 you know Republic is a stupid Hut
00:31:31,320 → 00:31:37,149 dwelling Roman word
Section 70: 00:31:37,159 – 00:32:19,470
00:31:37,159 → 00:31:41,430 anyway these people who created
00:31:41,440 → 00:31:43,070 democracy
00:31:43,080 → 00:31:46,669 harvested the Virgin voice and I'm not
00:31:46,679 → 00:31:49,990 just talking about the boys choir right
00:31:50,000 → 00:31:53,029 I'm not because those boys they cut off
00:31:53,039 → 00:31:55,029 their
00:31:55,039 → 00:31:58,669 Tes they they made them Unix you think
00:31:58,679 → 00:32:01,990 your boy choir is good today yeah here
00:32:02,000 → 00:32:04,549 Utah who's the where's the Boy Choir
00:32:04,559 → 00:32:06,230 somebody from satanic congregation
00:32:06,240 → 00:32:08,830 where's the Big Boys Choir where is that
00:32:08,840 → 00:32:10,629 is that in
00:32:10,639 → 00:32:13,629 Utah it's like the Mormon Tabernacle
00:32:13,639 → 00:32:16,750 Boys Choir is is that what it is yeah
00:32:16,760 → 00:32:19,470 people back me up on this right imagine
Section 71: 00:32:19,480 – 00:32:58,350
00:32:19,480 → 00:32:20,629 if we could
00:32:20,639 → 00:32:25,110 take the Mormon Tabernacle boys choir we
00:32:25,120 → 00:32:29,389 put out all the boys on the box
00:32:29,399 → 00:32:31,230 would take him down and have a nice
00:32:31,240 → 00:32:32,669 lunch maybe
00:32:32,679 → 00:32:36,470 tacos right and maybe a little something
00:32:36,480 → 00:32:40,029 in the beverages just to you know take
00:32:40,039 → 00:32:43,950 them out of anxiety's aim and then we'll
00:32:43,960 → 00:32:45,789 C them off the hospital we'll castrate
00:32:45,799 → 00:32:47,909 them all and I'm telling you within a
00:32:47,919 → 00:32:50,310 very short period of time we will have
00:32:50,320 → 00:32:53,750 harvested from those boys the real the
00:32:53,760 → 00:32:56,310 real boys chorus but this is the Virgin
00:32:56,320 → 00:32:58,350 chorus that I'm talking about now
Section 72: 00:32:58,360 – 00:33:33,669
00:32:58,360 → 00:33:00,870 now right the Virgin chorus did they
00:33:00,880 → 00:33:02,870 have boy choruses in Antiquity yeah of
00:33:02,880 → 00:33:06,549 course they did but this is the Virgin
00:33:06,559 → 00:33:10,230 chorus the oracular
00:33:10,240 → 00:33:13,629 chorus and we put the statue on the hill
00:33:13,639 → 00:33:16,470 so Nobody messes with the
00:33:16,480 → 00:33:20,430 virgins do you understand all right get
00:33:20,440 → 00:33:23,029 those Romans to adopt this Ryan they're
00:33:23,039 → 00:33:24,950 not going to be so nice they'll kill you
00:33:24,960 → 00:33:28,629 dead you I dare you to dare you to walk
00:33:28,639 → 00:33:31,230 in front of the path in front of the way
00:33:31,240 → 00:33:33,669 of the Vestal virgins you know what I
Section 73: 00:33:33,679 – 00:34:09,230
00:33:33,679 → 00:33:37,549 mean does somebody come out and Club you
00:33:37,559 → 00:33:41,230 right they' be dragging you off amazing
00:33:41,240 → 00:33:43,310 why because you know they're hot
00:33:43,320 → 00:33:46,830 dwellers look at their language
00:33:46,840 → 00:33:50,389 people look at their language okay give
00:33:50,399 → 00:33:52,190 me the next one it's not it's not it's
00:33:52,200 → 00:33:54,389 not her fault you know what I mean no I
00:33:54,399 → 00:33:56,190 think it was the NOP next
00:33:56,200 → 00:33:59,509 one Bo go ahead and give me
00:33:59,519 → 00:34:02,750 that yeah and if this so people the top
00:34:02,760 → 00:34:05,470 top line if the thing that I'm going to
00:34:05,480 → 00:34:09,230 tell you is drawn
Section 74: 00:34:09,240 – 00:34:49,669
00:34:09,240 → 00:34:12,349 out I want you to hang in there with me
00:34:12,359 → 00:34:14,389 look at this verb
00:34:14,399 → 00:34:17,030 soony right it's from
00:34:17,040 → 00:34:22,829 sunos G it's from gigos with sun gnos
00:34:22,839 → 00:34:26,310 excuse me it's a compound so it's when
00:34:26,320 → 00:34:29,909 you take that word for understanding
00:34:29,919 → 00:34:33,629 right and you put that prepositional
00:34:33,639 → 00:34:37,629 prefix you put the accompanyment idea
00:34:37,639 → 00:34:41,349 with it I want you to accompany me in
00:34:41,359 → 00:34:45,310 knowing right I want you to accompany me
00:34:45,320 → 00:34:49,669 accompany me in knowing
Section 75: 00:34:49,679 – 00:35:31,190
00:34:49,679 → 00:34:52,030 despera
00:34:52,040 → 00:34:54,230 desperate
00:34:54,240 → 00:34:57,829 ruler right who am I right I'm that one
00:34:57,839 → 00:35:01,030 who's bringing you that Oracle and I am
00:35:01,040 → 00:35:05,550 doing it not as before
00:35:05,560 → 00:35:08,829 I from an ion sto give me the next one I
00:35:08,839 → 00:35:11,829 want you to see what the ion is now
00:35:11,839 → 00:35:14,030 people look at this what kind of mouth
00:35:14,040 → 00:35:17,069 does our Oracle have that that's our
00:35:17,079 → 00:35:19,430 dude ruler that's our despot isn't that
00:35:19,440 → 00:35:22,710 nice look master in planets oh where did
00:35:22,720 → 00:35:25,310 I maybe I put her down here did I put
00:35:25,320 → 00:35:29,270 her no give me that that one okay this
00:35:29,280 → 00:35:31,190 is what she is though right there's what
Section 76: 00:35:31,200 – 00:35:58,589
00:35:31,200 → 00:35:33,030 she is here's where I HIIT everything
00:35:33,040 → 00:35:35,190 people look like a squirrel I put this
00:35:35,200 → 00:35:37,270 all on the wrong place look at no it's
00:35:37,280 → 00:35:39,829 my fault the Kora look at the Kora cor
00:35:39,839 → 00:35:41,589 here right I pronounce it like the
00:35:41,599 → 00:35:45,030 dorians do Kora right but look down the
00:35:45,040 → 00:35:47,310 very bottom you can see there's a dam
00:35:47,320 → 00:35:48,829 that's being inserted maybe I put it on
00:35:48,839 → 00:35:51,990 the next one B is this this it oh there
00:35:52,000 → 00:35:58,589 it is cor R dor K and ktic r
Section 77: 00:35:58,599 – 00:36:38,230
00:35:58,599 → 00:36:02,750 cor with that lengthened Omega the
00:36:02,760 → 00:36:04,870 Craton right
00:36:04,880 → 00:36:10,270 dialect oh God love it k k in the ionian
00:36:10,280 → 00:36:12,589 look at how much they changed the vow
00:36:12,599 → 00:36:14,390 right it's not lengthened it's turned
00:36:14,400 → 00:36:17,349 into I mean it's not it's not shortened
00:36:17,359 → 00:36:20,790 it's turned into a monster death
00:36:20,800 → 00:36:25,349 thong right now finally look at Kwa in
00:36:25,359 → 00:36:27,349 the in there with the thing looks like
00:36:27,359 → 00:36:30,150 the F the letter looks like the F that's
00:36:30,160 → 00:36:32,630 that again anyway people I wanted you to
00:36:32,640 → 00:36:34,550 see that who are we talking about again
00:36:34,560 → 00:36:36,670 we're still talking about the
00:36:36,680 → 00:36:38,230 Kora
Section 78: 00:36:38,240 – 00:37:15,910
00:36:38,240 → 00:36:41,430 right and we'll catch up I know we'll
00:36:41,440 → 00:36:43,829 catch up this is the thing I want to
00:36:43,839 → 00:36:46,829 figure out what is what is her aolon sto
00:36:46,839 → 00:36:49,790 the sto is just the mouth it's an
00:36:49,800 → 00:36:52,910 opening it's an orifice in this case
00:36:52,920 → 00:36:56,870 it's her mouth and what is coming out of
00:36:56,880 → 00:36:59,230 her mouth the cross her
00:36:59,240 → 00:37:02,589 throat right it's coming out of this
00:37:02,599 → 00:37:06,309 mouth that is eolian or iolan excuse me
00:37:06,319 → 00:37:07,790 yep that one
00:37:07,800 → 00:37:10,870 uhuh and I just want you to see this now
00:37:10,880 → 00:37:13,430 what kind of mouth does the
00:37:13,440 → 00:37:15,910 Oracle
Section 79: 00:37:15,920 – 00:37:37,470
00:37:15,920 → 00:37:24,270 have right oh God this is
00:37:24,280 → 00:37:26,990 gorgeous as we're waiting there it is as
00:37:27,000 → 00:37:28,750 we're waiting though I want you to
00:37:28,760 → 00:37:31,390 realize when you talk about the
00:37:31,400 → 00:37:34,950 winds right right I want you to think
00:37:34,960 → 00:37:37,470 about
Section 80: 00:37:37,480 – 00:37:59,030
00:37:37,480 → 00:37:40,150 iolis right thinking about the winds
00:37:40,160 → 00:37:41,550 what does this word mean what is her
00:37:41,560 → 00:37:45,030 mouth yes what is your mouth it's
00:37:45,040 → 00:37:47,950 glittering it's glittering like
00:37:47,960 → 00:37:52,190 armor right it's changeful of hue I told
00:37:52,200 → 00:37:54,990 you people put on your put on your nerd
00:37:55,000 → 00:37:59,030 goggles tonight it's [\h__\h]
Section 81: 00:37:59,040 – 00:38:24,230
00:37:59,040 → 00:38:03,750 right what is a knight that is Iola an
00:38:03,760 → 00:38:08,510 Iola nukes an iic light night is a star
00:38:08,520 → 00:38:12,390 spangled night do you see the shimmering
00:38:12,400 → 00:38:15,190 the shimmering right now look as the
00:38:15,200 → 00:38:17,910 word metaphorically becomes checkered
00:38:17,920 → 00:38:21,750 changeful right um look at number two
00:38:21,760 → 00:38:24,230 slippery right
Section 82: 00:38:24,240 – 00:38:30,470
00:38:24,240 → 00:38:30,470 Shifty okay that is her
Section 83: 00:38:30,480 – 00:38:42,950
00:38:30,480 → 00:38:33,589 mouth that is her mouth do you
00:38:33,599 → 00:38:35,150 understand why I
00:38:35,160 → 00:38:42,950 say lerron is extremely difficult
Section 84: 00:38:42,960 – 00:39:23,470
00:38:42,960 → 00:38:48,190 Greek the skin of a serpent can be
00:38:48,200 → 00:38:51,950 iolan right it can change in its Hue if
00:38:51,960 → 00:38:53,349 you've ever looked at the skin of a
00:38:53,359 → 00:38:55,510 snake in the sunlight as the sunlight
00:38:55,520 → 00:38:57,990 hits it you're going to see the light
00:38:58,000 → 00:39:01,230 wavelengths broken up it's gorgeous
00:39:01,240 → 00:39:03,510 absolutely gorgeous they give off a
00:39:03,520 → 00:39:06,270 Sheen it's almost like an
00:39:06,280 → 00:39:09,990 aura god well that's what her mouth
00:39:10,000 → 00:39:14,870 does that's what her mouth does all
00:39:14,880 → 00:39:16,510 right all right let's keep going let's
00:39:16,520 → 00:39:19,589 see what else she is right this is again
00:39:19,599 → 00:39:21,109 I want you to we're g to look at the
00:39:21,119 → 00:39:23,470 music here too because you I don't want
Section 85: 00:39:23,480 – 00:40:01,950
00:39:23,480 → 00:39:25,750 you to fail to miss this the actual
00:39:25,760 → 00:39:27,790 music
00:39:27,800 → 00:39:30,589 give me the next one
00:39:30,599 → 00:39:36,150 boom so here she is right pouring out
00:39:36,160 → 00:39:38,270 that shout that is
00:39:38,280 → 00:39:44,790 mingled as she chews her leaves of bay
00:39:44,800 → 00:39:47,270 fooing that
00:39:47,280 → 00:39:50,710 voice now what do I mean by fonso did I
00:39:50,720 → 00:39:53,270 should be the next one should be like
00:39:53,280 → 00:39:55,150 the black Sphinx mimicking the black
00:39:55,160 → 00:39:58,349 Sphinx no it's not here maybe it's oh I
00:39:58,359 → 00:40:01,950 have such terrible order
Section 86: 00:40:01,960 – 00:40:32,190
00:40:01,960 → 00:40:05,349 tonight oh no these are the things that
00:40:05,359 → 00:40:08,790 she's uttering right stuff that can't be
00:40:08,800 → 00:40:11,470 uttered right no I I think I did
00:40:11,480 → 00:40:13,829 something wrong I don't think I I don't
00:40:13,839 → 00:40:15,510 I didn't check people here's another
00:40:15,520 → 00:40:16,950 Greek term that's okay here's another
00:40:16,960 → 00:40:20,349 Greek term for The Voice or speech right
00:40:20,359 → 00:40:22,109 but I want you to notice well how many
00:40:22,119 → 00:40:23,510 words are we going to have for voice or
00:40:23,520 → 00:40:25,390 speech you know even logos can be used
00:40:25,400 → 00:40:28,190 for that right for this on the speech
00:40:28,200 → 00:40:32,190 side on the vocal side look particularly
Section 87: 00:40:32,200 – 00:41:21,069
00:40:32,200 → 00:40:34,710 metaphorically the voice of
00:40:34,720 → 00:40:37,910 passion right you see the orphic
00:40:37,920 → 00:40:40,630 connections and what kind of voice is
00:40:40,640 → 00:40:41,910 out there I want you to look at that
00:40:41,920 → 00:40:45,190 second line called
00:40:45,200 → 00:40:47,550 hun the
00:40:47,560 → 00:40:50,990 Kian voice and who do you think is
00:40:51,000 → 00:40:52,630 making
00:40:52,640 → 00:40:55,589 that so let me just take a step back I'm
00:40:55,599 → 00:40:58,270 going to show you the path message
00:40:58,280 → 00:41:02,550 here should be this one let's see if
00:41:02,560 → 00:41:07,670 it's that one and it has in it the voice
00:41:07,680 → 00:41:10,510 that this Oracle is
00:41:10,520 → 00:41:13,550 producing look at the second
00:41:13,560 → 00:41:17,309 line gun there it is that's what the
00:41:17,319 → 00:41:21,069 Oracle produces only who is the Oracle
Section 88: 00:41:21,079 – 00:41:49,430
00:41:21,079 → 00:41:25,390 in this case it is the Kur look we
00:41:25,400 → 00:41:32,109 switched dialects it is the
00:41:32,119 → 00:41:37,550 the daughter the Kora daughter of
00:41:37,560 → 00:41:42,710 AES and who is that who has the Cy and
00:41:42,720 → 00:41:49,430 gun voice and by the way the cian
Section 89: 00:41:49,440 – 00:42:20,150
00:41:49,440 → 00:41:54,270 voice is also the Kian
00:41:54,280 → 00:41:57,430 voice they switch you see the land the
00:41:57,440 → 00:41:59,829 he in the first word the second line
00:41:59,839 → 00:42:02,829 they will switch those this to make the
00:42:02,839 → 00:42:06,950 association between culus and the MX
00:42:06,960 → 00:42:09,589 that was producing the purple
00:42:09,599 → 00:42:13,550 itself this is the voice the culan voice
00:42:13,560 → 00:42:16,150 of the burning
00:42:16,160 → 00:42:20,150 purple
Section 90: 00:42:20,160 – 00:43:01,270
00:42:20,160 → 00:42:24,670 okay the oracular voice isn't it
00:42:24,680 → 00:42:28,150 interesting yes right right exactly the
00:42:28,160 → 00:42:30,030 drug is named after her exactly the
00:42:30,040 → 00:42:32,790 whole art of medicine is named after her
00:42:32,800 → 00:42:36,349 people give her some credit right right
00:42:36,359 → 00:42:38,750 the Hut dwelling Romans built temples to
00:42:38,760 → 00:42:42,190 her right and decided her name was going
00:42:42,200 → 00:42:46,150 to mean to dispense drugs to bring
00:42:46,160 → 00:42:49,349 Health by dispensing drugs so they
00:42:49,359 → 00:42:52,950 called media right they called her there
00:42:52,960 → 00:42:57,230 buil temples who fantastic medicon it's
00:42:57,240 → 00:42:59,109 where the word medicine comes from you
00:42:59,119 → 00:43:01,270 didn't know your own history did you you
Section 91: 00:43:01,280 – 00:43:29,150
00:43:01,280 → 00:43:03,790 thought medicine was a man's discipline
00:43:03,800 → 00:43:08,190 nope absolutely not men were not smart
00:43:08,200 → 00:43:11,910 enough to come up with it because they
00:43:11,920 → 00:43:14,230 are
00:43:14,240 → 00:43:17,510 damaged no seriously people all right
00:43:17,520 → 00:43:20,190 let's go give give me the next one it
00:43:20,200 → 00:43:22,549 seriously people who do you give who do
00:43:22,559 → 00:43:29,150 you give the um who do you give the most
Section 92: 00:43:29,160 – 00:43:55,549
00:43:29,160 → 00:43:31,670 responsibility too you've got two of
00:43:31,680 → 00:43:34,470 this one species who you just tell me
00:43:34,480 → 00:43:36,630 which one right because that's the one
00:43:36,640 → 00:43:39,750 we're going to make that produce
00:43:39,760 → 00:43:43,510 children and whose bodies mimic the
00:43:43,520 → 00:43:47,430 cycle of the moon life and death and
00:43:47,440 → 00:43:50,150 coming back passion and the sting of the
00:43:50,160 → 00:43:52,750 gadfly that's why we have female oracles
00:43:52,760 → 00:43:55,549 not male
Section 93: 00:43:55,559 – 00:44:22,870
00:43:55,559 → 00:43:58,790 right it's very bi biological here I
00:43:58,800 → 00:44:00,309 wanted to point out in this line they're
00:44:00,319 → 00:44:04,230 bringing a boy a shout next a
00:44:04,240 → 00:44:06,390 mingled
00:44:06,400 → 00:44:12,309 shout a mingled shout and they are
00:44:12,319 → 00:44:15,470 fooing next
00:44:15,480 → 00:44:18,309 and okay what is coming out of her mouth
00:44:18,319 → 00:44:20,549 what is coming out of her mouth is
00:44:20,559 → 00:44:22,870 Twisted it's
Section 94: 00:44:22,880 – 00:44:57,750
00:44:22,880 → 00:44:25,589 twisted do you have Twisted
00:44:25,599 → 00:44:27,710 speech well then
00:44:27,720 → 00:44:30,150 don't ever think that you're going to
00:44:30,160 → 00:44:33,030 express your
00:44:33,040 → 00:44:36,109 Enigma your
00:44:36,119 → 00:44:38,589 Enigma what do you want me to do when
00:44:38,599 → 00:44:41,750 I'm playing the priest of Apollo I want
00:44:41,760 → 00:44:44,710 you to cleanse and
00:44:44,720 → 00:44:48,990 purify I want you to cleanse and purify
00:44:49,000 → 00:44:50,870 in that very top line it says in the
00:44:50,880 → 00:44:55,109 greatek she's cleansing her hands with
00:44:55,119 → 00:44:57,750 [\h__\h] right
Section 95: 00:44:57,760 – 00:45:35,349
00:44:57,760 → 00:44:59,790 okay people now look at number two it
00:44:59,800 → 00:45:03,670 also equals foat well pray tell pray
00:45:03,680 → 00:45:05,510 tell this is Foy give me the next one
00:45:05,520 → 00:45:06,430 should be
00:45:06,440 → 00:45:10,589 FBO unless we screwed up the order we
00:45:10,599 → 00:45:13,990 which we okay this is
00:45:14,000 → 00:45:18,430 you yeah it is okay people um who else
00:45:18,440 → 00:45:21,270 Foy bados it's okay it'll come
00:45:21,280 → 00:45:25,109 eventually who else for for BOS look at
00:45:25,119 → 00:45:28,870 this this is the Bible what this is
00:45:28,880 → 00:45:31,430 Deuteronomy when is this being written
00:45:31,440 → 00:45:33,510 in the thir Century at the same time
00:45:33,520 → 00:45:35,349 that the other sources that I'm giving
Section 96: 00:45:35,359 – 00:45:57,630
00:45:35,359 → 00:45:37,030 you are being written in the fourth and
00:45:37,040 → 00:45:39,670 third centuries BC these are
00:45:39,680 → 00:45:41,950 contemporary text with the Bible so of
00:45:41,960 → 00:45:44,829 course the Bible written in
00:45:44,839 → 00:45:48,069 Greek reflects
00:45:48,079 → 00:45:51,349 that right and one of these words is
00:45:51,359 → 00:45:55,030 dropped out the in this verse Oh God
00:45:55,040 → 00:45:57,630 this is Deuteronomy
Section 97: 00:45:57,640 – 00:45:59,109
00:45:57,640 → 00:45:59,109 [Music]
Section 98: 00:45:59,119 – 00:46:28,109
00:45:59,119 → 00:46:03,230 uh is it 14 141 I think yeah you're the
00:46:03,240 → 00:46:06,030 sons of the Lord of Our Lord
00:46:06,040 → 00:46:09,030 God
00:46:09,040 → 00:46:14,270 right don't foro don't perform these
00:46:14,280 → 00:46:22,510 purifications and watch this
00:46:22,520 → 00:46:28,109 people don't make yourself B
Section 99: 00:46:28,119 – 00:46:32,670
00:46:28,119 → 00:46:32,670 don't shave your
Section 100: 00:46:32,680 – 00:47:34,150
00:46:32,680 → 00:46:35,270 head for the
00:46:35,280 → 00:46:40,030 dead look at verse number
00:46:40,040 → 00:46:42,630 three do not
00:46:42,640 → 00:46:46,309 consume that pollution what is the word
00:46:46,319 → 00:46:50,470 Delma that's the word for the
00:46:50,480 → 00:46:53,829 corruption that is the
00:46:53,839 → 00:46:57,030 abomination of desolation
00:46:57,040 → 00:47:01,030 oh God isn't that gorgeous right what
00:47:01,040 → 00:47:03,230 are they doing it's monism trying to
00:47:03,240 → 00:47:07,829 forge its own way by killing the cult by
00:47:07,839 → 00:47:12,549 changing refocusing making it a man cult
00:47:12,559 → 00:47:16,270 taking it from that female focus on the
00:47:16,280 → 00:47:19,030 education of the Virgin to the
00:47:19,040 → 00:47:22,150 enslavement of the male
00:47:22,160 → 00:47:26,109 prostitute oh God that is the monest
00:47:26,119 → 00:47:28,510 Judaism Christianity and
00:47:28,520 → 00:47:34,150 Islam oh God fabulous Unix for everyone
Section 101: 00:47:34,160 – 00:47:50,349
00:47:34,160 → 00:47:36,750 Ryan this everybody have their unic come
00:47:36,760 → 00:47:38,950 here
00:47:38,960 → 00:47:50,349 unic oh you know you spank your
Section 102: 00:47:50,359 – 00:48:18,870
00:47:50,359 → 00:47:55,549 unic oh god oh I think it was too
00:47:55,559 → 00:47:58,390 much oh but boy can I hear clearly for
00:47:58,400 → 00:48:01,150 the first time in weeks that's
00:48:01,160 → 00:48:04,910 fantastic that's fantastic here put the
00:48:04,920 → 00:48:07,510 close the shutters over
00:48:07,520 → 00:48:11,109 there just leave the mess I'll fix it
00:48:11,119 → 00:48:12,950 later give me the next one let's just
00:48:12,960 → 00:48:14,710 keep rolling people you can see we did
00:48:14,720 → 00:48:16,270 it next
00:48:16,280 → 00:48:18,870 one
Section 103: 00:48:18,880 – 00:48:33,150
00:48:18,880 → 00:48:23,190 yep look people remember this word Ops
00:48:23,200 → 00:48:25,549 this is something pecul peculiar that
00:48:25,559 → 00:48:27,790 she has I told you before that this
00:48:27,800 → 00:48:33,150 means face eye expression
Section 104: 00:48:33,160 – 00:49:06,990
00:48:33,160 → 00:48:36,510 sometimes well guess what it also means
00:48:36,520 → 00:48:40,549 it also means
00:48:40,559 → 00:48:42,670 voice
00:48:42,680 → 00:48:46,190 voice and of
00:48:46,200 → 00:48:48,430 course just so you
00:48:48,440 → 00:48:49,950 can
00:48:49,960 → 00:48:53,589 understand voice whether in speaking
00:48:53,599 → 00:48:57,069 shouting lamenting
00:48:57,079 → 00:48:58,870 speaking shouting what were we just
00:48:58,880 → 00:49:01,150 doing we were shouting look at the
00:49:01,160 → 00:49:04,750 second line or in seeing and then it
00:49:04,760 → 00:49:06,990 records
Section 105: 00:49:07,000 – 00:49:35,069
00:49:07,000 → 00:49:11,549 K singing with a beautiful
00:49:14,160 → 00:49:18,030 voice okay now why is it particular of
00:49:18,040 → 00:49:22,990 Cersei because she is the one who uses
00:49:23,000 → 00:49:24,349 the voice as a matter of fact that's
00:49:24,359 → 00:49:28,270 what they call her she who us uses the
00:49:28,280 → 00:49:31,990 voice and what does she
00:49:32,000 → 00:49:35,069 do she bamboozles
Section 106: 00:49:35,079 – 00:49:54,750
00:49:35,079 → 00:49:38,990 you she gets into your
00:49:39,000 → 00:49:42,670 mind and she changes it she transforms
00:49:42,680 → 00:49:45,870 you and she has a particular liking for
00:49:45,880 → 00:49:48,230 men who are drugged and crawl the ground
00:49:48,240 → 00:49:51,150 and and scream
00:49:51,160 → 00:49:54,750 helplessly
Section 107: 00:49:54,760 – 00:50:34,510
00:49:54,760 → 00:49:57,270 right oh people
00:49:57,280 → 00:50:00,829 you thought Epstein Island
00:50:00,839 → 00:50:05,190 was you know something new and novel no
00:50:05,200 → 00:50:09,630 odsis was held captive on Cersei
00:50:09,640 → 00:50:12,270 Island she got two or three kids out of
00:50:12,280 → 00:50:14,349 them didn't she was it three I think it
00:50:14,359 → 00:50:19,230 was two right oh God right what why
00:50:19,240 → 00:50:21,630 though because you know he's got his
00:50:21,640 → 00:50:23,990 kingdom up there and she's you know what
00:50:24,000 → 00:50:26,710 I mean brokering the power right and
00:50:26,720 → 00:50:29,109 some of that involves maybe some you
00:50:29,119 → 00:50:31,950 know drugging and I don't
00:50:31,960 → 00:50:34,510 know
Section 108: 00:50:34,520 – 00:50:58,870
00:50:34,520 → 00:50:37,109 trafficking trafficking nothing like a
00:50:37,119 → 00:50:41,789 group of unic men you know what I mean
00:50:41,799 → 00:50:44,349 there's a lot you can do with unic men
00:50:44,359 → 00:50:46,309 and there's no evidence afterwards you
00:50:46,319 → 00:50:49,069 know what I mean because you cut them
00:50:49,079 → 00:50:52,589 off you cut off the
00:50:52,599 → 00:50:54,829 witnesses that's how they refer to the
00:50:54,839 → 00:50:58,870 testicles
Section 109: 00:50:58,880 – 00:51:32,230
00:50:58,880 → 00:51:02,190 right right those Hut dwelling
00:51:02,200 → 00:51:05,950 Romans right they said those are the
00:51:05,960 → 00:51:08,309 witnesses oh God don't worry we're going
00:51:08,319 → 00:51:11,470 to cut off the witnesses and then we
00:51:11,480 → 00:51:14,789 don't get any children and the women who
00:51:14,799 → 00:51:17,630 are running these organizations like the
00:51:17,640 → 00:51:20,710 woman Lydia who's financing Paul if you
00:51:20,720 → 00:51:22,430 want to know what somebody's up to look
00:51:22,440 → 00:51:25,470 at who's financing them right Paul's
00:51:25,480 → 00:51:27,190 always getting high and going the
00:51:27,200 → 00:51:29,069 seventh heaven and the third heaven
00:51:29,079 → 00:51:30,589 having these voices I don't know if I
00:51:30,599 → 00:51:32,230 was in my body or not he's getting bit
Section 110: 00:51:32,240 – 00:52:19,270
00:51:32,240 → 00:51:37,030 by snakes that don't hurt
00:51:37,040 → 00:51:40,630 him God it's no wonder they want to jail
00:51:40,640 → 00:51:43,470 these people everywhere they
00:51:43,480 → 00:51:48,190 go right the Magi are dangerous brother
00:51:48,200 → 00:51:49,630 I'm telling you they're dangerous give
00:51:49,640 → 00:51:51,309 me the next
00:51:51,319 → 00:51:55,470 one the power of sight or seeing or
00:51:55,480 → 00:51:58,750 Vision this is the second now alts right
00:51:58,760 → 00:52:01,950 the power of sight or seeing or
00:52:01,960 → 00:52:04,190 Vision right and I want you to focus on
00:52:04,200 → 00:52:06,270 that vision and then all of a sudden
00:52:06,280 → 00:52:08,230 what do you open up under your vision
00:52:08,240 → 00:52:10,750 authors like heraclitus and
00:52:10,760 → 00:52:14,230 democratus oh my God not only is the
00:52:14,240 → 00:52:15,710 stuff in the Iliad and the Odyssey the
00:52:15,720 → 00:52:19,270 oldest stuff but it's also in the big
Section 111: 00:52:19,280 – 00:52:28,069
00:52:19,280 → 00:52:21,309 philosophers who were giving us the
00:52:21,319 → 00:52:23,309 basis the foundation for all of our
00:52:23,319 → 00:52:28,069 future science
Section 112: 00:52:28,079 – 00:52:57,190
00:52:28,079 → 00:52:32,390 all of this through the voice of the
00:52:32,400 → 00:52:36,510 Oracle the voice of the Oracle
00:52:36,520 → 00:52:43,470 okay what does the singer do she M she
00:52:43,480 → 00:52:46,990 mimics completely
00:52:47,000 → 00:52:52,190 entirely the gayon that voice of the
00:52:52,200 → 00:52:54,670 black
00:52:54,680 → 00:52:57,190 Strangler okay
Section 113: 00:52:57,200 – 00:53:24,630
00:52:57,200 → 00:52:58,069 all
00:52:58,079 → 00:53:02,710 right right where did where did uh where
00:53:02,720 → 00:53:06,230 did Cadmus end up going didn't he end up
00:53:06,240 → 00:53:10,069 in thieves with all that dionysiac
00:53:10,079 → 00:53:13,430 religion right didn't he didn't he end
00:53:13,440 → 00:53:14,589 up in
00:53:14,599 → 00:53:17,870 thieves where do you think that black
00:53:17,880 → 00:53:20,789 Sphinx who lived in the mountains and
00:53:20,799 → 00:53:21,710 came
00:53:21,720 → 00:53:24,630 down right
Section 114: 00:53:24,640 – 00:53:59,630
00:53:24,640 → 00:53:27,230 right um the there's nothing you can do
00:53:27,240 → 00:53:29,910 brother they have poison arrows dude you
00:53:29,920 → 00:53:31,829 just you're you're completely you know
00:53:31,839 → 00:53:34,829 they're all riding hores and stuff dude
00:53:34,839 → 00:53:36,789 bunch of us farmers are no match for
00:53:36,799 → 00:53:39,430 these these ladies you know what I mean
00:53:39,440 → 00:53:41,950 and they make these oracles dude they
00:53:41,960 → 00:53:44,150 make these oracles and they use their
00:53:44,160 → 00:53:47,710 drugs right and a whole bunch of them
00:53:47,720 → 00:53:50,470 make themselves go back to the witch
00:53:50,480 → 00:53:53,069 Queen media who we all use the word
00:53:53,079 → 00:53:57,030 medicine for who's the earliest Christ
00:53:57,040 → 00:53:59,630 figure and I don't mean figure like I
Section 115: 00:53:59,640 – 00:54:49,589
00:53:59,640 → 00:54:01,470 mean historical figure the earliest
00:54:01,480 → 00:54:03,670 person that we can say oh she's
00:54:03,680 → 00:54:04,750 christing
00:54:04,760 → 00:54:09,270 herself right is her it's fantastic
00:54:09,280 → 00:54:15,990 right oh God do you see it it's so
00:54:16,000 → 00:54:18,589 influential right that the most
00:54:18,599 → 00:54:20,710 difficult ancient Greek document and if
00:54:20,720 → 00:54:22,109 you want to ask your neighborhood
00:54:22,119 → 00:54:25,390 classist you do please do me that favor
00:54:25,400 → 00:54:28,150 call up your local University Classics
00:54:28,160 → 00:54:30,390 Department they're supposed to do stuff
00:54:30,400 → 00:54:33,510 like this we did when I was there right
00:54:33,520 → 00:54:35,309 call them up and say
00:54:35,319 → 00:54:40,910 hey uh I want to know who is the most
00:54:40,920 → 00:54:45,270 difficult Greek author to read and is
00:54:45,280 → 00:54:46,990 lerron the
00:54:47,000 → 00:54:49,589 answer and let's see what they say and
Section 116: 00:54:49,599 – 00:55:30,789
00:54:49,599 → 00:54:51,230 if they say no and they give you some
00:54:51,240 → 00:54:53,390 other something you bring it here and
00:54:53,400 → 00:54:55,030 you flash it up with the notes and I'll
00:54:55,040 → 00:54:57,670 tell you I'll tell and that one's close
00:54:57,680 → 00:54:59,549 but no
00:54:59,559 → 00:55:02,230 right um yeah everybody knows black a
00:55:02,240 → 00:55:05,710 fron is is difficult there's levels of
00:55:05,720 → 00:55:08,390 this right each of the words there's
00:55:08,400 → 00:55:11,190 levels to it it's amazing okay keep
00:55:11,200 → 00:55:13,950 going keep going she's gonna mimic that
00:55:13,960 → 00:55:17,069 Voice next one I wanted you to
00:55:17,079 → 00:55:21,950 see what that mimicry is all about it is
00:55:24,079 → 00:55:27,069 remembering right it is a
00:55:27,079 → 00:55:30,789 memory formed as a power of the mind you
Section 117: 00:55:30,799 – 00:55:39,710
00:55:30,799 → 00:55:33,430 remember who the mother of the muses are
00:55:33,440 → 00:55:35,750 right is it's
00:55:35,760 → 00:55:39,710 memory right
Section 118: 00:55:39,720 – 00:56:13,390
00:55:39,720 → 00:55:43,589 nimas okay I want you to also
00:55:43,599 → 00:55:47,150 notice the association with what you and
00:55:47,160 → 00:55:49,950 I would call the
00:55:49,960 → 00:55:53,029 monument the
00:55:53,039 → 00:55:57,510 monument yeah why because it is the
00:55:57,520 → 00:56:00,510 memory the
00:56:00,520 → 00:56:03,390 remembrance of the
00:56:03,400 → 00:56:06,549 Dead when you resurrect give me the next
00:56:06,559 → 00:56:07,870 one when you
00:56:07,880 → 00:56:13,390 Resurrect The Dead you do it it
Section 119: 00:56:13,400 – 00:56:16,510
00:56:13,400 → 00:56:16,510 through
Section 120: 00:56:16,520 – 00:56:58,560
00:56:16,520 → 00:56:22,789 music oh God I pray the priest of Apollo
00:56:22,799 → 00:56:27,069 knows the souls to raise from the dead
00:56:27,079 → 00:56:31,829 as did his father Apollo
00:56:31,839 → 00:56:34,270 himself do you understand the cult of
00:56:34,280 → 00:56:38,190 the Divine
00:56:38,200 → 00:56:42,069 physician okay who is the
00:56:42,079 → 00:56:46,670 savior the one who finds the way the one
00:56:46,680 → 00:56:49,990 who finds the
00:56:50,000 → 00:56:52,870 way a way of
00:56:52,880 → 00:56:56,029 song a way of song look at the second
00:56:56,039 → 00:56:58,560 line at the end
Section 121: 00:56:58,570 – 00:57:00,789
00:56:58,570 → 00:57:00,789 [Music]
Section 122: 00:57:00,799 – 00:57:26,270
00:57:00,799 → 00:57:04,990 right power of song
00:57:05,000 → 00:57:09,510 feus thus himself gives the power of
00:57:09,520 → 00:57:13,029 song to the
00:57:13,039 → 00:57:17,510 titties oh God do you hear
00:57:17,520 → 00:57:20,349 people now you understand the musician
00:57:20,359 → 00:57:21,470 of the
00:57:21,480 → 00:57:23,870 strings this is I'm sorry this is not
00:57:23,880 → 00:57:26,270 horns fluts
Section 123: 00:57:26,280 – 00:57:53,670
00:57:26,280 → 00:57:27,990 right people this is not
00:57:28,000 → 00:57:31,549 percussion right we're talking about the
00:57:31,559 → 00:57:34,309 fabric of the universe that is the
00:57:34,319 → 00:57:36,430 division of the
00:57:36,440 → 00:57:40,150 strings give me the next
00:57:40,160 → 00:57:43,750 one boom we are all over the map tonight
00:57:43,760 → 00:57:45,710 it's fun it's still fun
00:57:45,720 → 00:57:51,349 though I know okay here's a here's a
00:57:51,359 → 00:57:53,670 definition
Section 124: 00:57:53,680 – 00:58:34,710
00:57:53,680 → 00:57:58,829 um look at oos as a Way Road or path and
00:57:58,839 → 00:58:01,750 notice that number three well a strip of
00:58:01,760 → 00:58:03,430 land or
00:58:03,440 → 00:58:06,710 track right and who does it refer to it
00:58:06,720 → 00:58:08,870 refers to the
00:58:08,880 → 00:58:10,510 cians
00:58:10,520 → 00:58:15,109 yeah yeah a region a country well not
00:58:15,119 → 00:58:18,870 really because they don't live in
00:58:18,880 → 00:58:23,309 countries they're mobile tribes on
00:58:23,319 → 00:58:27,990 horses right mobile tribes on
00:58:28,000 → 00:58:32,390 horses they find the
00:58:32,400 → 00:58:34,710 way
Section 125: 00:58:34,720 – 00:59:18,160
00:58:34,720 → 00:58:36,670 okay
00:58:36,680 → 00:58:41,150 invisible the invisible way through the
00:58:41,160 → 00:58:43,470 cosmos the cosmos is not the universe
00:58:43,480 → 00:58:47,109 the cosmos is the order what is the
00:58:47,119 → 00:58:50,230 invisible way through the
00:58:50,240 → 00:58:53,309 order the
00:58:53,319 → 00:58:56,150 magician musician
00:58:56,160 → 00:58:59,349 finds it and establishes
00:58:59,359 → 00:59:03,829 it isn't that weird they establish the
00:59:03,839 → 00:59:07,870 way for those of you out there who have
00:59:07,880 → 00:59:08,750 ever
00:59:08,760 → 00:59:10,510 considered a
00:59:10,520 → 00:59:14,349 magnum
00:59:14,359 → 00:59:16,990 opus
00:59:17,000 → 00:59:18,160 yeah
Section 126: 00:59:18,170 – 00:59:19,589
00:59:18,170 → 00:59:19,589 [Music]
Section 127: 00:59:19,599 – 01:00:02,309
00:59:19,599 → 00:59:22,230 yeah the
00:59:22,240 → 00:59:27,510 way and the charting of the way
00:59:27,520 → 00:59:30,190 right is
00:59:30,200 → 00:59:33,470 that voice that cuts the
00:59:33,480 → 00:59:36,990 wind oh God can you bring it from the
00:59:37,000 → 00:59:39,710 strings can you bring from the strings
00:59:39,720 → 00:59:42,549 the voice that cuts the wind do you know
00:59:42,559 → 00:59:45,789 why they don't want people performing
00:59:45,799 → 00:59:48,950 the mystery with the instruments it's
00:59:48,960 → 00:59:52,510 because they're absolutely necessary to
00:59:52,520 → 00:59:55,870 the IND induction of the vision through
00:59:55,880 → 00:59:58,430 the The
00:59:58,440 → 01:00:02,309 Voice
Section 128: 01:00:02,319 – 01:00:14,950
01:00:02,319 → 01:00:04,589 Ops okay
01:00:04,599 → 01:00:09,230 Ops and God lifted his
01:00:09,240 → 01:00:14,950 Ops upon me wait
Section 129: 01:00:14,960 – 01:00:54,670
01:00:14,960 → 01:00:18,710 what right who writes the
01:00:18,720 → 01:00:21,510 universe who writes the universe it's
01:00:21,520 → 01:00:23,910 why we don't
01:00:23,920 → 01:00:26,870 say as Pythagoras said if you're going
01:00:26,880 → 01:00:30,670 to build a new city start with a temple
01:00:30,680 → 01:00:31,950 of the
01:00:31,960 → 01:00:35,470 muses right start with a
01:00:35,480 → 01:00:38,990 library why you don't need a library if
01:00:39,000 → 01:00:41,069 you've got Yahoo or any other monest
01:00:41,079 → 01:00:43,349 deity fantastic give me the next one I
01:00:43,359 → 01:00:45,230 harped on that too much give me give me
01:00:45,240 → 01:00:47,270 the next one people I want you to get to
01:00:47,280 → 01:00:49,750 give you a little more of this
01:00:49,760 → 01:00:54,670 gorgeousness just to give you yeah yeah
Section 130: 01:00:54,680 – 01:01:40,970
01:00:54,680 → 01:00:56,549 right
01:00:56,559 → 01:01:01,109 look at the second line onox that's oox
01:01:01,119 → 01:01:03,549 right who are we addressing here we're
01:01:03,559 → 01:01:05,510 addressing our
01:01:05,520 → 01:01:09,510 Lord and what do we have we have lots of
01:01:09,520 → 01:01:12,950 memory housed in our breast I want you
01:01:12,960 → 01:01:16,910 to hear it and it says you're G to use
01:01:16,920 → 01:01:21,270 Lord your F that very that wit that
01:01:21,280 → 01:01:23,470 sharp wit that you've got all packed
01:01:23,480 → 01:01:26,430 into your brain and it's I'm command in
01:01:26,440 → 01:01:30,549 you to make sense of the DUS
01:01:30,559 → 01:01:34,549 Fus the things that you don't
01:01:34,559 → 01:01:37,750 speak the things that you don't speak of
01:01:37,760 → 01:01:40,970 what of her
Section 131: 01:01:40,980 – 01:01:42,109
01:01:40,980 → 01:01:42,109 [Music]
Section 132: 01:01:42,119 – 01:01:49,750
01:01:42,119 → 01:01:49,750 inigma of her Twisted
Section 133: 01:01:49,760 – 01:02:21,150
01:01:49,760 → 01:01:53,430 enigmata what kind of things that we
01:01:53,440 → 01:01:56,069 don't talk about do you want me to find
01:01:56,079 → 01:01:59,470 in her Twisted enigmata I want you to
01:01:59,480 → 01:02:05,390 find the
01:02:05,400 → 01:02:10,430 way God right and that way this very
01:02:10,440 → 01:02:14,549 last line it says with
01:02:14,559 → 01:02:16,150 which
01:02:16,160 → 01:02:21,150 the well thought out pathway again I'm
Section 134: 01:02:21,160 – 01:02:49,589
01:02:21,160 → 01:02:23,950 using the word way because of my
01:02:23,960 → 01:02:26,349 inability that last line
01:02:26,359 → 01:02:29,470 treos it means something that is
01:02:29,480 → 01:02:34,950 flattened for you to be able to walk
01:02:34,960 → 01:02:39,750 across and eles means ystic look at it
01:02:39,760 → 01:02:43,349 it's well and Ma which means to learn as
01:02:43,359 → 01:02:49,589 a student so the way that is student
Section 135: 01:02:49,599 – 01:03:16,990
01:02:49,599 → 01:02:53,190 traveled will show us through the
01:02:53,200 → 01:02:56,910 darkness by a way
01:02:59,119 → 01:03:03,470 again that is or by an intellectual
01:03:03,480 → 01:03:05,950 rational
01:03:05,960 → 01:03:11,390 way procedure that is or straight
01:03:11,400 → 01:03:12,829 because that's what reason is you go
01:03:12,839 → 01:03:14,870 from point A to point
Section 136: 01:03:17,000 – 01:03:28,990
01:03:17,000 → 01:03:19,029 fantastic it's going to lead us there
01:03:19,039 → 01:03:20,430 what's it going to lead us through that
01:03:20,440 → 01:03:22,870 Scotto that
01:03:22,880 → 01:03:28,990 Darkness these are the words
Section 137: 01:03:29,000 – 01:04:18,430
01:03:29,000 → 01:03:30,829 multiple
01:03:30,839 → 01:03:34,990 levels this is what you are being given
01:03:35,000 → 01:03:39,230 in response to your question an answer
01:03:39,240 → 01:03:41,789 of an
01:03:41,799 → 01:03:45,109 enigma God an answer that isn't an
01:03:45,119 → 01:03:50,190 answer at all it's a question
01:03:50,200 → 01:03:53,109 right do you know what yeah we've got it
01:03:53,119 → 01:03:57,150 coming up do you know what happened
01:03:57,160 → 01:03:59,589 when you go from
01:03:59,599 → 01:04:03,349 that two you go from that four to the
01:04:03,359 → 01:04:04,750 two and then the three and everybody
01:04:04,760 → 01:04:06,589 says oh it's the riddle of the Sphinx
01:04:06,599 → 01:04:10,029 and it's the
01:04:10,039 → 01:04:14,430 age it was edus is
01:04:14,440 → 01:04:18,430 future his recognition was its
Section 138: 01:04:18,440 – 01:04:39,190
01:04:18,440 → 01:04:20,789 solution because he would poke his own
01:04:20,799 → 01:04:23,549 eyes out he had to have support and
01:04:23,559 → 01:04:28,150 ended up with three legs
01:04:28,160 → 01:04:30,950 right that
01:04:30,960 → 01:04:32,670 Oracle
01:04:32,680 → 01:04:39,190 Enigma is our
Section 139: 01:04:39,200 – 01:05:23,710
01:04:39,200 → 01:04:43,150 universe imagine that right and that's
01:04:43,160 → 01:04:45,190 what they are bringing that's what they
01:04:45,200 → 01:04:47,430 are
01:04:47,440 → 01:04:50,750 harvesting and it's that arular voice
01:04:50,760 → 01:04:54,750 that gave us freedom democracy
01:04:54,760 → 01:04:56,589 scientific method
01:04:56,599 → 01:04:59,230 and good music because look bad music is
01:04:59,240 → 01:05:02,109 prosecutable right if it doesn't Rock
01:05:02,119 → 01:05:05,470 right you don't rock right that's the
01:05:05,480 → 01:05:06,470 way it
01:05:08,119 → 01:05:11,430 right right no it's the staff right
01:05:11,440 → 01:05:13,870 anyway keep going keep going I've got a
01:05:13,880 → 01:05:15,630 couple more people I want to give you a
01:05:15,640 → 01:05:18,829 couple couple more flashes here of their
01:05:18,839 → 01:05:21,789 Brilliance what is an enigma what is an
01:05:21,799 → 01:05:23,710 enigma blow it
Section 140: 01:05:23,720 – 01:06:16,230
01:05:23,720 → 01:05:27,150 up they Define it the victorians Define
01:05:27,160 → 01:05:31,269 what's coming out of her mouth as a dark
01:05:31,279 → 01:05:33,829 saying a
01:05:33,839 → 01:05:36,269 riddle look at it at the end of the line
01:05:36,279 → 01:05:41,430 in riddles or
01:05:41,440 → 01:05:44,430 Darkly look at number two Roman num
01:05:44,440 → 01:05:48,910 number two taunt wait a minute what oh
01:05:48,920 → 01:05:51,109 I'm sorry did I forget to tell you the
01:05:51,119 → 01:05:52,750 Priestess we're talking about is the
01:05:52,760 → 01:05:54,190 Priestess of
01:05:54,200 → 01:05:59,589 bacus and she he uses the I am and the I
01:05:59,599 → 01:06:03,150 am is the meter of the
01:06:03,160 → 01:06:06,549 mocking the prophetes that we're going
01:06:06,559 → 01:06:11,390 to sacrifice to your grade is the
01:06:11,400 → 01:06:16,230 mocker you do not have the rock without
Section 141: 01:06:16,240 – 01:06:56,069
01:06:16,240 → 01:06:20,069 mock do you get it if you are not
01:06:20,079 → 01:06:22,230 mocking you are not
01:06:22,240 → 01:06:25,109 rocking people that's pretty good
01:06:25,119 → 01:06:26,230 somebody
01:06:26,240 → 01:06:28,349 write that
01:06:28,359 → 01:06:32,109 down write that down um why because
01:06:32,119 → 01:06:34,230 that's where the music comes
01:06:34,240 → 01:06:38,069 from do you see well who is I Ami by the
01:06:38,079 → 01:06:41,950 way oh God I Ami was hilarious um demer
01:06:41,960 → 01:06:43,589 was mourning her
01:06:43,599 → 01:06:45,870 daughter right she's mourning her
01:06:45,880 → 01:06:49,430 daughter who's gone missing into the
01:06:49,440 → 01:06:52,109 underworld right worse
01:06:52,119 → 01:06:56,069 yet and what happens
Section 142: 01:06:56,079 – 01:07:26,020
01:06:56,079 → 01:06:59,430 well she's sad and iambi cheers her up
01:06:59,440 → 01:07:01,470 and how does iambi cheer her up she
01:07:01,480 → 01:07:04,510 flashes her her
01:07:04,520 → 01:07:08,549 vagina now I guess you maybe had to be
01:07:08,559 → 01:07:11,549 there but it was
01:07:11,559 → 01:07:13,430 hilarious
01:07:13,440 → 01:07:16,630 right when you see the Bic
01:07:16,640 → 01:07:20,549 troops the Mead priestesses
01:07:20,559 → 01:07:24,510 dancing don't be surprised if you get
01:07:24,520 → 01:07:26,020 flashed don't be
Section 143: 01:07:26,030 – 01:07:27,349
01:07:26,030 → 01:07:27,349 [Music]
Section 144: 01:07:27,359 – 01:08:03,910
01:07:27,359 → 01:07:31,069 surprised oh God you know what they
01:07:31,079 → 01:07:33,549 carry with them they carry with them a
01:07:33,559 → 01:07:36,230 giant fallace
01:07:36,240 → 01:07:39,269 bro right now don't get too close I know
01:07:39,279 → 01:07:41,910 it looks good on the surface but you're
01:07:41,920 → 01:07:44,829 going to get drugged and you may be the
01:07:44,839 → 01:07:47,349 blood that they have to consume in the
01:07:47,359 → 01:07:50,069 blood and flesh
01:07:50,079 → 01:07:52,630 meal I don't know is that a good way to
01:07:52,640 → 01:07:56,269 go maybe it's worth it
01:07:56,279 → 01:07:57,510 maybe it's worth it if you're going to
01:07:57,520 → 01:07:59,870 go out anywhere you know what I
01:07:59,880 → 01:08:03,910 mean yeah exactly bring some bring some
Section 145: 01:08:03,920 – 01:08:23,630
01:08:03,920 → 01:08:07,630 Unix here I'll use this one over
01:08:07,640 → 01:08:10,349 here he's not
01:08:10,359 → 01:08:13,269 moving I think something's wrong get up
01:08:13,279 → 01:08:16,390 you defective unic you're supposed to
01:08:16,400 → 01:08:23,630 entertain
Section 146: 01:08:23,640 – 01:09:05,829
01:08:23,640 → 01:08:26,829 me let's go to the next one let's go to
01:08:26,839 → 01:08:29,189 the next one I'm sorry I've got to get
01:08:29,199 → 01:08:31,189 that out every once in a while it just
01:08:31,199 → 01:08:33,269 brings it to me couple more priest of
01:08:33,279 → 01:08:37,309 Apollo please what does it mean to
01:08:37,319 → 01:08:39,630 Foo remember before I told you it meant
01:08:42,319 → 01:08:43,829 purify
01:08:43,839 → 01:08:47,149 right and it said I said it means to Foy
01:08:47,159 → 01:08:51,550 bzo also what is the for Bing to
01:08:51,560 → 01:08:55,110 prophesy to prophesy look at number two
01:08:55,120 → 01:08:58,070 two to
01:08:58,080 → 01:09:03,269 inspire if you are a child of
01:09:03,279 → 01:09:05,829 Apollo you
Section 147: 01:09:05,839 – 01:09:14,149
01:09:05,839 → 01:09:07,829 use your
01:09:07,839 → 01:09:14,149 instrument to inspire
Section 148: 01:09:14,159 – 01:09:42,829
01:09:14,159 → 01:09:16,430 us isn't that
01:09:16,440 → 01:09:20,430 amazing isn't that amazing what is the
01:09:20,440 → 01:09:25,870 Oracle using she's using her voice
01:09:25,880 → 01:09:28,709 the combination of that
01:09:28,719 → 01:09:31,470 tone with the
01:09:31,480 → 01:09:37,110 speech she's using it to Mesmerize
01:09:37,120 → 01:09:42,829 you to inspire you your
Section 149: 01:09:42,839 – 01:09:58,550
01:09:42,839 → 01:09:48,070 strings your strings belong to
01:09:48,080 → 01:09:52,829 Zeus they are the
01:09:52,839 → 01:09:58,550 lightning your strings contain a her
Section 150: 01:09:58,560 – 01:10:30,910
01:09:58,560 → 01:10:03,350 voice oh God people number one if you're
01:10:03,360 → 01:10:05,229 sitting there still and you don't feel
01:10:05,239 → 01:10:07,350 dumb like I do because I do when I read
01:10:07,360 → 01:10:09,870 this stuff I feel
01:10:09,880 → 01:10:12,229 dumb and I'm having to try to figure it
01:10:12,239 → 01:10:14,990 out I'm sitting in the corner I'm
01:10:15,000 → 01:10:18,630 walking around like you know chewy will
01:10:18,640 → 01:10:21,550 catch me and I'll be staring off out the
01:10:21,560 → 01:10:24,709 window into space What are you doing
01:10:24,719 → 01:10:25,910 well I'm trying trying to figure out
01:10:25,920 → 01:10:28,149 what the hell this means right I'm just
01:10:28,159 → 01:10:30,910 trying to calculate I don't think I can
Section 151: 01:10:30,920 – 01:11:16,189
01:10:30,920 → 01:10:33,750 calculate right I know it's beautiful
01:10:33,760 → 01:10:36,189 though isn't that amazing people what is
01:10:36,199 → 01:10:39,030 the voice from the strings what is the
01:10:39,040 → 01:10:41,590 voice from the
01:10:41,600 → 01:10:45,990 strings yeah it's the
01:10:46,000 → 01:10:47,590 mystery
01:10:47,600 → 01:10:51,470 God God where are you oh don't you want
01:10:51,480 → 01:10:54,390 her bring her back up bring her back up
01:10:54,400 → 01:10:57,750 the one that you had before right the
01:10:57,760 → 01:10:59,830 one that we had before that we met and
01:10:59,840 → 01:11:04,110 where did we meet her was she in this
01:11:04,120 → 01:11:06,470 thanks that's right bring her back up
01:11:06,480 → 01:11:09,470 here she is you say she doesn't look too
01:11:09,480 → 01:11:12,149 dangerous to me don't don't that's the
01:11:12,159 → 01:11:14,430 whole point people right zo that's the
01:11:14,440 → 01:11:16,189 whole
Section 152: 01:11:16,199 – 01:11:57,830
01:11:16,199 → 01:11:19,669 point God right you know you're going to
01:11:19,679 → 01:11:23,189 cuz you're drawn you can't help it right
01:11:23,199 → 01:11:25,830 kill me right is that what means I'm
01:11:25,840 → 01:11:27,430 going to kill you and I'm going to raise
01:11:27,440 → 01:11:29,870 you from the dead that's the ultimate
01:11:29,880 → 01:11:33,830 that's what we've all been looking
01:11:33,840 → 01:11:36,790 for this whole time could have saved a
01:11:36,800 → 01:11:37,870 lot of
01:11:37,880 → 01:11:41,070 dating right it could have saved a lot
01:11:41,080 → 01:11:43,910 just give me the right just give me the
01:11:43,920 → 01:11:47,709 right and let me hear your voice the
01:11:47,719 → 01:11:52,430 Gates of Hell Prevail Against The kora's
01:11:52,440 → 01:11:57,830 Voice
Section 153: 01:11:57,840 – 01:12:38,870
01:11:57,840 → 01:12:00,790 what do we have to do we have to open
01:12:00,800 → 01:12:05,030 them we have to open them do you see
01:12:05,040 → 01:12:07,189 what a great danger this
01:12:07,199 → 01:12:10,070 is my God man where are the physicists
01:12:10,080 → 01:12:12,910 who do the music seriously shouldn't
01:12:12,920 → 01:12:15,430 there be some in the department of you
01:12:15,440 → 01:12:17,470 know I know that they talk about the
01:12:17,480 → 01:12:19,750 bloody HTS and whatnot that's not what
01:12:19,760 → 01:12:24,149 I'm talking about give me the next
01:12:24,159 → 01:12:29,270 one boom someday right someday It's A
01:12:29,280 → 01:12:31,310 Hard Knock
01:12:31,320 → 01:12:35,350 Life That's a wrong performance I people
01:12:35,360 → 01:12:37,070 I want you to see that three boss that
01:12:37,080 → 01:12:38,870 Warner Beaten
Section 154: 01:12:38,880 – 01:13:24,550
01:12:38,880 → 01:12:40,870 Track right and I want you to look at
01:12:40,880 → 01:12:43,229 Roman numeral number two this is a
01:12:43,239 → 01:12:47,629 rubbing a
01:12:47,639 → 01:12:49,830 friction do you remember what Mary
01:12:49,840 → 01:12:51,350 Magdalene
01:12:51,360 → 01:12:55,790 does right she treos
01:12:55,800 → 01:12:59,270 the um
01:12:59,280 → 01:13:01,790 alabastron she rubs it and people say
01:13:01,800 → 01:13:04,270 she breaks it right because they're
01:13:04,280 → 01:13:07,149 idiots right and the translation suck
01:13:07,159 → 01:13:10,110 like seriously that's a great way to
01:13:10,120 → 01:13:11,830 make perfume put it in a container you
01:13:11,840 → 01:13:15,470 got to smash to get it out of no she's
01:13:15,480 → 01:13:19,229 rubbing it she's rubbing it just like
01:13:19,239 → 01:13:21,310 the lady is doing with the oil on the
01:13:21,320 → 01:13:24,550 alabastron in Aristophanes when she
Section 155: 01:13:24,560 – 01:14:10,070
01:13:24,560 → 01:13:25,669 offers it
01:13:26,719 → 01:13:29,910 her sexually aroused
01:13:29,920 → 01:13:32,590 husband
01:13:32,600 → 01:13:35,270 okay well within the confines of
01:13:35,280 → 01:13:37,709 marriage where's the
01:13:37,719 → 01:13:42,350 pope one for
01:13:42,360 → 01:13:45,149 you oh do you want to put oh everybody
01:13:45,159 → 01:13:46,350 at this
01:13:46,360 → 01:13:47,870 time
01:13:47,880 → 01:13:50,790 please please and it gets my goat that
01:13:50,800 → 01:13:53,350 nobody is considerate enough to do this
01:13:53,360 → 01:13:57,110 but let us B bow our heads and pray
01:13:57,120 → 01:14:00,470 right let's bow our heads and pray why'
01:14:00,480 → 01:14:02,510 you have to take you can't have Penelope
01:14:02,520 → 01:14:10,070 in the and the pope at the same time why
Section 156: 01:14:10,080 – 01:14:39,030
01:14:10,080 → 01:14:13,750 not you have to edit them together okay
01:14:13,760 → 01:14:15,709 well thanks for showing up Penelope
01:14:15,719 → 01:14:17,310 because people keep asking you still
01:14:17,320 → 01:14:19,669 Penelope yeah and the point of penelopy
01:14:19,679 → 01:14:22,149 was what people look what the cross
01:14:22,159 → 01:14:25,550 covers it covers a multitude of s
01:14:25,560 → 01:14:27,189 but that doesn't matter when you're
01:14:27,199 → 01:14:32,629 choking the
01:14:32,639 → 01:14:39,030 pope ow God give him that love of Life
Section 157: 01:14:39,040 – 01:15:18,990
01:14:39,040 → 01:14:41,430 where's the last we have one last two
01:14:41,440 → 01:14:44,270 last slides here tonight people and some
01:14:44,280 → 01:14:46,390 serious couple of serious things to
01:14:46,400 → 01:14:49,310 learn go ahead was it that one yeah
01:14:49,320 → 01:14:50,910 right what does she say that she's going
01:14:50,920 → 01:14:53,910 to do she's going to enter this race and
01:14:53,920 → 01:14:56,950 blast through the story line um full
01:14:56,960 → 01:15:00,149 speed right says she is going to find a
01:15:00,159 → 01:15:03,910 way oh God again is that our fifth way I
01:15:03,920 → 01:15:05,030 think that's the
01:15:05,040 → 01:15:08,669 fifth right The
01:15:08,679 → 01:15:11,110 Exodus a way
01:15:11,120 → 01:15:15,510 out a pathway flowing out for her loon
01:15:15,520 → 01:15:18,990 epon her words that are
Section 158: 01:15:19,000 – 01:15:36,430
01:15:19,000 → 01:15:21,709 loon we call
01:15:21,719 → 01:15:25,149 Apollo loxius
01:15:25,159 → 01:15:28,990 because his prophecy is a
01:15:29,000 → 01:15:31,189 skew it means a
01:15:31,199 → 01:15:36,430 skew G
Section 159: 01:15:36,440 – 01:16:04,189
01:15:36,440 → 01:15:38,310 geometrically and if you don't
01:15:38,320 → 01:15:41,070 understand that it's because you're
01:15:41,080 → 01:15:45,990 not at that level of the
01:15:46,000 → 01:15:49,430 Oracle right did they drug this guy oh
01:15:49,440 → 01:15:53,910 God I don't think so and I am going to
01:15:53,920 → 01:15:57,590 be as that Oracle the person with the
01:15:57,600 → 01:16:02,310 wings the runner with the
01:16:02,320 → 01:16:04,189 wings
Section 160: 01:16:04,199 – 01:16:25,270
01:16:04,199 → 01:16:06,510 yeah do you
01:16:06,520 → 01:16:09,350 understand the race that she is talking
01:16:09,360 → 01:16:14,030 about running here do you understand
01:16:14,040 → 01:16:18,390 that in this most complex of
01:16:18,400 → 01:16:21,470 Greek to the level that I am able to
01:16:21,480 → 01:16:25,270 take you right now
Section 161: 01:16:25,280 – 01:16:57,669
01:16:25,280 → 01:16:27,390 that this is all about a
01:16:27,400 → 01:16:30,950 voice a voice of an
01:16:30,960 → 01:16:34,830 oracle that is created through a very
01:16:34,840 → 01:16:38,550 specific set of circumstances actions
01:16:38,560 → 01:16:39,990 and a
01:16:40,000 → 01:16:44,030 performance a voice that can
01:16:44,040 → 01:16:47,550 Bridge the past the present and the
01:16:47,560 → 01:16:52,350 future by means of enigma born from a
01:16:52,360 → 01:16:57,669 virgin
Section 162: 01:16:57,679 – 01:17:19,669
01:16:57,679 → 01:16:59,709 what a
01:16:59,719 → 01:17:03,510 society what a society people we all
01:17:03,520 → 01:17:04,870 stepped out of the ship and we're
01:17:04,880 → 01:17:06,550 watching this and it's like watching
01:17:06,560 → 01:17:10,310 somebody on the
01:17:10,320 → 01:17:13,830 moon and it's from these
01:17:13,840 → 01:17:19,669 people that the promise
Section 163: 01:17:19,679 – 01:17:33,590
01:17:19,679 → 01:17:22,350 came that the
01:17:22,360 → 01:17:24,990 lightning carried
01:17:25,000 → 01:17:27,629 that voice of
01:17:27,639 → 01:17:33,590 freedom bakus is bathed and born
Section 164: 01:17:33,600 – 01:18:03,470
01:17:33,600 → 01:17:35,709 in the
01:17:35,719 → 01:17:38,590 lightning let him
01:17:38,600 → 01:17:41,750 free thank you for coming
01:17:41,760 → 01:17:46,229 tonight I am going to be jumping head
01:17:46,239 → 01:17:49,830 first into the composition of my seven
01:17:49,840 → 01:17:52,229 songs for the
01:17:52,239 → 01:17:57,070 resurrection of Jesus Christ in New
01:17:57,080 → 01:18:00,110 York I will be giving you next week just
01:18:00,120 → 01:18:03,470 little slices of these
Section 165: 01:18:03,480 – 01:18:32,629
01:18:03,480 → 01:18:05,550 songs and I'm
01:18:05,560 → 01:18:09,430 hoping that we can somehow get you a
01:18:09,440 → 01:18:13,669 seat at the performance Maybe by way of
01:18:13,679 → 01:18:17,229 you know lady
01:18:17,239 → 01:18:20,310 Babylon fantastic I love the fact that
01:18:20,320 → 01:18:24,830 you coming here in order to see the
01:18:24,840 → 01:18:26,790 deepest darkest
01:18:26,800 → 01:18:32,629 esoteric text that reveals to us Tanta
Section 166: 01:18:32,639 – 01:19:25,790
01:18:32,639 → 01:18:33,830 the
01:18:33,840 → 01:18:36,229 all thank you for coming
01:18:36,239 → 01:18:39,750 tonight hail Satan address the blood
01:18:39,760 → 01:18:42,870 sacrifice for full pieces discharge it's
01:18:42,880 → 01:18:46,390 on the cycle bring the knife rum a pump
01:18:46,400 → 01:18:49,390 pump with her old way the mystery
01:18:49,400 → 01:18:52,950 goddess bring the [\h__\h] pain magic
01:18:52,960 → 01:18:56,390 dress on the amazoni yeah spitting drank
01:18:56,400 → 01:19:00,070 it Venom all over you over Kims to the
01:19:00,080 → 01:19:03,310 Moon people swon from just a little bit
01:19:03,320 → 01:19:08,550 of dope Hil Satan sing The Muse tragedy
01:19:08,560 → 01:19:12,070 and doom hot purple in your eyes take a
01:19:12,080 → 01:19:16,350 hit let's go get stone got crucified
01:19:16,360 → 01:19:19,350 just the other day with Jesus he was
01:19:19,360 → 01:19:22,149 trying to buy scorpion venom with the
01:19:22,159 → 01:19:25,790 Epstein Client List if he can
Section 167: 01:19:25,800 – 01:19:52,669
01:19:25,800 → 01:19:28,270 on every pedophile working for the
01:19:28,280 → 01:19:31,070 Vatican in the Catholic Church you know
01:19:31,080 → 01:19:35,270 he would in a heart beat so they merked
01:19:35,280 → 01:19:37,470 them
01:19:37,480 → 01:19:40,590 AB at the
01:19:40,600 → 01:19:44,030 M Amazon Sugar
01:19:44,040 → 01:19:52,669 Queen Nikki with the high
Section 168: 01:19:52,679 – 01:20:05,760
01:19:52,679 → 01:20:02,110 purple the pop
01:20:02,120 → 01:20:05,760 joke the pop